Dialogue in writing

Last updated

Dialogue, in literature, is a verbal exchange between two or more characters (but can also involve strategic use of silence [1] ). If there is only one character talking aloud, it is a monologue.

Contents

Identifiers

"This breakfast is making me sick," George said.

The George said is the identifier. Said is the verb most writers use because reader familiarity with said prevents it from drawing attention to itself. Although other verbs such as ask, shout, or reply are acceptable, some identifiers get in the reader's way. For example:

"Hello," he croaked nervously, "my name's Horace."
"What's yours?" he asked with as much aplomb as he could muster. [2]

Another example is:

"My name is Peg, what's yours?" I asked.
"My name is William, but my friends call me Will," said Will.

Stephen King, in his book On Writing , expresses his belief that said is the best identifier to use. King recommends reading a novel by Larry McMurtry, who he claims has mastered the art of well-written dialogue. [3]

Substitutes are known as said-bookisms. For example, in the sentence "What do you mean?" he smiled, the word smiled is a said-bookism.

See also

Notes

  1. Bell, Terena (2021-01-28). "Fiction Writing Lessons from Jane Austen's Pride and Prejudice". Medium. Retrieved 2021-02-02.
  2. Turco (1989 , p. 16)
  3. King (2000 , p. 127)

Related Research Articles

A quotation is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. In oral speech, it is the representation of an utterance that is introduced by a quotative marker, such as a verb of saying. For example: John said: "I saw Mary today". Quotations in oral speech are also signaled by special prosody in addition to quotative markers. In written text, quotations are signaled by quotation marks. Quotations are also used to present well-known statement parts that are explicitly attributed by citation to their original source; such statements are marked with quotation marks.

<span class="mw-page-title-main">Robert A. Heinlein</span> American author and aeronautical engineer (1907–1988)

Robert Anson Heinlein was an American science fiction author, aeronautical engineer, and naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accuracy in his fiction, and was thus a pioneer of the subgenre of hard science fiction. His published works, both fiction and non-fiction, express admiration for competence and emphasize the value of critical thinking. His plots often posed provocative situations which challenged conventional social mores. His work continues to have an influence on the science-fiction genre, and on modern culture more generally.

<span class="mw-page-title-main">Stephen King</span> American writer (born 1947)

Stephen Edwin King is an American author. Called the "King of Horror", he has also explored other genres, among them suspense, crime, science-fiction, fantasy and mystery. He has also written approximately 200 short stories, most of which have been published in collections. His debut, Carrie (1974), established him in horror. Different Seasons (1982), a collection of four novellas, was his first major departure from the genre. Among the films adapted from King's fiction are Carrie, Christine, The Shining, The Dead Zone, Stand by Me, Misery, Dolores Claiborne, The Shawshank Redemption, The Green Mile and It. He has published under the pseudonym Richard Bachman and has co-written works with other authors, notably his friend Peter Straub and sons Joe Hill and Owen King. He has also written nonfiction, notably On Writing: A Memoir of the Craft.

<span class="mw-page-title-main">Writer</span> Person using written words to communicate

A writer is a person who uses written words in different writing styles, genres and techniques to communicate ideas, to inspire feelings and emotions, or to entertain. Writers may develop different forms of writing such as novels, short stories, monographs, travelogues, plays, screenplays, teleplays, songs, and essays as well as reports, educational material, and news articles that may be of interest to the general public. Writers' works are nowadays published across a wide range of media. Skilled writers who are able to use language to express ideas well, often contribute significantly to the cultural content of a society.

A first-person narrative is a mode of storytelling in which a storyteller recounts events from that storyteller's own personal point of view, using first-person grammar such as "I", "me", "my", and "myself". It must be narrated by a first-person character, such as a protagonist, re-teller, witness, or peripheral character. Alternatively, in a visual storytelling medium, the first-person perspective is a graphical perspective rendered through a character's visual field, so the camera is "seeing" out of a character's eyes.

As a literary technique, an author surrogate is a fictional character based on the author. The author surrogate may be disguised, with a different name, or the author surrogate may be quite close to the author, with the same name. Some authors use author surrogates to express philosophical or political views in the narrative. Authors may also insert themselves under their own name into their works.

