A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda.
Some personifications in the Western world often took the Latin name of the ancient Roman province. Examples of this type include Britannia, Germania, Hibernia, Hispania, Helvetia and Polonia.
Examples of personifications of the Goddess of Liberty include Marianne, the Statue of Liberty (Liberty Enlightening the World), and many examples of United States coinage. Another ancient model was Roma, a female deity who personified the city of Rome and his dominion over the territories of the Roman Empire. [1]
Examples of representations of the everyman or citizenry in addition to the nation itself are Deutscher Michel, John Bull and Uncle Sam. [2]
Manneken Pis is a landmark 55.5 cm (21.9 in) bronze fountain sculpture in central Brussels, Belgium, depicting a puer mingens; a naked little boy urinating into the fountain's basin. Though its existence is attested as early as the mid-15th century, Manneken Pis was redesigned by the Brabantine sculptor Jérôme Duquesnoy the Elder and put in place in 1619. Its stone niche in rocaille style dates from 1770. The statue has been repeatedly stolen or damaged throughout its history. Since 1965, a replica has been displayed, with the original stored in the Brussels City Museum.
National colours are frequently part of a country's set of national symbols. Many states and nations have formally adopted a set of colours as their official "national colours" while others have de facto national colours that have become well known through popular use. National colours often appear on a variety of different media, from the nation's flag to the colours used in sports. Before World War I, they also served as the colours of different military uniforms for each nation or region.
The flag of North Macedonia depicts a stylized yellow sun on a red field, with eight broadening rays extending from the center to the edge of the field. It was created by Miroslav Grčev and was adopted on 5 October 1995.
The Phrygian cap, also known as Thracian cap and liberty cap, is a soft conical cap with the apex bent over, associated in antiquity with several peoples in Eastern Europe, Anatolia and Asia. The Phrygian cap was worn by Thracians, Dacians, Persians, Medes, Scythians, Trojans, Amazons and Phrygians after whom it is named. The oldest known depiction of the Phrygian cap is from Persepolis in Iran.
Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty.
The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. Examples include Marianne, the national personification of the French Republic and its values of Liberté, Égalité, Fraternité, and the female Liberty portrayed in artworks, on United States coins beginning in 1793, and many other depictions. These descend from images on ancient Roman coins of the Roman goddess Libertas and from various developments from the Renaissance onwards. The Dutch Maiden was among the first, re-introducing the cap of liberty on a liberty pole featured in many types of image, though not using the Phrygian cap style that became conventional. The 1886 Statue of Liberty by Frédéric Auguste Bartholdi is a well-known example in art, a gift from France to the United States.
Der Deutsche Michel is a figure representing the national character of the German people, rather as John Bull represents the English. He originated in the first half of the 19th century.
A liberty pole is a wooden pole, or sometimes spear or lance, surmounted by a "cap of liberty", mostly of the Phrygian cap. The symbol originated in the immediate aftermath of the assassination of the Roman dictator Julius Caesar by a group of Rome's Senators in 44 BCE. Immediately after Caesar was killed the assassins, or Liberatores as they called themselves, went through the streets with their bloody weapons held up, one carrying a pileus carried on the tip of a spear. This symbolized that the Roman people had been freed from the rule of Caesar, which the assassins claimed had become a tyranny because it overstepped the authority of the Senate and thus betrayed the Republic.
Germania is the personification of the German nation or the Germans as a whole. Like many other national personification symbols, she appeared first during the Roman Era. During the Medieval era, she was usually portrayed as one of the lands or provinces ruled by the emperors of the Holy Roman Empire, and not as the most prominent but in a subordinate position to imperial power and other provinces. Around 1500, together with the birth of the Holy Roman Empire of the German Nation, Emperor Maximilian I and his humanists reinvented her as Mother of the Nation.
Columbia, also known as Lady Columbia or Miss Columbia, is a female national personification of the United States. It was also a historical name applied to the Americas and to the New World. The association has given rise to the names of many American places, objects, institutions and companies, including the District of Columbia; Columbia, South Carolina; Columbia University; "Hail, Columbia"; Columbia Rediviva; and the Columbia River. Images of the Statue of Liberty largely displaced personified Columbia as the female symbol of the United States by around 1920, and Lady Liberty was seen as both an aspect of Columbia and a rendition of the Goddess of Liberty. She is the central element of the logo of Hollywood film studio Columbia Pictures.
Personification is the representation of a thing or abstraction as a person. It is, in other words, considered an embodiment or an incarnation. In the arts, many things are commonly personified. These include numerous types of places, especially cities, countries, and continents, elements of the natural world such as the trees or four seasons, four elements, four cardinal winds, five senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death.
Italia turrita is the national personification or allegory of Italy, in the appearance of a young woman with her head surrounded by a mural crown completed by towers. It is often accompanied by the Stella d'Italia, from which the so-called Italia turrita e stellata, and by other additional attributes, the most common of which is the cornucopia. The allegorical representation with the towers, which draws its origins from ancient Rome, is typical of Italian civic heraldry, so much so that the mural crown is also the symbol of the cities of Italy.
The national symbols of North Macedonia, as stated in the constitution, are the coat of arms, the flag and the anthem. After the independence of North Macedonia from Yugoslavia, the country made some changes in the national symbols. The flag was changed two times and today's flag includes an eight-ray sun on a red background, while the coat of arms from the Socialist Republic of Macedonia was retained, except the red star which was removed.
National symbols of France are emblems of the French Republic and French people, and they are the cornerstone of the nation's republican tradition.
The national symbols of Albania are symbols that are used in Albania to represent what is unique about the nation, reflecting different aspects of its culture and history. The symbols may also be used in the Kosovo, North Macedonia, Montenegro, Greece (Chameria), Serbia and by the Arbëreshë in Italy.
National symbols of Italy are the symbols that uniquely identify Italy reflecting its history and culture. They are used to represent the Nation through emblems, metaphors, personifications, allegories, which are shared by the entire Italian people.
Upon its liberation in 1945 and subsequent foundation in 1948, North Korea adopted national symbols distinct from the national symbols of South Korea. The traditional flag of Korea, the Taegukgi, and the symbol Taeguk, were swapped for socialist symbols.
National symbols of Belgium are the symbols used to represent the Kingdom of Belgium. Article 193 of the Belgian Constitution is dedicated to specifying the national flag, colours, coat of arms, and motto. It says the following: "The Belgian nation takes red, yellow and black as colours, and as state coat of arms the Belgian lion with the motto Unity makes strength."
Our mother Macedonia became now as a widow, lonely and deserted by her sons. She does not fly the banner of the victorious Macedonian army