Political fiction employs narrative to comment on political events, systems and theories. Works of political fiction, such as political novels, often "directly criticize an existing society or present an alternative, even fantastic, reality".[1] The political novel overlaps with the social novel, proletarian novel, and social science fiction.
The Greek playwrightAristophanes' plays are known for their political and social satire,[5] particularly in his criticism of the powerful Athenian general, Cleon, in plays such as The Knights. Aristophanes is also notable for the persecution he underwent.[5][6][7][8] Aristophanes' plays turned upon images of filth and disease.[9] His bawdy style was adopted by Greek dramatist-comedian Menander, whose early play, Drunkenness, contains an attack on the politician, Callimedon.
Jonathan Swift's A Modest Proposal (1729) is an 18th-century Juvenaliansatiricalessay in which he suggests that the impoverished Irish might ease their economic troubles by selling their children as food for rich gentlemen and ladies. The satirical hyperbole mocks heartless attitudes towards the poor, as well as British policy toward the Irish in general.
The book Utopia (1516), written by Sir Thomas More, talk about a story of a different world compared to the one they live in. The character Thomas More is sent by King Henry VIII of England to negotiate the English wool trade. There he meets a man by the name Raphael Hythloday. He is a man that has been to the island on Utopia. He explains to More how their entire philosophy is to find happiness and share everything collectively; in this society, money does not exist, which starkly contrasts with the ascendant commercial empires in Thomas More's Europe.[16][17]
18th-century novel
The political comedyThe Return of the Deputy (1790), by Julian Ursyn Niemcewicz—Polish poet, playwright, statesman, and comrade-in-arms of Tadeusz Kościuszko—was written in about two weeks' time while Niemcewicz was serving as a deputy to the historic Four-Year Sejm of 1788–92. The comedy's premiere in January 1791 was an enormous success, sparking widespread debate, royal communiques, and diplomatic correspondence. As Niemcewicz had hoped, it set the stage for passage of Poland's epochal Constitution of 3 May 1791, which is regarded as Europe's first, and the world's second, modern written national constitution, after the United States Constitution implemented in 1789. The comedy pits proponents against opponents of political reforms: of abolishing the destabilizing free election of Poland's kings; of abolishing the legislatively destructive liberum veto; of granting greater rights to peasants and townspeople; of curbing the privileges of the mostly self-interested noble class; and of promoting a more active Polish role in international affairs, in the interest of stopping the depredations of Poland's neighbors, Russia, Prussia, and Austria (who will in 1795 complete the dismemberment of the Polish–Lithuanian Commonwealth). Romantic interest is provided by a rivalry between a reformer and a conservative for a young lady's hand—which is won by the proponent of reforms.[18]
19th-century novel
An early example of the political novel is The Betrothed (1827) by Alessandro Manzoni, an Italian historical novel. Set in northern Italy in 1628, during the oppressive years of direct Spanish rule, it has been seen sometimes as a veiled attack on the Austrian Empire, which controlled Italy at the time the novel was written. It has been called the most famous and widely read novel in the Italian language.[19]
In the 1840s British politician Benjamin Disraeli wrote a trilogy of novels with political themes. With Coningsby; or, The New Generation (1844), Disraeli, in historian Robert Blake's view, "infused the novel genre with political sensibility, espousing the belief that England's future as a world power depended not on the complacent old guard, but on youthful, idealistic politicians."[20]Coningsby was followed by Sybil; or, The Two Nations (1845), another political novel, which was less idealistic and more clear-eyed than Coningsby; the "two nations" of its subtitle referred to the huge economic and social gap between the privileged few and the deprived working classes. The last of Disraeli's political-novel trilogy, Tancred; or, The New Crusade (1847), promoted the Church of England's role in reviving Britain's flagging spirituality.[20]
Ivan Turgenev wrote Fathers and Sons (1862) as a response to the growing cultural schism that he saw between Russia's liberals of the 1830s and 1840s, and the growing Russian nihilist movement among their sons. Both the nihilists and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the Slavophiles, who believed that Russia's path lay in its traditional spirituality. Turgenev's novel was responsible for popularizing the use of the term "nihilism", which became widely used after the novel was published.[21]
