First edition cover
|Original title||Animal Farm: A Fairy Story|
|Published||17 August 1945 (Secker and Warburg, London, England)|
|Media type||Print (hardback & paperback)|
|Pages||112 (UK paperback edition)|
|LC Class||PR6029.R8 A63 2003b|
Animal Farm is an allegorical novella by George Orwell, first published in England on 17 August 1945.The book tells the story of a group of farm animals who rebel against their human farmer, hoping to create a society where the animals can be equal, free, and happy. Ultimately, however, the rebellion is betrayed, and the farm ends up in a state as bad as it was before, under the dictatorship of a pig named Napoleon.
According to Orwell, the fable reflects events leading up to the Russian Revolution of 1917 and then on into the Stalinist era of the Soviet Union.Orwell, a democratic socialist, was a critic of Joseph Stalin and hostile to Moscow-directed Stalinism, an attitude that was critically shaped by his experiences during the Spanish Civil War. The Soviet Union had become a brutal dictatorship built upon a cult of personality and enforced by a reign of terror. In a letter to Yvonne Davet, Orwell described Animal Farm as a satirical tale against Stalin ("un conte satirique contre Staline"), and in his essay "Why I Write" (1946), wrote that Animal Farm was the first book in which he tried, with full consciousness of what he was doing, "to fuse political purpose and artistic purpose into one whole".
The original title was Animal Farm: A Fairy Story, but U.S. publishers dropped the subtitle when it was published in 1946, and only one of the translations during Orwell's lifetime kept it. Other titular variations include subtitles like "A Satire" and "A Contemporary Satire".Orwell suggested the title Union des républiques socialistes animales for the French translation, which abbreviates to URSA, the Latin word for "bear", a symbol of Russia. It also played on the French name of the Soviet Union, Union des républiques socialistes soviétiques.
Orwell wrote the book between November 1943 and February 1944, when the United Kingdom was in its wartime alliance with the Soviet Union against Nazi Germany, and the British intelligentsia held Stalin in high esteem, a phenomenon Orwell hated.The manuscript was initially rejected by a number of British and American publishers, including one of Orwell's own, Victor Gollancz, which delayed its publication. It became a great commercial success when it did appear partly because international relations were transformed as the wartime alliance gave way to the Cold War.
Time magazine chose the book as one of the 100 best English-language novels (1923 to 2005);it also featured at number 31 on the Modern Library List of Best 20th-Century Novels, and number 46 on the BBC's The Big Read poll. It won a Retrospective Hugo Award in 1996 and is included in the Great Books of the Western World selection.
The poorly-run Manor Farm near Willingdon, England, is ripened for rebellion from its animal populace by neglect at the hands of the irresponsible and alcoholic farmer, Mr. Jones. One night, the exalted boar, Old Major, organizes a meeting, at which he calls for the overthrow of humans and teaches the animals a revolutionary song called "Beasts of England". When Old Major dies, two young pigs, Snowball and Napoleon, assume command and stage a revolt, driving Mr. Jones off the farm and renaming the property "Animal Farm". They adopt the Seven Commandments of Animalism, the most important of which is, "All animals are equal". The decree is painted in large letters on one side of the barn. Snowball teaches the animals to read and write, while Napoleon educates young puppies on the principles of Animalism. Food is plentiful, and the farm runs smoothly. The pigs elevate themselves to positions of leadership and set aside special food items, ostensibly for their personal health. Following an unsuccessful attempt by Mr. Jones and his associates to retake the farm (later dubbed the "Battle of the Cowshed"), Snowball announces his plans to modernize the farm by building a windmill. Napoleon argues against this idea, and matters come to head, which culminate in Napoleon's dogs chasing Snowball away and Napoleon declaring himself supreme commander.
