Plot summary
During one particular Hate Week, Oceania switched allies while a public speaker is in the middle of a sentence, although the disruption was minimal: the posters against the previous enemy were deemed to be "sabotage" of Hate Week conducted by Emmanuel Goldstein and his supporters, summarily torn down by the crowd, and quickly replaced with propaganda against the new enemy, thus demonstrating the ease with which the Party directs the hatred of its members. This ease of direction could also be partially attributed to the similarity in the terms "Eastasia" and "Eurasia" because they are more easily confused. All citizens of Oceania are expected to show appropriate enthusiasm during Hate Week, as well as the daily Two Minutes Hate. While participation in this event is not legally required, avoiding or refusing to do so is said to make one appear suspicious to the Thought Police, generally resulting in the vaporisation (execution) of the perpetrator. This ensures that they are against the opposing party and still allied with Big Brother. [1] [2]
Hate Week is celebrated in late summer. The events during that time include waxwork displays, military parades, speeches and lectures. New slogans are also coined and new songs are written. The theme of the Hate Week is called the Hate Song. It is mentioned that a unit from the Fiction Department was assigned to make atrocity pamphlets (falsified reports of atrocities committed by Oceania's enemies against her) designed to stimulate Oceania's populace further into enraged frenzy against all enemies. The aggregate effect of Hate Week thus is to excite the populace to such a point that they "would unquestionably have torn [captured enemy soldiers] to pieces" if given the opportunity.
Hate Week is introduced to the reader for the first time in the second paragraph of the first page of Nineteen Eighty-Four ; however, at this point in time, readers have no idea what Hate Week is. "It was part of the economy drive in preparation for Hate Week." [3]
Animal Farm is a beast fable, in the form of a satirical allegorical novella, by George Orwell, first published in England on 17 August 1945. It tells the story of a group of farm animals who rebel against their human farmer, hoping to create a society where the animals can be equal, free, and happy. Ultimately, the rebellion is betrayed, and under the dictatorship of a pig named Napoleon, the farm ends up in a state as bad as it was before.
Big Brother is a fictional character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants. In the society that Orwell describes, every citizen is under constant surveillance by the authorities, mainly by telescreens. The people are constantly reminded of this by the slogan "Big Brother is watching you": a maxim that is ubiquitously on display throughout the novel.
Eric Arthur Blair, better known by his pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is characterised by lucid prose, social criticism, opposition to totalitarianism, and support of democratic socialism.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the word Thoughtcrime describes a person's politically unorthodox thoughts, beliefs, and doubts that politically contradict the tenets of Ingsoc, the dominant ideology of Oceania. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of The Party controls the speech, the actions, and the thoughts of the citizens of Oceania.
Orwellian is an adjective describing a situation, idea, or societal condition that George Orwell identified as being destructive to the welfare of a free and open society. It denotes an attitude and a brutal policy of draconian control by propaganda, surveillance, disinformation, denial of truth (doublethink), and manipulation of the past, including the "unperson"—a person whose past atrocity is idealised from the public record and memory, practised by modern repressive governments. Often, this includes the circumstances depicted in his novels, particularly Nineteen Eighty-Four but political doublespeak is criticized throughout his work, such as in Politics and the English Language.
Telescreens are devices that operate simultaneously as televisions, security cameras, and microphones. They are featured in George Orwell's dystopian 1949 novel Nineteen Eighty-Four as well as all film adaptations of the novel. In the novel and its adaptations, telescreens are used by the ruling Party in the totalitarian fictional state of Oceania to keep its subjects under constant surveillance, thus eliminating the chance of secret conspiracies against Oceania.
The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four (1949). The book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party. The Party portrays Goldstein as a former member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. In the novel, the book is read by the protagonist, Winston Smith who recalls that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."
A memory hole is any mechanism for the deliberate alteration or disappearance of inconvenient or embarrassing documents, photographs, transcripts or other records, such as from a website or other archive, particularly as part of an attempt to give the impression that something never happened. The concept was first popularized by George Orwell's 1949 dystopian novel Nineteen Eighty-Four, where the Party's Ministry of Truth systematically re-created all potentially embarrassing historical documents, in effect, re-writing all of history to match the often-changing state propaganda. These changes were complete and undetectable.
In the dystopian novel Nineteen Eighty-Four (1949) by George Orwell, the Two Minutes Hate is the daily public period during which members of the Outer Party of Oceania must watch a film depicting Emmanuel Goldstein, the principal enemy of the state, and his followers, The Brotherhood, and loudly voice their hatred for the enemy and then their love for Big Brother.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Thought Police are the secret police of the superstate of Oceania, who discover and punish thoughtcrime, personal and political thoughts unapproved by Ingsoc's regime. The Thinkpol use criminal psychology and omnipresent surveillance via informers, telescreens, cameras, and microphones, to monitor the citizens of Oceania and arrest all those who have committed thoughtcrime in challenge to the status quo authority of the Party and the regime of Big Brother.
Julia is a fictional character in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. Her last name is not revealed in the novel but she is called Dixon in the 1954 BBC TV production.
References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment.
Why Orwell Matters, released in the UK as Orwell's Victory, is a book-length biographical essay by Christopher Hitchens. In it, the author relates George Orwell's thoughts on and actions in relation to: The British Empire, the Left, the Right, the United States of America, English conventions, feminism, and his controversial list for the British Foreign Office.
Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian drama film written and directed by Michael Radford, based upon George Orwell's 1949 novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level.
In George Orwell's 1949 dystopian novel Nineteen Eighty-Four, the world is divided into three superstates: Oceania, Eurasia and Eastasia, who are all fighting each other in a perpetual war in a disputed area mostly located around the equator. All that Oceania's citizens know about the world is whatever the Party wants them to know, so how the world evolved into the three states is unknown; and it is also unknown to the reader whether they actually exist in the novel's reality, or whether they are a storyline invented by the Party to advance social control. The nations appear to have emerged from nuclear warfare and civil dissolution over 20 years between 1945 and 1965, in a post-war world where totalitarianism becomes the predominant form of ideology, through Neo-Bolshevism, English Socialism, and Obliteration of the Self.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, Emmanuel Goldstein is the principal enemy of the state of Oceania. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.
Doublethink is a process of indoctrination in which subjects are expected to simultaneously accept two conflicting beliefs as truth, often at odds with their own memory or sense of reality. Doublethink is related to, but differs from, hypocrisy.
In George Orwell's dystopian novel Nineteen Eighty-Four (1949), Newspeak is the fictional language of Oceania, a totalitarian superstate. To meet the ideological requirements of Ingsoc in Oceania, the Party created Newspeak, which is a controlled language of simplified grammar and restricted vocabulary designed to limit the individual person's ability to think critically or to articulate subversive concepts, such as personal identity, self-expression, and free will. In Oceania, such thoughts are thoughtcrimes that contradict Ingsoc orthodoxy.
Nineteen Eighty-Four is a dystopian social science fiction novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance and repressive regimentation of people and behaviours within society. Orwell, a democratic socialist, modelled the authoritarian state in the novel on Stalinist Russia and Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.
The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell.
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.