The Polish writer Bolesław Prus' novel, Pharaoh (1895), is set in the Egypt of 1087–85 BCE as that country experiences internal stresses and external threats that will culminate in the fall of its Twentieth Dynasty and New Kingdom. The young protagonist Ramses learns that those who would challenge the powers that be are vulnerable to co-option, seduction, subornation, defamation, intimidation, and assassination. Perhaps the chief lesson, belatedly absorbed by Ramses as pharaoh, is the importance, to power, of knowledge. Prus' vision of the fall of an ancient civilization derives some of its power from the author's intimate awareness of the final demise of the Polish–Lithuanian Commonwealth in 1795, a century before he completed Pharaoh. This is a political awareness that Prus shared with his 10-years-junior novelist compatriot, Joseph Conrad, who was an admirer of Prus' writings. Pharaoh has been translated into 23 languages and adapted as a 1966 Polish feature film.[22] It is also known to have been Joseph Stalin's favourite book.[23]
20th-century novel
Joseph Conrad wrote several novels with political themes: Nostromo (1904), The Secret Agent (1907), and Under Western Eyes (1911). Nostromo (1904) is set amid political upheaval in the fictitious South American country of Costaguana, where a trusted Italian-descended longshoreman, Giovanni Battista Fidanza—the novel's eponymous "Nostromo" (Italian for "our man")—is instructed by English-descended silver-mine owner Charles Gould to take Gould's silver abroad so that it will not fall into the hands of revolutionaries.[24] The role of politics is paramount in The Secret Agent, as the main character, Verloc, works for a quasi-political organisation. The plot to destroy Greenwich Observatory is in itself anarchistic. Vladimir asserts that the bombing "must be purely destructive" and that the anarchists who will be implicated as the architects of the explosion "should make it clear that [they] are perfectly determined to make a clean sweep of the whole social creation."[25] However, the political form of anarchism is ultimately controlled in the novel: the only supposed politically motivated act is orchestrated by a secret government agency. Conrad's third political novel, Under Western Eyes, is connected to Russian history. Its first audience read it against the backdrop of the failed Revolution of 1905 and in the shadow of the movements and impulses that would take shape as the revolutions of 1917.[26] Conrad's earlier novella, Heart of Darkness (1899), also had political implications, in its depiction of European colonial depredations in Africa, which Conrad witnessed during his employ in the Belgian Congo.[27]
John Steinbeck's novel The Grapes of Wrath (1939) is a depiction of the plight of the poor. However, some Steinbeck's contemporaries attacked his social and political views. Bryan Cordyack writes: "Steinbeck was attacked as a propagandist and a socialist from both the left and the right of the political spectrum. The most fervent of these attacks came from the Associated Farmers of California; they were displeased with the book's depiction of California farmers' attitudes and conduct toward the migrants. They denounced the book as a 'pack of lies' and labeled it 'communist propaganda'".[28] Some accused Steinbeck of exaggerating camp conditions to make a political point. Steinbeck had visited the camps well before publication of the novel[29] and argued that their inhumane nature destroyed the settlers' spirit.
The Quiet American (1955) by English novelist Graham Greene questions the foundations of growing American involvement in Vietnam in the 1950s. The novel has received much attention due to its prediction of the outcome of the Vietnam War and subsequent American foreign policy since the 1950s. Graham Greene portrays a U.S. official named Pyle as so blinded by American exceptionalism that he cannot see the calamities he brings upon the Vietnamese. The book uses Greene's experiences as a war correspondent for The Times and Le Figaro in French Indochina in 1951–54.[30]
The Gay Place (1961) is a set of politically themed novellas with interlocking plots and characters by American author Billy Lee Brammer. Set in an unnamed state identical to Texas, each novella has a different protagonist: Roy Sherwood, a member of the state legislature; Neil Christiansen, the state's junior senator; and Jay McGown, the governor's speech-writer. The governor himself, Arthur Fenstemaker, a master politician (said to have been based on Brammer's mentor Lyndon Johnson[31]) serves as the dominant figure throughout. The book also includes characters based on Brammer, his wife Nadine,[32] Johnson's wife Ladybird, and his brother Sam Houston Johnson.[31] The book has been widely acclaimed one of the best American political novels ever written.[33][34][35]
21st-century novel
