First edition cover
|Cover artist||Michael Kennar|
|Genre||Dystopian, political fiction, social science fiction|
|Set in||London, Airstrip One, Oceania|
|Publisher||Secker & Warburg 8 June 1949|
|Media type||Print (hardback and paperback)|
Nineteen Eighty-Four: A Novel, often published as 1984, is a dystopian novel by English novelist George Orwell. It was published in June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. The story was mostly written at Barnhill, a farmhouse on the Scottish island of Jura, at times while Orwell suffered from severe tuberculosis. Thematically, Nineteen Eighty-Four centres on the consequences of government over-reach, totalitarianism, mass surveillance, and repressive regimentation of all persons and behaviours within society.
The story takes place in an imagined future, the year 1984, when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of a superstate named Oceania that is ruled by the Party who employ the Thought Police to persecute individuality and independent thinking.Big Brother, the leader of the Party, enjoys an intense cult of personality despite the fact that he may not exist. The protagonist, Winston Smith, is a diligent and skillful rank-and-file worker and Party member who secretly hates the Party and dreams of rebellion. He enters a forbidden relationship with a co-worker, Julia.
Nineteen Eighty-Four has become a classic literary example of political and dystopian fiction. Many terms used in the novel have entered common usage, including Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, telescreen, 2 + 2 = 5, prole, and memory hole. Nineteen Eighty-Four also popularised the adjective "Orwellian", connoting things such as official deception, secret surveillance, brazenly misleading terminology, and manipulation of recorded history by a totalitarian or authoritarian state. Time included it on its 100 best English-language novels from 1923 to 2005.It was placed on the Modern Library's 100 Best Novels, reaching No. 13 on the editors' list and No. 6 on the readers' list. In 2003, the novel was listed at No. 8 on The Big Read survey by the BBC. Parallels have been drawn between the novel's subject matter and real life instances of totalitarianism, mass surveillance, and violations of freedom of expression among other themes.
Orwell "encapsulate[d] the thesis at the heart of his unforgiving novel" in 1944, the implications of dividing the world up into zones of influence, which had been conjured by the Tehran Conference. Three years later, he wrote most of it on the Scottish island of Jura from 1947 to 1948 despite being seriously ill with tuberculosis.On 4 December 1948, he sent the final manuscript to the publisher Secker and Warburg, and Nineteen Eighty-Four was published on 8 June 1949. By 1989, it had been translated into 65 languages, more than any other novel in English until then. The title of the novel, its themes, the Newspeak language and the author's surname are often invoked against control and intrusion by the state, and the adjective Orwellian describes a totalitarian dystopia that is characterised by government control and subjugation of the people. Orwell's invented language, Newspeak, satirises hypocrisy and evasion by the state: the Ministry of Love (Miniluv) oversees torture and brainwashing (to ensure a love for Big Brother), the Ministry of Plenty (Miniplenty) oversees shortage and rationing, the Ministry of Peace (Minipax) oversees war and atrocity, and the Ministry of Truth (Minitrue) oversees propaganda and historical negationism.
The Last Man in Europe was an early title for the novel, but in a letter dated 22 October 1948 to his publisher Fredric Warburg, eight months before publication, Orwell wrote about hesitating between that title and Nineteen Eighty-Four.Warburg suggested choosing the latter, a more commercial choice for the main title.
In his 1978 novel 1985 , English author Anthony Burgess suggests that Orwell, disillusioned by the onset of the Cold War (1945–91), intended to call the book 1948. The introduction to the Penguin Books Modern Classics edition of Nineteen Eighty-Four reports that Orwell originally set the novel in 1980 but that he later shifted the date to 1982 and then to 1984. The introduction to the Houghton Mifflin Harcourt edition of Animal Farm and 1984 (2003) reports that the title 1984 was chosen simply as an inversion of the year 1948, the year in which it was being completed, and that the date was meant to give an immediacy and urgency to the menace of totalitarian rule.
Throughout its publication history, Nineteen Eighty-Four has been either banned or legally challenged, as subversive or ideologically corrupting, like the dystopian novels We (1924) by Yevgeny Zamyatin, Brave New World (1932) by Aldous Huxley, Darkness at Noon (1940) by Arthur Koestler, Kallocain (1940) by Karin Boye, and Fahrenheit 451 (1953) by Ray Bradbury.Some writers consider the Russian dystopian novel We by Zamyatin to have influenced Nineteen Eighty-Four, and that the novel bears significant similarities in its plot and characters to Darkness at Noon , written years before by Koestler, who was a personal friend of Orwell.
The original manuscript for Nineteen Eighty-Four is significantly the only literary manuscript of Orwell's to survive; it is presently held at the John Hay Library at Brown University.
The novel was first published by Secker & Warburg in the United Kingdom on 8 June 1949 and published by Harcourt, Brace and Company in the United States on 13 June 1949.The usual copyright period within the UK extends to 70 years from the end of the calendar year of the author's death. For works published prior to 1978, the usual copyright duration within the US is 95 years from the date of publication, if copyright was renewed during the 28th year following publication. Both the UK and the US are signatories to the Berne Convention and the WIPO Copyright Treaty.
Under the Berne Convention, Article 5(4), when a work is published simultaneously in several party countries (under Article 3(4), "simultaneously" is defined as "within 30 days" ), the country with the shortest term of protection is defined as the country of origin.
In the case of Nineteen Eighty-Four, the United Kingdom is considered the country of origin and its copyright period extends until the first day of January following 70 years after the death of the author. George Orwell, the novel's author, died in 1950,so the novel enters the public domain on 1 January 2021.
This same copyright period must be honoured by all other parties to the agreement.
Nineteen Eighty-Four is set in Oceania, one of three inter-continental superstates that divided the world after a global war.
