A national myth is an inspiring narrative or anecdote about a nation's past. Such myths often serve as important national symbols and affirm a set of national values. A myth is a mixture of reality and fiction, and operates in a specific social and historical setting. Social myths structure national imaginaries. [1] A national myth may take the form of a national epic, or it may be incorporated into a civil religion. A group of related myths about a nation may be referred to as the national mythos, from μῦθος, Greek for "myth".
A national myth is a narrative which has been elevated to a serious symbolic and esteemed level so as to be true to the nation.[ verification needed ] [2] The national folklore of many nations includes a founding myth, which may involve a struggle against colonialism or a war of independence or unification. In many cases, the meaning of the national myth is disputed among different parts of the population. In some places, the national myth may be spiritual and refer to stories of the nation's founding by a God, several gods, leaders favored by gods, or other supernatural beings.
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National myths often exist only for the purpose of state-sponsored propaganda. In totalitarian dictatorships, the leader might be given, for example, a mythical supernatural life history in order to make them seem god-like and supra-powerful (see also cult of personality). In liberal regimes they can inspire civic virtue and self-sacrifice [3] or consolidate the power of dominant groups and legitimate their rule.
The concept of national identity is inescapably connected with myths. [4] A complex of myths is at the core of nationalistic ethnic identity. [5] Some scholars believe that national identities, supported by invented histories, were constructed only after national movements and national ideologies emerged. [6]
All modern national identities were preceded by nationalist movements.[ verification needed ] [6] Although the term "nation" was used in the Middle Ages, it had usually an ethnic meaning and seldom referred to a state. In the age of nationalism, it was linked to efforts aimed at creating nation-states. [7]
National myths foster national identities. They are important tools of nation-building, [8] which can be done by emphasizing differences between people of different nations. [9] They can cause conflict [10] as they exaggerate threats posed by other nations and minimize the costs of war. [9]
The nationalist myth of a stable homeland community is explained psychoanalytically as the result of the complexity of relations within the modern external world and the incoherence of one's inner psychological world. Nationalist identity facilitates imagined stability. [11]
National myths are created and propagated by national intellectuals, and they can be used as instruments of political mobilization on demographic bases such as ethnicity. [12]
They might over-dramatize true incidents, omit important historical details, or add details for which there is no evidence; or a national myth might simply be a fictional story that no one takes to be true literally. [13]
Traditional myth-making often depended on literary story-tellers — especially epic poets. Ancient Hellenic culture adopted Homer's Ionian Iliad as a justification of its theoretical unity, and Virgil (70–19 BCE) composed the Aeneid in support of the political renewal and reunification of the Roman world after lengthy civil wars. Generations of medieval writers (in poetry and prose) contributed to the Arthurian Matter of Britain, developing what became a focus for English nationalism by adopting British Celtic material. Camões (c. 1524–1580) composed in Macao the Lusiads as a national poetic epic for Portugal. Voltaire attempted a similar work for French mythologised history in the Henriade (1723). Wagnerian opera came to foster German national enthusiasm.
Modern purveyors of national mythologies have tended to appeal to the people more directly through the media. French pamphleteers spread the ideas of Liberty, Equality and Fraternity in the 1790s, and American journalists, politicians, and scholars popularized mythic tropes like "Manifest Destiny", "the Frontier", or the "Arsenal of Democracy". Socialists advocating ideas like the dictatorship of the proletariat have promoted catchy nation-promoting slogans such as "Socialism with Chinese characteristics" and "Kim Il Sung thought". [14]
The ideology of nationalism is related to two myths: the myth of the eternal nation, referring to the permanence of a community, and the myth of common ancestry. [15] These are represented in the particular national myths of various countries and groups.