Since 2000, there has been a surge of Transatlantic migrant literature in French, Spanish, and English, with new narratives about political topics relating to global debt, labor abuses, mass migration, and environmental crises in the Global South.[36] Political fiction by contemporary novelists from the Caribbean, Sub-Saharan Africa, and Latin America directly challenges political leadership, systemic racism, and economical systems.[36]Fatou Diome, a Senegalese immigrant living France since the 1990s, writes political fiction about her experiences on France's unwelcoming borders that are dominated by white Christian culture.[37] The work of Guadeloupean author Maryse Condé also tackles colonialism and oppression; her best known titles are Ségou (1984) and Ségou II (1985). Set in historical Segou (now part of Mali), the novels examine the violent legacies of the slave trade, Islam, Christianity, and colonization (from 1797 to 1860).[38][39] A bold critic of the presidency of Nicolas Sarkozy, French novelist Marie Ndiayes won the Prix Goncourt for "Three Strong Women"(2009) about patriarchal control.[40]
Proletarian novel
The proletarian novel is written by workers, mainly for other workers. It overlaps and sometimes is synonymous with the working-class novel,[41] socialist novel,[42]social-problem novel (also problem novel, sociological novel, or social novel),[43] propaganda or thesis novel,[44] and socialist-realism novel. The intention of the writers of proletarian literature is to lift the workers from the slums by inspiring them to embrace the possibilities of social change or of a political revolution. As such, it is a form of political fiction.
The proletarian novel may comment on political events, systems, and theories, and is frequently seen as an instrument to promote social reform or political revolution among the working classes. Proletarian literature is created especially by communist, socialist, and anarchist authors. It is about the lives of the poor, and the period from 1930 to 1945, in particular, produced many such novels. However, proletarian works were also produced before and after those dates. In Britain, the terms "working-class" literature, novel, etc., are more generally used.
Social novel
A closely related type of novel, which frequently has a political dimension, is the social novel – also known as the "social-problem" or "social-protest" novel – a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel".[45] More specific examples of social problems that are addressed in such works include poverty, conditions in factories and mines, the plight of child labor, violence against women, rising criminality, and epidemics caused by overcrowding and poor sanitation in cities.[46]
Charles Dickens was a fierce critic of the poverty and social stratification of Victorian society. Karl Marx asserted that Dickens "issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together".[47] On the other hand, George Orwell, in his essay on Dickens, wrote: "There is no clear sign that he wants the existing order to be overthrown, or that he believes it would make very much difference if it were overthrown. For in reality his target is not so much society as 'human nature'."[48]
Dickens's second novel, Oliver Twist (1839), shocked readers with its images of poverty and crime: it destroyed middle-class polemics about criminals, making any pretence to ignorance about what poverty entailed impossible.[49][50]Charles Dickens's Hard Times (1854) is set in a small Midlands industrial town and particularly criticizes the effect of Utilitarianism on the lives of cities' working classes. John Ruskin declared Hard Times his favourite Dickens work due to its exploration of important social questions. Walter Allen characterised Hard Times as an unsurpassed "critique of industrial society",
Notable examples
Other notable examples are in the main lists, above.
↑ Brickhouse, Thomas and Smith, Nicholas D. Plato (c. 427–347 BC), The Internet Encyclopedia of Philosophy, University of Tennessee, cf. Dating Plato's Dialogues.
1 2 Sutton, DF (1993), Ancient Comedy: The War of the Generations, New York, p.56{{citation}}: CS1 maint: location missing publisher (link)
↑ Orwell, George. "Why I Write" (1936) (The Collected Essays, Journalism and Letters of George Orwell Volume 1 – An Age Like This 1945–1950 p.23 (Penguin))
↑ A Handbook to Literature 7th ed. (Upper Saddle River, NJ: Prentice Hall, 1996), p.487; "social problem novel." Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2012. Web. 02 Nov. 2012.
↑ J. A. Cuddon (revised C. E. Preston), The Penguin Dictionary of Literary Terms and Literary Theory. (London: Penguin, 1999), pp. 704, 913
↑ "social problem novel" in Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2012. Web. 04 Nov. 2012. .
Joseph Conrad was a Polish-British novelist and story writer. He is regarded as one of the greatest writers in the English language and although he did not speak English fluently until his twenties, he became a master prose stylist who brought a non-English sensibility into English literature. He wrote novels and stories, many in nautical settings that depict crises of human individuality in the midst of what he saw as an indifferent, inscrutable and amoral world.
