Author | Italo Calvino |
---|---|
Original title | Il cavaliere inesistente |
Cover artist | Paolo Uccello, The Battle of San Romano |
Language | Italian |
Publication date | 1959 |
Published in English | 1962 |
The Nonexistent Knight (Italian: Il cavaliere inesistente) is an allegorical fantasy novel by Italian writer Italo Calvino, first published in Italian in 1959 and in English translation in 1962.
The tale explores questions of identity, integration with society, and virtue through the adventures of Agilulf, a medieval knight who exemplifies chivalry, piety, and faithfulness but exists only as an empty suit of armour.
The protagonists of this novel are two paladins of Charlemagne: the titular non-existent knight, named Agilulf (he is in fact a lucid empty suit of armor), and an inexperienced and passionate young man, Rambaldo. The latter, having arrived at the camp of paladins at the beginning of the novel, wants to avenge his father's death, caused by the Argalif Isoarre; Agilulf instead fights for duty, convinced of his faith, with a value that is admired by all the paladins, but also with a remarkable sense of duty, of precision in controlling the progress of the duties of others and their duties, for which the fellow soldiers find it as capable as it is unpleasant. During the move that Charlemagne made with his paladins to clash with the enemies, they met Gurdulù, a vagabond who let himself be guided by instinct without thinking, and who will be assigned as a squire to Agilulf by order of Charlemagne.
When the battle begins, Rambaldo tries in every way to clash with the murderer of his father, who finally dies because, deprived of his glasses by the boy himself, he is no longer able to defend himself (the Argalif Isoarre is very short-sighted, therefore without glasses he cannot see and direct the course of the battle). Later the young man falls into an ambush, but is saved by the intervention of another knight with a periwinkle armor that, after fighting, moves away without saying a word. Returning to the camp on foot (during the battle his horse died), Rambaldo accidentally discovers that the valiant knight is actually a very charming woman, Bradamante, whom he immediately falls in love with. But the young woman is not interested in him but in Agilulf, the non-existent knight.
During a banquet, the young Torrismondo reveals unexpected facts about the Agilulf knight. In fact he affirms that Sophronia, daughter of the king of Scotland, the woman who Agilulf had saved from the abuse of two brigands fifteen years before, was already then mother of Torrismondo, and therefore was certainly not a virgin; consequently the assignment of the title of knight to Agilulf for having saved a virgin from violence is not valid. The revelation throws the knight into a panic, who, by honor, decides to go and find the girl to prove that she was still pure at the time. Agilulf leaves, followed by Bradamante infatuated with him, who in turn is pursued by Rambaldo, in love with her. On the same evening Torrismondo also left to find his father, or one of the knights of the "Sacred Order of the Knights of the Grail", and to be recognized as a son by this order (given that his mother had revealed that he had conceived it by one of the many knights with whom she had joined, but to consider the whole order father of the child). Torrismondo finds the knights of the Grail, but loses his last hopes when they reveal themselves as a mystical sect, estranged from reality and moreover devoid of ethical conscience and tolerance towards those who do not belong to their order (the first evening after their meeting with Torrismondo, the young man sees them with dismay as they raid a village).
are described briefly, and which lead him to Scotland and then to Morocco, Agilulf finds the woman he was looking for, Sophronia, in the harem of an Arab nobleman, still unharmed, and brings her back to the battlefield of the Franks, to finally prove to the Emperor that the woman was a virgin when he had saved her, and indeed is still a virgin. Torrismondo, however, arrives near the cave where his alleged mother had hidden, and they both surrender to the passion of love, and that is enough to frustrate Agilulf's effort. Eventually it will be discovered that Torrismondo is not the son of Sofronia, but her brother. The two siblings then discover themselves to be half-siblings, and in the end it will be known that Torrismondo is the son of the Queen of Scotland and of the Holy Order, while Sophronia was born years before by the king of Scotland and a peasant woman, and therefore the two, not being relatives, are free to love each other. Agilulf, therefore, has every right to be a knight, but unfortunately, before he can know the truth, he has already taken his own life: before dissolving he bequeaths his white armor to Rambaldo.
