Brother Jonathan is the personification of New England. He was also used as an emblem of the United States in general, and can be an allegory of capitalism. His too-short pants, too-tight waistcoat and old-fashioned style reflect his taste for inexpensive, second-hand products and efficient use of means.
Brother Jonathan soon became a stock fictional character, developed as a good-natured parody of all New England during the early American Republic. He was widely popularized by the weekly newspaper Brother Jonathan and the humor magazine Yankee Notions. [1]
Brother Jonathan was usually depicted in editorial cartoons and patriotic posters outside New England as a long-winded New Englander who dressed in striped trousers, somber black coat and stove-pipe hat. Inside New England, "Brother Jonathan" was depicted as an enterprising and active businessman who blithely boasted of Yankee conquests for the Universal Yankee Nation. [2]
After 1865, the garb of Brother Jonathan was emulated by Uncle Sam, a common personification of the continental government of the United States.
The term dates at least to the 17th century, when it was applied to Puritan roundheads during the English Civil War. [3] It came to include residents of colonial New England, who were mostly Puritans in support of the Parliamentarians during the war. It probably is derived from the Biblical words spoken by David after the death of his friend Jonathan, "I am distressed for thee, my brother Jonathan" (2 Samuel 1:26). As Kenneth Hopper and William Hopper put it, "Used as a term of abuse for their ... Puritan opponents by Royalists during the English Civil War, it was applied by British officers to the rebellious colonists during the American Revolution". [4]
A popular folk tale about the origin of the term holds that the character is derived from Jonathan Trumbull (1710–1785), Governor of the State of Connecticut, which was the main source of supplies for the Northern and Middle Departments during the American Revolutionary War. It is said that George Washington uttered the words, "We must consult Brother Jonathan," when asked how he could win the war. [5] That origin is doubtful, however, as neither man made reference to the story during his lifetime and the first appearance of the story has been traced to the mid-19th century, long after their deaths. [6]
The character was adopted by citizens of New England from 1783 to 1815, when Brother Jonathan became a nickname for any Yankee sailor, similar to the way that G.I. is used to describe members of the U.S. Army.
The term "Uncle Sam" is thought to date approximately to the War of 1812. Uncle Sam appeared in newspapers from 1813 to 1815, and in 1816 he appeared in a book.
In 1825 John Neal wrote the novel Brother Jonathan: or, the New Englanders and had it published in Edinburgh to expose British readers to US customs and language. [7] The emblem had been developing for decades as a minor self-referential device in American literature, but saw full development in this novel into the personification of American national character. [8] [9] The weekly newspaper Brother Jonathan was first published in 1842, issued out of New York. As editor in 1843, Neal used it to argue for Brother Jonathan to be the national emblem of the US. [10] Yankee Notions, or Whittlings of Jonathan's Jack-Knife was a high-quality humor magazine, first published in 1852, that used the stock character to lampoon Yankee acquisitiveness and other peculiarities. It, too, was issued out of New York, which was a rival with neighboring New England before the Civil War. It was a popular periodical with a large circulation, and people both inside and outside New England enjoyed it as good-natured entertainment. Such jokes were often copied in newspapers as far away as California, where natives encountered Yankee ships and peddlers, inspiring Yankee impersonations in comedy burlesques.
Jules Verne included in his 1864 novel The Adventures of Captain Hatteras (French : Voyages et aventures du capitaine Hatteras) a chapter entitled "John Bull and Jonathan", in which British and American members of a polar expedition confront each other, each seeking to claim the newly-discovered island of New America. The land is named by Captain Altamont, an American explorer, who is first to set foot on it. A deleted chapter, "John Bull and Jonathan", had Hatteras and Altamont dueling for the privilege of claiming the land for their respective countries. [11]
Around the same time, the New England–based Know Nothing Party, which Yankee Notions also lampooned, was divided into two camps—the moderate Jonathans and the radical Sams. Eventually, Uncle Sam came to replace Brother Jonathan, and the victors applied "Yankee" to all of the country by the end of the century, after the "Yankee" section had won the American Civil War. Likewise, "Uncle Sam" was applied to the Federal government. [12] Uncle Sam came to represent the United States as a whole over the course of the late 19th century, supplanting Brother Jonathan. [13]
According to an article in the 1893 The Lutheran Witness , Brother Jonathan and Uncle Sam were different names for the same person:
"When we meet him in politics we call him Uncle Sam; when we meet him in society we call him Brother Jonathan. Here of late Uncle Sam alias Brother Jonathan has been doing a powerful lot of complaining, hardly doing anything else." [14]
The phrase "We must consult Brother Jonathan" appears on the graduation certificates of Yale University's Trumbull College, also named for Trumbull. [15]
Some members of the Jonathan Club, a private social club headquartered in downtown Los Angeles, believe their club was named after Jonathan Trumbull or "Brother Jonathan". However, the club was formed in 1895, and the true inspiration for its name is lost to history.
