A national emblem is an emblem or seal that is reserved for use by a nation state or multi-national state as a symbol of that nation. Many nations have a seal or emblem in addition to a national flag.
Other national symbols, such as national birds, trees, flowers, etc., are listed at lists of national symbols.
The design of an emblem is different to that of a coat of arms which should follow the rules of heraldry and so contain a shield (escutcheon) in the center. However, many unheraldic national emblems are colloquially called national coats of arms anyway, because they are used for the same purposes as national coats of arms. [1]
Some designs of national emblems can be used one-to-one for a national seal. [2]
The same for some national coats of arms like the Great Seal of the United States which is actually a coat of arms (achievement) on a seal.
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
The coat of arms of Nova Scotia is the heraldic symbol representing the Canadian province of Nova Scotia. It is the oldest provincial achievement of arms in Canada, and the oldest British coat of arms in use outside Great Britain. It is blazoned as follows: Argent, a saltire azure charged with an escutcheon of the Royal Arms of Scotland.
The national coat of arms of Armenia was adopted on April 19, 1992, by resolution of the Armenian Supreme Council. On June 15, 2006, the Armenian Parliament passed the law on the state coat of arms of Armenia.
The coat of arms of Australia, officially the Commonwealth Coat of Arms, is a formal symbol of the Commonwealth of Australia. It depicts a shield, containing symbols of Australia's six states, and is held up by native Australian animals, the kangaroo and the emu. The seven-pointed Commonwealth Star surmounting the crest also represents the states and territories, while golden wattle, the national floral emblem, appears below the shield.
The coat of arms of Bosnia and Herzegovina was adopted in 1998, replacing the previous design that had been in use since 1992 when Bosnia and Herzegovina gained independence. It follows the design of the national flag. The three-pointed shield is used to symbolize the three major ethnic groups of Bosnia, as well as allude to the shape of the country.
In heraldry, an escutcheon is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms.
The coat of arms of Russia derives from the earlier coat of arms of the Russian Empire. Though modified more than once since the reign of Ivan III (1462–1505), the current coat of arms is directly derived from its medieval original, with the double-headed eagle having Byzantine and earlier antecedents. The general tincture corresponds to the fifteenth-century standard.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The coat of arms of Portugal is the main heraldic insignia of Portugal. The present model was officially adopted on 30 June 1911, along with the present model of the Flag of Portugal. It is based on the coat of arms used by the Kingdom of Portugal since the Middle Ages. The coat of arms of Portugal is popularly referred as the Quinas.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
The tradition and art of heraldry first appeared in Spain at about the beginning of the eleventh century AD and its origin was similar to other European countries: the need for knights and nobles to distinguish themselves from one another on the battlefield, in jousts and in tournaments. Knights wore armor from head to toe and were often in leadership positions, so it was essential to be able to identify them on the battlefield.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Canadian heraldry is the cultural tradition and style of coats of arms and other heraldic achievements in both modern and historic Canada. It includes national, provincial, and civic arms, noble and personal arms, ecclesiastical heraldry, heraldic displays as corporate logos, and Canadian blazonry.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
Russian heraldry involves the study and use of coats of arms and other heraldic insignia in the country of Russia. Compare the socialist heraldry of the Soviet period of Russian history (1917–1991).
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
