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Social commentary is the act of using rhetorical means to provide commentary on social, cultural, political, or economic issues in a society. This is often done with the idea of implementing or promoting change by informing the general populace about a given problem and appealing to people's sense of justice. Social commentary can be practiced through all forms of communication, from printed form, to conversations to computerized communication.
Two examples of strong and bitter social commentary are the writings of Anglo-Irish writer Jonathan Swift and German priest Martin Luther. Swift decried the appalling conditions faced by Irish Catholics under the rule of the Protestant Ascendancy in A Modest Proposal , while Martin Luther decried corruption in the Catholic Church in his Ninety-five Theses . [1] Examples of social commentators from the lower social strata [ clarification needed ] are Charles Dickens and Will Rogers.
This list is far from exhaustive. Examples of social commentary may be found in any form of communication. Artistic works of all mediums are often defined by what they say about society. Despite being wordless, the memorable image of the Tiananmen Square protests of 1989 may be considered one of the most profound commentaries of the power of the individual.
Inspiration for some artists can come from issues that are present today. Deborah Silverman, Professor of History and Art History at the University of California in Los Angeles, states that the "Analysis of particular visual forms expands to an interpretation of art and artists as carriers of cultural history in the crucible of modernity." This notion has been present in art throughout time. An example is Vincent Van Gogh's 1885 painting 'The Potato Eaters'. This picture depicts a group of poverty stricken people gathered in a small room around a table. Vincent Van Gogh created this piece of artwork in order to present a confronting time to the viewer. A modern example is street art, also known as graffiti. With an international reputation, artist and political activist Banksy is known to produce street art that raises public issues such as slave Labour, loss of childhood and the effects of war. [2]
Social commentary photography's purpose is to "expose social issues on ethics, society, religious, the way of life, how people live and other similarities." [3] Sometimes this includes the harsh reality of society such as homelessness, discrimination, war and defenceless children. "Social Commentary artists try their best to create artworks in order to convey messages to the community." [3] Due to the fact that the photos are of real life situations, the contents can be perceived to be more confronting than other visual forms of social commentary. An example are the works of photojournalist and war photographer James Nachtwey. James Nachtwey's works include the Rwanda Genocide (1994), [4] the Somalia famine (1992) and the Jakarta Riots (1998) and the September 11 attacks in 2001.[ citation needed ]
Most public speaking constitutes social commentary of some form. Many sermons will describe the ills of society and offer religious solutions. Many politicians may speak in a similar fashion – in Shakespeare's Julius Caesar one can see Mark Antony's funeral speech as a commentary. The larger audience offered by radio and television has diminished the significance of public speaking as a means of social commentary.
The United Nations General Assembly is one of the biggest global organisations that focus of planet Earth and humans. The United Nations General Assembly (UNGA) strive to make the Earth a better place, however without the input of many passionate individuals the UNGA would not be able to achieve this. [5] Influential public speakers such as Pope Francis, Malala Yousafzai, President Barack Obama and Queen Elizabeth II, [6] comment of society's issues. This allows the UNGA to directly listen to the issues at hand and address them accordingly.
Allegorical fictional works such as Animal Farm clearly contain a social commentary and one can find some degree of social commentary in almost any novel. To Kill a Mockingbird can be interpreted as a commentary on racial issues, especially given the date of its publication (1960). Another example of social commentary is Thomas More's Utopia in which he uses the Utopia to satirize the values of 16th century Britain. Social commentaries have been searched for even in fantasy novels such as The Lord of the Rings , though such connections often require much conjecture, or in modern satirical fables. [7]
Directly speaking to a topic in the social discourse in writing by defining the audience, the bounds of the topic, and the presenting facts and opinions based on the primarily author and possibly on another's perspective.
