Nineteen Eighty-Four in popular media

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References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment.

Contents

References on stage

A successful new adaptation of Nineteen Eighty-Four (by Robert Icke and Duncan Macmillan), which twice toured the UK and played an extended run in London's West End at the Almeida Theatre and Headlong, have been staged. More recently, a Broadway presentation of the stage adaptation is scheduled to open on 22 June 2017 at the Hudson Theatre. [1]

References in film

References on television

In anime

References on radio

References in books

References in comics

Albums

Songs

Big Brother

  • In the Black Sabbath album Sabbath Bloody Sabbath , the song "Who Are You?" shows Big Brother's ignorance. He believes that all the people worship him blindly, instead of understanding his true intentions. The protagonist represents, the brighter people, such as Winston Smith, who refuse to stay blind to Big Brother's actions. Big Brother treats his subjects as subordinates. "Yes, I know the secret/That’s within your mind/You think all the people/Who worship you are blind/You’re just like Big Brother/Giving us your trust/And when you have played enough/You’ll just cast our souls/Into the dust/Into the dust." As a result, the narrator does not worship or respect Big Brother, as do the rest of the citizens. He wants to learn of his identity. "You thought that it would be easy/From the very start/Now I’ve found you out/I don’t think you’re so smart/I only have one more question/Before my time is through/Please, I beg you, tell me/In the name of hell/Who are you?" The song was written by vocalist Ozzy Osbourne, "I’d written it one night at Bulrush Cottage while I was loaded and fiddling around with a Revox tape machine and my ARP 2600."
  • In John Lennon's 1973 quasi-protest song "Only People", he repeatedly sings the line "We don't want no Big Brother scene..."
  • The Rare Earth hit single "Hey Big Brother", released in 1971, sings of the future arrival of Big Brother, first addressing this future Big Brother directly and then finishing by expressing a rebellious defiance against his arrival.
  • The Dead Kennedys' 1979 single "California über alles" contains the lyrics "Big Bro on white horse is near", and also "Now it is 1984 / Knock knock at your front door / It's the suede-denim secret police / They've come for your uncool niece" in reference to the thought police of the novel. Another reference to the book can be found in the song "We've got a bigger problem now" on the album In God We Trust, Inc. . The lyrics "Close your mind/ its time for the two minute warning/ Welcome to 1984 are you ready for the third world war/ You too will meet the secret police".
  • The second album, What Will the Neighbours Say? by British band Girls Aloud contained the track "Big Brother" which features the line "Big Brother's watching me and I don't really mind".
  • Anaïs Mitchell's song "1984" contains various references to Big Brother, vast files on a person's activities, the house being bugged, a USA Patriot Act and reporting people to the government.
  • The Austin Lounge Lizards' song "1984 Blues" is a stereotypical blues song, in which the singer describes how he "met (his) baby / in the Ministry of Love", how "Big Brother is watching / watching on the telescreen", and how he tells "Mister Thought Policeman" that he "don't wanna do no wrong".
  • On the 1972 Stevie Wonder album Talking Book , there is a track entitled "Big Brother", which opens "Your name is Big Brother./ You say that you're watching me on the telly/ Seeing me go nowhere."
  • During the performances of "Mother" by Roger Waters on his 2010–2012 tour of The Wall , the phrase "Big Brother is watching you" is a graffiti-like graphic showing on the projections onto the wall on-stage, only with the word "Brother" defaced with "Mother".
  • ”Orwell’s Idyllic Future” by British indie rock band Hallan features heavy references to Big Brother and 1984 as a whole throughout the song.

Winston Smith

  • English indie band Dogs have a song named "Winston Smith"
  • Utopia's album Oblivion contained a track entitled "Winston Smith Takes It On The Jaw" based on novel's main character
  • The Paul Weller penned song "Standards," performed by The Jam on their 1977 album This Is the Modern World , loosely echoes the themes of the novel culminating in the lyric "Look, you know what happened to Winston!"
  • Weezer released the album OK Human in 2021, which contains the song "Grapes of Wrath". In the middle of the song the lead singer Rivers Cuomo says "Count on me to show support for Winston Smith in 1984 'Cause battling big brother feels more meaningful than binging zombie hordes"

Newspeak

  • Open Hand released a song called "Newspeak" on their 2005 album You and Me. The song title and lyrics deal heavily with the ideas of newspeak and being thought controlled.