Right then a Moorish army makes landing, led by the Muslim nobleman from whose harem Sophronia was freed, a battle is joined between Christians and Saracens, during which Rambaldo dons Agilulf's armor...the pristine, shining coat of armor gets pierced, dented and splattered in blood during the fight (while it always remained spotless while the Nonexistent Knight "inhabited" it...and, after the battle is won by the christian side, Bradamante throws herself at Rambaldo, believing him to be Agilulf. The two consummate their love, with Bradamante so enraptured that she fails to recognize Rambaldo, save at the end. She gets enraged and flees the premises when she realizes that her 'beloved' Agilulf has ceased to exist for good.
Some time later, Sofronia and Torrismondo, now married, and Gurdulù, who seems to be in possession of reasoning skills, settle in a village that the Templars had raided, and they are amazed that the inhabitants had the opportunity to hunt the Templars alone, without the help of any knight. To tell the whole story is a nun, Sister Teodora, who only at the end reveals that she is nothing but Bradamante, still sought after by Rambaldo. Finally, Rambaldo arrives at the monastery and escapes with Bradamante, who leaves his narrative unfinished.
Agilulf exists only as the fulfilment of the rules and protocols of knighthood. This theme is strongly connected to modern conditions: Agilulf has been described as "the symbol of the 'robotized' man, who performs bureaucratic acts with near-absolute unconsciousness." [1] The romance satirises Agilulf as the ideal man yet nonexistent along with many suggestions that Sister Theodora is making up most of the story. In the end, she understands that such a perfect knight could live only in one's imagination.
The idea of confusion of one's own identity with others and the outside world continued to be developed in Calvino's later works. [2]
The Nonexistent Knight was collected together with The Cloven Viscount and The Baron in the Trees in a single volume, Our Ancestors , for which Calvino was awarded the Salento Prize in 1960. [3] The book was adapted into an animated film by Italian director Pino Zac in 1970. [4]
Italo Calvino was an Italian writer and journalist. His best-known works include the Our Ancestors trilogy (1952–1959), the Cosmicomics collection of short stories (1965), and the novels Invisible Cities (1972) and If on a winter's night a traveler (1979).
Cosmicomics is a collection of twelve short stories by Italo Calvino first published in Italian in 1965 and in English in 1968. The stories were originally published between 1964 and 1965 in the Italian periodicals Il Caffè and Il Giorno. Each story takes a scientific theory, and builds an imaginative story around it. An always-extant being called Qfwfq explicitly narrates all of the stories save two. Every story is a memory of an event in the history of the universe.
Orlando furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato. In its historical setting and characters, it shares some features with the Old French Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.
Alcina is a 1735 opera seria by George Frideric Handel. Handel used the libretto of L'isola di Alcina, an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's Orlando furioso, an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé.
Renaudde Montauban was a legendary hero and knight which appeared in a 12th-century Old French chanson de geste known as The Four Sons of Aymon. The four sons of Duke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magician Maugris. Renaud possesses the magical horse Bayard and the sword Froberge.
The Matter of France, also known as the Carolingian cycle, is a body of literature and legendary material associated with the history of France, in particular involving Charlemagne and his associates. The cycle springs from the Old French chansons de geste, and was later adapted into a variety of art forms, including Renaissance epics and operas. Together with the Matter of Britain, which concerned King Arthur, and the Matter of Rome, comprising material derived from and inspired by classical mythology, it was one of the great European literary cycles that figured repeatedly in medieval literature.
Orlando Innamorato is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 and 1495.
Jerusalem Delivered, also known as The Liberation of Jerusalem, is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade in which Christian knights, led by Godfrey of Bouillon, battle Muslims in order to take Jerusalem. Tasso began work on the poem in the mid-1560s. Originally, it bore the title Il Goffredo. It was completed in April 1575 and that summer the poet read his work to Duke Alfonso of Ferrara and Lucrezia, Duchess of Urbino. A pirate edition of 14 cantos from the poem appeared in Venice in 1580. The first complete editions of Gerusalemme liberata were published in Parma and Ferrara in 1581.
