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What "Orwellian" really means – Noah Tavlin (5:31), TED-Ed [1] |
Orwellian is an adjective describing a situation, idea, or societal condition that George Orwell identified as being destructive to the welfare of a free and open society. It denotes an attitude and a brutal policy of draconian control by propaganda, surveillance, disinformation, denial of truth (doublethink), and manipulation of the past, including the "unperson"—a person whose past existence is expunged from the public record and memory, practiced by modern repressive governments. Often, this includes the circumstances depicted in his novels, particularly Nineteen Eighty-Four , [2] despite the narrative depicting a society in which only governmental employees are under repressive scrutiny, but political doublespeak is criticized throughout his work, such as in Politics and the English Language . [3]
The New York Times has said the term is "the most widely used adjective derived from the name of a modern writer". [4] [5]
Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants.
Doublespeak is language that deliberately obscures, disguises, distorts, or reverses the meaning of words. Doublespeak may take the form of euphemisms, in which case it is primarily meant to make the truth sound more palatable. It may also refer to intentional ambiguity in language or to actual inversions of meaning. In such cases, doublespeak disguises the nature of the truth.
Eric Arthur Blair was a British novelist, poet, essayist, journalist, and critic who wrote under the pen name of George Orwell, a name inspired by his favourite place, the River Orwell. His work is characterised by lucid prose, social criticism, opposition to all totalitarianism, and support of democratic socialism.
Political fiction employs narrative to comment on political events, systems and theories. Works of political fiction, such as political novels, often "directly criticize an existing society or present an alternative, even fantastic, reality". The political novel overlaps with the social novel, proletarian novel, and social science fiction.
In the dystopian novel Nineteen Eighty-Four, thoughtcrime is the offense of thinking in ways not approved by the ruling Ingsoc party. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of The Party controls the speech, the actions, and the thoughts of the citizens of Oceania.
Telescreens are two-way video devices that appear in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. Omnipresent and almost never turned off, they are an unavoidable source of propaganda and tools of surveillance.
"Politics and the English Language" (1946) is an essay by George Orwell that criticised the "ugly and inaccurate" written English of his time and examined the connection between political orthodoxies and the debasement of language.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Thought Police are the secret police of the superstate of Oceania, who discover and punish thoughtcrime. Using criminal psychology and omnipresent surveillance the Thinkpol monitor the citizens of Oceania and arrest all those who have committed thoughtcrime in challenge to the status quo authority of the Party and of the régime of Big Brother.
The NCTE George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language is an award given since 1975 by the Public Language Award Committee of the National Council of Teachers of English. It is awarded annually to "writers who have made outstanding contributions to the critical analysis of public discourse."
Political repression is the act of a state entity controlling a citizenry by force for political reasons, particularly for the purpose of restricting or preventing the citizenry's ability to take part in the political life of a society, thereby reducing their standing among their fellow citizens. Repression tactics target the citizenry who are most likely to challenge the political ideology of the state in order for the government to remain in control. In autocracies, the use of political repression is to prevent anti-regime support and mobilization. It is often manifested through policies such as human rights violations, surveillance abuse, police brutality, imprisonment, involuntary settlement, stripping of citizen's rights, lustration, and violent action or terror such as the murder, summary executions, torture, forced disappearance, and other extrajudicial punishment of political activists, dissidents, or general population. Direct repression tactics are those targeting specific actors who become aware of the harm done to them while covert tactics rely on the threat of citizenry being caught. The effectiveness of the tactics differ: covert repression tactics cause dissidents to use less detectable opposition tactics while direct repression allows citizenry to witness and react to the repression. Political repression can also be reinforced by means outside of written policy, such as by public and private media ownership and by self-censorship within the public.
References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment. While the novel is technically public domain under United Kingdom copyright, it is still copyrighted in the United States and as such most uses of it are as non-infringing metaphors.
Why Orwell Matters, released in the UK as Orwell's Victory, is a book-length biographical essay by Christopher Hitchens. In it, the author relates George Orwell's thoughts on and actions in relation to: The British Empire, the Left, the Right, the United States of America, English conventions, feminism, and his controversial list for the British Foreign Office.
A police state describes a state whose government institutions exercise an extreme level of control over civil society and liberties. There is typically little or no distinction between the law and the exercise of political power by the executive, and the deployment of internal security and police forces play a heightened role in governance. A police state is a characteristic of authoritarian, totalitarian or illiberal regimes. Such governments are typically one-party states, but police-state-level control may emerge in multi-party systems as well.
In the dystopian novel Nineteen Eighty-Four, by George Orwell, Emmanuel Goldstein is the principal enemy of the state of Oceania. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.
Doublethink is a process of indoctrination in which subjects are expected to simultaneously accept two conflicting beliefs as truth, often at odds with their own memory or sense of reality. Doublethink is related to, but differs from, hypocrisy.
A dystopia, also called a cacotopia or anti-utopia, is a community or society that is extremely bad or frightening. It is often treated as an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one of simple opposition, as many dystopias claim to be utopias and vice versa.
In the dystopian novel Nineteen Eighty-Four, by George Orwell, Newspeak is the fictional language of Oceania, a totalitarian superstate. To meet the ideological requirements of Ingsoc in Oceania, the Party created Newspeak, which is a controlled language of simplified grammar and limited vocabulary designed to limit a person's ability for critical thinking. The Newspeak language thus limits the person's ability to articulate and communicate abstract concepts, such as personal identity, self-expression, and free will, which are thoughtcrimes, acts of personal independence that contradict the ideological orthodoxy of Ingsoc collectivism.
Nineteen Eighty-Four is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a staunch believer in democratic socialism and member of the anti-Stalinist Left, modelled the Britain under authoritarian socialism in the novel on the Soviet Union in the era of Stalinism and on the very similar practices of both censorship and propaganda in Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.
Vladimir Emmanuilovich Shlapentokh was a Soviet and American sociologist, historian, political scientist, and university professor, notable for his work on Soviet and Russian society and politics as well as theoretical work in sociology.
Masha Karp is a political journalist and a scholar on the work of George Orwell. She is the author of two books about Orwell: his biography, in Russian (2017) and "George Orwell and Russia", in English (2023). She is also a translator of English and German literature into Russian, a literary critic and a former BBC editor.