Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
Öland is a province of Sweden and, like many of Sweden's provinces, was granted a coat of arms in preparation for the funeral of Gustav Vasa in 1560. Confusion arose between Öland's arms with one deer and Åland's arms with two deer and nine roses, resulting in Öland bearing the wrong coat of arms from the 1880s until an audit in 1944.
The coat of arms of Åland features a golden red deer on a blue field. This is traditionally surmounted by a comital coronet of the elder Swedish style.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The coat of arms of Russia derives from the earlier coat of arms of the Russian Empire. Though modified more than once since the reign of Ivan III (1462–1505), the current coat of arms is directly derived from its medieval original, with the double-headed eagle having Byzantine and earlier antecedents. The general tincture corresponds to the fifteenth-century standard.
The coat of arms of Karelia in Finland were first used in 1562, although the arms were likely presented at the burial of Gustav Vasa in 1560. The arms were used for the Swedish province of Karelia and they have been used continuously since then. Variations of the arms are still used in two regions of Finland: North Karelia and South Karelia, in which the North Karelian version is the original one.
Swedish heraldry encompasses heraldic achievements in modern and historic Sweden. Swedish heraldic style is consistent with the German-Nordic heraldic tradition, noted for its multiple helmets and crests which are treated as inseparable from the shield, its repetition of colours and charges between the shield and the crest, and its scant use of heraldic furs. Because the medieval history of the Nordic countries was so closely related, their heraldic individuality developed rather late. Swedish and Finnish heraldry have a shared history prior to the Diet of Porvoo in 1809; these, together with Danish heraldry, were heavily influenced by German heraldry. Unlike the highly stylized and macaronic language of English blazon, Swedish heraldry is described in plain language, using only Swedish terminology.
The coat of arms of Scotland, colloquially called the Lion Rampant, is the coat of arms historically used as arms of dominion by the monarchs of the Kingdom of Scotland, and later by monarchs of Great Britain and the United Kingdom. The coat of arms, or elements from it, are also used in heraldry to symbolise Scotland in general. The arms consist of a red lion surrounded by a red double border decorated with fleurs-de-lis, all on a gold background. The blazon, or heraldic description, is: Or a lion rampant Gules armed and langued Azure within a double tressure flory-counter-flory of the second.
The coat of arms of Denmark has a lesser and a greater version.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
The rose is a common device in heraldry. It is often used both as a charge on a coat of arms and by itself as an heraldic badge. The heraldic rose has a stylized form consisting of five symmetrical lobes, five barbs, and a circular seed. The rose is one of the most common plant symbols in heraldry, together with the lily, which also has a stylistic representation in the fleur-de-lis.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
This lists those feudal magnates who have held Halland (Hallandia) as fief, or its southern or northern part, as a substantive title.
The coat of arms of Schleswig or Southern Jutland depicts two blue lions in a golden shield. It is the heraldic symbol of the former Duchy of Schleswig, originally a Danish province but later disputed between Danes and Germans. The region has been divided between Germany and Denmark since 1920 and the symbol consequently appears in official heraldry in both countries. It is derived from the national coat of arms of Denmark and has been dated to the middle of the 13th century, first known from the arms of Erik Abelsøn, Duke of Schleswig. Throughout the ages, the design has featured both crowned and uncrowned lions, the lions have occasionally been accompanied by heraldic hearts, and usage between heraldic lions and leopards has shifted. The far most common version was to omit both crowns and hearts and this version has been used exclusively for several centuries.
A crown is often an emblem of a sovereign state, usually a monarchy, but also used by some republics.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
The bear as heraldic charge is not as widely used as the lion, boar or other beasts.
In heraldry, the term attitude describes the position in which a figure is emblazoned as a charge, a supporter, or as a crest. The attitude of a heraldic figure always precedes any reference to the tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry – the heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind".
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
Vide also Dr Antti Matikkala, 'Finnish Heraldic Bookplates', The Heraldic Craftsman, No. 87, January 2015, www.heraldic-arts.com