Napoleon enacts changes to the governance structure of the farm, replacing meetings with a committee of pigs who will run the farm. Through a young pig named Squealer, Napoleon claims credit for the windmill idea, claiming that Snowball actually was only trying to win animals to his side. The animals work harder with the promise of easier lives with the windmill. When the animals find the windmill collapsed after a violent storm, Napoleon and Squealer convince the animals that Snowball is trying to sabotage their project and begin to purge the farm of animals Napoleon accuses of consorting with his old rival. When some animals recall the Battle of the Cowshed, Napoleon (who was nowhere to be found during the battle) gradually smears Snowball to the point of saying he is a collaborator of Mr. Jones, even dismissing the fact that Snowball was given an award of courage while falsely representing himself as the main hero of the battle. "Beasts of England" is replaced with "Animal Farm", while an anthem glorifying Napoleon, who appears to be adopting the lifestyle of a man ("Comrade Napoleon"), is composed and sung. Many animals who later claim to be helping Snowball in plots are executed by Napoleon's dogs, which troubles the rest of the animals. Despite their hardships, the animals are easily placated by Napoleon's retort that they are better off than they were under Mr. Jones, as well as by the sheep's continual bleating of “four legs good, two legs bad”.
Mr. Frederick, a neighbouring farmer, attacks the farm, using blasting powder to blow up the restored windmill. Although the animals win the battle, they do so at great cost, as many, including Boxer the workhorse, are wounded. Although he recovers from this, Boxer eventually collapses while working on the windmill (being almost 12 years old at that point). He is taken away in a knacker's van, and a donkey called Benjamin alerts the animals of this, but Squealer quickly waves off their alarm by persuading the animals that the van had been purchased from the knacker by an animal hospital and that the previous owner's signboard had not been repainted. Squealer subsequently reports Boxer's death and honours him with a festival the following day. (However, Napoleon had in fact engineered the sale of Boxer to the knacker, allowing him and his inner circle to acquire money to buy whisky for themselves.)
Years pass, the windmill is rebuilt, and another windmill is constructed, which makes the farm a good amount of income. However, the ideals that Snowball discussed, including stalls with electric lighting, heating, and running water, are forgotten, with Napoleon advocating that the happiest animals live simple lives. In addition to Boxer, many of the animals who participated in the rebellion are dead or old. Mr. Jones, having moved away after giving up on reclaiming his farm, has also died. The pigs start to resemble humans, as they walk upright, carry whips, drink alcohol, and wear clothes. The Seven Commandments are abridged to just one phrase: "All animals are equal, but some animals are more equal than others." The maxim "Four legs good, two legs bad" is changed to "Four legs good, two legs better." Napoleon holds a dinner party for the pigs and local farmers, with whom he celebrates a new alliance. He abolishes the practice of the revolutionary traditions and restores the name "The Manor Farm". The men and pigs start playing cards, flattering and praising each other while cheating at the game. Both Napoleon and Mr. Pilkington, one of the farmers, play the Ace of Spades at the same time and both sides begin fighting loudly over who cheated first. When the animals outside look at the pigs and men, they can no longer distinguish between the two.
George Orwell's Animal Farm is an example of a political satire that was intended to have a "wider application," according to Orwell himself, in terms of its relevance.Stylistically, the work shares many similarities with some of Orwell's other works, most notably 1984, as both have been considered works of Swiftian Satire. Furthermore, these two prominent works seem to suggest Orwell's bleak view of the future for humanity; he seems to stress the potential/current threat of dystopias similar to those in Animal Farm and 1984. In these kinds of works, Orwell distinctly references the disarray and traumatic conditions of Europe following the Second World War. Orwell's style and writing philosophy as a whole was very concerned with the pursuit of truth in writing. Orwell was committed to communicating in a way that was straightforward, given the way that he felt words were commonly used in politics to deceive and confuse. For this reason, he is careful, in Animal Farm, to make sure the narrator speaks in an unbiased and uncomplicated fashion. The difference is seen in the way that the animals speak and interact, as the generally moral animals seem to speak their minds clearly, while the wicked animals on the farm, such as Napoleon, twist language in such a way that it meets their own insidious desires. This style reflects Orwell's close proximation to the issues facing Europe at the time and his determination to comment critically on Stalin's Soviet Russia.
George Orwell wrote the manuscript in 1943 and 1944 after his experiences during the Spanish Civil War, which he described in Homage to Catalonia (1938). In the preface of a 1947 Ukrainian edition of Animal Farm, he explained how escaping the communist purges in Spain taught him "how easily totalitarian propaganda can control the opinion of enlightened people in democratic countries."[ citation needed ] This motivated Orwell to expose and strongly condemn what he saw as the Stalinist corruption of the original socialist ideals. Homage to Catalonia sold poorly; after seeing Arthur Koestler's best-selling, Darkness at Noon, about the same war, Orwell decided that fiction was the best way to describe totalitarianism.
