This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Writing genres (more commonly known as literary genres) are categories that distinguish literature (including works of prose, poetry, drama, hybrid forms, etc.) based on some set of stylistic criteria. Sharing literary conventions, they typically consist of similarities in theme/topic, style, tropes, and storytelling devices; common settings and character types; and/or formulaic patterns of character interactions and events, and an overall predictable form.
A literary genre may fall under either one of two categories: (a) a work of fiction, involving non-factual descriptions and events invented by the author; or (b) a work of nonfiction, in which descriptions and events are understood to be factual. In literature, a work of fiction can refer to a flash narrative, short story, novella, and novel, the latter being the longest form of literary prose. Every work of fiction falls into a literarysubgenre, each with its own style, tone, and storytelling devices. [1]
Moreover, these genres are formed by shared literary conventions that change over time as new genres emerge while others fade. Accordingly, they are often defined by the cultural expectations and needs of a particular historical and cultural moment or place. [2]
According to Alastair Fowler, the following elements can define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage). [3]
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms. [2]
The most enduring genres are those literary forms that were defined and performed by the Ancient Greeks; definitions sharpened by the proscriptions of modern civilization's earliest literary critics and rhetorical scholars, such as Plato, Aristotle, Socrates, Aeschylus, Aspasia, Euripides, and others. The prevailing genres of literary composition in Ancient Greece were all written and constructed to explore cultural, moral, or ethical questions; they were ultimately defined as the genres of epic, tragedy, and comedy. Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
Action fiction and adventure fiction. The hero's journey is the most popular narrative structure of an adventure novel. [5]
Comedy (including comic novel, light poetry, and comedic journalism): usually a fiction full of fun, fancy, and excitement, meant to entertain and sometimes cause intended laughter; but can be contained in all genres.
Crime fiction (including crime comics) centers on a crime(s), how the criminal gets caught and serves time, and the repercussions of the crime
Fantasy (including comics and magazines) is a speculative fiction that use imaginary characters set in fictional universes inspired by mythology and folklore, often including magical elements, magical creatures, or the supernatural. Examples: Alice’s Adventures in Wonderland (1885) and the Harry Potter books. [1]
Horror (including comics and magazines) involves fiction in which plot and characters are tools that elicit a feeling of dread and terror, as well as events that often evoke fear in both the characters and the reader. [1] Horrors generally focus on themes of death, demons, evil spirits, and the afterlife.
Science fiction (including comics, magazines, novels, and short stories) is speculative fiction with imagined elements that are inspired by natural sciences (physics, chemistry, astronomy, etc.) or social sciences (psychology, anthropology, sociology, etc.). Common elements of this genre include time travel, space exploration, and futuristic societies. (Sci-fi was originally regarded as scientific romance.) [1]
Science Fantasy of Sci-Fan, is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy.[1] In a conventional science fiction story, the world is presented as being scientifically logical, while a conventional fantasy story contains mostly supernatural and artistic elements that disregard the scientific laws of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with hard science-like explanations of any supernatural elements. [1]
Superhero is a subgenre of speculative fiction examining the adventures, personalities and ethics of costumed crime fighters known as superheroes, who often possess superhuman powers and battle similarly powered criminals known as supervillains. The genre primarily falls between hard fantasy and soft science fiction in the spectrum of scientific realism. It is most commonly associated with American comic books, though it has expanded into other media through adaptations and original works.
Romantic fiction primarily focuses on a love story between two people, usually with an optimistic, emotionally satisfying ending. [1] Also Romance (literary fiction) – works that frequently, but not exclusively, takes the form of the historical romance.
Literary fiction is a term that distinguishes certain fictional works that possess commonly held qualities to readers outside genre fiction.[ citation needed ] Literary fiction is any fiction that attempts to engage with one or more truths or questions, hence relevant to a broad scope of humanity as a form of expression.[ citation needed ] Genre fiction is fiction written to appeal to fans of a specific genre. [12] There are many sources that help readers find and define literary fiction and genre fiction. [13] [14]
This article needs additional citations for verification .(June 2012) |
Speculative fiction |
---|
Portal |
These are genres belonging to the realm of nonfiction. Some genres listed may reappear throughout the list, indicating cross-genre status.
