Stylistic device

Last updated

In literature and writing, stylistically elements are the use of any of a variety of techniques to give an auxiliary meaning, ideas, or feeling to the literalism or written.

Contents

Figurative language

A figure of speech is any way of saying something other than the ordinary way. Figurative language is language using figures of speech. [1]

Simile

The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms.

Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet Potato Pie," Eugenia Collier)
Example: The beast had eyes as big as baseballs and teeth as long as knives.
Example: She put her hand to the boy's head, which was steaming like a hot train.

Metaphor

A metaphor is a comparison that does not use the words "like" or "as". Metaphors can span over multiple sentences.

Example: "That boy is like a machine." is a simile but "That boy is a machine!" is a metaphor.

Synecdoche

Synecdoche occurs when a part of something is used to refer to the whole. [2] Many examples of synecdoche are idioms, common to the language.

Example: Workers can be referred to as 'pairs of hands', and a vehicle as one's 'wheels'.

Metonymy

Metonymy is similar to synecdoche, but instead of a part representing the whole, a related object or part of a related object is used to represent the whole. [2] Often it is used to represent the whole of an abstract idea.

Example: The phrase "The king's guns were aimed at the enemy," using 'guns' to represent infantry.
Example: The word 'crown' may be used metonymically to refer to the king or queen, and at times to the law of the land.

Personification

Giving human or animal characteristics to inanimate objects.

Example: The sun smiled down on the travelers. (the sun does not smile, humans smile)

Apostrophe

Similar to 'personification' but direct. The speaker addresses someone absent or dead, or addresses an inanimate or abstract object as if it were human. [3]

Charactonym

This is when the name of a character has a symbolic meaning. For example, in Dickens' Great Expectations, Miss Havisham has a sham or lives a life full of pretense. In Hawthorne's The Scarlet Letter, Rev. Dimmesdale metaphorically fades away (dims) as the novel progresses, while Chillingworth has a cold (chilled) heart.

Symbol

A symbol may be an object, a person, a situation, an action, a word, or an idea that has literal meaning in the story as well as an alternative identity that represents something else. [4] It is used as an expressive way to depict an idea. The symbol generally conveys an emotional response far beyond what the word, idea, or image itself dictates.

Example: A heart standing for love. (One might say "It broke my heart" rather than "I was really upset")
Example: A sunrise portraying new hope. ("All their fears melted in the face of the newly risen sun.")

Allegory

An allegory is a story that has a second meaning, usually by endowing characters, objects or events with symbolic significance. The entire story functions symbolically; often a pattern relates each literal item to a corresponding abstract idea or principle. Although the surface story may have its interest, the author's major interest is in the ulterior meaning. [5]

Imagery

This is when the author invokes sensory details. Often, this is simply to draw a reader more deeply into a story by helping the reader visualize what is being described. However, imagery may also symbolize important ideas in a story.

For example, in Saki's "The Interlopers", two men engaged in a generational feud become trapped beneath a fallen tree in a storm: "Ulrich von Gradwitz found himself stretched on the ground, one arm numb beneath him and the other held almost as helplessly in a tight tangle of forked branches, while both legs were pinned beneath the fallen mass." Readers can not only visualize the scene but may infer from it that it is the feud that has trapped him. Note also the diction used within the imagery: words like "forked" and "fallen" imply a kind of hell that he is trapped in.

Motif

When a word, phrase, image, or idea is repeated throughout a work or several works of literature.

For example, in Ray Bradbury's short story, "There Will Come Soft Rains", he describes a futuristic "smart house" in a post-nuclear-war time. All life is dead except for one dog, which dies in the course of the story. However, Bradbury mentions mice, snakes, robins, swallows, giraffes, antelopes, and many other animals in the course of the story. This animal motif establishes a contrast between the past, when life was flourishing, and the story's present when all life is dead.

Motifs may also be used to establish mood (as the blood motif in Shakespeare's Macbeth ), for foreshadowing (as when Mary Shelley, in Frankenstein, mentions the moon almost every time the creature is about to appear), to support the theme (as when, in Sophocles' drama Oedipus Rex, the motif of prophecy strengthens the theme of the irresistibility of the gods), or for other purposes.

Paradox

In literary terminology, a paradox is an apparent contradiction that is nevertheless somehow true. [6] Paradox can take the form of an oxymoron, overstatement or understatement. Paradox can blend into irony.

