This biography of a living person includes a list of general references, but it lacks sufficient corresponding inline citations .(September 2022) |
Ralph Steadman | |
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Born | |
Known for | Painting, drawing, caricatures, cartoons |
Website | www |
Ralph Idris Steadman [1] (born 15 May 1936) is a British [2] illustrator best known for his collaboration with the American writer Hunter S. Thompson. [3] Steadman is renowned for his satirical political cartoons, social caricatures, and picture books.
Steadman was born in Wallasey, Cheshire to an English father, Lionel Raphael Steadman, and a Welsh mother, Gwendoline; the family moved to Wales towards the end of the Second World War. Steadman attended the Grammar School in Abergele in north Wales but hated the draconian, sadistic new headmaster and left aged 16. "I couldn't wait to get out," he said. He came from a lower middle class background; his father was a commercial traveller and his mother was a shop assistant at T J Hughes in Liverpool. [4] [5]
Steadman took his first job at 16 as a RADAR Operator at the De Havilland aircraft factory in the border town of Broughton near Chester but only remained for nine months, finding factory life repetitive and dull, and becoming fed up with fellow employees, citing persistent cruel practical jokes ("They were always putting stuff in your tea,"); however whilst there he became skilled in technical drawing, thus sowing the seeds of his future career.
Steadman returned to England after National Service in 1954 and found work in London as a cartoonist. Wishing to accelerate his progress he enrolled in 1959 at East Ham Technical College and the London College of Printing during the 1960s, doing freelance work for Punch , Private Eye , the Daily Telegraph, The New York Times and Rolling Stone during this time.
Steadman had a long partnership with the American journalist Hunter S. Thompson, drawing pictures for several of his articles and books. [6] [7] He accompanied Thompson to the Kentucky Derby for an article for the magazine Scanlan's , to the Honolulu Marathon for the magazine Running, and illustrated both Fear and Loathing in Las Vegas and Fear and Loathing on the Campaign Trail '72.
Steadman has expressed regret at selling the original illustrations for Fear and Loathing in Las Vegas at the advice of his agent to Rolling Stone founder Jann Wenner for the sum of $75, a fraction of their later value. As a result of that transaction Steadman has largely refused to sell any of his original artwork and has been quoted as saying "If anyone owns a Steadman original, it's stolen." While there are original pieces held outside of his archive, they are exceedingly rare. The artist has kept possession of the vast bulk of his original artwork.
Steadman appears on the second disc of The Criterion Collection Fear and Loathing in Las Vegas DVD set, in a documentary called Fear and Loathing in Gonzovision , which was made by the BBC in 1978, of Thompson planning the tower and cannon that his ashes were later blasted out of. The cannon was atop a 153-ft. tower of Thompson's fist gripping a peyote button; Thompson demands that Steadman gives the fist two thumbs, "Right now."
As well as writing and illustrating his own books and Thompson's, Steadman has worked with writers including Ted Hughes, Adrian Mitchell and Brian Patten, and also illustrated editions of Alice in Wonderland , Treasure Island , Animal Farm , the English translation of Flann O'Brien's Gaelic-language classic The Poor Mouth , and most recently, Fahrenheit 451 .
Steadman has drawn album covers for numerous music artists, including the Who, Exodus, Frank Zappa and Ambrosia, [8] and the lead banner for the gonzo journalism website GonzoToday.com. [9]
Among the British public, Steadman is well known for his illustrations for the catalogues of the off-licence chain Oddbins.
In 1985, Steadman designed a set of four British postage stamps to commemorate the appearance that year of Halley's Comet.
Steadman has illustrated Will Self's column in The Independent newspaper.
Steadman has contributed to the BirdLife International's Preventing Extinctions programme with an image of critically endangered northern bald ibis. [10]
In 2014, Steadman created the artwork for a series of limited edition Breaking Bad steelbook DVDs. [11] These works were the subject of an exhibition at 71a Gallery in Hackney, London in February 2015. [12]
In 2016 Steadman did the cover art for Anthony Bourdain's Appetites: A Cookbook .
In 2017, Steadman penned the artwork for Travis Scott and Quavo's joint project Huncho Jack, Jack Huncho . [13]
In 2019, Steadman created the artwork for Taylor Mac's Broadway show Gary: A Sequel to Titus Andronicus . [14]
In 2020, Steadman created the artwork for the documentary film Freak Power: The Ballot or the Bomb which follows journalist Hunter S. Thompson and his 1970 campaign for sheriff of Pitkin County, Colorado.
