John Bull is a national personification of the United Kingdom, especially in political cartoons and similar graphic works. He is usually depicted as a stout, middle-aged, country-dwelling, jolly and matter-of-fact man. He originated in satirical works of the early 18th century and would come to stand for "English liberty" in opposition to revolutionaries. He was popular through the 18th and 19th centuries until the time of the First World War, when he generally stopped being seen as representative of the "common man".
John Bull originated as a satirical character created by John Arbuthnot, a friend of Jonathan Swift and Alexander Pope. Bull first appeared in 1712 in Arbuthnot's pamphlet Law is a Bottomless Pit. [1] The same year Arbuthnot published a four-part political narrative The History of John Bull. In this satirical treatment of the War of the Spanish Succession, John Bull brings a lawsuit against various figures intended to represent the kings of France (Louis Baboon) and Spain (Lord Strutt), as well as institutions both foreign and domestic. [2] The allegory was intended primarily as attack against the Whigs, their foreign policy and their financiers who were profiting from the war. [3] In Arbuthnot's work John Bull personifies England while his sister Peg symbolises his native Scotland. [4]
William Hogarth and other British writers made Bull, originally derided, "a heroic archetype of the freeborn Englishman." [1] Later, the figure of Bull was disseminated overseas by illustrators and writers such as American cartoonist Thomas Nast and Irish writer George Bernard Shaw, author of John Bull's Other Island .
Starting in the 1760s, Bull was portrayed as an Anglo-Saxon country dweller. [1] He was almost always depicted in a buff-coloured waistcoat and a simple frock coat (in the past Navy blue, but more recently with the Union Jack colours). [1] Britannia, or a lion, is sometimes used as an alternative in some editorial cartoons.
As a literary figure, John Bull is well-intentioned, frustrated, full of common sense, and entirely of native country stock. Unlike Uncle Sam later, he is not a figure of authority but rather a yeoman who prefers his small beer and domestic peace, possessed of neither patriarchal power nor heroic defiance. John Arbuthnot provided him with a sister named Peg (Scotland), and a traditional adversary in Louis Baboon (the House of Bourbon [5] in France). Peg continued in pictorial art beyond the 18th century, but the other figures associated with the original tableau dropped away. John Bull himself continued to frequently appear as a national symbol in posters and cartoons as late as World War I.
Bull is usually depicted as a stout man in a tailcoat with light-coloured breeches and a top hat which, by its shallow crown, indicates its middle-class identity. During the Georgian period his waistcoat is red and/or his tailcoat is royal blue which, together with his buff or white breeches, can thus refer to a greater or lesser extent to the "blue and buff" scheme; [1] this was used by supporters of Whig politics, which was part of what John Arbuthnot wished to deride when he created and designed the character. By the twentieth century, however, his waistcoat nearly always depicts a Union Flag, [1] and his coat is generally dark blue. (Otherwise, however, his clothing still echoes the fashions of the Regency period.) He wears a low topper (sometimes called a John Bull topper) and is often accompanied by a bulldog. John Bull has been used in a variety of different ad campaigns over the years, and is a common sight in British editorial cartoons of the 19th and early 20th centuries. Singer David Bowie wore a coat in the style of Bull. [1]
Washington Irving described him in his chapter entitled "John Bull" from The Sketch Book:
...[A] plain, downright, matter-of-fact fellow, with much less of poetry about him than rich prose. There is little of romance in his nature, but a vast deal of a strong natural feeling. He excels in humour more than in wit; is jolly rather than gay; melancholy rather than morose; can easily be moved to a sudden tear or surprised into a broad laugh; but he loathes sentiment and has no turn for light pleasantry. He is a boon companion, if you allow him to have his humour and to talk about himself; and he will stand by a friend in a quarrel with life and purse, however soundly he may be cudgelled.
The cartoon image of stolid, stocky, conservative and well-meaning John Bull, dressed like an English country squire, sometimes explicitly contrasted with the conventionalised scrawny, French revolutionary sans-culottes Jacobin, was developed from about 1790 by British satirical artists James Gillray, Thomas Rowlandson and Isaac Cruikshank. (An earlier national personification was Sir Roger de Coverley, from a 1711 edition of The Spectator.)