Bradamante is a fictional knight heroine in two epic poems of the Renaissance: Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Since the poems exerted a wide influence on later culture, she became a recurring character in Western art.
The Canary Prince is an Italian fairy tale, the 18th tale in Italian Folktales by Italo Calvino. He took the tale from Turin, making various stylistic changes; he noted it developed a medieval motif, but such tales as Marie de France's Yonec produced a rather different effect, being tales of adultery. A variant on Rapunzel, Aarne–Thompson type 310, The Maiden in the Tower, it includes many motifs that differentiate it from that tale. Other fairy tales of this type include Anthousa, Xanthousa, Chrisomalousa, Petrosinella, Prunella, and Rapunzel.
The Baron in the Trees is a 1957 novel by Italian writer Italo Calvino. Described as a conte philosophique and a metaphor for independence, it tells the adventures of a boy who climbs up a tree to spend the rest of his life inhabiting an arboreal kingdom. Calvino published a new version of the novel in 1959.
"The Little Girl Sold with the Pears" is an Italian fairy tale published by Italo Calvino in Italian Folktales, from Piedmont. Ruth Manning-Sanders included a variant, as "The Girl in the Basket", in A Book of Ogres and Trolls.
Ruggiero is a leading character in the Italian romantic epics Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Ruggiero had originally appeared in the twelfth-century French epic Aspremont, reworked by Andrea da Barberino as the chivalric romance Aspramonte. In Boiardo and Ariosto's works, he is supposed to be the ancestor of Boiardo and Ariosto's patrons, the Este family of Ferrara, and he plays a major role in the two poems.
The Paladins, also called the Twelve Peers, are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them led by Roland. The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.
The Cloven Viscount is a fantasy novel by Italian writer Italo Calvino. It was first published by Einaudi (Turin) in 1952 and in English in 1962 by William Collins, with a translation by Archibald Colquhoun.
Armida Abbandonata is an opera in three acts by the Italian composer Niccolò Jommelli. The libretto, by Francesco Saverio De Rogatis, is based on the epic poem Jerusalem Delivered by Torquato Tasso. The opera was first performed at the Teatro San Carlo, Naples, on 30 May 1770. The young Wolfgang Amadeus Mozart was in the audience. He described the work as "beautiful but too serious and old-fashioned for the theatre". Nevertheless, despite a lukewarm reception at its premiere, Armida abbandonata was widely performed throughout Italy in the following years.
Cross-dressing as a literary motif is well attested in older literature but is becoming increasingly popular in modern literature as well. It is often associated with character nonconformity and sexuality rather than gender identity.
Giufà, or Giucà as he is referred to in some areas of the country, is a character of Italian folklore. His antics have been retold and memorized through centuries of oral tradition. Although the anecdotes from his life mainly revolve around the southern Italian and Sicilian lifestyle, his character traits are visible in the folk characters of many Mediterranean cultures. In fact, scholars suggest that the character Giufà developed from stories of Nasrudin, a Turkish folk character. It is believed that during Islamic rule of the island of Sicily, stories of this man were absorbed into the Sicilian oral tradition, transformed to exemplify cultural norms and eventually transmitted throughout southern Italy. Although Giufà is most often recognized as the "village fool", his actions and words usually serve to provide a moral message. It is his peers' reactions, rather than Giufà's outrageous behavior, that are judged at the end of each story.
Archibald Colquhoun (1912–1964) was a leading translator of modern Italian literature into English. He studied at Ampleforth College, Oxford University, and the Royal College of Art. Originally a painter, he worked as director of the British Institute in Naples before the Second World War, and in Seville after the war. He worked in British intelligence during wartime. He later headed Oxford University Press' initiative to bring out Italian literary classics in translation. He scored his biggest success with Lampedusa's The Leopard, a translation that is still in print. He was also one of the first translators to introduce Italo Calvino to Anglophone readers. He was the first winner of the PEN Translation Prize, which he won for his translation of Federico de Roberto's The Viceroys. He also wrote a biography of Alessandro Manzoni.
Agilulf was a king of the Lombards. In Italian he is known as Agilulfo.