Fictional works in these mediums have a similar scope to that of their literary counterparts and documentaries to the non-fiction works described above. Television and films often use powerful images to enhance their message, for example, Michael Moore's films utilise this to great effect in promoting his political beliefs. Some examples of films include Food, Inc. , The Story of Stuff featuring Annie Leonard, and Morgan Spurlock's Super Size Me . And to a lesser degree, the prominent Italian exploitation film Cannibal Holocaust uses graphic violence, shocking imagery, and underlying topics in anthropology to express Ruggero Deodato's distaste for modern society – more importantly – what it has become. West Indian calypsonians participate annually in songwriting competitions with the common use of double entendre, humour and metaphor as well as monikers to avoid legal complications (see Calypso Music). The slasher film The Texas Chain Saw Massacre also uses animal rights social commentary, in the form of the movie being a metaphor, the chainsaw victims being treated like animals in slaughterhouses and then put into fridges, tenderised, and hung on meat hooks and in an interview, Russel Simmons said: "The way that woman was screaming, ‘Aaaahhh,’ and she's running away—that's how every animal you eat is running for his or her life". [8] [9] [10] The shockumentary Mondo Cane also provided social commentary, as in one frame, there are dogs being walked in San Francisco and in the other, in Papua New Guinea people are eating dog meat, using cultures different from Western culture to shock the viewer and make them feel uncomfortable. [11] Mondo Cane was made to promote "being civil", and uses language in the film such as "savages". [11]
A lot of books and games from the Cyberpunk genre, including 2020 video game Cyberpunk 2077 use social commentary usually as a means of questioning technology (ex: "Will technology make us selfish?") or questioning unethical megacorporations, as in most Cyberpunk plots the megacorporations are antagonised and demonised and Cyberpunk also sheds light on poverty-related issues. [12] The video game series Watch Dogs, in which the protagonists are cyber vigilantes that rebel against an all-seeing government, uses social commentary against mass surveillance. 1999 film The Matrix and 1932 book Brave New World provide commentary on the Blissful ignorance effect, where in The Matrix, the protagonist named Neo can choose the red pill, a dark truth, or the blue pill, a blissful lie to stay in the Matrix or to wake up in the real world and in Brave New World the character has a choice whether or not to take soma, a drug used by the totalitarian government to keep the people happy and docile, both inspired by Plato's Cave which some consider a metaphor for life. [13] [14] [15] [16] [17]
In a similar situation, the fascist government of video game We Happy Few use drugs to keep people in a state of mania, to forget a certain "incident" that occurred and secret police are dispatched to kill people who remember the event or don't take the pills and the citizens are forced to wear masks that mold faces in permanent smiles. [18] [19] [20] The main character is presented with a choice at the start of the game: to take the "happiness pill" or to abstain. If the player takes the pill, the game ends and the credits roll, whereas if the player pick the latter, they begin the game. George Orwell's dystopian novel Nineteen Eighty-Four is also written as a critique of totalitarianism. [21]
A lot of hip hop associated with gangsta rap or conscious rap uses sociopolitical commentary, such as N.W.A's protest song "Fuck Tha Police" or Chamillionaire and Krayzie Bone's "Ridin", typically against black racial profiling and police brutality and music from gangsta rap artist 2Pac also speak of the poverty in inner cities and racism in the United States and 1991 2Pac song Trapped discusses an incident in which 2Pac was assaulted by a police officer and talks about police brutality in the United States. [22] [23] [24] [25] [26] [27] [28] [ excessive citations ] In a 1988 interview about societal perspective, rapper 2Pac said “More kids are being handed crack than being handed diplomas.” and "Society is like that. They’ll let you go as far as you want, but as soon as you start asking too many questions and you’re ready to change, boom, that block will come". [29] In the interview, he also states his opinions on government action, requesting school classes on drugs, “real” sex education, scams, religious cults, police brutality, apartheid, American racism, poverty, and food insecurity. [29] Other subjects such as foreign languages, are written off by 2Pac, saying that he doesn't need to learn German, he says he can hardly pay his rent, let alone book a flight to Germany. [29]
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An early radio monologist was the American Will Rogers, with sharp and good-humored observations upon society during the 1920s and 1930s. Current American monologists include:
This section needs expansion. You can help by adding to it. (June 2008) |
There are a number of discussion shows that do not have a call in segments, but which sometimes have discussions (beyond mere interviews) with personages of current interest. In the United States of America, some such shows include:
In the late 20th century through the present, radio and television phone-in shows allow limited discussion and sometimes debate on such issues, although if involving politics or issues exploited for political purposes the discussion is often directed by the "moderator" toward a specific point of view, typically by terminating non-conforming phone calls.
In more balanced forums it is common that a panel of well-known social commentators or experts on aspects of a topic will respond to comments from listeners after an introductory interactive discussion directed by the moderator, with only the obstreperous or extreme caller summarily terminated.
What is probably the most common social commentary is that of the editorial section of newspapers, where columnists give their opinion on current affairs. The letters section of papers allows a similar platform for members of the public. Editorial cartoons, such as those in The New Yorker , perform a social commentary, often with a humorous slant.