Smith's memories and his reading of the proscribed book, The Theory and Practice of Oligarchical Collectivism by Emmanuel Goldstein, reveal that after the Second World War, the United Kingdom became involved in a war during the early 1950s in which nuclear weapons destroyed hundreds of cities in Europe, western Russia and North America. Colchester was destroyed and London also suffered widespread aerial raids, leading Winston's family to take refuge in a London Underground station. Britain fell into civil war, with street fighting in London, before the English Socialist Party, abbreviated as Ingsoc, emerged victorious and formed a totalitarian government in Britain. The British Commonwealth and Latin America were absorbed by the United States, resulting in the superstate of Oceania. Ingsoc became the sole government party in this new nation.
Simultaneously, the Soviet Union conquered continental Europe and established the second superstate of Eurasia, under a Neo-Bolshevik regime. The third superstate of Eastasia emerged in the Far East after another decade of fighting, with a ruling ideology translated from Chinese as 'Death-Worship' or 'Obliteration of the Self'. The three superstates wage perpetual war for the remaining unconquered lands of the world in "a rough quadrilateral with its corners at Tangier, Brazzaville, Darwin, and Hong Kong" through constantly shifting alliances. Although each of the three states are said to have sufficient natural resources, the war continues to maintain ideological control over the people.
While citizens in each state are trained to despise the ideologies of the other two as uncivilised and barbarous, Goldstein's book, The Theory and Practice of Oligarchical Collectivism, explains that in fact the superstates' ideologies are practically identical and that the public's ignorance of this fact is imperative so that they might continue believing otherwise. The only references to the exterior world for the Oceanian citizenry (the Outer Party and the Proles) are Ministry of Truth maps and propaganda to ensure their belief in "the war".
However, due to the fact that Winston barely remembers these events and due to the Party's manipulation of historical records, the continuity and accuracy of these events are unknown. Winston himself notes that the Party has claimed credit for inventing helicopters, aeroplanes, and trains, while Julia theorises that the perpetual bombing of London is merely a false-flag operation designed to convince the populace that a war is occurring. If the official account was accurate, Smith's strengthening memories and the story of his family's dissolution suggest that the atomic bombings occurred first, followed by civil war featuring "confused street fighting in London itself" and the societal postwar reorganisation, which the Party retrospectively calls "the Revolution".
Most of the plot takes place in London, the "chief city of Airstrip One", the Oceanic province that "had once been called England or Britain".Posters of the Party leader, Big Brother, bearing the caption "BIG BROTHER IS WATCHING YOU", dominate the city (Winston states it can be found on nearly every house), while telescreens (transceiving television set) monitor the private and public lives of the party members. Military parades, propaganda films, and public executions are said to be commonplace.
The class hierarchy of Oceania has three levels:
As the government, the Party controls the population with four ministries, each named after the opposite of their true function:
The protagonist Winston Smith, a member of the Outer Party, works in the Records Department of the Ministry of Truth as an editor, negating historical records to make the past conform to the ever-changing party line and deleting references to unpersons (people who have not only killed by the state but denied existence even in history or memory).
The story of Winston Smith begins on 4 April 1984: "It was a bright cold day in April, and the clocks were striking thirteen." Yet he is uncertain of the true date, given the regime's continual rewriting and manipulation of history.
In the year 1984, civilisation has been damaged by war, civil conflict, and revolution. Airstrip One (formerly known as Great Britain) is a province of Oceania, one of the three totalitarian super-states that rule the world. It is ruled by the "Party" under the ideology of "Ingsoc" (a shortening of "English Socialism") and the mysterious leader Big Brother, who has an intense cult of personality. The Party stamps out anyone who does not fully conform to their regime using the Thought Police and constant surveillance through devices such as Telescreens (two-way televisions).
Winston Smith is a member of the middle-class Outer Party, working at the Ministry of Truth, where he rewrites historical records to conform to the state's ever-changing version of history. Those who fall out of favour with the Party become "unpersons", disappearing with all evidence of their existence removed. Winston revises past editions of The Times , while the original documents are destroyed by fire in a "memory hole". He secretly opposes the Party's rule and dreams of rebellion, despite knowing that he is already a "thoughtcriminal" and likely to be caught one day.
While in a proletariat neighbourhood, he meets Mr. Charrington, the owner of an antiques shop, and buys a diary. He uses an alcove to hide it from the Telescreen in his room, and writes thoughts criticising the Party and Big Brother, and also writes that "if there is hope, it lies in the proles". To his dismay, when he visits a section of town where the proles live he discovers they have no political consciousness. An old man he talks to there has no significant memory of life before the Revolution. As he works in the Ministry of Truth, he observes Julia, a young woman maintaining the novel-writing machines at the ministry, whom Winston suspects of being a spy against him, and develops an intense hatred of her. He vaguely suspects that his superior, an Inner Party official named O'Brien, is a member of an enigmatic underground resistance movement known as the Brotherhood, a group formed by Big Brother's reviled political rival Emmanuel Goldstein. Winston has a lunch conversation with a co-worker named Syme, who is writing a dictionary for a revised version of the English language called Newspeak. After Syme says freely that the true purpose of Newspeak is to reduce the capacity of human thought, Winston thinks to himself that Syme will disappear as he is "too intelligent" and therefore dangerous to the Party.
One day, Julia secretly hands Winston a note saying she loves him, and the two begin a torrid affair. This is an act of rebellion, as the Party insists that sex only be used for reproduction. Julia shares his loathing of the Party, but he later realizes that she is not interested in politics or in overthrowing the regime, thinking that it impossible. They at first rendezvous in the country, and later meet in a rented room above Mr. Charrington's shop. During his affair with Julia, Winston remembers the disappearance of his family during the civil war of the 1950s and his terse relationship with his wife Katharine, from whom he is separated (divorce is not permitted by the Party). He also notices the disappearance of Syme during one of his working days. Weeks later, Winston is approached by O'Brien, who invites Winston over to his flat, which is noted as being of far higher quality than Winston's. O'Brien introduces himself as a member of the Brotherhood and sends Winston a copy of The Theory and Practice of Oligarchical Collectivism by Emmanuel Goldstein. Meanwhile, during the nation's Hate Week, Oceania's enemy suddenly changes from Eurasia to Eastasia, with no-one seemingly noticing the shift. Winston and Julia read parts of the book, which explains more about how the Party maintains power, the true meanings of its slogans and the concept of perpetual war. It argues that the Party can be overthrown if proles rise up against it. However, to Winston, it does not answer 'why' the Party maintains power.
