Winston Smith | |
---|---|
Nineteen Eighty-Four character | |
First appearance | Nineteen Eighty-Four (1949) |
Created by | George Orwell |
Portrayed by | Richard Widmark (1953) Peter Cushing (1954) Edmond O'Brien (1956) John Hurt (1984) |
In-universe information | |
Affiliation | Outer Party The Brotherhood |
Spouse | Katharine |
Significant other | Julia |
Nationality | British/Oceanic (in film) |
Winston Smith is a fictional character and the protagonist of George Orwell's dystopian 1949 novel also being born in 1945-46 according to the book Nineteen Eighty-Four . The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ... [the reader] can readily identify with." [1]
Winston Smith works in the Records Department of the Ministry of Truth, where his job is to rewrite historical documents so they match the constantly changing current party line. This involves revising newspaper articles and doctoring photographs—mostly to remove "unpersons", people who have fallen afoul of the party. Because of his proximity to the mechanics of rewriting history, Winston Smith nurses doubts about the Party and its monopoly on truth. Whenever Winston appears in front of a telescreen, he is referred to as "6079 Smith W".
Winston meets a mysterious woman named Julia, a fellow member of the Outer Party who also bears resentment toward the party's ways; the two become lovers. Winston soon gets in touch with O'Brien, a member of the Inner Party who Winston believes is secretly a member of The Brotherhood, a resistance organisation dedicated to overthrowing the Party's dictatorship. Believing they have met a kindred spirit, Winston and Julia meet him privately and are given a book written by Emmanuel Goldstein – the leader of the Brotherhood and principal enemy of the state of Oceania – under the requirement that only after they have read it will they be full-fledged members of the Brotherhood.
However, O'Brien is really an agent of the Thought Police, which has had Winston under surveillance for seven years (or so they claim). Winston and Julia are soon captured. Winston remains defiant when he is captured, and endures several months of extreme torture at O'Brien's hands. However, his spirit finally breaks when he is taken into Room 101 and confronted by his worst fear: the unspeakable horror of slowly being eaten alive by rats. Terrified by the realization that this threat will come true if he continues to resist, he denounces Julia and pledges his loyalty to the Party. Any possibility of resistance or independent thought is destroyed when Smith is forced to accept the assertion 2 + 2 = 5, a phrase which has entered the lexicon to represent obedience to ideology over rational truth or fact. By the end of the novel, O'Brien's torture has reverted Winston to an obedient, unquestioning party member who genuinely loves Big Brother.
He gazed up at the enormous face. Forty years it had taken him to learn what kind of smile was hidden beneath the dark moustache. O cruel, needless misunderstanding! O stubborn, self-willed exile from the loving breast! Two gin-scented tears trickled down the sides of his nose. But it was all right, everything was all right, the struggle was finished. He had won the victory over himself. He loved Big Brother.
— Chapter VI, Nineteen Eighty-Four
Beyond his total capitulation and submission to the party, Winston's fate is left unresolved in the novel. As Winston accepts that he loves Big Brother, he dreams of a public trial and an execution; however the novel itself ends with Winston, still in the Chestnut Tree Café, contemplating and adoring the face of Big Brother.
Winston is 39 years old at the beginning of the book. Like other major characters, he is a smoker and drinker (his gin and tobacco are of the low-quality "Victory" brand available to Outer Party members). It is mentioned that he has a wife, Katharine, from whom he has become estranged. Winston also has a varicose ulcer on the back of his leg, a point repeatedly touched upon seemingly to exacerbate the sense of the poverty in which he lives.
Winston has a curious and intellectual nature (which ultimately puts him in the Party's sights). He has an affection for and interest in items and poetry from the past. Even before he begins an affair with Julia, he develops a rapport with the seemingly harmless Mr Charrington, who sells him a diary and a distinctive coral ornament. He also introduces Winston to the largely forgotten rhyme "Oranges and Lemons", prompting him to look for similarly lost poetry.
Winston is described as a Londoner in the novel. His name is usually taken to come from Winston Churchill and the common surname Smith. [2] He was also partly inspired by the character of Rubashov from Arthur Koestler's novel Darkness at Noon , especially his response and reaction to his interrogation. [3]
The character of Smith has appeared on radio, television and film in adaptations of the novel
Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants.
Telescreens are two-way video devices that appear in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. Omnipresent and almost never turned off, they are an unavoidable source of propaganda and tools of surveillance.