Sound techniques

Rhyme

The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [7]

For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other.

Loveliest of trees, the cherry now
Is hung with bloom along the bough

Alliteration

Alliteration is the repetition of consonant sounds at the beginning of words.

Example: "...many a man is making friends with death/ Even as I speak, for lack of love alone." (Edna St. Vincent Millay's "Sonnet 30").

Alliteration is used by an author to create emphasis, to add beauty to the writing style, and occasionally to aid in shaping the mood. It is also used to create a rhythm and musical effect on the reader's mind as well.

Assonance

Similar to alliteration, in which vowel sounds are repeated. They are usually in the middle of a word. [7]

Example: "batter that mattered", "the blue bulging plug."

Consonance

Similar to alliteration, but the consonants are at the ends of words. [7]

Example: "odds and ends", "short and sweet".

Rhythm

It is most important in poetry, but also used in prose for emphasis and aesthetic gain.

Example: The fallibly irrevocable cat met its intrinsic match in the oppositional form of a dog.

Onomatopoeia

This includes words that sound like their meaning or imitations of sounds.

Example: "The bees were buzzing"

Structure

Formal structure

Formal structure refers to the forms of a text. In the first place, a text is either a novel, a drama, a poem, or some other "form" of literature. However, this term can also refer to the length of lines, stanzas, or cantos in poems, as well as sentences, paragraphs, or chapters in prose. Furthermore, such visible structures as dialogue versus narration are also considered part of formal structure.

Storyline and plot

The storyline is the chronological account of events that follow each other in the narrative. The plot includes the storyline, and is more; it includes how elements in the story interact to create complexity, intrigue, and surprise. The plot is often created by having separate threads of storyline interact at critical times and in unpredictable ways, creating unexpected twists and turns in the overall storyline.

Plot structure

Plot structure refers to the configuration of a plot in terms of its exposition, rising action, climax, falling action, and resolution/denouement. For example, Dickens' novel Great Expectations is noted for having only a single page of exposition before the rising action begins, while The Lord of the Rings by J. R. R. Tolkien has an unusually lengthy falling action. The plot can also be structured by the use of devices such as flashbacks, framing, and epistolary elements.

Flashback

A flashback (which is one of the most easily recognized utilization of plot structure) is a scene in writing which occurs outside of the current timeline, before the events that are occurring in the story. It is used to explain plot elements, give background and context to a scene, or explain characteristics of characters or events.

For instance, one chapter may be at present in a character's life, and then the next chapter might be the character's life years ago. The second chapter gives meaning to the first, as it explains other events the character experienced and thus puts present events in context. In Khaled Hosseini's The Kite Runner, the first short chapter occurs in the narrative's real-time; most of the remainder of the book is a flashback.

Frame story

When there is a lengthy flashback comprising more than half of the text, a frame story is the portion outside the flashback. For example, Mary Shelley's Frankenstein uses the adventures of a sea captain as a frame story for the famous tale of the scientist and his creation. Occasionally, an author will have an unfinished frame, such as in Henry James's "The Turn of the Screw". The lack of a finishing frame in this story has the effect of leaving the reader disoriented, adding to the disturbing mood of the story.

Foreshadowing

This is when the author drops clues about what is to come in a story, which builds tension and the reader's suspense throughout the book.

Example: The boy kissed his mother and warmly embraced her, oblivious to the fact that this was the last time he would ever see her.

Allusion

Allusion is a reference to something from history or literature. [8]

Irony

Verbal irony

This is the simplest form of irony, in which the speaker says the opposite of what he or she intends. There are several forms, including euphemism, understatement, sarcasm, and some forms of humor. [9]

Situational irony

This is when the author creates a surprise that is the exact opposite of what the reader would expect, often creating humor or an eerie feeling. For example, in Steinbeck's novel The Pearl, the reader may think that Kino and Juana would become happy and successful after discovering the "Pearl of the World", with all its value. However, their lives change dramatically for the worse after discovering it.

Similarly, in Shakespeare's Hamlet, the title character almost kills King Claudius at one point, but resists because Claudius is praying and therefore may go to heaven. As Hamlet wants Claudius to go to hell, he waits. A few moments later, after Hamlet leaves the stage, Claudius reveals to the audience that he doesn't mean his prayers ("words without thoughts never to heaven go"), so Hamlet should have killed him after all.

