This armorial of sovereign states shows the coat of arms, national emblem, or seal for every sovereign state. Although some countries do not have an official national emblem, unofficial emblems which are de facto used as national emblems are also shown below.
Note that due to copyright restrictions in some countries (including Canada, South Africa, and Qatar), some emblems may not be displayed, or may be displayed with slight alterations in appearance from their official rendition, but nonetheless remain faithful to their heraldic description.
| National flags | |
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| National coats of arms | |
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
The conjoined representation of a crescent and a star is used in various historical contexts, including as a prominent symbol of the Ottoman Empire, and in contemporary times, as a national symbol by some countries, and as a symbol of Islam. It was developed in the Greek colony of Byzantium ca. 300 BC, though it became more widely used as the royal emblem of Pontic king Mithridates VI Eupator after he incorporated Byzantium into his kingdom for a short period. During the 5th century, it was present in coins minted by the Persian Sassanian Empire; the symbol was represented in the coins minted across the empire throughout the Middle East for more than 400 years from the 3rd century until the fall of the Sassanians after the Muslim conquest of Persia in the 7th century. The conquering Muslim rulers kept the symbol in their coinage during the early years of the caliphate, as the coins were exact replicas of the Sassanian coins.
The coat of arms of the Republic of Estonia is a golden shield which includes a picture of three left-facing blue lions with red tongues in the middle, with golden oak branches placed on both sides of the shield. The coat of armes was derived from the 13th century royal coat of arms of Denmark, as the Duchy of Estonia (1219–1346) in what now northern Estonia was part of Denmark at the time.
The coat of arms of Russia derives from the earlier coat of arms of the Russian Empire. Though modified more than once since the reign of Ivan III (1462–1505), the current coat of arms is directly derived from its medieval original, with the double-headed eagle having Byzantine and earlier antecedents. The general tincture corresponds to the fifteenth-century standard.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The Coat of arms of the Republic of Latvia was officially adopted by the Constitutional Assembly of Latvia on 15 June 1921, and entered official use starting on 19 August 1921. It was created using new national symbols, as well as elements of the coats of arms of Polish and Swedish Livonia and of the Duchy of Courland and Semigallia. Thus, the coat of arms combines symbols of Latvian national statehood, as well as symbols of its historical regions. The Latvian national coat of arms was designed by Latvian artists Vilhelms Krūmiņš and Rihards Zariņš.
Since 2011, Libya currently does not have an official national emblem. The Constitutional Declaration issued by the National Transitional Council in August 2011 defines the flag of Libya, but does not make any provisions for a coat of arms.
The Emblem of Sudan was adopted in 1985.
The tradition and art of heraldry first appeared in Spain at about the beginning of the eleventh century AD and its origin was similar to other European countries: the need for knights and nobles to distinguish themselves from one another on the battlefield, in jousts and in tournaments. Knights wore armor from head to toe and were often in leadership positions, so it was essential to be able to identify them on the battlefield.
Below is a list of national emblems and coats of arms used by Asian countries, territories and regions.
Socialist-style emblems usually follow a unique style consisting of communist symbolism. Although commonly referred to as coats of arms, most are not actually traditional heraldic achievements. Many communist governments purposely diverged from heraldic tradition in order to distance themselves from the monarchies that they usually replaced, with coats of arms being seen as symbols of the monarchs.
The coat of arms of the Republic of South Sudan was adopted in July 2011 following independence from the Republic of Sudan. Prior to independence, South Sudan was an autonomous region of Sudan.
This gallery shows the coat of arms of each of the Dependent territories in the list of countries.
A national emblem is an emblem or seal that is reserved for use by a nation state or multi-national state as a symbol of that nation. Many nations have a seal or emblem in addition to a national flag.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