The national myth of Brazil as a racial democracy was first advanced by Brazilian sociologist Gilberto Freyre in his 1933 work Casa-Grande & Senzala , which argues that Brazilians do not view each other through the lens of race, and that Brazilian society eliminated racism and racial discrimination. Freyre's theory became a source of national pride for Brazil, which contrasted itself favorably vis-a-vis the contemporaneous racial divisions and violence in the United States. [16] [17]
The Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology,. [18] The Kalevala is regarded as the national epic of Karelia and Finland [note 1] It narrates an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists as well as the construction and robbery of the epic mythical wealth-making machine Sampo. [20] The Kalevala was instrumental in the development of the Finnish national identity and the intensification of Finland's language strife that ultimately led to Finland's independence from Russia in 1917. [21] [22]
King Arthur was a legendary noble king that united Britain, laid the foundation to medieval notions of chivalry in western Europe, and was later important for building a common British identity. [23] [24]
According to Greek mythology, the Hellenes descend from Hellen. He is the child of Deucalion (or Zeus) and Pyrrha, and the father of three sons, Dorus, Xuthus, and Aeolus, by whom he is the ancestor of the Greek peoples.
The sagas of Icelanders, [25] also known as family sagas, are one sub-genre or text groups of Icelandic sagas. They are prose narratives mostly based on historical events that mostly took place in Iceland in the ninth, tenth, and early eleventh centuries, during the so-called Saga Age. They were written in Old Icelandic, a western dialect of Old Norse. They are the best-known specimens of Icelandic literature. They are focused on history, especially genealogical and family history. They reflect the struggle and conflict that arose within the societies of the early generations of Icelandic settlers. The Icelandic sagas are valuable and unique historical sources about medieval Scandinavian societies and kingdoms, in particular regarding pre-Christian religion and culture and heroic age.
The Kingdom of Fanes is the national epic of the Ladin people in the Dolomites and the most important part of the Ladin literature. Originally an orally transmitted epic cycle, today it is known through the work of Karl Felix Wolff in 1932, gathered in Dolomitensagen. This legend is part of the larger corpus of the South Tyrolean sagas, whose protagonists are the Fanes themselves. [26]
The Shahnameh is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 distichs or couplets (two-line verses), [27] the Shahnameh is one of the world's longest epic poems, and the longest epic poem created by a single author. [28] [29] [30] It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century.
The Promised Land is Middle Eastern land that Abrahamic religions (which include Judaism, Christianity, Islam, and others) claim their God promised and subsequently gave to Abraham (the legendary patriarch in Abrahamic religions) and several more times to his descendants.The concept of the Promised Land originates from a religious narrative written in the Hebrew religious text, the Torah. [note 2]
In Japanese mythology, Emperor Jimmu is the legendary first emperor of Japan. He is described in the Nihon Shoki and Kojiki . His ascension is traditionally dated as 660 BC. He is said to be a descendant of the sun goddess Amaterasu, through her grandson Ninigi, as well as a descendant of the storm god Susanoo. He launched a military expedition from Hyūga near the Seto Inland Sea, captured Yamato, and established this as his center of power. In modern Japan, Emperor Jimmu's legendary accession is marked as National Foundation Day on February 11. There is no evidence to suggest that Jimmu existed. However, there is a high probability that there was a powerful dynasty in the vicinity of Miyazaki Prefecture during the Kofun period.
The first Korean kingdom is said to have been founded by Dangun, the legendary founder and god-king of Gojoseon, in 2333 BCE. Dangun is said to be the "grandson of heaven" and "son of a bear". The earliest recorded version of the Dangun legend appears in the 13th-century Samguk Yusa , which cites China's Book of Wei and Korea's lost historical record Gogi; it has been confirmed that there is no relevant record in China's Book of Wei . There are around seventeen religious groups involving the worship of Dangun. [31]
The Master race is a Nazi ideology propaganda of pseudoscientific racial theories purporting that ethnic Germans belonged to a superior Aryan or Nordic race, which combined with other antisemitic myths (including stab-in-the-back), which resulted in Nazi Germany and its justification for conquering Europe (for "living space") and for The Holocaust, its genocide of those it mythologized were threats and lesser races, primarily Jews.