Steadman has designed label art for Flying Dog beer and designed the V logo used on Flying Dog's packaging since 1995. The Logo includes an original motto by Steadman: "Good Beer No Shit". Because of this, and because of Steadman's controversial label art for the craft brewery's Road Dog ale and Doggie Style ale, a complaint of obscenity was filed against Flying Dog. The Colorado State Liquor Board then had Flying Dog beers pulled from store shelves. Flying Dog and the American Civil Liberties Union sued the state of Colorado while the displayed motto was changed to "Good Beer No Censorship." In 2001, the Colorado Supreme Court entered final judgment in favor of Flying Dog, based on the First Amendment to the United States Constitution, (freedom of speech). [15] [16]
In 2009, the Michigan Liquor Control Commission banned Flying Dog's "Raging Bitch Belgian-Style IPA" beer, partly for the name and partly for Steadman's label art. In 2015, the 6th Circuit Federal Court of Appeals struck down the ban on first amendment grounds and recommended civil damages against the state of Michigan. [17] [18]
In an article since deleted from its website, Flying Dog stated that its Cardinal "Spiced" Zin' wine was banned in Ohio for Steadman's "disturbing" interpretation of a Catholic cardinal on its label. [19] [20]
In 2018, Flying Dog received a complaint in the UK about the packaging of its "Easy IPA" reduced-alcohol beer. The complaint partially involved Steadman's label art, depicting a tipsy cartoon character. The Portman Group, a third-party organization which evaluates alcohol-related marketing in the UK, has accepted the complaint's allegation that the artwork "could be seen as encouraging drunkenness", particularly among minors, and has issued an advisory. [21]
In 2021, Flying Dog sued the North Carolina Alcoholic Beverage Control Commission for violation of free speech provisions after the NC ABC rejected the label for the brewery's "Freezin' Season" beer as "inappropriate". [22]
In 1980, Steadman wrote a 57-second song "Sweetest Love (Lament after a Broken Sashcord on a Theme by John Donne)" for an album he was illustrating, Miniatures: A Sequence of Fifty-One Tiny Masterpieces (edited by Morgan Fisher), on Pipe Records. Steadman sang the song to Fisher's harmonium accompaniment. [23]
In 1999, Steadman wrote the lyrics for Richard Harvey's choral album Plague and the Moonflower, on Altus Records. [24]
Also in 1999, Steadman released an anthology album of his "favourite music", on EMI Records, entitled I Like It. Two pieces of his own music are included, "Weird & Twisted Nights" (listed as a collaboration with Hunter S. Thompson and someone named Mc Dean) and "Sweetest Love I Do Not Go" (the same 57-second piece he released in 1980). The album comes with a "songbook", which has text by Steadman. [25]
Hal Willner and Johnny Depp's 2006 anthology of songs, Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys [26] contains two contributions from Steadman. He sings lead on "Little Boy Billee" and sings backing vocals for Eliza Carthy on "Rolling Sea". [27]
In 2011, Steadman began running prose and poetry in Kotori Magazine. [28]
In 2015, Steadman released a 7-inch vinyl single on Philthy Phonograph Records, "The Man Who Woke Up in the Dark" B/w "Striped Paint". [29]
In 2020, Chronicle Chroma published the definitive book on Steadman's work and career, "A Life In Ink" by Ralph Steadman. [30]
Awards that he has won for his work include the Francis Williams Book Illustration Award for Alice in Wonderland , the American Society of Illustrators' Certificate of Merit, the W H Smith Illustration Award for I Leonardo, the Dutch Silver Paintbrush Award for Inspector Mouse, the Italian Critica in Erba Prize for That's My Dad, the BBC Design Award for postage stamps, the Black Humour Award in France, and several Designers and Art Directors Association Awards. He was voted Illustrator of the Year by the American Institute of Graphic Arts in 1979.
A major documentary about Steadman's career, For No Good Reason , directed by Charlie Paul, played at the 2013 Toronto International Film Festival in the "Mavericks" programme. [31] The film, reportedly 15 years in the making, played in New York City and Los Angeles in December 2013, and was given US domestic release in spring 2014. [32] The film was in competition for the Grierson Award for Best Documentary at the 2012 BFI London Film Festival. [33]
Steadman is a member of the Chelsea Arts Club. [34]
He is a patron of the Association of Illustrators. [35]
Steadman lives in Kent. [36] His second wife, Anna, died in February 2022. He has five children. [37]
Gonzo journalism is a style of journalism that is written without claims of objectivity, often including the reporter as part of the story using a first-person narrative. The word "gonzo" is believed to have been first used in 1970 to describe an article about the Kentucky Derby by Hunter S. Thompson, who popularized the style. It is an energetic first-person participatory writing style in which the author is a protagonist, and it draws its power from a combination of social critique and self-satire. It has since been applied to other subjective artistic endeavors.
