Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, mantling or "lambrequin" is drapery tied to the helmet above the shield. In paper heraldry it is a depiction of the protective cloth covering worn by knights from their helmets to stave off the elements, and, secondarily, to decrease the effects of sword-blows against the helmet in battle, from which it is usually shown tattered or cut to shreds; less often it is shown as an intact drape, principally in those cases where clergy use a helmet and mantling, although this is usually the artist's discretion and done for decorative rather than symbolic reasons.
In British heraldry, a coronet is any crown whose bearer is less than sovereign or royal in rank, irrespective of the crown's appearance. In other languages, this distinction is not made, and usually the same word for crown is used irrespective of rank In this use, the English coronet is a purely technical term for all heraldic images of crowns not used by a sovereign, and implies nothing about the actual shape of the crown depicted. A Coronet is another type of crown, but is reserved for the lower ranks of nobility like Marquesses and Marchionesses, Earls and Countesses, Barons and Baronesses, and some Lords and Ladies. The specific design and attributes of the crown or coronet signifies the hierarchy and ranking of its owner.
A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
In heraldry, a torse or wreath is a twisted roll of fabric laid about the top of the helmet and the base of the crest. It has the dual purpose of masking the join between helm and crest, and of holding the mantling in place.
Swedish heraldry encompasses heraldic achievements in modern and historic Sweden. Swedish heraldic style is consistent with the German-Nordic heraldic tradition, noted for its multiple helmets and crests which are treated as inseparable from the shield, its repetition of colours and charges between the shield and the crest, and its scant use of heraldic furs. Because the medieval history of the Nordic countries was so closely related, their heraldic individuality developed rather late. Swedish and Finnish heraldry have a shared history prior to the Diet of Porvoo in 1809; these, together with Danish heraldry, were heavily influenced by German heraldry. Unlike the highly stylized and macaronic language of English blazon, Swedish heraldry is described in plain language, using only Swedish terminology.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
Norwegian heraldry has roots in early medieval times, soon after the use of coats of arms first appeared in continental Europe. Some of the medieval coats of arms are rather simple of design, while others have more naturalistic charges. The king-granted coats of arms of later times were usually detailed and complex. Especially in the late 17th century and the 18th century, many ennobled persons and families received coats of arms with shields containing both two and four fields, and some even with an inescutcheon above these.
The tradition and art of heraldry first appeared in Spain at about the beginning of the eleventh century AD and its origin was similar to other European countries: the need for knights and nobles to distinguish themselves from one another on the battlefield, in jousts and in tournaments. Knights wore armor from head to toe and were often in leadership positions, so it was essential to be able to identify them on the battlefield.
Canadian royal symbols are the visual and auditory identifiers of the Canadian monarchy, including the viceroys, in the country's federal and provincial jurisdictions. These may specifically distinguish organizations that derive their authority from the Crown, establishments with royal associations, or merely be ways of expressing loyal or patriotic sentiment.
Ecclesiastical heraldry refers to the use of heraldry within Christianity for dioceses, organisations and Christian clergy. Initially used to mark documents, ecclesiastical heraldry evolved as a system for identifying people and dioceses. It is most formalized within the Catholic Church, where most bishops, including the Pope, have a personal coat of arms. Clergy in Anglican, Lutheran, Eastern Catholic and Eastern Orthodox churches follow similar customs, as do institutions such as schools and dioceses.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Danish heraldry has its roots in medieval times when coats of arms first appeared in Europe. Danish heraldry is a branch of the German-Nordic heraldic tradition.
Canadian heraldry is the cultural tradition and style of coats of arms and other heraldic achievements in both modern and historic Canada. It includes national, provincial, and civic arms, noble and personal arms, ecclesiastical heraldry, heraldic displays as corporate logos, and Canadian blazonry.
In heraldic achievements, the helmet or helm is situated above the shield and bears the torse and crest. The style of helmet displayed varies according to rank and social status, and these styles developed over time, in step with the development of actual military helmets. In some traditions, especially German and Nordic heraldry, two or three helmets may be used in a single achievement of arms, each representing a fief to which the bearer has a right. For this reason, the helmets and crests in German and Nordic arms are considered essential to the coat of arms and are never separated from it.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
In heraldry, a mantle is a symbol of sovereign power and is generally reserved for royalty. In some cases, its use has also been granted to other nobles, in recognition of particular merits. In ordinary rendering, the mantle is usually crimson and lined with ermine.
The coat of arms of the Prince of Wales is the official personal heraldic insignia of the Princes of Wales, a title traditionally granted to the heir apparent of the reigning monarch of the United Kingdom of Great Britain and Northern Ireland, formerly the Kingdom of Great Britain and before that the Kingdom of England.
Heraldryportal 