The conventional comic section is more limited, but sometimes with social commentary, often subtle and oblique, or more bold, abrasive, and consistently pointed as in, Li'l Abner, Pogo, Doonesbury, Bloom County, and Boondocks or in pulp comics such as Howard the Duck. Many other even more explicitly provocative comics (usually with a far left of center point of view) appear in various free weekly newspapers such as the San Francisco Bay Guardian and the East Bay Express (in the San Francisco Bay Area) and the Village Voice (in New York City), and similarly in many other locals, often those with a strong university or college presence.
The web performs a similar function to the letters section described above. It is ripe with social commentary because it allows the dissemination of ideas by anyone with a computer to a potentially enormous audience, as well as instant comment and discussion. Its international scope is particularly attractive, with language the only major barrier to communication. Discussion and debate occurs in many forums and chat rooms.
Me Against the World is the third studio album by American rapper 2Pac. It was released on March 14, 1995, by Interscope Records and Out da Gutta Records and distributed by Atlantic Records. 2Pac draws lyrical inspiration from his impending prison sentence, troubles with the police, and poverty.
2Pacalypse Now is the debut solo studio album by American rapper 2Pac. It was released on November 12, 1991, through TNT Recordings and Interscope Records, while EastWest Records America, a division of Atlantic distributed the album. The recording sessions took place at Starlight Sound Studio in Richmond, California. The album was produced by the Digital Underground production team the Underground Railroad, made up of Big D the Impossible, Shock G, Pee-Wee, DJ J-Z, Raw Fusion, and Live Squad. It features contributions from Stretch, Angelique, Dave Hollister, Pogo, Poppi, Ray Luv and Shock G among others. The album's title is a reference to the 1979 war film Apocalypse Now.
The Don Killuminati: The 7 Day Theory is the fifth studio album by American rapper Tupac Shakur, his first posthumous album and the last released with his creative input. Recorded in July and August 1996, it was released on November 5, 1996, almost two months after his death, under the stage name of Makaveli, through Death Row Records, Makaveli Records and Interscope Records.
Loyal to the Game is the ninth studio album and fifth posthumous studio album by American rapper Tupac Shakur. The album was produced by Eminem and consists of remixes of previously unreleased music recorded by Tupac before his death in 1996. Released in the United States on December 14, 2004, Loyal to the Game debuted at number one on the US Billboard 200 chart. It was later certified Platinum by the Recording Industry Association of America (RIAA).
Outlawz is an American hip hop group founded by Tupac Shakur, Kastro, E.D.I. Mean, and Yafeu Fula in 1992. Initially known as Thoro Headz and Young Thugs, the group attracted attention with their appearance on Tupac's song "Flex," which was the B-side of his single "Holler If Ya Hear Me," released on February 4, 1993.
"Hit 'Em Up" is a diss track by American rapper 2Pac, featuring the Outlawz. It is the B-side to the single "How Do U Want It", released on June 4, 1996. The song's lyrics contain vicious insults to several East Coast rappers, chiefly Shakur's former friend turned rival, the Notorious B.I.G.. The song was recorded at Can Am Studios on April 19, 1996. A previous version of the song was recorded on October 31, 1995.
"Ghetto Gospel" is a song by American rapper Tupac Shakur, which was released as the lead single from his 2004 posthumous album Loyal to the Game. The song was produced by American rapper Eminem and features a sample from Elton John's 1971 song "Indian Sunset".
"2 of Amerikaz Most Wanted" is a song by American rapper 2Pac from his fourth studio album, All Eyez on Me (1996). The song features fellow West Coast rapper Snoop Doggy Dogg and was produced by Dat Nigga Daz. The song was released as a promotional single for the album on May 7, 1996 and later as the B-side to the album's second major and third overall single, How Do U Want It. The song peaked at number 46 on the US Billboard Hot R&B/Hip-Hop Airplay chart. The song contains interpolations of Grandmaster Flash and The Furious Five's song "The Message" and "Radio Activity Rap " by MC Frosty and Lovin' C.
"Changes" is a song by American rapper 2Pac. It was recorded in 1992 before being remixed and released as a single from Shakur's Greatest Hits compilation on October 13, 1998. The song features Talent, an R&B trio from Kansas City consisting of Marlon “Castor Troy” Hatcher, Keith “Casino” Murrell and Ernest “Bishop” Dixon that was active from 1998 to 2005. The song makes references to the many wars in the Middle East, the war on drugs, the treatment of black people by the police, racism, the reconciliation between the black and white people in America, the perpetuation of poverty and its accompanying vicious-cycle value system in urban African American culture, and the difficulties of life in the ghetto.