A more negative portrayal of John Bull occurred in the cartoons drawn by the Egyptian nationalist journalist Yaqub Sanu in his popular underground newspaper Abu-Naddara Zarqa in the late 19th and early 20th centuries. [6] Sanu's cartoons depicted John Bull as a coarse, ignorant drunken bully who pushed around ordinary Egyptians while stealing all the wealth of Egypt. [6] Much of Sanu's humor revolved around John Bull's alcoholism, his crass rudeness, his ignorance about practically everything except alcohol, and his inability to properly speak French (the language of the Egyptian elite), which he hilariously mangled unlike the Egyptian characters who spoke proper French. [7]
Likewise, the musician, playwright and Irish Republican Dominic Behan criticized the British government via the proxy of John Bull in his popular ballad, The Patriot Game:
This Ireland of mine has for long been half free,
Six counties are under John Bull's tyranny.
And still de Valera is greatly to blame
For shirking his part in the patriot game.
Increasingly through the early twentieth century, John Bull became seen as not particularly representative of "the common man," and during the First World War this function was largely taken over by the figure of Tommy Atkins. [8] According to Alison Light, during the interwar years the nation abandoned "formerly heroic...public rhetorics of national destiny" in favour of "an Englishness at once less imperial and more inward-looking, more domestic and more private". [9] Consequently, John Bull was replaced by Sidney Strube's suburban Little Man as the personification of the nation. [10] Some saw John Bull's replacement by the Little Man as symbolic of Britain's post-First World War decline; W. H. Auden's 1937 poem "Letter to Lord Byron" favourably contrasted John Bull to the Little Man. [11] Auden wrote:
- Ask the cartoonist first, for he knows best.
- Where is the John Bull of the good old days,
- The swaggering bully with the clumsy jest?
- His meaty neck has long been laid to rest,
- His acres of self-confidence for sale;
- He passed away at Ypres and Passchendaele. [12]
John Bull's surname is also reminiscent of the alleged fondness of the English for beef, reflected in the French nickname for English people, les rosbifs, which translates as "the 'Roast Beefs.'" It is also reminiscent of the animal, and for that reason Bull is portrayed as "virile, strong, and stubborn," like a bull. [1]
A typical John Bull Englishman is referenced in Margaret Fuller's Summer on the Lakes, in 1843 in Chapter 2: "Murray's travels I read, and was charmed by their accuracy and clear broad tone. He is the only Englishman that seems to have traversed these regions, as man, simply, not as John Bull."
Sir John Tenniel was an English illustrator, graphic humourist and political cartoonist prominent in the second half of the 19th century. An alumnus of the Royal Academy of Arts in London, he was knighted for artistic achievements in 1893, the first such honour ever bestowed on an illustrator or cartoonist.
Black tie is a semi-formal Western dress code for evening events, originating in British and North American conventions for attire in the 19th century. In British English, the dress code is often referred to synecdochically by its principal element for men, the dinner suit or dinner jacket. In American English, the equivalent term tuxedo is common. The dinner suit is a black, midnight blue or white two- or three-piece suit, distinguished by satin or grosgrain jacket lapels and similar stripes along the outseam of the trousers. It is worn with a white dress shirt with standing or turndown collar and link cuffs, a black bow tie, typically an evening waistcoat or a cummerbund, and black patent leather dress shoes or court pumps. Accessories may include a semi-formal homburg, bowler, or boater hat. For women, an evening gown or other fashionable evening attire may be worn.
Sir David Alexander Cecil Low was a New Zealand political cartoonist and caricaturist who lived and worked in the United Kingdom for many years. Low was a self-taught cartoonist. Born in New Zealand, he worked in his native country before migrating to Sydney in 1911, and ultimately to London (1919), where he made his career and earned fame for his Colonel Blimp depictions and his satirising of the personalities and policies of German dictator Adolf Hitler, Italian dictator Benito Mussolini, Soviet leader Joseph Stalin, and other leaders of his times.