The following outline is provided as an overview of and topical guide to literature:
Sword and sorcery (S&S), or heroic fantasy, is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. The genre originated from the early-1930s works of Robert E. Howard. While there is a chance example from 1953, Fritz Leiber re-coined the term "sword and sorcery" in the 6 April 1961 issue of the fantasy fanzine Ancalagon, to describe Howard and the stories that were influenced by his works. In parallel with "sword and sorcery", the term "heroic fantasy" is used, although it is a more loosely defined genre.
Genre fiction, also known as formula fiction or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
Romance may refer to:
Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime, horror, and detective fiction. Thrillers are characterized and defined by the moods they elicit, giving their audiences heightened feelings of suspense, excitement, surprise, anticipation and anxiety. This genre is well suited to film and television.
A romance novel or romantic novel is a genre fiction novel that primary focuses on the relationship and romantic love between two people, typically with an emotionally satisfying and optimistic ending. Authors who have contributed to the development of this genre include Maria Edgeworth, Samuel Richardson, Jane Austen, and Charlotte Brontë.
A hybrid genre is a literary or film genre that blends themes and elements from two or more different genres. Hybrid genre works are also referred to as cross-genre, multi-genre, mixed genre, or fusion genre. Some hybrid genres have acquired their own specialised names, such as comedy drama ("dramedy"), romantic comedy ("rom-com"), horror Western, and docudrama.
A literary genre is a category of literature. Genres may be determined by literary technique, tone, content, or length. They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable.
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
Urban fantasy is a subgenre of fantasy, placing supernatural elements in a contemporary urban setting. The combination provides the writer with a platform for classic fantasy tropes, quixotic plot-elements, and unusual characters—without demanding the creation of an entire imaginary world.
Supernatural fiction or supernaturalist fiction is a subgenre of speculative fiction that exploits or is centered on supernatural themes, often contradicting naturalist assumptions of the real world.
Paranormal romance is a subgenre of both romantic fiction and speculative fiction. Paranormal romance focuses on romantic love and includes elements beyond the range of scientific explanation, from the speculative fiction genres of fantasy, science fiction, and horror. Paranormal romance range from traditional romances with a paranormal setting to stories with a science fiction or fantasy-based plot with a romantic subplot included. Romantic relationships between humans and vampires, shapeshifters, ghosts, and other entities of a fantastic or otherworldly nature are common.
Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern fantasy genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author. Authors like George MacDonald (1824–1905) created the first explicitly fantastic works.
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction.
Joel Townsley Rogers was an American writer who wrote science fiction, air-adventure, and mystery stories and a handful of mystery novels. He is best known for his murder mystery The Red Right Hand, which is considered a cult classic of the genre and won the French literary award Grand Prix de Littérature Policière in 1951.
Fantasy is a genre of speculative fiction which involves themes of the supernatural, magic, and imaginary worlds and creatures.
A romantic thriller is a narrative that combines elements of both the romance and thriller genres. The goal of romantic thrillers is to entertain audiences by evoking discomfort through moments of suspense, along with heightened feelings of anxiety and fear. While the concept of a thriller is more widely recognized, it often transcends the boundaries of a single genre. Thrillers can range from comedy and melodrama to adventure and romance, with all thrillers inherently blending different genres. The suspense that defines thrillers tends to pair more effectively with certain genres, such as crime, sci-fi, and romance, which allow for greater suspense than genres like screwball comedies or musicals.
The following outline is provided as an overview of and topical guide to fantasy:
Romance, is a "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". This genre contrasted with the main tradition of the novel, which realistically depict life. These works frequently, but not exclusively, take the form of the historical novel. Walter Scott describes romance as a "kindred term", and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo".