Author | Voltaire |
---|---|
Original title | La Henriade |
Language | French |
Genre | Epic poem |
Publication date | 1723 |
Publication place | Kingdom of France |
La Henriade is an epic poem of 1723 written by the French Enlightenment writer and philosopher Voltaire. According to Voltaire himself, the poem concerns and was written in honour of the life of Henry IV of France, and is a celebration of his life. [1] The ostensible subject is the siege of Paris in 1589 by Henry III in concert with Henry of Navarre, soon to be Henry IV, but its themes are the twin evils of religious fanaticism and civil discord. It also concerns the political state of France. Voltaire aimed to be the French Virgil, outdoing the master by preserving Aristotelian unity of place—a property of classical tragedy rather than epic—by keeping the human action confined between Paris and Ivry. It was first printed (under the title La Ligue) in 1723, and reprinted dozens of times within Voltaire's lifetime.
The poem, in ten chants or cantos, comprises two major parts; the first is strictly from an historical point of view, and its material is only factual. The second part is looser in its factual integrity, and draws more strongly from Voltaire's imagination. These "fictions", as Voltaire calls them, mostly relate to Henry IV, and "draw from the regions of the marvelous", [2] and include "the prediction of Henry's conversion, of the protection given to him by Saint Louis, his apparition, the fire from Heaven destroying those magical performances which were then so common, etc." [2] Voltaire also stated that various other sections of the poem were purely allegorical: "for example, the voyage of Discord to Rome, Politics and Fanaticism personified, the temple of Love, the Passions and Vices, etc." [2]
The poem was written in a reformed styling of the twelve-syllable alexandrine couplet. He made this stylised hexameter for dramatic effect. Some commentators remarked that this particular rhythm of verse was unsuited to the content and theme of the poem. [3] According to the poem's editor O. R. Taylor, the poem "rarely touches the sensibility of the modern reader" [4] and readers hoping for sublime fire will be disappointed, though Voltaire's verse is always idiomatic and never pedestrian. Voltaire's English Essay upon the Civil Wars in France. Extracted from Curious Manuscripts (1727) expresses his Enlightened opinions on these themes in a prose form that is more approachable to modern taste.
O. R. Taylor's critical edition of La Henriade [5] devotes a full volume to an introduction, accounting for the germination of the idea and its publication history, the contextual theory of the epic and sources both literary and in recent history and contemporary events, and the nineteenth-century decline in the poem's popularity. Taylor reprints eighteenth-century prefaces to the poem, which always carried critical apparatus in the form of Voltaire's own notes.
Henriade is one of two epic poems by Voltaire, the other being La Pucelle d'Orléans , which took Joan of Arc as a subject of satire. Voltaire wrote other poems during his life, but none were nearly as lengthy or detailed as these two. While Henriade was viewed as a great poem, and as one of Voltaire's best, many did not believe it to be his masterpiece, or the best he was capable of; many claimed it lacked originality or novel inspiration, and that it was nothing truly extraordinary. Some remarked that this low standard of quality came of Voltaire's non-comprehension of what he was writing, and his lack of enthusiasm in the poem's writing. [6] [7]
François-Marie Arouet, known by his nom de plumeM. de Voltaire, was a French Enlightenment writer, philosopher (philosophe), satirist, and historian. Famous for his wit and his criticism of Christianity and of slavery, Voltaire was an advocate of freedom of speech, freedom of religion, and separation of church and state.
Jean Chapelain was a French poet and critic during the Grand Siècle, best known for his role as an organizer and founding member of the Académie française. Chapelain acquired considerable prestige as a literary critic, but his own major work, an epic poem about Joan of Arc called "La Pucelle," (1656) was lampooned by his contemporary Nicolas Boileau-Despréaux.
Jean-François Marmontel was a French historian, writer and a member of the Encyclopédistes movement.
This article contains information about the literary events and publications of 1723.
Jean-François de La Harpe was a French playwright, writer and literary critic.
William Henry Ireland (1775–1835) was an English forger of would-be Shakespearean documents and plays. He is less well known as a poet, writer of gothic novels and histories. Although he was apparently christened William-Henry, he was known as Samuel through much of his life, and many sources list his name as Samuel William Henry Ireland.
Jacques Delille was a French poet who came to national prominence with his translation of Virgil’s Georgics and made an international reputation with his didactic poem on gardening. He barely survived the slaughter of the French Revolution and lived for some years outside France, including three years in England. The poems on abstract themes that he published after his return were less well received.
Charles-Jean-François Hénault was a French writer and historian.
Vincenzo Monti was an Italian poet, playwright, translator, and scholar, the greatest interpreter of Italian neoclassicism in all of its various phases. His verse translation of the Iliad is considered one of the greatest of them all, with its iconic opening becoming an extremely recognizable phrase among Italians.
18th-century French literature is French literature written between 1715, the year of the death of King Louis XIV of France, and 1798, the year of the coup d'État of Bonaparte which brought the Consulate to power, concluded the French Revolution, and began the modern era of French history. This century of enormous economic, social, intellectual and political transformation produced two important literary and philosophical movements: during what became known as the Age of Enlightenment, the Philosophes questioned all existing institutions, including the church and state, and applied rationalism and scientific analysis to society; and a very different movement, which emerged in reaction to the first movement; the beginnings of Romanticism, which exalted the role of emotion in art and life.
In Shakespearean scholarship, the Henriad refers to a group of William Shakespeare's history plays depicting the rise of the English kings. It is sometimes used to refer to a group of four plays, but some sources and scholars use the term to refer to eight plays. In the 19th century, Algernon Charles Swinburne used the term to refer to three plays, but that use is not current.
François Béroalde de Verville was a French Renaissance novelist, poet and intellectual. He was born in Paris, the son of Matthieu Brouard, called "Béroalde", a professor of Agrippa d'Aubigné and Pierre de l'Estoile and a Huguenot; his mother, Marie Bletz, was the niece of the humanist and Hebrew scholar François Vatable. At the time of the St. Bartholomew's Day Massacre, his family fled to Geneva (1573), but Béroalde returned to Paris in 1581. During the civil wars, Béroalde abjured Calvinism and joined the factions around Henri III of France. In 1589 he moved to Tours, and became chanoine (canon) of the cathedral chapter of Saint Gatien, Tours, where he remained until his death.
The Château de Challeau refers to two châteaux in the neighbouring communes of Dormelles and Villecerf, near Fontainebleau in the department of Seine et Marne, France.
Nationality words link to articles with information on the nation's poetry or literature.
Gulistān, sometimes spelled Golestan, is a landmark of Persian literature, perhaps its single most influential work of prose. Written in 1258 CE, it is one of two major works of the Persian poet Sa'di, considered one of the greatest medieval Persian poets. It is also one of his most popular books, and has proved deeply influential in the West as well as the East.
The Maid of Orleans is a satirical poem by Voltaire. It was translated into English by W. H. Ireland.
Don Honoré Armand de Villars, 2nd Duke of Villars, Duke and Peer of France, Prince of Martigues, Grandee of Spain, Knight of the Golden Fleece, Viscount of Melun, Marquis of la Melle, Count of Rochemiley, was a French nobleman, soldier and politician.
Henri-Lambert d'Herbigny, marquis de Thibouville was a notable French writer, wit and bisexual.
Oedipus is a tragedy by the French dramatist and philosopher Voltaire that was first performed in 1718. It was his first play and the first literary work for which he used the pen-name Voltaire.