Frequency | 1711–1712: daily; 1714: thrice weekly |
---|---|
Paid circulation | 3,000 |
Founder | Joseph Addison; Richard Steele |
First issue | March 1, 1711 |
Final issue Number | 635 |
The Spectator was a daily publication founded by Joseph Addison and Richard Steele in England, lasting from 1711 to 1712. Each "paper", or "number", was approximately 2,500 words long, and the original run consisted of 555 numbers, beginning on 1 March 1711. [1] These were collected into seven volumes. The paper was revived without the involvement of Steele in 1714, appearing thrice weekly for six months, and these papers when collected formed the eighth volume. Eustace Budgell, a cousin of Addison's, and the poet John Hughes also contributed to the publication.
Run | Editors | Numbers | Dates | Frequency | Collected edition |
---|---|---|---|---|---|
Original | Addison & Steele | 1–555 | 1 Mar 1711 – 6 Dec 1712 | Daily | Vols. I–VII |
Revival | Addison | 556–635 | 18 Jun 1714 – 20 Dec 1714 | 3 times/wk | Vol. VIII |
In Number 10, Mr. Spectator states that The Spectator will aim "to enliven morality with wit, and to temper wit with morality". The journal reached an audience of thousands of people every day, because "the Spectators was something that every middle-class household with aspirations to looking like its members took literature seriously would want to have." [2] He hopes it will be said he has "brought philosophy out of closets and libraries, schools, and colleges, to dwell in clubs and assemblies, at tea-tables and coffee–houses". Women were a target audience for The Spectator, because one of the aims of the periodical was to increase the number of women who were "of a more elevated life and conversation." Steele states in The Spectator, No. 10, "But there are none to whom this paper will be more useful than to the female world." [3] He recommends that readers of the paper consider it "as a part of the tea-equipage" and set aside time to read it each morning. [4] The Spectator sought to provide readers with topics for well-reasoned discussion, and to equip them to carry on conversations and engage in social interactions in a polite manner. [5] In keeping with the values of Enlightenment philosophies of their time, the authors of The Spectator promoted family, marriage, and courtesy.
Despite a modest daily circulation of approximately 3,000 copies, The Spectator was widely read; Joseph Addison estimated that each number was read by thousands of Londoners, about a tenth of the capital's population at the time. Contemporary historians and literary scholars, meanwhile, do not consider this to be an unreasonable claim; most readers were not themselves subscribers but patrons of one of the subscribing coffeehouses. These readers came from many stations in society, but the paper catered principally to the interests of England's emerging middle class—merchants and traders large and small.
The Spectator also had many readers in the American colonies. In particular, James Madison read the paper avidly as a teenager. It is said to have had a big influence on his world view, lasting throughout his long life. [6] Benjamin Franklin was also a reader, and the Spectator influenced his style in his "Silence Dogood" letters. [7]
Jürgen Habermas sees The Spectator as instrumental in the formation of the public sphere in 18th century England. [8] Although The Spectator declares itself to be politically neutral, it was widely recognised as promoting Whig values and interests.
The Spectator continued to be popular and widely read in the late 18th and 19th centuries. It was sold in eight-volume editions. Its prose style, and its marriage of morality and advice with entertainment, were considered exemplary. The decline in its popularity has been discussed by Brian McCrea and C. S. Lewis.
In The Spectator, No.11, Steele created a frame narrative that would come to be a very well known story in the eighteenth century, the story of Inkle and Yarico. Although the periodical essay was published on 13 March 1711, the story is based on Richard Ligon's publication in 1647. Ligon's publication, A True and Exact History of the Island of Barbadoes, reports on how the cruelties of the transatlantic slave trade contribute to slave-produced goods such as tobacco and sugarcane. Mr. Spectator goes to speak with an older woman, Arietta, whom many people visit to discuss various topics. When Mr. Spectator enters the room, there is already another man present speaking with Arietta. They are discussing "constancy in love," and the man uses the tale of The Ephesian Matron to support his point. Arietta is insulted and angered by the man's hypocrisy and sexism. She counters his tale with one of her own, the story of Inkle and Yarico. Thomas Inkle, a twenty-year-old man from London, sailed to the West Indies to increase his wealth through trade. While on an island, he encounters a group of Indians, who battle and kill many of his shipmates. After fleeing, Inkle hides in a cave where he discovers Yarico, an Indian maiden. They become enamored with one another's clothing and physical appearances, and Yarico for the next several months hides her lover from her people and provides him with food and fresh water. Eventually, a ship passes, headed for Barbadoes, and Inkle and Yarico use this opportunity to leave the island. After reaching the English colony, Inkle sells Yarico to a merchant, even after she tells him that she is pregnant. Arietta closes the tale stating that Inkle simply uses Yarico's declaration to argue for a higher price when selling her. Mr. Spectator is so moved by the story that he takes his leave. Steele's text was so well known and influential that seven decades after his publication, George Colman modified the short story into a comic opera, Inkle and Yarico.
Joseph Addison was an English essayist, poet, playwright, and politician. He was the eldest son of Lancelot Addison. His name is usually remembered alongside that of his long-standing friend Richard Steele, with whom he founded The Spectator magazine. His simple prose style marked the end of the mannerisms and conventional classical images of the 17th century.
Sir Richard Steele was an Anglo-Irish writer, playwright, and politician, remembered as co-founder, with his friend Joseph Addison, of the magazine The Spectator.