Winston and Julia are captured and imprisoned. Mr. Charrington is revealed to be an agent of the Thought Police. At the Ministry of Love, Winston briefly interacts with colleagues who have been arrested for other offences. O'Brien arrives, revealing that he too is a Thought Police agent, part of a special sting operation to catch "thoughtcriminals". Over several months, Winston is starved and tortured and forced to "cure" himself of his "insanity" by changing his own perception to fit in line with the Party. O'Brien tells Winston that the Party "is not interested in the good of others; it is interested solely in power." When O'Brien taunts Winston by asking him if there is any humiliation which he has not yet been made to suffer, Winston points out that the Party has not managed to make him betray Julia. O'Brien admits that is true. He says that once Winston is fully loyal, he will be released back into society for an unspecified period of time, and then he will be executed.
Still imprisoned but now better fed and no longer mistreated, Winston grows stronger. Intellectually he has accepted that the party is invincible and ‘objective truth’ has no meaning. He has fully absorbed crimestop, the instinctive conformity to state doctrine that precludes any oppositional thought. Emotionally, however, he at times clings to his old self. He fantasizes that moments before his execution his heretic side will emerge, which, as long as he is killed while unrepentant, will be his great victory over the party.
Winston’s hopes implode when, in an unconscious reverie, he calls out Julia’s name. O’Brien confronts him and Winston admits he hates Big Brother. O'Brien takes Winston to Room 101 for the final stage of re-education. The room contains each prisoner's worst fear. In Winston's case it is rats. The fact that the Party knows this indicates the level of surveillance on the population is far more thorough than Winston previously believed. As a wire cage holding frenzied rats is fitted onto his face, Winston betrays Julia, begging his torturers to do it to Julia instead of him. Some time after being released Winston meets Julia in a park. She says she was also tortured, and both reveal betraying the other. They part ways. Later, Winston sits alone in a café as Oceania celebrates a supposed victory over Eurasian armies in Africa and realises that, now, "he loved Big Brother".
Whether these characters are real or fabrications of Party propaganda is something that neither Winston nor the reader is permitted to know:
Ingsoc (English Socialism) is the predominant ideology and pseudophilosophy of Oceania, and Newspeak is the official language of official documents. Orwell depicts the Party's ideology as an oligarchical worldview that "rejects and vilifies every principle for which the Socialist movement originally stood, and it does so in the name of Socialism."
In London, the capital city of Airstrip One, Oceania's four government ministries are in pyramids (300 m high), the façades of which display the Party's three slogans. As mentioned, the ministries' names are the opposite (doublethink) of their true functions: "The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation." (Part II, Chapter IX – The Theory and Practice of Oligarchical Collectivism)
The Ministry of Peace supports Oceania's perpetual war against either of the two other superstates:
The primary aim of modern warfare (in accordance with the principles of doublethink, this aim is simultaneously recognised and not recognised by the directing brains of the Inner Party) is to use up the products of the machine without raising the general standard of living. Ever since the end of the nineteenth century, the problem of what to do with the surplus of consumption goods has been latent in industrial society. At present, when few human beings even have enough to eat, this problem is obviously not urgent, and it might not have become so, even if no artificial processes of destruction had been at work.
The Ministry of Plenty rations and controls food, goods, and domestic production; every fiscal quarter, it publishes false claims of having raised the standard of living, when it has, in fact, reduced rations, availability and production. The Ministry of Truth substantiates the Ministry of Plenty's claims by revising historical records to report numbers supporting the current "increased rations".
The Ministry of Truth controls information: news, entertainment, education, and the arts. Winston Smith works in the Minitrue RecDep (Records Department), "rectifying" historical records to concord with Big Brother's current pronouncements so that everything the Party says is true.
The Ministry of Love identifies, monitors, arrests and converts real and imagined dissidents. In Winston's experience, the dissident is beaten and tortured, and, when near-broken, he is sent to Room 101 to face "the worst thing in the world"—until love for Big Brother and the Party replaces dissension.
The keyword here is blackwhite. Like so many Newspeak words, this word has two mutually contradictory meanings. Applied to an opponent, it means the habit of impudently claiming that black is white, in contradiction of the plain facts. Applied to a Party member, it means a loyal willingness to say that black is white when Party discipline demands this. But it means also the ability to believe that black is white, and more, to know that black is white, and to forget that one has ever believed the contrary. This demands a continuous alteration of the past, made possible by the system of thought which really embraces all the rest, and which is known in Newspeak as doublethink. Doublethink is basically the power of holding two contradictory beliefs in one's mind simultaneously, and accepting both of them.— Part II, Chapter IX – The Theory and Practice of Oligarchical Collectivism
Three perpetually warring totalitarian super-states control the world:
The perpetual war is fought for control of the "disputed area" lying "between the frontiers of the super-states", which forms "a rough quadrilateral with its corners at Tangier, Brazzaville, Darwin and Hong Kong",and Northern Africa, the Middle East, India and Indonesia are where the superstates capture and use slave labour. Fighting also takes place between Eurasia and Eastasia in Manchuria, Mongolia and Central Asia, and all three powers battle one another over various Atlantic and Pacific islands.
Winston Smith's memory and Emmanuel Goldstein's book communicate some of the history that precipitated the Revolution. Eurasia was formed when the Soviet Union conquered Continental Europe, creating a single state stretching from Portugal to the Bering Strait. Eurasia does not include the British Isles because the United States annexed them along with the rest of the British Empire and Latin America, thus establishing Oceania and gaining control over a quarter of the planet. Eastasia, the last superstate established, emerged only after "a decade of confused fighting". It includes the Asian lands conquered by China and Japan. Although Eastasia is prevented from matching Eurasia's size, its larger populace compensates for that handicap.