Between 1891 and 1901, US socialist Daniel De Leon wrote more than 300 editorials as dialogues between "Uncle Sam" (a class-conscious worker who espoused the doctrines of the SLP) and "Brother Jonathan" (a worker lacking in class-consciousness). [16]
American folklore encompasses the folklore that has evolved in the present-day United States mostly since the European colonization of the Americas. It also contains folklore that dates back to the Pre-Columbian era.
The term Yankee and its contracted form Yank have several interrelated meanings, all referring to people from the United States. Their various meanings depend on the context, and may refer to New Englanders, the Northeastern United States, the Northern United States, or to people from the US in general.
Johnny Reb is the national personification of the common soldier of the Confederacy. During the American Civil War and afterwards, Johnny Reb and his Union counterpart Billy Yank were used in speech and literature to symbolize the common soldiers who fought in the Civil War in the 1860s. The symbolic image of Johnny Reb in Southern culture has been represented in its novels, poems, art, public statuary, photography, and written history. According to the historian Bell I. Wiley, who wrote about the common soldiers of the Northern and the Southern armies, the name appears to have its origins in the habit of Union soldiers calling out, "Hello, Johnny" or "Howdy, Reb" to Confederate soldiers on the other side of the picket line.
Charles Mathews was an English theatre manager and comic actor, well known during his time for his gift of impersonation and skill at table entertainment. His play At Home, in which he played every character, was the first monopolylogue and the defining work in the genre.
John Bull is a national personification of the United Kingdom, especially in political cartoons and similar graphic works. He is usually depicted as a stout, middle-aged, country-dwelling, jolly and matter-of-fact man. He originated in satirical works of the early 18th century and would come to stand for "English liberty" in opposition to revolutionaries. He was popular through the 18th and 19th centuries until the time of the First World War, when he generally stopped being seen as representative of the "common man".
John Neal was an American writer, critic, editor, lecturer, and activist. Considered both eccentric and influential, he delivered speeches and published essays, novels, poems, and short stories between the 1810s and 1870s in the United States and Great Britain, championing American literary nationalism and regionalism in their earliest stages. Neal advanced the development of American art, fought for women's rights, advocated the end of slavery and racial prejudice, and helped establish the American gymnastics movement.
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Johnny Canuck is a Canadian cartoon hero and superhero who was created as a political cartoon in 1869 and was later re-invented as a Second World War action hero in 1942. The Vancouver Canucks, a professional ice hockey team in the National Hockey League (NHL), currently use a hockey playing "Johnny Canuck" logo as one of their team logos. In addition, the Vancouver Canucks' American Hockey League affiliate, the Abbotsford Canucks, use it as their main logo.
Metamora; or, The Last of the Wampanoags is a play written in 1829 by John Augustus Stone. It was first performed December 15, 1829, at the Park Theater in New York City, starring Edwin Forrest.
Billy Yank or Billy Yankee is the personification of the United States soldier during the American Civil War. The latter part of the name is derived from Yankee, previously a term for New Englanders, and possibly deriving from a term for Dutch settlers of New Netherland before that, extended by American Southerners to refer to Americans from above the Mason-Dixon Line. Although little evidence exists to suggest that the name was used widely during the Civil War, unlike its rebel counterpart Johnny Reb, early 20th century political cartoonists introduced 'Billy Yank' to symbolize U.S. combatants in the American Civil War of the 1860s.
A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda.
Uncle Sam is a superhero appearing in American comic books published by DC Comics. Based on the national personification of the United States, Uncle Sam, the character first appeared in National Comics #1 and was created by Will Eisner.
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Seventy-Six is a historical fiction novel by American writer John Neal. Published in Baltimore in 1823, it is the fourth novel written about the American Revolutionary War. Historically distinguished for its pioneering use of colloquial language, Yankee dialect, battle scene realism, high characterization, stream of consciousness narrative, profanity, and depictions of sex and romance, the novel foreshadowed and influenced later American writers. The narrative prose resembles spoken American English more than any other literature of its period. It was the first work of American fiction to use the phrase son-of-a-bitch.
Rachel Dyer: A North American Story is a Gothic historical novel by American writer John Neal. Published in 1828 in Maine, it is the first bound novel about the Salem witch trials. Though it garnered little critical notice in its day, it influenced works by Nathaniel Hawthorne, Henry Wadsworth Longfellow, John Greenleaf Whittier, and Walt Whitman. It is best remembered for the American literary nationalist essay, "Unpublished Preface", that precedes the body of the novel.
Brother Jonathan: or, the New Englanders is an 1825 historical novel by American writer John Neal. The title refers to Brother Jonathan, a popular personification of New England and the broader United States. The story follows protagonist Walter Harwood as he and the nation around him both come of age through the American Revolution. The novel explores cross-cultural relationships and highlights cultural diversity within the Thirteen Colonies, stressing egalitarianism and challenging the conception of a unified American nation. It features mixed-race Anglo-Indigenous characters and depicts them as the inheritors of North America. The book's sexual themes drew negative reactions from contemporary critics. These themes were explicit for the period, addressing female sexual virtue and male guilt for sexual misdeeds.