Immediately prior to writing the book, Orwell had quit the BBC. He was also upset about a booklet for propagandists the Ministry of Information had put out. The booklet included instructions on how to quell ideological fears of the Soviet Union, such as directions to claim that the Red Terror was a figment of Nazi imagination.
In the preface, Orwell described the source of the idea of setting the book on a farm:
...I saw a little boy, perhaps ten years old, driving a huge carthorse along a narrow path, whipping it whenever it tried to turn. It struck me that if only such animals became aware of their strength we should have no power over them, and that men exploit animals in much the same way as the rich exploit the proletariat.
Orwell initially encountered difficulty getting the manuscript published, largely due to fears that the book might upset the alliance between Britain, the United States, and the Soviet Union. Four publishers refused to publish Animal Farm, yet one had initially accepted the work, but declined it after consulting the Ministry of Information.Eventually, Secker and Warburg published the first edition in 1945.
During the Second World War, it became clear to Orwell that anti-Soviet literature was not something which most major publishing houses would touch—including his regular publisher Gollancz. He also submitted the manuscript to Faber and Faber, where the poet T. S. Eliot (who was a director of the firm) rejected it; Eliot wrote back to Orwell praising the book's "good writing" and "fundamental integrity", but declared that they would only accept it for publication if they had some sympathy for the viewpoint "which I take to be generally Trotskyite". Eliot said he found the view "not convincing", and contended that the pigs were made out to be the best to run the farm; he posited that someone might argue "what was needed... was not more communism but more public-spirited pigs".Orwell let André Deutsch, who was working for Nicholson & Watson in 1944, read the typescript, and Deutsch was convinced that Nicholson & Watson would want to publish it; however, they did not, and "lectured Orwell on what they perceived to be errors in Animal Farm." In his London Letter on 17 April 1944 for Partisan Review , Orwell wrote that it was "now next door to impossible to get anything overtly anti-Russian printed. Anti-Russian books do appear, but mostly from Catholic publishing firms and always from a religious or frankly reactionary angle."
The publisher Jonathan Cape, who had initially accepted Animal Farm, subsequently rejected the book after an official at the British Ministry of Information warned him off—although the civil servant who it is assumed gave the order was later found to be a Soviet spy. Writing to Leonard Moore, a partner in the literary agency of Christy & Moore, publisher Jonathan Cape explained that the decision had been taken on the advice of a senior official in the Ministry of Information. Such flagrant anti-Soviet bias was unacceptable, and the choice of pigs as the dominant class was thought to be especially offensive. It may reasonably be assumed that the "important official" was a man named Peter Smollett, who was later unmasked as a Soviet agent. Orwell was suspicious of Smollett/Smolka, and he would be one of the names Orwell included in his list of Crypto-Communists and Fellow-Travellers sent to the Information Research Department in 1949. The publisher wrote to Orwell, saying:
If the fable were addressed generally to dictators and dictatorships at large then publication would be all right, but the fable does follow, as I see now, so completely the progress of the Russian Soviets and their two dictators [Lenin and Stalin], that it can apply only to Russia, to the exclusion of the other dictatorships.
Another thing: it would be less offensive if the predominant caste in the fable were not pigs. I think the choice of pigs as the ruling caste will no doubt give offence to many people, and particularly to anyone who is a bit touchy, as undoubtedly the Russians are.
Frederic Warburg also faced pressures against publication, even from people in his own office and from his wife Pamela, who felt that it was not the moment for ingratitude towards Stalin and the heroic Red Army,which had played a major part in defeating Adolf Hitler. A Russian translation was printed in the paper Posev, and in giving permission for a Russian translation of Animal Farm, Orwell refused in advance all royalties. A translation in Ukrainian, which was produced in Germany, was confiscated in large part by the American wartime authorities and handed over to the Soviet repatriation commission.
In October 1945, Orwell wrote to Frederic Warburg expressing interest in pursuing the possibility that the political cartoonist David Low might illustrate Animal Farm. Low had written a letter saying that he had had "a good time with ANIMAL FARM—an excellent bit of satire—it would illustrate perfectly." Nothing came of this, and a trial issue produced by Secker & Warburg in 1956 illustrated by John Driver was abandoned, but the Folio Society published an edition in 1984 illustrated by Quentin Blake and an edition illustrated by the cartoonist Ralph Steadman was published by Secker & Warburg in 1995 to celebrate the fiftieth anniversary of the first edition of Animal Farm.