The annexation of Britain occurred about the same time as the atomic war that provoked civil war, but who fought whom in the war is left unclear. Nuclear weapons fell on Britain; an atomic bombing of Colchester is referenced in the text. Exactly how Ingsoc and its rival systems (Neo-Bolshevism and Death Worship) gained power in their respective countries is also unclear.
While the precise chronology cannot be traced, most of the global societal reorganisation occurred between 1945 and the early 1960s. Winston and Julia once meet in the ruins of a church that was destroyed in a nuclear attack "thirty years" earlier, which suggests 1954 as the year of the atomic war that destabilised society and allowed the Party to seize power. It is stated in the novel that the "fourth quarter of 1983" was "also the sixth quarter of the Ninth Three-Year Plan", which implies that the first quarter of the first three-year plan began in July 1958. By then, the Party was apparently in control of Oceania.
In 1984, there is a perpetual war between Oceania, Eurasia and Eastasia, the superstates that emerged from the global atomic war. The Theory and Practice of Oligarchical Collectivism, by Emmanuel Goldstein, explains that each state is so strong it cannot be defeated, even with the combined forces of two superstates, despite changing alliances. To hide such contradictions, history is rewritten to explain that the (new) alliance always was so; the populaces are accustomed to doublethink and accept it. The war is not fought in Oceanian, Eurasian or Eastasian territory but in the Arctic wastes and in a disputed zone comprising the sea and land from Tangiers (Northern Africa) to Darwin (Australia). At the start, Oceania and Eastasia are allies fighting Eurasia in northern Africa and the Malabar Coast.
That alliance ends and Oceania, allied with Eurasia, fights Eastasia, a change occurring on Hate Week, dedicated to creating patriotic fervour for the Party's perpetual war. The public are blind to the change; in mid-sentence, an orator changes the name of the enemy from "Eurasia" to "Eastasia" without pause. When the public are enraged at noticing that the wrong flags and posters are displayed, they tear them down; the Party later claims to have captured the whole of Africa.
Goldstein's book explains that the purpose of the unwinnable, perpetual war is to consume human labour and commodities so that the economy of a superstate cannot support economic equality, with a high standard of life for every citizen. By using up most of the produced objects like boots and rations, the proles are kept poor and uneducated and will neither realise what the government is doing nor rebel. Goldstein also details an Oceanian strategy of attacking enemy cities with atomic rockets before invasion but dismisses it as unfeasible and contrary to the war's purpose; despite the atomic bombing of cities in the 1950s, the superstates stopped it for fear that would imbalance the powers. The military technology in the novel differs little from that of World War II, but strategic bomber aeroplanes are replaced with rocket bombs, helicopters were heavily used as weapons of war (they did not figure in World War II in any form but prototypes) and surface combat units have been all but replaced by immense and unsinkable Floating Fortresses, island-like contraptions concentrating the firepower of a whole naval task force in a single, semi-mobile platform (in the novel, one is said to have been anchored between Iceland and the Faroe Islands, suggesting a preference for sea lane interdiction and denial).
The society of Airstrip One and, according to "The Book", almost the whole world, lives in poverty: hunger, disease and filth are the norms. Ruined cities and towns are common: the consequence of the civil war, the atomic wars and the purportedly enemy (but possibly false flag) rockets. Social decay and wrecked buildings surround Winston; aside from the ministerial pyramids, little of London was rebuilt. Members of the Outer Party consume synthetic foodstuffs and poor-quality "luxuries" such as oily gin and loosely-packed cigarettes, distributed under the "Victory" brand. (That is a parody of the low-quality Indian-made "Victory" cigarettes, widely smoked in Britain and by British soldiers during World War II. They were smoked because it was easier to import them from India than it was to import American cigarettes from across the Atlantic because of the Battle of the Atlantic.)
Winston describes something as simple as the repair of a broken pane of glass as requiring committee approval that can take several years and so most of those living in one of the blocks usually do the repairs themselves (Winston himself is called in by Mrs. Parsons to repair her blocked sink). All Outer Party residences include telescreens that serve both as outlets for propaganda and to monitor the Party members; they can be turned down, but they cannot be turned off.
In contrast to their subordinates, the Inner Party upper class of Oceanian society reside in clean and comfortable flats in their own quarter of the city, with pantries well-stocked with foodstuffs such as wine, coffee and sugar, all denied to the general populace.Winston is astonished that the lifts in O'Brien's building work, the telescreens can be switched off and O'Brien has an Asian manservant, Martin. All members of the Inner Party are attended to by slaves captured in the disputed zone, and "The Book" suggests that many have their own motorcars or even helicopters. Nonetheless, "The Book" makes clear that even the conditions enjoyed by the Inner Party are only "relatively" comfortable, and standards would be regarded as austere by those of the prerevolutionary élite.
The proles live in poverty and are kept sedated with alcohol, pornography and a national lottery whose winnings are never actually paid out; that is obscured by propaganda and the lack of communication within Oceania. At the same time, the proles are freer and less intimidated than the middle-class Outer Party: they are subject to certain levels of monitoring but are not expected to be particularly patriotic. They lack telescreens in their own homes and often jeer at the telescreens that they see. "The Book" indicates that is because the middle class, not the lower class, traditionally starts revolutions. The model demands tight control of the middle class, with ambitious Outer-Party members neutralised via promotion to the Inner Party or "reintegration" by the Ministry of Love, and proles can be allowed intellectual freedom because they are deemed to lack intellect. Winston nonetheless believes that "the future belonged to the proles".
The standard of living of the populace is low overall. Consumer goods are scarce, and all those available through official channels are of low quality; for instance, despite the Party regularly reporting increased boot production, more than half of the Oceanian populace goes barefoot. The Party claims that poverty is a necessary sacrifice for the war effort, and "The Book" confirms that to be partially correct since the purpose of perpetual war consumes surplus industrial production. Outer Party members and proles occasionally gain access to better items in the market, which deals in goods that were pilfered from the residences of the Inner Party.[ citation needed ]
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Nineteen Eighty-Four expands upon the subjects summarised in Orwell's essay "Notes on Nationalism"about the lack of vocabulary needed to explain the unrecognised phenomena behind certain political forces. In Nineteen Eighty-Four, the Party's artificial, minimalist language 'Newspeak' addresses the matter.