2 plus 2 equals 5

George Orwell

  • CANO's 1978 album Eclipse contains the song "Bienvenue 1984", which contains references to the novel and George Orwell. The song's lyrics present a dystopian reality of economic failures and ethnic strife.
  • Anti-Flag released a song called "Welcome to 1984", in which the band talks about the book in various ways, such as, "Mr. Orwell from the grave, adding fresh ink to the page" and "The double talk is past surreal". An acoustic version of this song appears on Punk Goes Acoustic 2.
  • German band BAP referred to Orwell and 1984 in their live recording of the song "Ne schöne Jrooß" on their 1983 live album "Bess demnähx": "Leven Orwell, vierunachzig ess noh, ess mittlerweile nur noch een läppsch Johr" (Cologne dialect for "Dear Orwell, '84 is near, meanwhile it's only one more shabby year to go"). In concerts after 1984, they replaced the second verse with "Ess mittlerweile leider vill ze vill wohr" ("Unfortunately, much too much has meanwhile become reality").
  • Propagandhi's 1993 album How To Clean Everything features a song titled "Head? Chest? or Foot?", stating "I'd rather be in prison in a George Orwellian world, than your pacified society of happy boys and girls." in the final verse. The band also contributed a song titled "War is Peace, Slavery is Freedom, May All Your Interventions Be Humanitarian" to the Fat Wreck Chords compilation Live Fat, Die Young.
  • Our Lady Peace's album Spiritual Machines contained a track entitled "R.K. 1949" where the narrator states, "The year is 1949, George Orwell portrays the chilling world in which computers are used by large bureaucracies to monitor and enslave the population in his book Nineteen Eighty-Four."
  • UK rap artist Jehst makes a number of references to 1984 in his lyrics "2004, its more like 1984 right here right now" and "Its 1984!” in songs with a strong political edge, he also makes reference to "Orwellian Prophecies", Thought Police and Big Brother.

Samples from Nineteen Eighty-Four

  • Judas Priest's song "Electric Eye" contains references to Big Brother, and specifically telescreens: "I take a pride in probing all your secret moves", "I am perpetual, I keep the country clean", "There is no true escape, I'm watching all the time"
  • Manic Street Preachers released the album The Holy Bible in 1994, which contains the song "Faster". At the beginning of the song a voice (John Hurt, sampled from Nineteen Eighty-Four ) quotes a line from the book, although not word for word: "I hate purity. I hate goodness. I don't want virtue to exist anywhere. I want everyone corrupt." They also had a track called "1985", in which they make various references to the novel, such as "In 1985, Orwell was proved right".
  • Ministry's song "Faith Collapsing", from the album The Mind Is A Terrible Thing To Taste , consists almost entirely of samples from Nineteen Eighty-Four.
  • Skinny Puppy uses samples from Nineteen Eighty-Four in "The Centre Bullet", "I don't mean confessing. Confessing isn't betrayal. I mean feelings. If they can make me change my feelings, if they can stop me from loving you, that would be real betrayal." [18] and also in "Carry" from the album "Back And Forth 3 & 4" [19]
  • El-P on his 2002 album Fantastic Damage used samples from Nineteen Eighty-Four in the song "Accidents Don't Happen" featuring Cage and Camu Tao, such as "If you want a vision of the future...imagine a boot stamping on a human face" and "Power is not a means, it's an end. In our world, there will only be triumph and self-effacement. Everything else we shall destroy". All of which are from the dialogue between Winston and O'Brien in Room 101.
  • Butcher Babies released the album Lilith in 2017, which contains the song "Burn the Straw Man". At the beginning of the song a voice speaks the line "If you want a vision of the future, imagine a boot stamping on a human face – Forever".

References in video games

Related Research Articles

Big Brother (<i>Nineteen Eighty-Four</i>) Literary character and symbol

Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants. In the society that Orwell describes, every citizen is under constant surveillance by the authorities, mainly by telescreens. The people are constantly reminded of this by the slogan "Big Brother is watching you": a maxim that is ubiquitously on display throughout the novel.

In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the word thoughtcrime describes a person's politically unorthodox thoughts, beliefs, and doubts that politically contradict the tenets of Ingsoc, the dominant ideology of Oceania. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of The Party controls the speech, the actions, and the thoughts of the citizens of Oceania.

Telescreens are devices that operate simultaneously as televisions, security cameras, and microphones. They are featured in George Orwell's dystopian 1949 novel Nineteen Eighty-Four as well as all film adaptations of the novel. In the novel and its adaptations, telescreens are used by the ruling Party in the totalitarian fictional state of Oceania to keep its subjects under constant surveillance, thus eliminating the chance of secret conspiracies against Oceania.

The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four. The fictional book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party. The Party portrays Goldstein as a former member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. In the novel, the fictional Goldstein's book is read by the protagonist, Winston Smith, after a supposed friend, O'Brien, provided one copy to him. Winston had recalled that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."

A memory hole is any mechanism for the deliberate alteration or disappearance of inconvenient or embarrassing documents, photographs, transcripts or other records, such as from a website or other archive, particularly as part of an attempt to give the impression that something never happened. The concept was first popularized by George Orwell's 1949 dystopian novel Nineteen Eighty-Four, where the Party's Ministry of Truth systematically re-created all potentially embarrassing historical documents, in effect, re-writing all of history to match the often-changing state propaganda. These changes were complete and undetectable.