Orwell originally wrote a preface complaining about British self-censorship and how the British people were suppressing criticism of the USSR, their World War II ally:
The sinister fact about literary censorship in England is that it is largely voluntary.... Things are kept right out of the British press, not because the Government intervenes but because of a general tacit agreement that 'it wouldn't do' to mention that particular fact.
Although the first edition allowed space for the preface, it was not included, [ citation needed ]and as of June 2009 most editions of the book have not included it.
Secker and Warburg published the first edition of Animal Farm in 1945 without an introduction. However, the publisher had provided space for a preface in the author's proof composited from the manuscript. For reasons unknown, no preface was supplied, and the page numbers had to be renumbered at the last minute.
In 1972, Ian Angus found the original typescript titled "The Freedom of the Press", and Bernard Crick published it, together with his own introduction, in The Times Literary Supplement on 15 September 1972 as "How the essay came to be written". [ clarification needed ]Orwell's essay criticised British self-censorship by the press, specifically the suppression of unflattering descriptions of Stalin and the Soviet government. The same essay also appeared in the Italian 1976 edition of Animal Farm with another introduction by Crick, claiming to be the first edition with the preface. Other publishers were still declining to publish it.
Contemporary reviews of the work were not universally positive. Writing in the American New Republic magazine, George Soule expressed his disappointment in the book, writing that it "puzzled and saddened me. It seemed on the whole dull. The allegory turned out to be a creaking machine for saying in a clumsy way things that have been said better directly." Soule believed that the animals were not consistent enough with their real-world inspirations, and said, "It seems to me that the failure of this book (commercially it is already assured of tremendous success) arises from the fact that the satire deals not with something the author has experienced, but rather with stereotyped ideas about a country which he probably does not know very well".
The Guardian on 24 August 1945 called Animal Farm "a delightfully humorous and caustic satire on the rule of the many by the few".Tosco Fyvel, writing in Tribune on the same day, called the book "a gentle satire on a certain State and on the illusions of an age which may already be behind us." Julian Symons responded, on 7 September, "Should we not expect, in Tribune at least, acknowledgement of the fact that it is a satire not at all gentle upon a particular State—Soviet Russia? It seems to me that a reviewer should have the courage to identify Napoleon with Stalin, and Snowball with Trotsky, and express an opinion favourable or unfavourable to the author, upon a political ground. In a hundred years time perhaps, Animal Farm may be simply a fairy story, today it is a political satire with a good deal of point." Animal Farm has been subject to much comment in the decades since these early remarks.
The CIA from 1952 to 1957 in Operation Aedinosaur sent millions of balloons carrying copies of the novel into Poland, Hungary, and Czechoslovakia, whose air forces tried to shoot the balloons down.
Time magazine chose Animal Farm as one of the 100 best English-language novels (1923 to 2005);it also featured at number 31 on the Modern Library List of Best 20th-Century Novels. It won a Retrospective Hugo Award in 1996 and is included in the Great Books of the Western World selection.
Popular reading in schools, a 2016 UK poll saw Animal Farm ranked the nation's favourite book from school.
Animal Farm has also faced an array of challenges in school settings around the US.The following are examples of this controversy that has existed around Orwell's work:
Animal Farm has also faced similar forms of resistance in other countries.The ALA also mentions the way that the book was prevented from being featured at the International Book Fair in Moscow, Russia, in 1977 and banned from schools in the United Arab Emirates for references to practices or actions that defy Arab or Islamic beliefs, such as pigs or alcohol. In the same manner, Animal Farm has also faced relatively recent issues in China. In 2018, the government made the decision to censor all online posts about or referring to Animal Farm.
The pigs Snowball, Napoleon, and Squealer adapt Old Major's ideas into "a complete system of thought", which they formally name Animalism, an allegoric reference to Communism, not to be confused with the philosophy Animalism. Soon after, Napoleon and Squealer partake in activities associated with the humans (drinking alcohol, sleeping in beds, trading), which were explicitly prohibited by the Seven Commandments. Squealer is employed to alter the Seven Commandments to account for this humanisation, an allusion to the Soviet government's revising of history in order to exercise control of the people's beliefs about themselves and their society.