O'Brien concludes: "The object of persecution is persecution. The object of torture is torture. The object of power is power."
In the book, Inner Party member O'Brien describes the Party's vision of the future:
There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always—do not forget this, Winston—always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face—forever.— Part III, Chapter III, Nineteen Eighty-Four
A major theme of Nineteen Eighty-Four is censorship, especially in the Ministry of Truth, where photographs are modified and public archives rewritten to rid them of "unpersons" (persons who are erased from history by the Party).On the telescreens, figures for all types of production are grossly exaggerated or simply invented to indicate an ever-growing economy, when the reality is the opposite. One small example of the endless censorship is Winston being charged with the task of eliminating a reference to an unperson in a newspaper article. He proceeds to write an article about Comrade Ogilvy, a made-up party member who displayed great heroism by leaping into the sea from a helicopter so that the dispatches he was carrying would not fall into enemy hands.
The inhabitants of Oceania, particularly the Outer Party members, have no real privacy. Many of them live in apartments equipped with two-way telescreens so that they may be watched or listened to at any time. Similar telescreens are found at workstations and in public places, along with hidden microphones. Written correspondence is routinely opened and read by the government before it is delivered. The Thought Police employ undercover agents, who pose as normal citizens and report any person with subversive tendencies. Children are encouraged to report suspicious persons to the government, and some denounce their parents. Citizens are controlled, and the smallest sign of rebellion, even something so small as a facial expression, can result in immediate arrest and imprisonment. Thus, citizens, particularly party members, are compelled to obedience.
"The Principles of Newspeak" is an academic essay appended to the novel. It describes the development of Newspeak, the Party's minimalist artificial language meant to ideologically align thought and action with the principles of Ingsoc by making "all other modes of thought" (i.e. any thoughts, concepts, or sayings that go against Ingsoc) impossible. The idea that the structure of language can be used to influence thought is known as linguistic relativity.
Whether or not the Newspeak appendix implies a hopeful end to Nineteen Eighty-Four remains a critical debate, as it is in Standard English and refers to Newspeak, Ingsoc, the Party etc., in the past tense: "Relative to our own, the Newspeak vocabulary was tiny, and new ways of reducing it were constantly being devised" p. 422). Some critics (Atwood, Benstead, Milner, Pynchon ) claim that for the essay's author, both Newspeak and the totalitarian government are in the past.
Nineteen Eighty-Four uses themes from life in the Soviet Union and wartime life in Great Britain as sources for many of its motifs. Some time at an unspecified date after the first American publication of the book, producer Sidney Sheldon wrote to Orwell interested in adapting the novel to the Broadway stage. Orwell sold the American stage rights to Sheldon, explaining that his basic goal with Nineteen Eighty-Four was imagining the consequences of Stalinist government ruling British society:
[Nineteen Eighty-Four] was based chiefly on communism, because that is the dominant form of totalitarianism, but I was trying chiefly to imagine what communism would be like if it were firmly rooted in the English speaking countries, and was no longer a mere extension of the Russian Foreign Office.
According to Orwell biographer D. J. Taylor, the author's A Clergyman's Daughter (1935) has "essentially the same plot of Nineteen Eighty-Four ... It's about somebody who is spied upon, and eavesdropped upon, and oppressed by vast exterior forces they can do nothing about. It makes an attempt at rebellion and then has to compromise".
The statement "2 + 2 = 5", used to torment Winston Smith during his interrogation, was a communist party slogan from the second five-year plan, which encouraged fulfilment of the five-year plan in four years. The slogan was seen in electric lights on Moscow house-fronts, billboards and elsewhere.
The switch of Oceania's allegiance from Eastasia to Eurasia and the subsequent rewriting of history ("Oceania was at war with Eastasia: Oceania had always been at war with Eastasia. A large part of the political literature of five years was now completely obsolete"; ch 9) is evocative of the Soviet Union's changing relations with Nazi Germany. The two nations were open and frequently vehement critics of each other until the signing of the 1939 Treaty of Non-Aggression. Thereafter, and continuing until the Nazi invasion of the Soviet Union in 1941, no criticism of Germany was allowed in the Soviet press, and all references to prior party lines stopped—including in the majority of non-Russian communist parties who tended to follow the Russian line. Orwell had criticised the Communist Party of Great Britain for supporting the Treaty in his essays for Betrayal of the Left (1941). "The Hitler-Stalin pact of August 1939 reversed the Soviet Union's stated foreign policy. It was too much for many of the fellow-travellers like Gollancz [Orwell's sometime publisher] who had put their faith in a strategy of construction Popular Front governments and the peace bloc between Russia, Britain and France."
The description of Emmanuel Goldstein, with a "small, goatee beard", evokes the image of Leon Trotsky. The film of Goldstein during the Two Minutes Hate is described as showing him being transformed into a bleating sheep. This image was used in a propaganda film during the Kino-eye period of Soviet film, which showed Trotsky transforming into a goat.Goldstein's book is similar to Trotsky's highly critical analysis of the USSR, The Revolution Betrayed , published in 1936.
The omnipresent images of Big Brother, a man described as having a moustache, bears resemblance to the cult of personality built up around Joseph Stalin.
The news in Oceania emphasised production figures, just as it did in the Soviet Union, where record-setting in factories (by "Heroes of Socialist Labour") was especially glorified. The best known of these was Alexey Stakhanov, who purportedly set a record for coal mining in 1935.
The tortures of the Ministry of Love evoke the procedures used by the NKVD in their interrogations,including the use of rubber truncheons, being forbidden to put your hands in your pockets, remaining in brightly lit rooms for days, torture through the use of their greatest fear, and the victim being shown a mirror after their physical collapse.
The random bombing of Airstrip One is based on the Buzz bombs and the V-2 rocket, which struck England at random in 1944–1945.