<i>Salems Lot</i> 1975 novel by Stephen King

'Salem's Lot is a 1975 horror novel by American author Stephen King. It was his second published novel. The story involves a writer named Ben Mears who returns to the town of Jerusalem's Lot in Maine, where he lived from the age of five through nine, only to discover that the residents are becoming vampires. The town is revisited in the short stories "Jerusalem's Lot" and "One for the Road", both from King's story collection Night Shift (1978). The novel was nominated for the World Fantasy Award in 1976 and the Locus Award for the All-Time Best Fantasy Novel in 1987.

In literature and writing, stylistically elements are the use of any of a variety of techniques to give an auxiliary meaning, ideas, or feeling to the literalism or written.

Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative. This information can be about the setting, characters' backstories, prior plot events, historical context, etc. In literature, exposition appears in the form of expository writing embedded within the narrative.

New Journalism is a style of news writing and journalism, developed in the 1960s and 1970s, that uses literary techniques unconventional at the time. It is characterized by a subjective perspective, a literary style reminiscent of long-form non-fiction. Using extensive imagery, reporters interpolate subjective language within facts whilst immersing themselves in the stories as they reported and wrote them. In traditional journalism, the journalist is "invisible"; facts are meant to be reported objectively.

Fiction writing is the composition of non-factual prose texts. Fictional writing often is produced as a story meant to entertain or convey an author's point of view. The result of this may be a short story, novel, novella, screenplay, or drama, which are all types of fictional writing styles. Different types of authors practice fictional writing, including novelists, playwrights, short story writers, radio dramatists and screenwriters.

Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis and instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagist poetry in particular, speech, movie making, and playwriting.

<span class="mw-page-title-main">Rhetorical modes</span> Major types of writing and speaking

The rhetorical modes are a broad traditional classification of the major kinds of formal and academic writing by their rhetorical (persuasive) purpose: narration, description, exposition, and argumentation. First attempted by Samuel P. Newman in A Practical System of Rhetoric in 1827, the modes of discourse have long influenced US writing instruction and particularly the design of mass-market writing assessments, despite critiques of the explanatory power of these classifications for non-school writing.

In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic.

A fiction-writing mode is a manner of writing imaginary stories with its own set of conventions regarding how, when, and where it should be used.

Brock Cole is an American children's author and illustrator. He is an author and illustrator of pictures books for children as well as a writer of novels and novellas for young adult readers. The subject matter of his juvenile fiction is perhaps more controversial than that of his peers, landing him on the ALA 100 Most Frequently Challenged Books 1990-2000. Though some of his books have been challenged for content, he has become well known for his style and form.

<span class="mw-page-title-main">Nam Le</span> Vietnamese-born Australian writer (born 1978)

Nam Le is a Vietnamese-born Australian writer, who won the Dylan Thomas Prize for his book The Boat, a collection of short stories. His stories have been published in many places including Best Australian Stories 2007, Best New American Voices, Zoetrope: All-Story, A Public Space and One Story. In 2008 he was named a 5 under 35 honoree by the National Book Foundation.

Characterization or characterisation is the representation of characters in narrative and dramatic works. The term character development is sometimes used as a synonym. This representation may include direct methods like the attribution of qualities in description or commentary, and indirect methods inviting readers to infer qualities from characters' actions, dialogue, or appearance. Such a personage is called a character. Character is a literary element.

In literature, pace or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. It is an essential element of storytelling that plays a significant role in maintaining reader interest, building tension, and conveying the desired emotional impact. The number of words needed to write about a certain event does not depend upon how much time the event takes to happen; it depends upon how important that moment is to the story. The pace is determined by the length of the scenes, how fast the action moves, and how quickly the reader is provided with information. A well-paced story effectively balances moments of high intensity and slower-paced sections to create a dynamic reading experience. It is also sometimes dictated by the genre of the story: comedies move faster than dramas; action adventures move faster than suspense. A dragging pace is characteristic of many novels turned down by publishers, and of some that find their way into print but not into the hearts and recommendations of readers. Manuscripts that move too slowly usually discourage readers from reading on. Through various editing techniques, such as cutting unnecessary details, rearranging scenes, or suggesting additions, editors assist in maintaining an engaging pace that keeps readers captivated. Yanna Popova and Elena Cuffari elaborate that as editors they, "explore the participatory structure of a narrative through its temporal unfolding and the specific, non-linear nature of the temporal dynamics of interacting with a storytelling agency". Popova and Cuffari make clear that the way an author unfolds a story through structuring that narrative's tale is essential to the way the audience will interpret it.

In literature, action is the physical movement of the characters.

References