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Jacek Mierzejewski (1883, Sosnowiec - 1925, Otwock) was a Polish painter, associated with "Formism", a Polish art movement that combined Cubism, Impressionism and Futurism.
He began his studies at the Warsaw School of Drawing, then enrolled at the Krakow Academy of Fine Arts, where he studied with Florian Cynk, Leon Wyczółkowski and Józef Mehoffer. In poor health after 1905, he spent much of his free time at the resort in Zakopane. [1]
In 1913, he received a scholarship that enabled him to study in France, where he spent most of his time in Paris and Brittany. The works of Cézanne became a major influence there. His first major exhibition was with the Kraków Society of Friends of Fine Arts in 1916. [1]
During this time, he was diagnosed with tuberculosis. He returned to Poland after the war and settled in Piotrowice near Nałęczów, the site of a well-known sanatorium. He died of his illness in 1925. [1]
In addition to paintings, he produced etchings and lithographs. He also illustrated children's books and textbooks and did satirical cartoons for the short-lived (1911–12) biweekly magazine Abdera. In 1923, he displayed toys and Christmas decorations he had designed, at the Exhibition of the Decorative Arts in Monza. [1]
His sons, Andrzej and Jerzy also became well-known painters.
Jan Alojzy Matejko was a Polish painter, a leading 19th-century exponent of history painting, known for depicting nodal events from Polish history. His works include large scale oil paintings such as Stańczyk (1862), Rejtan (1866), Union of Lublin (1869), Astronomer Copernicus, or Conversations with God (1873), or Battle of Grunwald (1878). He was the author of numerous portraits, a gallery of Polish monarchs in book form, and murals in St. Mary's Basilica, Kraków. He is considered by many as the most celebrated Polish painter, and sometimes as the "national painter" of Poland.
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Jadwiga Maria Kinga Bal (Balowa) of Zaleszczyki, née Brunicka was a Polish baroness and a lifelong muse of Jacek Malczewski, considered Poland's national painter. She served as the live model for a series of his symbolic portrayals of women, as well as nude studies and mythological beings. Most were completed before the interwar period when Poland had not yet achieved independence.
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Jerzy Mierzejewski was a Polish painter, pedagogue and long-term dean of Cinematography and Directing at the Łódź fim school. He was the son of Jacek Mierzejewski, and brother of Andrzej Mierzejewski, both also painters.
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