The Thought Police is based on the NKVD, which arrested people for random "anti-soviet" remarks.The Thought Crime motif is drawn from Kempeitai, the Japanese wartime secret police, who arrested people for "unpatriotic" thoughts.
The confessions of the "Thought Criminals" Rutherford, Aaronson and Jones are based on the show trials of the 1930s, which included fabricated confessions by prominent Bolsheviks Nikolai Bukharin, Grigory Zinoviev and Lev Kamenev to the effect that they were being paid by the Nazi government to undermine the Soviet regime under Leon Trotsky's direction.
The song "Under the Spreading Chestnut Tree" ("Under the spreading chestnut tree, I sold you, and you sold me") was based on an old English song called "Go no more a-rushing" ("Under the spreading chestnut tree, Where I knelt upon my knee, We were as happy as could be, 'Neath the spreading chestnut tree."). The song was published as early as 1891. The song was a popular camp song in the 1920s, sung with corresponding movements (like touching one's chest when singing "chest", and touching one's head when singing "nut"). Glenn Miller recorded the song in 1939.
The "Hates" (Two Minutes Hate and Hate Week) were inspired by the constant rallies sponsored by party organs throughout the Stalinist period. These were often short pep-talks given to workers before their shifts began (Two Minutes Hate), but could also last for days, as in the annual celebrations of the anniversary of the October revolution (Hate Week).
Orwell fictionalised "newspeak", "doublethink", and "Ministry of Truth" as evinced by both the Soviet press and that of Nazi Germany.In particular, he adapted Soviet ideological discourse constructed to ensure that public statements could not be questioned.
Winston Smith's job, "revising history" (and the "unperson" motif) are based on the Stalinist habit of airbrushing images of "fallen" people from group photographs and removing references to them in books and newspapers.In one well-known example, the Soviet encyclopaedia had an article about Lavrentiy Beria. When he fell in 1953, and was subsequently executed, institutes that had the encyclopaedia were sent an article about the Bering Strait, with instructions to paste it over the article about Beria.
Big Brother's "Orders of the Day" were inspired by Stalin's regular wartime orders, called by the same name. A small collection of the more political of these have been published (together with his wartime speeches) in English as "On the Great Patriotic War of the Soviet Union" By Joseph Stalin.Like Big Brother's Orders of the day, Stalin's frequently lauded heroic individuals, like Comrade Ogilvy, the fictitious hero Winston Smith invented to "rectify" (fabricate) a Big Brother Order of the day.
The Ingsoc slogan "Our new, happy life", repeated from telescreens, evokes Stalin's 1935 statement, which became a CPSU slogan, "Life has become better, Comrades; life has become more cheerful."
In 1940, Argentine writer Jorge Luis Borges published "Tlön, Uqbar, Orbis Tertius", which describes the invention by a "benevolent secret society" of a world that would seek to remake human language and reality along human-invented lines. The story concludes with an appendix describing the success of the project. Borges' story addresses similar themes of epistemology, language and history to 1984.
During World War II, Orwell believed that British democracy as it existed before 1939 would not survive the war. The question being "Would it end via Fascist coup d'état from above or via Socialist revolution from below?"[ citation needed ] Later, he admitted that events proved him wrong: "What really matters is that I fell into the trap of assuming that 'the war and the revolution are inseparable'."
Nineteen Eighty-Four (1949) and Animal Farm (1945) share themes of the betrayed revolution, the person's subordination to the collective, rigorously enforced class distinctions (Inner Party, Outer Party, Proles), the cult of personality, concentration camps, Thought Police, compulsory regimented daily exercise, and youth leagues. Oceania resulted from the US annexation of the British Empire to counter the Asian peril to Australia and New Zealand. It is a naval power whose militarism venerates the sailors of the floating fortresses, from which battle is given to recapturing India, the "Jewel in the Crown" of the British Empire. Much of Oceanic society is based upon the USSR under Joseph Stalin—Big Brother. The televised Two Minutes Hate is ritual demonisation of the enemies of the State, especially Emmanuel Goldstein (viz Leon Trotsky). Altered photographs and newspaper articles create unpersons deleted from the national historical record, including even founding members of the regime (Jones, Aaronson and Rutherford) in the 1960s purges (viz the Soviet Purges of the 1930s, in which leaders of the Bolshevik Revolution were similarly treated). A similar thing also happened during the French Revolution in which many of the original leaders of the Revolution were later put to death, for example Danton who was put to death by Robespierre, and then later Robespierre himself met the same fate.
In his 1946 essay "Why I Write", Orwell explains that the serious works he wrote since the Spanish Civil War (1936–39) were "written, directly or indirectly, against totalitarianism and for democratic socialism".Nineteen Eighty-Four is a cautionary tale about revolution betrayed by totalitarian defenders previously proposed in Homage to Catalonia (1938) and Animal Farm (1945), while Coming Up for Air (1939) celebrates the personal and political freedoms lost in Nineteen Eighty-Four (1949). Biographer Michael Shelden notes Orwell's Edwardian childhood at Henley-on-Thames as the golden country; being bullied at St Cyprian's School as his empathy with victims; his life in the Indian Imperial Police in Burma and the techniques of violence and censorship in the BBC as capricious authority.
Other influences include Darkness at Noon (1940) and The Yogi and the Commissar (1945) by Arthur Koestler; The Iron Heel (1908) by Jack London; 1920: Dips into the Near Future [ citation needed ]by John A. Hobson; Brave New World (1932) by Aldous Huxley; We (1921) by Yevgeny Zamyatin which he reviewed in 1946; and The Managerial Revolution (1940) by James Burnham predicting perpetual war among three totalitarian superstates. Orwell told Jacintha Buddicom that he would write a novel stylistically like A Modern Utopia (1905) by H. G. Wells.