The Treaty of Waitangi is a document of central importance to the history of New Zealand, its constitution, and its national mythos. [32] It has played a major role in the treatment of the Māori people in New Zealand by successive governments and the wider population, something that has been especially prominent since the late 20th century. The treaty document is an agreement, not a treaty as recognised in international law, [33] and has no independent legal status. It was first signed on 6 February 1840 by Captain William Hobson as consul for the British Crown and by Māori chiefs ( rangatira ) from the North Island of New Zealand.
Kupe was a legendary [34] Polynesian explorer who was the first person to discover New Zealand, according to Māori oral history. [35] It is likely that Kupe existed historically, but this is difficult to confirm. His voyage to New Zealand ensured that the land was known to the Polynesians, and he would therefore be responsible for the genesis of the Māori people. [36]
The Kosovo Myth is a Serbian national myth based on legends about events related to the Battle of Kosovo (1389). It has been a subject in Serbian folklore and literary tradition and has been cultivated oral epic poetry and guslar poems. The final form of the legend was not created immediately after the battle but evolved from different originators into various versions. In its modern form it emerged in 19th-century Serbia and served as an important constitutive element of the national identity of modern Serbia and its politics.
The American frontier (also known as the Old West or Wild West) is a theme in American mythology that defines the American national identity as brave pioneers who discovered, conquered, and settled the vast wilderness. [37] It affirms individualism, informality, and pragmatism as American values. Richard Slotkin describes this myth as depicting "America as a wide-open land of unlimited opportunity for the strong, ambitious, self-reliant individual to thrust his way to the top." [38] Cowboys, gunfighters, and farmers are commonly appearing archetypes in this myth. The American frontier produced various mythologized figures such as Wild Bill Hickok, Johnny Appleseed, Paul Bunyan, Wyatt Earp, Billy the Kid, Annie Oakley, Doc Holliday, Butch Cassidy, and Davy Crockett. The mythology surrounding the American frontier is immortalized in the Western genre of fiction, particularly Western films and literature.
Nationalism is an idea or movement that holds that the nation should be congruent with the state. As a movement, it presupposes the existence and tends to promote the interests of a particular nation, especially with the aim of gaining and maintaining its sovereignty (self-governance) over its perceived homeland to create a nation-state. It holds that each nation should govern itself, free from outside interference (self-determination), that a nation is a natural and ideal basis for a polity, and that the nation is the only rightful source of political power. It further aims to build and maintain a single national identity, based on a combination of shared social characteristics such as culture, ethnicity, geographic location, language, politics, religion, traditions and belief in a shared singular history, and to promote national unity or solidarity. There are various definitions of a "nation", which leads to different types of nationalism. The two main divergent forms are ethnic nationalism and civic nationalism.
Romantic nationalism is the form of nationalism in which the state claims its political legitimacy as an organic consequence of the unity of those it governs. This includes such factors as language, race, ethnicity, culture, religion, and customs of the nation in its primal sense of those who were born within its culture. It can be applied to ethnic nationalism as well as civic nationalism. Romantic nationalism arose in reaction to dynastic or imperial hegemony, which assessed the legitimacy of the state from the top down, emanating from a monarch or other authority, which justified its existence. Such downward-radiating power might ultimately derive from a god or gods (see the divine right of kings and the Mandate of Heaven).
Religious nationalism can be understood in a number of ways, such as nationalism as a religion itself, a position articulated by Carlton Hayes in his text Nationalism: A Religion, or as the relationship of nationalism to a particular religious belief, dogma, ideology, or affiliation. This relationship can be broken down into two aspects: the politicisation of religion and the influence of religion on politics.
Dangun or Tangun, also known as Dangun Wanggeom, was the legendary founder and first king of Gojoseon, the first Korean kingdom. He founded the first kingdom around the northern part of the Korean Peninsula. He is said to be the "grandson of heaven", "son of a bear", and to have founded the first kingdom in 2333 BC. The earliest recorded version of the Dangun legend appears in the 13th-century Samguk yusa, which cites Korea's lost historical record, Gogi and China's Book of Wei.