"I Wonder If Heaven Got a Ghetto" is a song by American rapper 2Pac. It was released as the first single from the posthumous album R U Still Down? . The original version, titled "I Wonda if Heaven's Got a Ghetto", was released as a B-side on the 1993 single, "Keep Ya Head Up".
The East Coast–West Coast hip hop rivalry is a dispute between artists and fans of the East Coast hip hop and West Coast hip hop scenes in the United States, especially from the mid-1990s. A focal point of the rivalry was the feud between East Coast–based rapper the Notorious B.I.G. signed by Puff Daddy and their New York City–based label, Bad Boy Records, and West Coast–based rapper Tupac Shakur signed by Suge Knight and their Los Angeles–based label, Death Row Records. Shakur and the Notorious B.I.G. were murdered in drive-by shootings within six months of each other, after which the feud entered a truce with a "peace" summit in 1997 at the behest of Nation of Islam leader Louis Farrakhan.
Randy Walker, better known by his stage name Stretch, was an American rapper and record producer, working in Live Squad. In the early 1990s, he joined 2Pac's rap group Thug Life. The November 30, 1994, shooting of Shakur led to their split. On November 30, 1995, Walker was shot and killed at the age of 27.
"Temptations" is a song by American rapper Tupac Shakur (2Pac) from his third studio album, Me Against the World (1995). It was released as a single in the US on August 29, 1995, and was released as a CD, cassette, and 12" promo. While rapping is solely performed by Shakur, Erick Sermon and producer Easy Mo Bee are also featured in the song primarily as background vocalists. The song uses the bassline from "Computer Love" by Zapp, and the theme focuses on relationship and infidelity issues. Debuting at number sixty-eight on the Billboard Hot 100, the song did fairly well in the United States. It was also well received by critics, with many writers commenting on its romantic tone.
"Who Shot Ya?" is a song by American rapper the Notorious B.I.G., backed by Sean Combs. Bad Boy Entertainment released it on February 21, 1995, on an alternate reissue of Wallace's single "Big Poppa/Warning". Its new B-side "Who Shot Ya", a revision of a track already issued earlier in 1995, was "controversial and hugely influential." Widely interpreted as a taunt at Tupac Shakur, the single provoked a "rap battle" between the two rappers, formerly friends.
Political hip hop is a subgenre of hip hop music that emerged in the 1980s as a form of political expression and activism. It typically addresses sociopolitical issues through lyrics, aiming to inspire action, promote social change, or convey specific political viewpoints. The genre draws inspiration from earlier politically conscious artists, such as The Last Poets and Gil Scott-Heron, as well as movements like the Black Power movement and the Black Panther Party from the 1960s and 1970s.
Rufus Lee Cooper III, also known by his stage name Young Noble, is an American rapper who was part of Tupac Shakur's rap group Outlawz. Noble joined the Outlawz in early 1996, and was the last member to be added to the group by Tupac himself, before the late rapper's death in September 1996.
All Eyez on Me is the fourth and final studio album by American rapper 2Pac to be released during his lifetime. Released on February 13, 1996, by Death Row and Interscope Records, the album features guest appearances from Dr. Dre, Snoop Doggy Dogg, Redman, Method Man, Nate Dogg, Kurupt, Daz Dillinger, E-40, K-Ci & JoJo, and the Outlawz, among others.
"Trapped" is the political hip hop song written and performed by American rapper 2Pac. It was released on September 25, 1991, through Interscope Records as the lead single from his debut solo studio album 2Pacalypse Now. Recording sessions took place at Starlight Sound Studio in Richmond, California. Production was handled by Ramone "Pee-Wee" Gooden, who utilised samples from the Bar-Kays's "Holy Ghost" and James Brown's "The Spank".
Beginnings: The Lost Tapes 1988–1991 is a compilation album consisting of unreleased recordings of American rapper Tupac Shakur. The album was originally released on April 18, 2000, in bootleg form under the title The Lost Tapes: Circa 1989, but the selling was quickly halted due to not receiving approval from then head of the Tupac estate, Afeni Shakur. The track "Panther Power" was issued on the Resurrection soundtrack before finally receiving the blessing of Afeni Shakur and being reissued in 2007, under Koch and Amaru Entertainment.
Katari Terrance Cox better known by his stage name Kastro, is an American rapper. A cousin of Tupac Shakur, Kastro would perform alongside him in the former's rap group, the Outlawz, and is featured on many of the late rapper's songs such as "Made Niggaz", and "Hail Mary". When he was in elementary school, he introduced his friend, and future Outlawz rapper, Malcolm Greenridge, later named E.D.I. Mean, to Tupac.