Extrapolating from World War II, the novel's pastiche parallels the politics and rhetoric at war's end—the changed alliances at the "Cold War's" (1945–91) beginning; the Ministry of Truth derives from the BBC's overseas service, controlled by the Ministry of Information; Room 101 derives from a conference room at BBC Broadcasting House;the Senate House of the University of London, containing the Ministry of Information is the architectural inspiration for the Minitrue; the post-war decrepitude derives from the socio-political life of the UK and the US, i.e., the impoverished Britain of 1948 losing its Empire despite newspaper-reported imperial triumph; and war ally but peace-time foe, Soviet Russia became Eurasia.
The term "English Socialism" has precedents in his wartime writings; in the essay "The Lion and the Unicorn: Socialism and the English Genius" (1941), he said that "the war and the revolution are inseparable... the fact that we are at war has turned Socialism from a textbook word into a realisable policy"—because Britain's superannuated social class system hindered the war effort and only a socialist economy would defeat Adolf Hitler. Given the middle class's grasping this, they too would abide socialist revolution and that only reactionary Britons would oppose it, thus limiting the force revolutionaries would need to take power. An English Socialism would come about which "will never lose touch with the tradition of compromise and the belief in a law that is above the State. It will shoot traitors, but it will give them a solemn trial beforehand and occasionally it will acquit them. It will crush any open revolt promptly and cruelly, but it will interfere very little with the spoken and written word."
In the world of Nineteen Eighty-Four, "English Socialism" (or "Ingsoc" in Newspeak) is a totalitarian ideology unlike the English revolution he foresaw. Comparison of the wartime essay "The Lion and the Unicorn" with Nineteen Eighty-Four shows that he perceived a Big Brother regime as a perversion of his cherished socialist ideals and English Socialism. Thus Oceania is a corruption of the British Empire he believed would evolve "into a federation of Socialist states, like a looser and freer version of the Union of Soviet Republics". [ verification needed ]
When it was first published, Nineteen Eighty-Four received critical acclaim. V. S. Pritchett, reviewing the novel for the New Statesman stated: "I do not think I have ever read a novel more frightening and depressing; and yet, such are the originality, the suspense, the speed of writing and withering indignation that it is impossible to put the book down."P. H. Newby, reviewing Nineteen Eighty-Four for The Listener magazine, described it as "the most arresting political novel written by an Englishman since Rex Warner's The Aerodrome." Nineteen Eighty-Four was also praised by Bertrand Russell, E. M. Forster and Harold Nicolson. On the other hand, Edward Shanks, reviewing Nineteen Eighty-Four for The Sunday Times , was dismissive; Shanks claimed Nineteen Eighty-Four "breaks all records for gloomy vaticination". C. S. Lewis was also critical of the novel, claiming that the relationship of Julia and Winston, and especially the Party's view on sex, lacked credibility, and that the setting was "odious rather than tragic". On 5 November 2019, the BBC listed Nineteen Eighty-Four on its list of the 100 most influential novels.
Nineteen Eighty-Four has been adapted for the cinema, radio, television and theatre at least twice each, as well as for other art media, such as ballet and opera.
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The effect of Nineteen Eighty-Four on the English language is extensive; the concepts of Big Brother, Room 101, the Thought Police, thoughtcrime, unperson, memory hole (oblivion), doublethink (simultaneously holding and believing contradictory beliefs) and Newspeak (ideological language) have become common phrases for denoting totalitarian authority. Doublespeak and groupthink are both deliberate elaborations of doublethink, and the adjective "Orwellian" means similar to Orwell's writings, especially Nineteen Eighty-Four. The practice of ending words with "-speak" (such as mediaspeak) is drawn from the novel. Orwell is perpetually associated with 1984; in July 1984, an asteroid was discovered by Antonín Mrkos and named after Orwell.
References to the themes, concepts and plot of Nineteen Eighty-Four have appeared frequently in other works, especially in popular music and video entertainment. An example is the worldwide hit reality television show Big Brother , in which a group of people live together in a large house, isolated from the outside world but continuously watched by television cameras.
The book touches on the invasion of privacy and ubiquitous surveillance. From mid-2013 it was publicised that the NSA has been secretly monitoring and storing global internet traffic, including the bulk data collection of email and phone call data. Sales of Nineteen Eighty-Four increased by up to seven times within the first week of the 2013 mass surveillance leaks.The book again topped the Amazon.com sales charts in 2017 after a controversy involving Kellyanne Conway using the phrase "alternative facts" to explain discrepancies with the media.
The book also shows mass media as a catalyst for the intensification of destructive emotions and violence. Since the 20th century, news and other forms of media have been publicising violence more often.In 2013, Nottingham Playhouse, the Almeida Theatre and Headlong staged a successful new adaptation (by Robert Icke and Duncan Macmillan), which twice toured the UK and played an extended run in London's West End. The play opened on Broadway in 2017.
Nineteen Eighty-Four was number three on the list of "Top Check Outs OF All Time" by the New York Public Library.
In October 1949, after reading Nineteen Eighty-Four, Huxley sent a letter to Orwell and wrote that it would be more efficient for rulers to stay in power by the softer touch by allowing citizens to self-seek pleasure to control them rather than brute force and to allow a false sense of freedom. He wrote 'Whether in actual fact the policy of the boot-on-the-face can go on indefinitely seems doubtful. My own belief is that the ruling oligarchy will find less arduous and wasteful ways of governing and of satisfying its lust for power, and these ways will resemble those which I described in Brave New World'.He went on to write:
Within the next generation I believe that the world's rulers will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging and kicking them into obedience.
In the decades since the publication of Nineteen Eighty-Four, there have been numerous comparisons to Aldous Huxley's novel Brave New World , which had been published 17 years earlier, in 1932.They are both predictions of societies dominated by a central government and are both based on extensions of the trends of their times. However, members of the ruling class of Nineteen Eighty-Four use brutal force, torture and mind control to keep individuals in line, while rulers in Brave New World keep the citizens in line by addictive drugs and pleasurable distractions. Regarding censorship, in Nineteen Eighty-Four the government tightly controls information to keep the population in line, but in Huxley's world, so much information is published that readers do not know which information is relevant, and what can be disregarded.