Gojoseon, contemporary name Joseon, was the first kingdom on the Korean Peninsula. According to Korean mythology, the kingdom was established by the legendary king Dangun. Gojoseon possessed the most advanced culture in the Korean Peninsula at the time and was an important marker in the progression towards the more centralized states of later periods. The addition of Go, meaning "ancient", is used in historiography to distinguish the kingdom from the Joseon dynasty, founded in 1392 CE.
Korean nationalism can be viewed in two different contexts. One encompasses various movements throughout history to maintain a Korean cultural identity, history, and ethnicity. This ethnic nationalism was mainly forged in opposition to foreign incursion and rule. The second context encompasses how Korean nationalism changed after the partition in 1945. Today, the former tends to predominate.
Historiography is the study of how history is written. One pervasive influence upon the writing of history has been nationalism, a set of beliefs about political legitimacy and cultural identity. Nationalism has provided a significant framework for historical writing in Europe and in those former colonies influenced by Europe since the nineteenth century. Typically official school textbooks are based on the nationalist model and focus on the emergence, trials and successes of the forces of nationalism.
Civic nationalism, otherwise known as democratic nationalism, is a form of nationalism that adheres to traditional liberal values of freedom, tolerance, equality, and individual rights, and is not based on ethnocentrism. Civic nationalists often defend the value of national identity by saying that individuals need it as a partial shared aspect of their identity in order to lead meaningful, autonomous lives and that democratic polities need a national identity to function properly. Liberal nationalism is used in the same sense as 'civic nationalism', but liberal ethnic nationalism also exists, and "state nationalism" is a branch of civic nationalism, but it can also be illiberal.
Russian nationalism is a form of nationalism that promotes Russian cultural identity and unity. Russian nationalism first rose to prominence as a Pan-Slavic enterprise during the 19th century Russian Empire, and was repressed during the early Bolshevik rule. Russian nationalism was briefly revived through the policies of Joseph Stalin during and after the Second World War, which shared many resemblances with the worldview of early Eurasianist ideologues.
Elements of the supernatural and the fantastic were an element of literature from its beginning, though the idea of a distinct genre, in the modern sense, is less than two centuries old.
Cultural nationalism is a term used by scholars of nationalism to describe efforts among intellectuals to promote the formation of national communities through emphasis on a common culture. It is contrasted with "political" nationalism, which refers to specific movements for national self-determination through the establishment of a nation-state.
John Hutchinson is a British academic. He is a reader in nationalism at the London School of Economics (LSE), in the Department of Government.
Nationalization of history is the term used in historiography to describe the process of separation of "one's own" history from the common universal history, by way of perceiving, understanding and treating the past that results with construction of history as history of a nation. If national labeling of the past is not treated with great care, it can result in the retrospective nationalization of history and even assigning nonexistent or exaggerated existing national attributes to historical events and persons. Nationalization of history, which began after a period of globalization of history, was not only one of the causes, but also the result of the process of establishment of modern nations.
Ethnosymbolism is a school of thought in the study of nationalism that stresses the importance of symbols, myths, values and traditions in the formation and persistence of the modern nation state.
The Myth of Skanderbeg is one of the main constitutive myths of Albanian nationalism. In the late nineteenth century during the Albanian struggle and the Albanian National Awakening, Skanderbeg became a symbol for the Albanians and he was turned into a national Albanian hero and myth.
