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Comic relief is the inclusion of a humorous character, scene, or witty dialogue in an otherwise serious or dramatic work, often to relieve tension.
Comic relief usually means a releasing of emotional or other tension resulting from a comic episode interposed in the midst of serious or tragic elements in a drama. Comic relief often takes the form of, but is not limited to, a bumbling, wisecracking sidekick of the hero or villain in a work of fiction. A sidekick used for comic relief will usually comment on the absurdity of the hero's situation and make comments that would be inappropriate for a character who is to be taken seriously. Other characters may use comic relief as a means to irritate others or keep themselves confident.
Sometimes comic relief characters will appear in fiction that is comic. This generally occurs when the work enters a dramatic moment, but the character continues to be comical regardless. External and internal comic reliefs can be separated based on the engagement within the story and the effect on the audience. An internal comic relief [1] is a character or moment where the story is written in the story itself. Others are involved and can laugh along with the humor. While external comic relief [2] moments occur whenever the audience is supposed to laugh but the characters do not.
Greek tragedy did not allow any comic relief within the drama, [3] but had a tradition of concluding a series of several tragic performances with a humorous satyr play. Even the Elizabethan critic Philip Sidney following Horace’s Ars Poetica pleaded for the exclusion of comic elements from a tragic drama. But in the Renaissance England Christopher Marlowe among the University Wits introduced comic relief through the presentation of crude scenes in Doctor Faustus following the native tradition of Interlude which was usually introduced between two tragic plays. In fact, in the classical tradition the mingling of the tragic and the comic was not allowed.
Comic relief moments serve the purpose [4] of allowing the audience to "break from the dark and heavy content." And advance the plot. Though most people[ who? ] view it as a distraction.
William Shakespeare deviated from the classical tradition and used comic relief in Hamlet , Macbeth , Othello , The Merchant of Venice and Romeo and Juliet . The grave-digger scene in Hamlet, the gulling of Roderigo in Othello, and the mockery of the fool in King Lear provide immense comic relief. [5]
Take the Porter scene in Macbeth: [6]
"Here's a knocking indeed! If a man were porter of hell-gate, he should have old turning the key…Who's there, i' the name of Beelzebub? Here's a farmer, that hanged himself on the expectation of plenty: come in time; have napkins enow about you; here you'll sweat for't…Faith, here's an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose." [7]
In this scene, the Porter serves as the comedic relief. In the scene before, King Duncan is murdered by the Macbeth duo. After the scene, his body is discovered and the castle is thrown into hysteria. His chaotic scene in between serves as a comic relief moment to distract the audience from the gruesome content.
Macbeth is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.
Othello is a tragedy written by William Shakespeare, around 1603. The story revolves around two characters, Othello and Iago.
William Shakespeare was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
Theatre techniques are procedures that facilitate a successful presentation of a play. They also include any practices that advance and enhance the understanding the audience brings to the action and the acting by the cast on stage.
A tragic hero is the protagonist of a tragedy. In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. Many of the most famous instances of tragic heroes appear in Greek literature, most notably the works of Sophocles and Euripides.
In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist. A foil to the protagonist may also be the antagonist of the plot.
Jean-François Ducis was a French dramatist and adapter of Shakespeare.
In his own time, William Shakespeare (1564–1616) was rated as merely one among many talented playwrights and poets, but since the late 17th century has been considered the supreme playwright and poet of the English language.
Maqbool is a 2004 Indian Hindi-language crime drama film directed by Vishal Bhardwaj, starring Irrfan, Tabu, Pankaj Kapur, Naseeruddin Shah, Om Puri, Piyush Mishra, Murali Sharma and Masumeh Makhija in an adaptation of the play Macbeth by Shakespeare.
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, Richard Hooker, Ben Jonson, Philip Sidney and Thomas Kyd.
Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare. The exact number of plays as well as their classifications as tragedy, history, comedy, or otherwise is a matter of scholarly debate. Shakespeare's plays are widely regarded as among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two.
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance. "Breaking the Fourth Wall" is an example of a metatheatrical device.
Bianca is a fictional character in William Shakespeare's Othello (c. 1601–1604). She is Cassio's jealous lover. Despite her brief appearance on stage, Bianca plays a significant role in the progress of Iago's scheme to make Othello believe that his wife Desdemona is cheating on him with Cassio.
Hamlet and His Problems is an essay written by T.S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. Eliot's critique gained attention partly due to his claim that Hamlet is "most certainly an artistic failure." Eliot also popularised the concept of the objective correlative—a mechanism used to evoke emotion in an audience—in the essay. The essay is also an example of Eliot's use of what became known as new criticism.
The Shakespearean fool is a recurring character type in the works of William Shakespeare.
William Shakespeare's style of writing was borrowed from the conventions of the day and adapted to his needs.
Thousands of performances of William Shakespeare's plays have been staged since the end of the 16th century. While Shakespeare was alive, many of his greatest plays were performed by the Lord Chamberlain's Men and King's Men acting companies at the Globe and Blackfriars Theatres. Among the actors of these original performances were Richard Burbage, Richard Cowley, and William Kempe.
Characters of Shakespear's Plays is an 1817 book of criticism of Shakespeare's plays, written by early nineteenth century English essayist and literary critic William Hazlitt. Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Samuel Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic August Wilhelm Schlegel, and, with the work of Samuel Taylor Coleridge, paved the way for the increased appreciation of Shakespeare's genius that was characteristic of later nineteenth-century criticism. It was also the first book to cover all of Shakespeare's plays, intended as a guide for the general reader.
Kill Shakespeare is a twelve-issue comic book limited series released by IDW Publishing. It was produced by Anthony Del Col and Conor McCreery, who also served as co-writers, with Andy Belanger as artist, Ian Herring as colourist, and Kagan McLeod as cover artist. The first issue was published on April 14, 2010.