Elements of both novels can be seen in modern-day societies, with Huxley's vision being more dominant in the West and Orwell's vision more prevalent with dictators in ex-communist countries, as is pointed out in essays that compare the two novels, including Huxley's own Brave New World Revisited.
Comparisons with other dystopian novels like The Handmaid's Tale , Virtual Light , The Private Eye and The Children of Men have also been drawn.
Big Brother is a fictional character and symbol in George Orwell's dystopian novel Nineteen Eighty-Four, published in 1949.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the word thoughtcrime describes a person's politically unorthodox thoughts, such as unspoken beliefs and doubts that contradict the tenets of Ingsoc, the dominant ideology of Oceania. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of the Party controls the speech, the actions, and the thoughts of the citizens of Oceania. In contemporary English usage, the word thoughtcrime describes beliefs that are contrary to accepted norms of society, and is used to describe theological concepts, such as disbelief and idolatry, and the rejection of an ideology.
The English Socialist Party, also known as English Socialism and most famously as Ingsoc, is the fictional political party of the totalitarian government of Oceania in George Orwell's dystopian novel Nineteen Eighty-Four, published in 1949. Orwell himself, a self-avowed democratic socialist, feared that socialism in his native Britain would turn into a totalitarian society governed by an ideology resembling that of Ingsoc.
Telescreens are devices that operate as televisions, security cameras, and microphones. They are featured in George Orwell's dystopian novel Nineteen Eighty-Four as well as all film adaptations of the novel. In the novel and its adaptations, telescreens are used by the ruling Party in the totalitarian fictional State of Oceania to keep its subjects under constant surveillance, thus eliminating the chance of secret conspiracies against Oceania.
In George Orwell's dystopian 1949 novel Nineteen Eighty-Four, the proles are the working class of Oceania. The word prole is a shortened variant of proletarian, which is a Marxist term for a working-class citizen.
The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four (1949). The book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party. The Party portrays Goldstein as a member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. In the novel, the book is read by the protagonist, Winston Smith who recalls that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."
In the dystopian world of George Orwell's 1949 novel Nineteen Eighty-Four, Oceania is split into three "classes": the Inner Party; the Outer Party; and the proles. The Inner Party generally regulates Ingsoc and the Thought Police, and keep all Outer Party members under close supervision through telescreens and cameras, while the proles live in depressed conditions.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Two Minutes Hate is the daily, public period during which members of the Outer Party of Oceania must watch a film depicting the enemies of the state, specifically Emmanuel Goldstein and his followers, to openly and loudly express hatred for them. The political purpose of the Two Minutes Hate is to allow the citizens of Oceania to vent their existential anguish and personal hatreds towards politically expedient enemies: Goldstein and the enemy superstate of the moment. In re-directing the members' subconscious feelings away from the Party's government of Oceania, and towards non-existent external enemies, the Party minimises thoughtcrime and the consequent, subversive behaviours of thoughtcriminals.
In George Orwell's dystopian novel Nineteen Eighty-Four, the Thought Police (Thinkpol) are the secret police of the superstate Oceania, who discover and punish thoughtcrime, personal and political thoughts unapproved by the government. The Thinkpol use criminal psychology and omnipresent surveillance via informers, telescreens, cameras, and microphones, to search for and find, monitor and arrest all citizens of Oceania who would commit thoughtcrime in challenge to the status quo authority of the Party and the regime of Big Brother.
Julia is a fictional character in George Orwell's 1984 dystopian novel Nineteen Eighty-Four. Her last name is never given in the novel but she is called Dixon in the 1954 BBC TV production.
1984 is a 1956 British black-and-white science fiction film, based on the novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future society.
Hate Week is a fictional event in George Orwell's dystopian novel Nineteen Eighty-Four. Hate week is a psychological operation designed to increase the hatred of the population for the current enemy of the totalitarian Party, as much as possible, whichever of the two opposing superstates that may be.
References to George Orwell's dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment.
Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell's novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level.
Oceania, Eurasia and Eastasia are the three fictional superstates in George Orwell's dystopian satire 1984, later published under the title Nineteen Eighty-Four.
Winston Smith is a fictional character and the protagonist of George Orwell's dystopian 1949 novel Nineteen Eighty-Four. The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ... [the reader] can readily identify with."
Emmanuel Goldstein is a fictional character in George Orwell's dystopian novel Nineteen Eighty-Four. He is the principal enemy of the state according to the Party of the totalitarian Oceania. He is depicted as the head of a mysterious and possibly fictitious dissident organization called "The Brotherhood" and as having written the book The Theory and Practice of Oligarchical Collectivism. He is only seen and heard on telescreen, and may be a fabrication of the Ministry of Truth, the State's propaganda department.
Doublethink is a process of indoctrination whereby the subject is expected to accept as true that which is clearly false, or to simultaneously accept two mutually contradictory beliefs as correct, often in contravention to one's own memories or sense of reality. Doublethink is related to, but differs from, hypocrisy.
Newspeak is the language of Oceania, a totalitarian superstate that is the setting of George Orwell's dystopian novel Nineteen Eighty-Four (1984). To meet the ideological requirements of English Socialism (Ingsoc) in Oceania, the ruling Party created Newspeak, a controlled language of simplified grammar and limited vocabulary, meant to limit the freedom of thought—personal identity, self-expression, free will—that threatens the ideology of the régime of Big Brother and the Party, who have criminalised such concepts into thoughtcrime, as contradictions of Ingsoc orthodoxy.
The Ministries of Love, Peace, Plenty, and Truth are ministries in George Orwell's futuristic dystopian novel Nineteen Eighty-Four, set in Oceania. Despite the name, no actual "ministers" are mentioned in the book, and all public attention is focused on the idealized figurehead Big Brother.
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.
Brave New World [is] traditionally bracketed with Orwell's Nineteen Eighty-Four as a dystopia ...
The third was to develop a positive imperial policy, and aim at transforming the Empire into a federation of Socialist states, like a looser and freer version of the Union of Soviet Republics.
The reveal kickstarts the BBC's year-long celebration of literature.