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John Henry is a symbol of physical strength and endurance, of exploited labor, of the dignity of a human being against the degradations of the machine age, and of racial pride and solidarity. During World War II his image was used in U.S. government propaganda as a symbol of social tolerance and diversity. [13]
Destination Freedom , a 1950s American old time radio series written by Richard Durham, featured John Henry in a July 1949 episode. [22]
The story of John Henry is traditionally told through two types of songs: ballads, commonly called "The Ballad of John Henry", and "hammer songs" (a type of work song), each with wide-ranging and varying lyrics. [2] [23] Some songs, and some early folk historian research, conflate the songs about John Henry with those of John Hardy, a West Virginian outlaw. [23] Ballads about John Henry's life typically contain four major components: a premonition by John Henry as a child that steel-driving would lead to his death, the lead-up to and the results of the legendary race against the steam hammer, Henry's death and burial, and the reaction of his wife. [23]
The well-known narrative ballad of "John Henry" is usually sung in an upbeat tempo. Hammer songs associated with the "John Henry" ballad, however, are not. Sung more slowly and deliberately, often with a pulsating beat suggestive of swinging the hammer, these songs usually contain the lines "This old hammer killed John Henry / but it won't kill me." Nelson explains that:
... workers managed their labor by setting a "stint," or pace, for it. Men who violated the stint were shunned ... Here was a song that told you what happened to men who worked too fast: they died ugly deaths; their entrails fell on the ground. You sang the song slowly, you worked slowly, you guarded your life, or you died. [8] : 32
There is some controversy among scholars over which came first, the ballad or the hammer songs. Some scholars have suggested that the "John Henry" ballad grew out of the hammer songs, while others believe that the two were always entirely separate.
Songs featuring the story of John Henry have been recorded by many musical artists and bands of different ethnic backgrounds. These include:
The story also inspired the Aaron Copland's orchestral composition "John Henry" (1940, revised 1952), the 1994 chamber music piece Come Down Heavy by Evan Chambers and the 2009 chamber music piece Steel Hammer by the composer Julia Wolfe. [39] [40]
They Might Be Giants named their fifth studio album after John Henry as an allusion to their usage of a full band on this album rather than the drum machine that they had employed previously. [41]
The American cowpunk band Nine Pound Hammer is named after the traditional description of the hammer John Henry wielded.
Bengalee singer-songwriter and musician Hemanga Biswas (1912–1987), considered as the Father of the Indian People's Theater Association Movement in Assam inspired by 'John Henry', the American ballad translated the song in Bengali as well as the Assamese language and also composed its music for which he was well recognized among the masses. [42] [43] Bangladeshi mass singer Fakir Alamgir later covered Biswas' version of the song. [44] [45]
In 1996, the US Postal Service issued a John Henry postage stamp. It was part of a set honoring American folk heroes that included Paul Bunyan, Pecos Bill and Casey at the Bat. [53]
Notes
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