Conchoprimo

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Concho Primo by Bienvenido Gimbernard, 1919 Conchoprimo.jpeg
Concho Primo by Bienvenido Gimbernard, 1919

Conchoprimo or Concho Primo is a stereotype of peasant guerilla leaders in Dominican Republic [1] who took part in numerous uprisings. Conchoprimo is viewed as a historical national personification of the Dominican Republic. His canonical image, in peasant clothes with an accordion and a machete, was created by the cartoonist Bienvenido Gimbernard in 1919. [2]

Some Spanish dictionaries define 'conchoprimo' as "a character typical of the Montonero revolutions, who participated in armed uprisings." [3] Accordingly, the period at the beginning of the 20th century until the American intervention in 1916 is called "the era of Concho Primo" or the era of "machete generals", [4] [5] and the corresponding chaotic political situation is called conchoprimismo. [6]

The origin of the name is uncertain. There are various stories when a purported "conchoprimo" uttered in a bewilderment: "Concho, primo!". [2] [7] In this context, "concho" is a minced alteration of an expletive interjection "coño", i.e., "cunt" [7] [a] and primo means "cousin" (which may also be used as an address of familiarity, like "compay" or "bro" [8] ), i.e., the expression may be translated as "Damn, cousin!" or "Damn, bro!".

During the dictatorship of Rafael Trujillo many songs were dedicated to Concho Primo, and in remembrance of his accordion, a single-row diatonic-button accordion is called Concho Primo by some Dominicans. [7]

Notes

  1. In Dominican Republic "concho!" is used to variously express admiration, astonishment, strangeness or pain ("admiracion, asombro, extraneza o dolor") [1]

References

  1. 1 2 Carlos Esteban Deive  [ es ], Diccionario de dominicanismos, p.61
  2. 1 2 Pablo Gómez Borbón  [ es ], Una nación en búsqueda de un personaje que la represente
  3. conchoprimo
  4. La Fuñenda: El libro que rezuma dominicanidad
  5. Andrés L. Mateo, Mito y cultura en la era de Trujillo, footnote 27 at p. 129
  6. conchoprimismo
  7. 1 2 3 Sydney Hutchinson, Focus: Music of the Caribbean, p. 91
  8. Sydney Hutchinson, Tigers of a Different Stripe: Performing Gender in Dominican Music, p. 32