A way to remember the name of this term is that it describes an ironic situation.

Dramatic irony

Dramatic Irony is when the reader knows something important about the story that one or more characters in the story do not know. For example, in William Shakespeare's Romeo and Juliet , the drama of Act V comes from the fact that the audience knows Juliet is alive, but Romeo thinks she's dead. If the audience had thought, like Romeo, that she was dead, the scene would not have had anywhere near the same power.

Likewise, in Edgar Allan Poe's "The Tell-Tale Heart", the energy at the end of the story comes from the fact that we know the narrator killed the old man, while the guests are oblivious. If we were as oblivious as the guests, there would be virtually no point in the story.

The way to remember the name is that dramatic irony adds to the drama of the story.

See Irony for a more detailed discussion, and definitions of other forms of irony.

Register

Diction

Diction is the choice of specific words to communicate not only meaning, but emotion as well. Authors writing their texts consider not only a word's denotation but also its connotation. For example, a person may be described as stubborn or tenacious, both of which have the same basic meaning but are opposite in terms of their emotional background (the first is an insult, while the second is a compliment). Similarly, a bargain-seeker may be described as either thrifty (compliment) or stingy (insult). An author's diction is extremely important in discovering the narrator's tone, or attitude.

Syntax

Sentences can be long or short, written in the active voice or passive voice, composed as simple, compound, complex, or compound-complex. They may also include such techniques as inversion or such structures as appositive phrases, verbal phrases (gerund, participle, and infinitive), and subordinate clauses (noun, adjective, and adverb). These tools can be highly effective in achieving an author's purpose.

Example: The ghetto was ruled by neither German nor Jew; it was ruled by delusion. (from Night , by Elie Wiesel)

In this sentence, Wiesel uses two parallel independent clauses written in the passive voice. The first clause establishes suspense about who rules the ghetto, and then the first few words of the second clause set up the reader with the expectation of an answer, which is metaphorically revealed only in the final word of the sentence.

Voice

In grammar, there are two voices: active and passive. These terms can be applied to whole sentences or verbs. Verbs also have tense, aspect and mode. There are three tenses: past, present, and future. There are two main aspects: perfect and progressive. Some grammarians refer to aspects as tenses, but this is not strictly correct, as the perfect and progressive aspects convey information other than time. There are many modes (also called moods). Some important ones are: declarative, affirmative, negative, emphatic, conditional, imperative, interrogative and subjunctive.

Tone

Tone expresses the writer's or speaker's attitude toward the subject, the reader, or herself or himself. [10]

See also

Related Research Articles

<span class="mw-page-title-main">Ambiguity</span> Type of uncertainty of meaning in which several interpretations are plausible

Ambiguity is the type of meaning in which a phrase, statement, or resolution is not explicitly defined, making for several interpretations; others describe it as a concept or statement that has no real reference. A common aspect of ambiguity is uncertainty. It is thus an attribute of any idea or statement whose intended meaning cannot be definitively resolved, according to a rule or process with a finite number of steps..

<span class="mw-page-title-main">Language</span> Structured system of communication

Language is a structured system of communication that consists of grammar and vocabulary. It is the primary means by which humans convey meaning, both in spoken and written forms, and may also be conveyed through sign languages. The vast majority of human languages have developed writing systems that allow for the recording and preservation of the sounds or signs of language. Human language is characterized by its cultural and historical diversity, with significant variations observed between cultures and across time. Human languages possess the properties of productivity and displacement, which enable the creation of an infinite number of sentences, and the ability to refer to objects, events, and ideas that are not immediately present in the discourse. The use of human language relies on social convention and is acquired through learning.

<span class="mw-page-title-main">Onomatopoeia</span> Words that imitate the sound they describe

Onomatopoeia is the use or creation of a word that phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias include animal noises such as oink, meow, roar, and chirp. Onomatopoeia can differ by language: it conforms to some extent to the broader linguistic system. Hence, the sound of a clock may be expressed variously across languages: thus as tick tock in English, tic tac in Spanish and Italian, dī dā in Mandarin, kachi kachi in Japanese, or tik-tik in Hindi and Bengali.

<span class="mw-page-title-main">Poetry</span> Form of literature

Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.