Politeness is the practical application of good manners or etiquette so as not to offend others and to put them at ease. It is a culturally defined phenomenon, and therefore what is considered polite in one culture can sometimes be quite rude or simply eccentric in another cultural context.
Thomas Tickell was a minor English poet and man of letters.
Penny dreadfuls were cheap popular serial literature produced during the 19th century in the United Kingdom. The pejorative term is roughly interchangeable with penny horrible, penny awful, and penny blood. The term typically referred to a story published in weekly parts of 8 to 16 pages, each costing one penny. The subject matter of these stories was typically sensational, focusing on the exploits of detectives, criminals, or supernatural entities. First published in the 1830s, penny dreadfuls featured characters such as Sweeney Todd, Dick Turpin, Varney the Vampire, and Spring-heeled Jack.
Augustan literature is a style of British literature produced during the reigns of Queen Anne, King George I, and George II in the first half of the 18th century and ending in the 1740s, with the deaths of Alexander Pope and Jonathan Swift, in 1744 and 1745, respectively. It was a literary epoch that featured the rapid development of the novel, an explosion in satire, the mutation of drama from political satire into melodrama and an evolution toward poetry of personal exploration. In philosophy, it was an age increasingly dominated by empiricism, while in the writings of political economy, it marked the evolution of mercantilism as a formal philosophy, the development of capitalism and the triumph of trade.
The Guardian was a short-lived newspaper published in London from 12 March to 1 October 1713.
Augustan prose is somewhat ill-defined, as the definition of "Augustan" relies primarily upon changes in taste in poetry. However, the general time represented by Augustan literature saw a rise in prose writing as high literature. The essay, satire, and dialogue thrived in the age, and the English novel was truly begun as a serious art form. At the outset of the Augustan age, essays were still primarily imitative, novels were few and still dominated by the Romance, and prose was a rarely used format for satire, but, by the end of the period, the English essay was a fully formed periodical feature, novels surpassed drama as entertainment and as an outlet for serious authors, and prose was serving every conceivable function in public discourse. It is the age that most provides the transition from a court-centered and poetic literature to a more democratic, decentralized literary world of prose.
Justus van Effen was a Dutch author, who wrote chiefly in French but also made crucial contributions to Dutch literature. A journalist, he imitated The Spectator with the publication of the Dutch-language Hollandsche Spectator. He gained international fame as a writer of French periodicals and a translator from English into French, and he is also recognized as one of the most important Dutch language writers of the 18th century and an influential figure of the Dutch Enlightenment.
Roger deCoverley is the name of an English country dance and a Scottish country dance. An early version was published in The Dancing Master, 9th edition (1695). The Virginia Reel is probably related to it.
The Rambler was a periodical by Samuel Johnson.
In literature, a character sketch, or character, is a rough-and-ready rendering and thumbnail portrayal of an individual, capturing, in brief, that person's physical characteristics, psychological attributes, and the like. The brief descriptions often capitalize on the more unusual or humorous aspects of the person's character. Character sketches are usually identified by irony, humor, exaggeration, and satire. The term originated in portraiture, where the character sketch is a common academic exercise. The artist performing a character sketch attempts to capture an expression or gesture that goes beyond coincident actions and gets to the essence of the individual.
Inkle and Yarico is a comic opera first staged in London, England, in August 1787, with music by Samuel Arnold and a libretto by George Colman the Younger.
The Conscious Lovers is a sentimental comedy written in five acts by the Irish author Richard Steele. The Conscious Lovers appeared on stage on 7 November 1722, at Theatre Royal, Drury Lane and was an immediate success, with an initial run of eighteen consecutive nights.
The Hollandsche Spectator was an important Dutch language newspaper of the Enlightenment period.
William Harrison (1685–1713) was an English poet and diplomat.
The Tatler was a British literary and society journal begun by Richard Steele in 1709 and published for two years. It represented a new approach to journalism, featuring cultivated essays on contemporary manners, and established the pattern that would be copied in such British classics as Addison and Steele's The Spectator, Samuel Johnson's The Rambler and The Idler, and Goldsmith's Citizen of the World. The Tatler would also influence essayists as late as Charles Lamb and William Hazlitt. Addison and Steele liquidated The Tatler in order to make a fresh start with the similar Spectator, and the collected issues of Tatler are usually published in the same volume as the collected Spectator.
Martin Powell, was an Irish master puppeteer and puppet show impresario, who put on a repertoire of satirical and parodical marionette shows that invariably featured the Punch character. He drew audiences first at provincial towns such as Bath, then moving his venue to London. His theatre established itself in early 1710 at its first location, at the north end of St. Martin's Street intersected by Litchfield St., not quite in Covent Garden. But by 1711 he relocated the theatre to the galleries of Covent Garden, at Little Piazza, opposite St. Paul's Church.
Yarico is a musical based on a 17th-century story of the Amerindian woman – Yarico, who saved the life of, and subsequently fell in love with a British merchant Thomas Inkle, who then sold her into slavery on the island of Barbados – Inkle and Yarico. It was first recorded by Richard Ligon, in his book entitled “The True and Exact History of the Island of Barbadoes” (1657). Ever since its first staging by George Colman the Younger in 1787, the story became hugely popular inspiring writers across Europe as well as in America., to produce a number of different treatments of it The music is by James McConnel, the book and lyrics are by Carl Miller with additional lyrics by Paul Leigh. The musical played at the London Theatre Workshop from February 17, to March 28, 2015