The original commandments are:
These commandments are also distilled into the maxim "Four legs good, two legs bad!" which is primarily used by the sheep on the farm, often to disrupt discussions and disagreements between animals on the nature of Animalism.
Later, Napoleon and his pigs secretly revise some commandments to clear themselves of accusations of law-breaking. The changed commandments are as follows, with the changes bolded:
Eventually, these are replaced with the maxims, "All animals are equal, but some animals are more equal than others", and "Four legs good, two legs better" as the pigs become more human. This is an ironic twist to the original purpose of the Seven Commandments, which were supposed to keep order within Animal Farm by uniting the animals together against the humans and preventing animals from following the humans' evil habits. Through the revision of the commandments, Orwell demonstrates how simply political dogma can be turned into malleable propaganda.
Orwell biographer Jeffrey Meyers has written, "virtually every detail has political significance in this allegory." for the past ten years I have been convinced that the destruction of the Soviet myth was essential if we wanted a revival of the socialist movement. On my return from Spain [in 1937] I thought of exposing the Soviet myth in a story that could be easily understood by almost anyone and which could be easily translated into other languages."Orwell himself wrote in 1946, "Of course I intended it primarily as a satire on the Russian revolution... [and] that kind of revolution (violent conspiratorial revolution, led by unconsciously power-hungry people) can only lead to a change of masters [-] revolutions only effect a radical improvement when the masses are alert." In a preface for a 1947 Ukrainian edition, he stated, "...
The revolt of the animals against Farmer Jones is Orwell's analogy with the October 1917 Bolshevik Revolution. The Battle of the Cowshed has been said to represent the allied invasion of Soviet Russia in 1918,and the defeat of the White Russians in the Russian Civil War. The pigs' rise to preeminence mirrors the rise of a Stalinist bureaucracy in the USSR, just as Napoleon's emergence as the farm's sole leader reflects Stalin's emergence. The pigs' appropriation of milk and apples for their own use, "the turning point of the story" as Orwell termed it in a letter to Dwight Macdonald, stands as an analogy for the crushing of the left-wing 1921 Kronstadt revolt against the Bolsheviks, and the difficult efforts of the animals to build the windmill suggest the various Five Year Plans. The puppies controlled by Napoleon parallel the nurture of the secret police in the Stalinist structure, and the pigs' treatment of the other animals on the farm recalls the internal terror faced by the populace in the 1930s. In chapter seven, when the animals confess their nonexistent crimes and are killed, Orwell directly alludes to the purges, confessions and show trials of the late 1930s. These contributed to Orwell's conviction that the Bolshevik revolution had been corrupted and the Soviet system become rotten.
Peter Edgerly Firchow and Peter Davison contend that the Battle of the Windmill, specifically referencing the Battle of Stalingrad and the Battle of Moscow, represents World War II.During the battle, Orwell first wrote, "All the animals, including Napoleon" took cover. Orwell had the publisher alter this to "All the animals except Napoleon" in recognition of Stalin's decision to remain in Moscow during the German advance. Orwell requested the change after he met Józef Czapski in Paris in March 1945. Czapski, a survivor of the Katyn Massacre and an opponent of the Soviet regime, told Orwell, as Orwell wrote to Arthur Koestler, that it had been "the character [and] greatness of Stalin" that saved Russia from the German invasion.
Other connections that writers have suggested illustrate Orwell's telescoping of Russian history from 1917 to 1943include the wave of rebelliousness that ran through the countryside after the Rebellion, which stands for the abortive revolutions in Hungary and in Germany (Ch IV); the conflict between Napoleon and Snowball (Ch V), paralleling "the two rival and quasi-Messianic beliefs that seemed pitted against one another: Trotskyism, with its faith in the revolutionary vocation of the proletariat of the West; and Stalinism with its glorification of Russia's socialist destiny"; Napoleon's dealings with Whymper and the Willingdon markets (Ch VI), paralleling the Treaty of Rapallo; and Frederick's forged bank notes, paralleling the Hitler-Stalin pact of August 1939, after which Frederick attacks Animal Farm without warning and destroys the windmill.
The book's close, with the pigs and men in a kind of rapprochement, reflected Orwell's view of the 1943 Tehran Conferencethat seemed to display the establishment of "the best possible relations between the USSR and the West" — but in reality were destined, as Orwell presciently predicted, to continue to unravel. The disagreement between the allies and the start of the Cold War is suggested when Napoleon and Pilkington, both suspicious, "played an ace of spades simultaneously".
