Polonia, the name for Poland in Latin and many Romance and other languages, is most often used in modern Polish as referring to the Polish diaspora. However, as can be seen from the image, it was also used as a national personification.
The symbolic depiction of a country as a woman called by the Latin name of that country was common in the 19th century (see Germania, Britannia, Hibernia, Helvetia).
Zamość is a historical city in southeastern Poland. It is situated in the southern part of Lublin Voivodeship, about 90 km (56 mi) from Lublin, 247 km (153 mi) from Warsaw. In 2021, the population of Zamość was 62,021.
Jan Alojzy Matejko was a Polish painter, a leading 19th-century exponent of history painting, known for depicting nodal events from Polish history. His works include large scale oil paintings such as Stańczyk (1862), Rejtan (1866), Union of Lublin (1869), Astronomer Copernicus, or Conversations with God (1873), or Battle of Grunwald (1878). He was the author of numerous portraits, a gallery of Polish monarchs in book form, and murals in St. Mary's Basilica, Kraków. He is considered by many as the most celebrated Polish painter, and sometimes as the "national painter" of Poland.
Young Poland was a modernist period in Polish visual arts, literature and music, covering roughly the years between 1890 and 1918. It was a result of strong aesthetic opposition to the earlier ideas of Positivism. Young Poland promoted trends of decadence, neo-romanticism, symbolism, impressionism and art nouveau.
The culture of Poland is the product of its geography and distinct historical evolution, which is closely connected to an intricate thousand-year history. Poland has a Roman Catholic majority, and religion plays an important role in the lives of many Polish people. The unique character of Polish culture developed as a result of its geography at the confluence of various European regions.
Romanticism in Poland, a literary, artistic and intellectual period in the evolution of Polish culture, began around 1820, coinciding with the publication of Adam Mickiewicz's first poems in 1822. It ended with the suppression of the January 1863 Uprising against the Russian Empire in 1864. The latter event ushered in a new era in Polish culture known as Positivism.
Jacek Malczewski was a Polish symbolist painter who is one of the most revered painters of Poland, associated with the patriotic Young Poland movement following a century of Partitions. He is regarded as the father of Polish Symbolism. His creative output combined the predominant style of his times with historical motifs of Polish martyrdom, the romantic ideals of independence, Christian and Greek mythology, folk tales, as well as his love of the natural world. He was the father of painter Rafał Malczewski.
Silesian Museum in Katowice is a museum in the City of Katowice, Poland.
The Jan Matejko Academy of Fine Arts in Kraków, is a public institution of higher education located in the centre of Kraków, Poland. It is the oldest Polish fine art academy, established in 1818 and granted full autonomy in 1873.
The National Museum in Kraków, popularly abbreviated as MNK, is the largest museum in Poland, and the main branch of Poland's National Museum, which has several independent branches with permanent collections around the country. Established in 1879, the museum consists of 21 departments which are divided by art period: 11 galleries, 2 libraries, and 12 conservation workshops. It holds some 780,000 art objects, spanning from classical archeology to modern art, with special focus on Polish painting.
Włodzimierz Tetmajer was a Polish painter with works in collections of the Warsaw National Museum and Kraków.
Teodor Axentowicz was a Polish-Armenian painter and university professor. A renowned artist of his times, he was also the rector of the Academy of Fine Arts in Kraków. As an artist, Axentowicz was famous for his portraits and subtle scenes of Hutsul life, set in the Carpathians.
Artur Grottger was a Polish Romantic painter and graphic artist, one of the most prominent artists of the mid 19th century under the partitions of Poland, despite a life cut short by incurable illness.
National symbols of Poland are the tangible and intangible symbols, emblems or images that are found in Poland to represent the country's unique customs, traditions, cultural life, and its over 1000-year history. These symbols serve as the nation's portrayal of patriotism and dedication to their national identity. The Polish people and the Polish diaspora around the world take great pride in their native country, and associate themselves with the colours white and red. The expression biało-czerwoni ("whitereds") is widely used by Poles when referring to their compatriots. A crowned white-tailed eagle on a red shield or background has been Poland's national symbol and coat of arms since the Middle Ages. Other unofficial symbols feature visual personifications, music of Chopin, polonaise and mazurka dances, animals such as the European bison or the white stork, apples, red poppy flowers and religious insignia of the Roman Catholic church. Several have been popularised in recent years, notably the winged hussars.
Szeptycki was a major noble family in Ruthenia. The family was related to a number of other noble families, such as the Wiśniowiecki, the Ledóchowski or the Fredro.
Polish Hamlet. Portrait of Alexander Wielopolskiis an oil painting by Jacek Malczewski from 1903, presenting the allegorical grandson Aleksander Wielopolski and two different visions of the fate of the Polish nation.