John Arbuthnot FRS, often known simply as Dr Arbuthnot, was a Scottish physician, satirist and polymath in London. He is best remembered for his contributions to mathematics, his membership in the Scriblerus Club, and for inventing the figure of John Bull.
A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.
Brother Jonathan is the personification of New England. He was also used as an emblem of the United States in general, and can be an allegory of capitalism. His too-short pants, too-tight waistcoat and old-fashioned style reflect his taste for inexpensive, second-hand products and efficient use of means.
This article contains information about the literary events and publications of 1712.
A waistcoat or vest is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three-piece male suit. Any given waistcoat can be simple or ornate, or for leisure or luxury. Historically, the waistcoat can be worn either in the place of, or underneath, a larger coat, dependent upon the weather, wearer, and setting.
White tie, also called full evening dress or a dress suit, is the most formal evening Western dress code. For men, it consists of a black tail coat worn over a white dress shirt with a starched or pique bib, white piqué waistcoat and the white bow tie worn around a standing wing collar. Mid or high-waisted black trousers with galon, a braid of trim consisting of two silk stripes to conceal the outer seams of the trousers, along with court shoes complete the outfit. Orders, decorations and medals may be worn. Acceptable accessories include a black top hat, white gloves, a white scarf, a pocket watch, a white pocket square, and a boutonnière. Women wear full-length ball or evening gowns with evening gloves and, optionally, tiaras, jewellery, and a small handbag.
A tailcoat is a knee-length coat characterised by a rear section of the skirt, with the front of the skirt cut away.
Deutscher Michel is a figure personification of the German people, rather as John Bull represented the British. He originated in the first half of the 19th century.
Johnny Canuck is a Canadian cartoon hero and superhero who was created as a political cartoon in 1869 and was later re-invented as a Second World War action hero in 1942. The Vancouver Canucks, a professional ice hockey team in the National Hockey League (NHL), currently use a hockey playing "Johnny Canuck" logo as one of their team logos. In addition, the Vancouver Canucks' American Hockey League affiliate, the Abbotsford Canucks, use it as their main logo.
A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda.
Columbia, also known as Miss Columbia, is a female national personification of the United States. It was also a historical name applied to the Americas and to the New World. The association has given rise to the names of many American places, objects, institutions and companies, including the District of Columbia; Columbia, South Carolina; Columbia University; "Hail, Columbia"; Columbia Rediviva; and the Columbia River. Images of the Statue of Liberty largely displaced personified Columbia as the female symbol of the United States by around 1920, although Lady Liberty was seen as an aspect of Columbia. Columbia's most prominent display in the 21st Century is as part of the logo of the Hollywood film studio Columbia Pictures.
Buff is a light brownish yellow, ochreous colour, typical of buff leather. Buff is a mixture of yellow ochre and white: two parts of white lead and one part of yellow ochre produces a good buff, or white lead may be tinted with French ochre alone.
Personification is the representation of a thing or abstraction as a person. In the arts, many things are commonly personified. These include numerous types of places, especially cities, countries, and continents, elements of the natural world such as the months or four seasons, four elements, four cardinal winds, five senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death.
Yaqub Sanu, also known by his pen name "Abu Naddara", was an Egyptian Jewish journalist, nationalist activist and playwright. He was also a polyglot, writing in French, English, Turkish, Persian, Hebrew, and Italian as well as both Standard Arabic and Egyptian Arabic.
Egyptian nationalism is based on Egyptians and Egyptian culture. Egyptian nationalism has typically been a civic nationalism that has emphasized the unity of Egyptians regardless of their ethnicity or religion. Egyptian nationalism first manifested itself as Anti-English sentiment during the Egyptian revolution of 1919.
Sidney Strube (1891–1956) was a British cartoonist.
Abu Naddara was an Arabic political satire magazine based in Cairo, Egypt, and then in Paris, France. Its title, Abu Naddara, was the pseudonym of the founder, Yaqub Sanu. The magazine was the first Arabic publication which employed cartoons to express social and political criticism. It existed in the period 1877–1910.
Media related to John Bull at Wikimedia Commons