Similarly, the music in the novel, starting with "Beasts of England" and the later anthems, parallels "The Internationale" and its adoption and repudiation by the Soviet authorities as to the Anthem of the USSR in the 1920s and 1930s.[ citation needed ]
Animal Farm has been adapted to film twice. Both differ from the novel and have been accused of taking significant liberties, including sanitising some aspects.[ citation needed ]
In 2012, an HFR-3D version of Animal Farm, potentially directed by Andy Serkis, was announced. [ clarification needed ]
A BBC radio version, produced by Rayner Heppenstall, was broadcast in January 1947. Orwell listened to the production at his home in Canonbury Square, London, with Hugh Gordon Porteous, amongst others. Orwell later wrote to Heppenstall that Porteous, "who had not read the book, grasped what was happening after a few minutes."
A further radio production, again using Orwell's own dramatisation of the book, was broadcast in January 2013 on BBC Radio 4. Tamsin Greig narrated, and the cast included Nicky Henson as Napoleon, Toby Jones as the propagandist Squealer, and Ralph Ineson as Boxer.
A theatrical version, with music by Richard Peaslee and lyrics by Adrian Mitchell, was staged at the National Theatre London on 25 April 1984, directed by Peter Hall. It toured nine cities in 1985.
A solo version, adapted and performed by Guy Masterson, premièred at the Traverse Theatre Edinburgh in January 1995 and has toured worldwide since.
In 1950 Norman Pett and his writing partner Don Freeman were secretly hired by the British Foreign Office to adapt Animal Farm into a comic strip. This comic was not published in the U.K. but ran in Brazilian and Burmese newspapers.
Joseph Vissarionovich Stalin was a Georgian revolutionary and Soviet politician who led the Soviet Union from the mid-1920s until 1953 as the general secretary of the Communist Party of the Soviet Union (1922–1952) and premier of the Soviet Union (1941–1953). Despite initially governing the Soviet Union as part of a collective leadership, he eventually consolidated power to become the country's de facto dictator by the 1930s. A communist ideologically committed to the Leninist interpretation of Marxism, Stalin formalised these ideas as Marxism–Leninism, while his own policies are known as Stalinism.
The Great Purge or the Great Terror was a campaign of political repression in the Soviet Union which occurred from 1936 to 1938. It involved a large scale repression of wealthy peasants, genocidal acts against ethnic minorities, a purge of the Communist Party and government officials, and the Red Army leadership, widespread police surveillance, suspicion of saboteurs, counter-revolutionaries, imprisonment, and arbitrary executions. Historians estimate the total number of deaths due to Stalinist repression in 1937–38 to be between 680,000 and 1,200,000.
The term Stakhanovite (стахановское) originated in the Soviet Union and referred to workers who modeled themselves after Alexey Stakhanov. These workers took pride in their ability to produce more than was required, by working harder and more efficiently, thus strengthening the Communist state. The Stakhanovite Movement was encouraged due to the idea of socialist emulation. It began in the coal industry but later spread to many other industries in the Soviet Union. The movement eventually encountered resistance as the increased productivity led to increased demands on workers.
The Cold War was a period of geopolitical tension between the Soviet Union and the United States and their respective allies, the Eastern Bloc and the Western Bloc, after World War II. The period is generally considered to span the 1947 Truman Doctrine to the 1991 dissolution of the Soviet Union. The term "cold" is used because there was no large-scale fighting directly between the two superpowers, but they each supported major regional conflicts known as proxy wars. The conflict was based around the ideological and geopolitical struggle for global influence by the two powers, following their temporary alliance and victory against Nazi Germany in 1945. The doctrine of mutually assured destruction (MAD) discouraged a pre-emptive attack by either side. Aside from the nuclear arsenal development and conventional military deployment, the struggle for dominance was expressed via indirect means such as psychological warfare, propaganda campaigns, espionage, far-reaching embargoes, rivalry at sports events and technological competitions such as the Space Race.
Boris Mikhaylovich Shaposhnikov was a Soviet military commander, Chief of the Staff of the Red Army, and Marshal of the Soviet Union.
Snowball is a character in George Orwell's 1945 novel Animal Farm. He is largely based on Leon Trotsky, who led the opposition against Joseph Stalin (Napoleon). He is shown as a white pig on the movie poster for the 1999 film Animal Farm, and as a white pig in the 1954 film. Snowball is voiced by Maurice Denham and Kelsey Grammer in the 1954 and 1999 films, respectively.