A utopia typically describes an imaginary community or society that possesses highly desirable or near-perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book Utopia, which describes a fictional island society in the New World.
Utopian and dystopian fiction are subgenres of science fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
British literature is from the United Kingdom of Great Britain and Northern Ireland, the Isle of Man, and the Channel Islands. This article covers British literature in the English language. Anglo-Saxon literature is included, and there is some discussion of Latin and Anglo-Norman literature, where literature in these languages relate to the early development of the English language and literature. There is also some brief discussion of major figures who wrote in Scots, but the main discussion is in the various Scottish literature articles.
The Iron Heel is a political novel in the form of science fiction by American writer Jack London, first published in 1908.
The Big Read was a survey on books carried out by the BBC in the United Kingdom in 2003, where over three-quarters of a million votes were received from the British public to find the nation's best-loved novel. The year-long survey was the biggest single test of public reading taste to date, and culminated with several programmes hosted by celebrities, advocating their favourite books.
Aleksander Głowacki, better known by his pen name Bolesław Prus, was a Polish novelist, a leading figure in the history of Polish literature and philosophy, as well as a distinctive voice in world literature.
Looking Backward: 2000–1887 is a utopian time travel science fiction novel by the American journalist and writer Edward Bellamy first published in 1888.
Nostromo: A Tale of the Seaboard is a 1904 novel by Joseph Conrad, set in the fictitious South American republic of "Costaguana". It was originally published serially in monthly instalments of T.P.'s Weekly.
Ancient Greek literature is literature written in the Ancient Greek language from the earliest texts until the time of the Byzantine Empire. The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey, set in an idealized archaic past today identified as having some relation to the Mycenaean era. These two epics, along with the Homeric Hymns and the two poems of Hesiod, the Theogony and Works and Days, constituted the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods.
Polish Positivism was a social, literary and philosophical movement that became dominant in late-19th-century partitioned Poland following Romanticism in Poland and the suppression of the January 1863 Uprising against the Russian Empire. The Positivist period lasted until the turn of the 20th century and the advent of the modernist Young Poland movement.
Pharaoh is the fourth and last major novel by the Polish writer Bolesław Prus (1847–1912). Composed over a year's time in 1894–95, serialized in 1895–96, and published in book form in 1897, it was the sole historical novel by an author who had earlier disapproved of historical novels on the ground that they inevitably distort history.
"A Legend of Old Egypt" is a seven-page short story by Bolesław Prus, originally published January 1, 1888, in New Year's supplements to the Warsaw Kurier Codzienny and Tygodnik Ilustrowany. It was his first piece of historical fiction and later served as a preliminary sketch for his only historical novel, Pharaoh (1895), which would be serialized in the Illustrated Weekly.
Philosophy and literature involves the literary treatment of philosophers and philosophical themes, and the philosophical treatment of issues raised by literature.
The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
The social novel, also known as the social problemnovel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". More specific examples of social problems that are addressed in such works include poverty, conditions in factories and mines, the plight of child labor, violence against women, rising criminality, and epidemics because of over-crowding and poor sanitation in cities.
Proletarian literature refers here to the literature created by left-wing writers mainly for the class-conscious proletariat. Though the Encyclopædia Britannica states that because it "is essentially an intended device of revolution", it is therefore often published by the Communist Party or left-wing sympathizers, the proletarian novel has also been categorized without any emphasis on revolution, as a novel "about the working classes and working-class life; perhaps with the intention of making propaganda". This different emphasis may reflect a difference between Russian, American and other traditions of working-class writing, with that of Britain. The British tradition was not especially inspired by the Communist Party, but had its roots in the Chartist movement, and socialism, amongst others. Furthermore, writing about the British working-class writers, H Gustav Klaus, in The Socialist Novel: Towards the Recovery of a Tradition (1982) suggested that "the once current [term] 'proletarian' is, internationally, on the retreat, while the competing concepts of 'working-class' and 'socialist' continue to command about equal adherence".
A dystopia, also called a cacotopia or anti-utopia, is a community or society that is extremely bad or frightening. It is often treated as an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one of simple opposition, as many dystopias claim to be utopias and vice versa.
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