Related Research Articles
The word thou is a second-person singular pronoun in English. It is now largely archaic, having been replaced in most contexts by the word you, although it remains in use in parts of Northern England and in Scots. Thou is the nominative form; the oblique/objective form is thee ; the possessive is thy (adjective) or thine ; and the reflexive is thyself. When thou is the grammatical subject of a finite verb in the indicative mood, the verb form typically ends in -(e)st, but in some cases just -t.
Miserere is a setting of Psalm 51 by Italian composer Gregorio Allegri. It was composed during the reign of Pope Urban VIII, probably during the 1630s, for the exclusive use of the Sistine Chapel during the Tenebrae services of Holy Week, and its mystique was increased by unwritten performance traditions and ornamentation. It is written for two choirs, of five and four voices respectively, singing alternately and joining to sing the ending in one of the most recognised and enduring examples of polyphony, in this case in a 9-part rendition.
Stichomythia is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia) or two-line speeches (distichomythia) are given to alternating characters. It typically features repetition and antithesis. The term originated in the theatre of Ancient Greece, though many dramatists since have used the technique. Etymologically it derives from the Greek stikhos + muthos.
The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra. Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects. The poets Britten chose to set for the Serenade range from an anonymous 15th-century writer to poets from the 17th, 18th and 19th centuries.
"Be Thou My Vision" is a traditional Christian hymn of Irish origin. The words are based on a Middle Irish poem that has traditionally been attributed to Dallán Forgaill.
Miranda is one of the principal characters of William Shakespeare's The Tempest. She is the only female character to appear on stage.
Confessions of an English Opium-Eater (1821) is an autobiographical account written by Thomas De Quincey, about his laudanum addiction and its effect on his life. The Confessions was "the first major work De Quincey published and the one that won him fame almost overnight".
Prometheus Unbound is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical Prometheia, a trilogy of plays attributed to Aeschylus. Shelley's play concerns Prometheus' release from captivity, but unlike Aeschylus' version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released.
Psalm 89 is the 89th psalm of the Book of Psalms, beginning in English in the King James Version: "I will sing of the mercies of the LORD for ever". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 88. In Latin, it is known as "Misericordias Domini in aeternum cantabo". It is described as a maschil or "contemplation".
"How Great Thou Art" is a Christian hymn based on an original Swedish hymn entitled "O Store Gud" written in 1885 by Carl Boberg (1859–1940). The English version of the hymn and its title are a loose translation by the English missionary Stuart K. Hine from 1949. The hymn was popularised by George Beverly Shea and Cliff Barrows during Billy Graham's crusades. It was voted the British public's favourite hymn by BBC's Songs of Praise. "How Great Thou Art" was ranked second on a list of the favourite hymns of all time in a survey by Christianity Today magazine in 2001 and in a nationwide poll by Songs Of Praise in 2019.
The heroic drama Oedipus: A Tragedy, is an adaption of Sophocles' Oedipus Rex, written by John Dryden and Nathaniel Lee. After being licensed in 1678 and published in 1679, it became a huge success on stage during the Restoration period.
Song Offerings is a volume of lyrics by Bengali poet Rabindranath Tagore, rendered into English by the poet himself, for which he was awarded the 1913 Nobel Prize in Literature.
Psalm 31 is the 31st psalm of the Book of Psalms, beginning in English in the King James Version: "In thee, O LORD, do I put my trust". In Latin, it is known as "In te Domine speravi". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in its Latin translation, the Vulgate, this psalm is Psalm 30. The first verse in the Hebrew text indicates that it was composed by David.
Psalm 44 is the 44th psalm of the Book of Psalms, beginning in English in the King James Version: "We have heard with our ears, O God, our fathers have told us". In the slightly different numbering system used in the Greek Septuagint version of the bible, and generally in its Latin translations, this psalm is Psalm 43. In the Vulgate, it begins "Deus auribus nostris audivimus patres nostri adnuntiaverunt". The psalm was composed by the sons of Korah and is classified in the series of lamentations of the people.
Psalm 50, a Psalm of Asaph, is the 50th psalm from the Book of Psalms in the Bible, beginning in English in the King James Version: "The mighty God, even the LORD, hath spoken, and called the earth from the rising of the sun unto the going down thereof." In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 49. The opening words in Latin are Deus deorum, Dominus, locutus est / et vocavit terram a solis ortu usque ad occasum. The psalm is a prophetic imagining of God's judgment on the Israelites.
Psalm 56 is the 56th psalm of the Book of Psalms, beginning in English in the King James Version: "Be merciful unto me, O God: for man would swallow me up". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate, this psalm is Psalm 55. In Latin, it is known as "Miserere mei Deus quoniam conculcavit me homo". The psalm is the first of a series of five psalms in this part of the book which are referred to as Miktams. It is attributed to King David and may be considered representative of him or anyone else hiding from an enemy.
Psalm 65 is the 65th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise waiteth for thee, O God, in Sion: and unto thee shall the vow be performed". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate, this psalm is Psalm 64. In Latin, it is known as "Te decet hymnus Deus in Sion et tibi reddetur votum in Hierusalem".
Psalm 71 is the 71st psalm of the Book of Psalms, beginning in English in the King James Version: "In thee, O LORD, do I put my trust: let me never be put to confusion". It has no title in the Hebrew version. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 70. In Latin, it is known as "In te Domine speravi".
Psalm 86 is the 86th psalm of the Book of Psalms, beginning in English in the King James Version: "Bow down thine ear, O Lord, hear me: for I am poor and needy". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 85. In Latin, it is known as "Inclina Domine". It is attributed to David.
"Macht hoch die Tür" is a popular German Advent hymn, written in 17th century Ducal Prussia. The lyrics were written by Georg Weissel in 1623 for the inauguration of the Altroßgärter Kirche in Königsberg. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen.
References
- ↑ . Encyclopædia Britannica . Vol. 2 (11th ed.). 1911. p. 205.
- ↑ Hays, J. Daniel; Duvall, J. Scott (1 September 2011). The Baker Illustrated Bible Handbook (Text Only ed.). Baker Books. p. 891. ISBN 978-1-4412-3785-9.
- ↑ Ford, Margaret L. (1984). Techniques of Good Writing. Irwin Pub. p. 27. ISBN 978-0-7725-5001-9 . Retrieved 8 August 2013.
- ↑ Greenblatt, Stephen (2006). The Norton Anthology of English Literature . Vol. D (8 ed.). New York: Norton. p. 429.
- ↑ "Politics of friendship. (Cover Story)". American Imago. September 22, 1993.
| Authority control databases: National |
|---|