George Orwell's 1945 allegorical novel Animal Farm contains various anthems adopted by the eponymous farm, most notably the original anthem "Beasts of England" and its later replacement "Comrade Napoleon".
Boxer is described as a hardworking, but naive and ignorant cart horse in George Orwell's 1945 novel Animal Farm. He is shown as the farm's most dedicated and loyal laborer. Boxer serves as an allegory for the Russian working-class who helped to oust Tsar Nicholas and establish the Soviet Union, but were eventually betrayed by the Bolsheviks.
Squealer is a fictional character, a pig, in George Orwell's 1945 novel Animal Farm. He serves as second-in-command to Napoleon, the farms' president (dictator), and is the farm's minister of propaganda. He is described in the book as an effective and very convincing orator and a fat porker. In the 1954 film, he is a pink pig, whereas in the 1999 film, he is a Tamworth pig who wears a monocle.
Mikhail Markovich Gruzenberg, known by the alias Borodin, was a Bolshevik revolutionary and Communist International (Comintern) agent. He was an advisor to Sun Yat-sen and the Kuomintang (KMT) in China during the 1920s.
Sugar candy is "sugar crystallized by repeated boiling and slow evaporation". The shortened term candy was initially synonymous with sugar candy, but from the late 19th century onwards "candy" broadened its meaning and, especially in the USA, refers to confectionery in general.
Mr. Jones of Manor Farm is a fictional character in George Orwell's 1945 allegorical novel Animal Farm. Jones is an allegory for Czar Nicholas II. Jones is overthrown by the animals of his farm, who represent Bolshevik and liberal revolutionaries.
Animal Farm is a 1954 British-American animated drama film directed by John Halas and Joy Batchelor. It was produced by Halas and Batchelor, based on the 1945 novel of the same name by George Orwell. It was the first British animated feature.
Benjamin is a donkey in George Orwell's 1945 novel Animal Farm. He is also the oldest of all the animals. He is less straightforward than most characters in the novel, and a number of interpretations have been put forward to which social class he represents as regards to the Russian Revolution and the Soviet Union. Benjamin also represents the old people of Russia because he remembers the old laws that have been changed.
Animal Farm is a TV film directed by John Stephenson and released in 1999. It is an adaptation of the 1945 George Orwell novel of the same name and tells the story of anthropomorphic animals successfully revolting against their own human owner, only to slide into a more brutal tyranny among themselves. The film received mixed reviews when it was broadcast, with much criticism directed at its ending.
Snowball's Chance, is a parody and sequel to George Orwell's Animal Farm written by John Reed, in which Snowball the pig returns to the Manor Farm after many years' absence, to install capitalism — which proves to have its own pitfalls.
Censorship of images was widespread in the Soviet Union. Visual censorship was exploited in a political context, particularly during the political purges of Joseph Stalin, where the Soviet government attempted to erase some purged figures from Soviet history, and took measures which included altering images and destroying film. The USSR curtailed access to pornography, which was specifically prohibited by Soviet law.
Napoleon is a fictional character and the main antagonist in George Orwell's 1945 novel Animal Farm. He is described as "a large, rather fierce-looking Berkshire boar" who is "not much of a talker" and has "a reputation for getting his own way". While he is at first a common farm pig, he exiles Snowball, another pig, who is his rival for power, and then takes advantage of the animals' uprising against their masters to eventually become the tyrannical "President" of Animal Farm, which he turns into a dictatorship. Napoleon's greatest crime, however, is his complete transformation into Mr. Jones, although Napoleon is a much more harsh and stern master than Mr. Jones is made out to be.
The bibliography of George Orwell includes journalism, essays, novels and non-fiction books written by the British writer Eric Blair (1903–1950), either under his own name or, more usually, under his pen name George Orwell. Orwell was a prolific writer on topics related to contemporary English society and literary criticism, who have been declared "perhaps the 20th century's best chronicler of English culture." His non-fiction cultural and political criticism constitutes the majority of his work, but Orwell also wrote in several genres of fictional literature.
Alexander Pavlovitch Serebrovsky was a Russian revolutionary and Soviet petroleum and mining engineer nicknamed the "Soviet Rockefeller".