Julia is a fictional character in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. Her last name is not revealed in the novel but she is called Dixon in the 1954 BBC TV production.

<i>The Day the Country Died</i> 1983 studio album by Subhumans

The Day the Country Died is the debut studio album by English anarcho-punk band Subhumans. It was recorded in five days in June 1982 and was released in January 1983 through Spiderleg Records. The album was later re-released via Bluurg, the band's own record label.

<i>1984</i> (1956 film) 1956 film by Michael Anderson

1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian society. The film was the first feature-length adaptation of the story, and followed a previous Westinghouse Studio One adaptation and a BBC-TV made-for-TV adaptation. 1984 was directed by Michael Anderson and starring Edmond O'Brien as protagonist Winston Smith, and featured Donald Pleasence, Jan Sterling, and Michael Redgrave.

<i>1984 (For the Love of Big Brother)</i> 1984 soundtrack album by Eurythmics

1984 (For the Love of Big Brother) is a soundtrack album by the British pop duo Eurythmics. Released on 12 November 1984 by Virgin Records, it was the duo's fourth album overall and contains music recorded by Eurythmics for the film Nineteen Eighty-Four, based on George Orwell's dystopian novel of the same name. Virgin Films produced the film for release in its namesake year, and commissioned Eurythmics to compose a soundtrack.

<i>1984</i> (Rick Wakeman album) 1981 studio album by Rick Wakeman

1984 is a studio album by the English keyboardist Rick Wakeman, released in June 1981 on Charisma Records. After reforming his band The English Rock Ensemble in 1980 and completing a European tour, Wakeman entered a recording deal with Charisma and began preparing material for a studio album. He decided on a concept album based on the dystopian novel Nineteen Eighty-Four by George Orwell. The lyrics are by Tim Rice.

George Orwell's 1949 dystopian political novel Nineteen Eighty-Four, has been adapted for the cinema, radio, television, theatre, opera and ballet.

<i>Nineteen Eighty-Four</i> (1984 film) Film directed by Michael Radford

Nineteen Eighty-Four, also known as 1984, is a 1984 dystopian drama film written and directed by Michael Radford, based upon George Orwell's 1949 novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith (Hurt), a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level.

Political geography of <i>Nineteen Eighty-Four</i> Three fictional superstates in the novel 1984 by George Orwell

In George Orwell's 1949 dystopian novel Nineteen Eighty-Four, the world is divided into three superstates: Oceania, Eurasia and Eastasia, who are all fighting each other in a perpetual war in a disputed area mostly located around the equator. All that Oceania's citizens know about the world is whatever the Party wants them to know, so how the world evolved into the three states is unknown; and it is also unknown to the reader whether they actually exist in the novel's reality, or whether they are a storyline invented by the Party to advance social control. The nations appear to have emerged from nuclear warfare and civil dissolution over 20 years between 1945 and 1965, in a post-war world where totalitarianism becomes the predominant form of ideology, through Neo-Bolshevism, English Socialism, and Obliteration of the Self.

Winston Smith (<i>Nineteen Eighty-Four</i>) Protagonist in George Orwells novel Nineteen Eighty-Four

Winston Smith is a fictional character and the protagonist of George Orwell's dystopian 1949 novel Nineteen Eighty-Four. The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ... [the reader] can readily identify with."

<span class="mw-page-title-main">Emmanuel Goldstein</span> Character in George Orwells novel Nineteen Eighty-Four

In the dystopian novel Nineteen Eighty-Four, by George Orwell, Emmanuel Goldstein is the principal enemy of the state of Oceania. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.

Doublethink is a process of indoctrination in which subjects are expected to simultaneously accept two conflicting beliefs as truth, often at odds with their own memory or sense of reality. Doublethink is related to, but differs from, hypocrisy.

In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, Newspeak is the fictional language of Oceania, a totalitarian superstate. To meet the ideological requirements of Ingsoc in Oceania, the Party created Newspeak, which is a controlled language of simplified grammar and limited vocabulary designed to limit a person's ability for critical thinking. The Newspeak language thus limits the person's ability to articulate and communicate abstract concepts, such as personal identity, self-expression, and free will, which are thoughtcrimes, acts of personal independence that contradict the ideological orthodoxy of Ingsoc collectivism.

<i>Nineteen Eighty-Four</i> 1949 novel by George Orwell

Nineteen Eighty-Four is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a democratic socialist, modelled the authoritarian state in the novel on the Soviet Union in the era of Stalinism and Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.

O'Brien is a fictional character and the main antagonist in George Orwell's 1949 novel Nineteen Eighty-Four. The protagonist Winston Smith, living in a dystopian society governed by the Party, feels strangely drawn to Inner Party member O'Brien. Orwell never reveals O'Brien's first name. The name indicates that O'Brien is of Irish origin, but this background is never shown to have any significance.

The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell.

The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.

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