The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four. The fictional book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party. The Party portrays Goldstein as a former member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. In the novel, the fictional Goldstein's book is read by the protagonist, Winston Smith, after a supposed friend, O'Brien, provided one copy to him. Winston had recalled that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."
Nineteen Eighty-Four is a British television adaptation of the 1949 novel of the same name by George Orwell, originally broadcast on BBC Television in December 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. It starred Peter Cushing, Yvonne Mitchell, Donald Pleasence and André Morell.
A memory hole is any mechanism for the deliberate alteration or disappearance of inconvenient or embarrassing documents, photographs, transcripts or other records, such as from a website or other archive, particularly as part of an attempt to give the impression that something never happened. The concept was first popularized by George Orwell's 1948 dystopian novel Nineteen Eighty-Four, where the Party's Ministry of Truth systematically re-created all potentially embarrassing historical documents, in effect, re-writing all of history to match the often-changing state propaganda. These changes were complete and undetectable.
In the dystopian novel Nineteen Eighty-Four (1949) by George Orwell, the Two Minutes Hate is the daily period during which members of the Outer and Inner Party of Oceania must watch a film depicting Emmanuel Goldstein, the principal enemy of the state, and his followers, the Brotherhood, and loudly voice their hatred for the enemy and then their love for Big Brother.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Thought Police are the secret police of the superstate of Oceania, who discover and punish thoughtcrime. Using criminal psychology and omnipresent surveillance the Thinkpol monitor the citizens of Oceania and arrest all those who have committed thoughtcrime in challenge to the status quo authority of the Party and of the régime of Big Brother.
Michael James Radford is an English film director and screenwriter. He began his career as a documentary director and television comedy writer before transitioning into features in the early 1980s.
Julia is a fictional character in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. Her last name is not revealed in the novel, but she is called Dixon in the 1954 BBC TV production.
1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian society. The film followed a previous Westinghouse Studio One adaptation and a BBC-TV made-for-TV adaptation. 1984 was directed by Michael Anderson and starring Edmond O'Brien as protagonist Winston Smith, and featured Donald Pleasence, Jan Sterling, and Michael Redgrave.
References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment. While the novel is technically public domain under United Kingdom copyright, it is still copyrighted in the United States and as such most uses of it are as non-infringing metaphors.
"1984" is an episode of the American television series Westinghouse Studio One broadcast September 21, 1953, on CBS. Starring Eddie Albert, Norma Crane and Lorne Greene, it was the first adaptation of George Orwell's 1949 novel Nineteen Eighty-Four.
George Orwell's 1949 dystopian political novel Nineteen Eighty-Four, has been adapted for the cinema, radio, television, theatre, opera and ballet.
Nineteen Eighty-Four, also known as 1984, is a 1984 dystopian drama film written and directed by Michael Radford, based upon George Orwell's 1949 novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith (Hurt), a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level.
In George Orwell's 1949 dystopian novel Nineteen Eighty-Four, the world is divided into three superstates: Oceania, Eurasia and Eastasia, who are all fighting each other in a perpetual war in a disputed area mostly located around the equator. All that Oceania's citizens know about the world is whatever the Party wants them to know, so how the world evolved into the three states is unknown; and it is also unknown to the reader whether they actually exist in the novel's reality, or whether they are a storyline invented by the Party to advance social control. The nations appear to have emerged from nuclear warfare and civil dissolution over 20 years between 1945 and 1965, in a post-war world where totalitarianism becomes the predominant form of ideology, through Neo-Bolshevism, English Socialism, and Obliteration of the Self.
In the dystopian novel Nineteen Eighty-Four, by George Orwell, Emmanuel Goldstein is the principal enemy of the state of Oceania. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.
Doublethink is a process of indoctrination in which subjects are expected to simultaneously accept two conflicting beliefs as truth, often at odds with their own memory or sense of reality. Doublethink is related to, but differs from, hypocrisy.
Nineteen Eighty-Four is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a staunch believer in democratic socialism and member of the anti-Stalinist Left, modelled the Britain under authoritarian socialism in the novel on the Soviet Union in the era of Stalinism and on the very similar practices of both censorship and propaganda in Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.
O'Brien is a fictional character and the main antagonist in George Orwell's 1949 novel Nineteen Eighty-Four. The protagonist Winston Smith, living in a dystopian society governed by the Party, feels strangely drawn to Inner Party member O'Brien. Orwell never reveals O'Brien's first name. The name indicates that O'Brien is of Irish origin, but this background is never shown to have any significance.
The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell.
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.