Korean nationalist historiography is a way of writing Korean history that centers on the Korean minjok, an ethnically defined Korean nation. This kind of nationalist historiography emerged in the early twentieth century among Korean intellectuals who wanted to foster national consciousness to achieve Korean independence from Japanese domination. Its first proponent was journalist and independence activist Shin Chaeho (1880–1936). In his polemical New Reading of History, which was published in 1908 three years after Korea became a Japanese protectorate, Shin proclaimed that Korean history was the history of the Korean minjok, a distinct race descended from the god Dangun that had once controlled not only the Korean peninsula but also large parts of Manchuria. Nationalist historians made expansive claims to the territory of these ancient Korean kingdoms, by which the present state of the minjok was to be judged.
Nationalism was a central force in the history of Finland starting in the 19th century. The Finnish national awakening in the mid-19th century was the result of members of the Swedish-speaking upper classes deliberately choosing to promote Finnish culture and language as a means of nation building—i.e. to establish a feeling of unity between all people in Finland including between the ruling elite and the ruled peasantry. The publication in 1835 of the Finnish national epic, the Kalevala, a collection of traditional myths and legends which is the folklore common to the Finns and to the Karelian people, stirred the nationalism that later led to Finland's independence from Russia.
Kaveh the Blacksmith is a figure in Iranian mythology who leads an uprising against a ruthless foreign ruler, Zahāk. His story is narrated in the Shahnameh, the national epic of Iran (Persia), by the 10th-century Persian poet Ferdowsi.
Frisian nationalism refers to the nationalism which views Frisians as a nation with a shared culture. Frisian nationalism seeks to achieve greater levels of autonomy for Frisian people, and also supports the cultural unity of all Frisians regardless of modern-day territorial borders. The Frisians derive their name from the Frisii, an ancient Germanic tribe which inhabited the northern coastal areas in what today is the northern Netherlands, although historical research has indicated a lack of direct ethnic continuity between the ancient Frisii and later medieval 'Frisians' from whom modern Frisians descend. In the Middle Ages, these Frisians formed the Kingdom of Frisia and later the Frisian freedom confederation, before being subsumed by stronger foreign powers up to this day.
Nationalism and archaeology have been closely related since at least the nineteenth century. Archaeological interpretations and ancient history can be manipulated for nationalist purposes, such as cultivating national mythologies and national mysticism. Frequently this involves the uncritical identification of one's own ethnic group with some ancient or even prehistoric group, whether mainstream scholarship accepts as plausible or rejects as pseudoarchaeology the historical derivation of the contemporary group from the ancient one. The decisive point, often assumed implicitly, that it is possible to derive nationalist or ethnic pride from a population that lived millennia ago and, being known only archaeologically or epigraphically, is not remembered in living tradition.
Myth is inextricably linked with the concept of national identity
The core of the ethnic identity is the "myth-symbol complex" — the combination of myths,...
We can, for example, certainly encounter term "nation" in the Middle Ages, but the word meant something completely different than in the age of nationalism, where it is inextricably linked with the efforts to create an associated state.
overemphasize the cultural and historical distinctiveness of the national group [and its territory], exaggerate the threat posed to the nation by other groups, ignore the degree to which the nation's own actions provoked such treats, and play down the cost of seeking national goals through militant means.
... we do argue that tendency to breed conflicts is inherent to typical nationalist myths
The nationalist myth of permanent, fixed, homeland community, derives its emotional power, according to psychoanalysis, from the anxieties generated by the fragility of the sense of self, the ego, in the face of both the complex ambiguities inherent in relationships with the external modern world, and also of the disintegrative incoherence of the inner, psychological world. In an attempt to escape the resultant anxiety, the individual engages in an act of self-labelling and self-construction which is essentially static, inserting him or herself into the institutions of society, so as to 'seek out a name' and thence attain an imaginary sense of stability [...].
Shnirelman (1995) considers nationalist myths ... created by national intellectuals and propagated by the intelligentsia with the aim of using this myths as an instrument of ethno-political mobilization under interethnic conflicts.
[...] a North Korean's conversation is full of phrases such as 'Kim Il-sung thought', 'Kim Il-sungism', 'dedication to Kim Il-sung' and 'the Great Leader Kim Il-sung'.
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