<span class="mw-page-title-main">Pun</span> Form of word play

A pun, also rarely known as paronomasia, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. These ambiguities can arise from the intentional use of homophonic, homographic, metonymic, or figurative language. A pun differs from a malapropism in that a malapropism is an incorrect variation on a correct expression, while a pun involves expressions with multiple interpretations. Puns may be regarded as in-jokes or idiomatic constructions, especially as their usage and meaning are usually specific to a particular language or its culture.

<span class="mw-page-title-main">Semantics</span> Study of meaning in language

Semantics is the study of reference, meaning, or truth. The term can be used to refer to subfields of several distinct disciplines, including philosophy, linguistics and computer science.

Alliteration is the repetition of syllable-initial consonant sounds between nearby words, or of syllable-initial vowels, if the syllables in question do not start with a consonant. It is often used as a literary device. An example is the quote "Out of doubt, out of dark to the day's rising" from Lord of the Rings.

<span class="mw-page-title-main">Metonymy</span> Figure of speech in which something is referred to by the name of an associated thing

Metonymy is a figure of speech in which a concept is referred to by the name of something closely associated with that thing or concept.

<span class="mw-page-title-main">Figure of speech</span> Change of the expected pattern of words

A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from ordinary language use to produce a rhetorical effect. Figures of speech are traditionally classified into schemes, which vary the ordinary sequence of words, and tropes, where words carry a meaning other than what they ordinarily signify.

Pleonasm is redundancy in linguistic expression, such as "black darkness" or "burning fire". It is a manifestation of tautology by traditional rhetorical criteria and might be considered a fault of style. Pleonasm may also be used for emphasis, or because the phrase has become established in a certain form. Tautology and pleonasm are not consistently differentiated in literature.

<span class="mw-page-title-main">Rhetorical device</span> Literary technique used to persuade

In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. They seek to make a position or argument more compelling than it would otherwise be.

Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative. This information can be about the setting, characters' backstories, prior plot events, historical context, etc. In literature, exposition appears in the form of expository writing embedded within the narrative.

<span class="mw-page-title-main">Word</span> Basic element of language

A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its definition and numerous attempts to find specific criteria of the concept remain controversial. Different standards have been proposed, depending on the theoretical background and descriptive context; these do not converge on a single definition. Some specific definitions of the term "word" are employed to convey its different meanings at different levels of description, for example based on phonological, grammatical or orthographic basis. Others suggest that the concept is simply a convention used in everyday situations.

<i>Rhetorica ad Herennium</i> Ancient Latin book on rhetoric

The Rhetorica ad Herennium is the oldest surviving Latin book on rhetoric, dating from the late 80s BC. It was formerly attributed to Cicero or Cornificius, but is in fact of unknown authorship, sometimes ascribed to an unnamed doctor.

<span class="mw-page-title-main">Glossary of rhetorical terms</span>

Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.

<span class="mw-page-title-main">Glossary of literary terms</span> Terms and concepts used in language, literature, and literary analysis

This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.

<span class="mw-page-title-main">Trope (literature)</span> Use of figurative language for artistic effect

A literary trope is the use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. Keith and Lundburg describe a trope as "a substitution of a word or phrase by a less literal word or phrase". The word trope has also undergone a semantic change and now also describes commonly recurring or overused literary and rhetorical devices, motifs or clichés in creative works. Literary tropes span almost every category of writing, such as poetry, film, plays, and video games.

<span class="mw-page-title-main">Irony</span> Rhetorical device and literary technique

Irony, in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected. It typically figures as a rhetorical device and literary technique. In some philosophical contexts, however, it takes on a larger significance as an entire way of life.

Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.

References

  1. Arp & Johnson (2009) , p. 705
  2. 1 2 Arp & Johnson (2009) , p. 712
  3. Arp & Johnson (2009) , p. 711
  4. Arp & Johnson (2009) , pp. 284, 726
  5. Arp & Johnson (2009) , pp. 291, 734
  6. Arp & Johnson (2009) , pp. 749–751
  7. 1 2 3 Arp & Johnson (2009) , p. 820
  8. Arp & Johnson (2009) , p. 772
  9. Arp & Johnson (2009) , p. 334
  10. AArp & Johnson (2009) , p. 800

Bibliography

  • Arp, Thomas R.; Johnson, Greg (2009). Perrine's Literature: Structure, Sound and Sense (10th ed.). Wadsworth Cengage Learning. ISBN   9781413033083.