Hunter Stockton Thompson was an American journalist and author. He rose to prominence with the publication of Hell's Angels (1967), a book for which he spent a year living with the Hells Angels motorcycle club to write a first-hand account of their lives and experiences. In 1970, he wrote an unconventional article titled "The Kentucky Derby Is Decadent and Depraved" for Scanlan's Monthly, which further raised his profile as a countercultural figure. It also set him on the path to establishing his own subgenre of New Journalism that he called "Gonzo", a journalistic style in which the writer becomes a central figure and participant in the events of the narrative.
Oscar "Zeta" Acosta Fierro was a Mexican American attorney, author and activist in the Chicano Movement. He wrote the semi-autobiographical novels Autobiography of a Brown Buffalo (1972) and The Revolt of the Cockroach People (1973), and was friends with American author Hunter S. Thompson. Thompson characterized him as a heavyweight Samoan attorney, Dr. Gonzo, in his 1971 novel Fear and Loathing in Las Vegas. Acosta disappeared in 1974 during a trip in Mexico and is presumed dead.
Raoul Duke is the partially fictionalized author surrogate character and sometimes pseudonym used by Hunter S. Thompson as the main character and antihero for many of his works. He is perhaps best known as the narrator for his 1971 autobiographical novel Fear and Loathing in Las Vegas. The book was originally written under the name Raoul Duke. The character wears a bucket hat and yellow tinted aviator sunglasses.
"The Kentucky Derby Is Decadent and Depraved" is a seminal sports article written by journalist Hunter S. Thompson on the 1970 Kentucky Derby, which first appeared in Scanlan's Monthly in June of that year. The article marked the birth of what would become known as "gonzo journalism".
Flying Dog Brewery was a craft brewery located in Frederick, Maryland, United States. It was founded in 1990 by George Stranahan and was the largest brewery in Maryland. In 2017, it was the 28th largest craft brewery in the United States.
The Great Shark Hunt is a book by Hunter S. Thompson. Originally published in 1979 as Gonzo Papers, Vol. 1: The Great Shark Hunt: Strange Tales from a Strange Time, the book is a roughly 600-page collection of Thompson's essays from 1956 to the end of the 1970s, including the rise of the author's own gonzo journalism style as he moved from Air Force and sports beat writing to straight-ahead political commentary. It is the first of what would become four volumes in The Gonzo Papers series.
Where the Buffalo Roam is a 1980 American semi-biographical comedy film which loosely depicts author Hunter S. Thompson's rise to fame in the 1970s and his relationship with Chicano attorney and activist Oscar "Zeta" Acosta. The film was produced and directed by Art Linson. Bill Murray portrayed Thompson and Peter Boyle portrayed Acosta, who is referred to in the film as Carl Lazlo, Esq. A number of other names, places, and details of Thompson's life are also changed.
Omnibus is a British documentary series broadcast mainly on BBC One. The programme was the successor to the arts-based series Monitor. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 British Academy of Film and Television Arts (BAFTA) awards.
The Curse of Lono is a book by Hunter S. Thompson describing his experiences in Hawaii in 1980. Originally published in 1983, the book was only in print for a short while. In 2005 it was re-released as a limited edition. Only 1000 copies were produced, each one being signed by the author and artist Ralph Steadman.The book is now available as a smaller hardcover edition.
Fear and Loathing in Las Vegas is a 1998 American stoner road black comedy film based on Hunter S. Thompson's novel of the same name. It was co-written and directed by Terry Gilliam and stars Johnny Depp and Benicio del Toro as Raoul Duke and Dr. Gonzo, respectively. The film details the duo's journey through Las Vegas as their initial journalistic intentions devolve into an exploration of the city under the influence of psychoactive substances.
Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is a 1971 novel in the gonzo journalism style by Hunter S. Thompson. The book is a roman à clef, rooted in autobiographical incidents. The story follows its protagonist, Raoul Duke, and his attorney, Doctor Gonzo, as they descend on Las Vegas to chase the American Dream through a drug-induced haze, all the while ruminating on the failure of the 1960s countercultural movement. The work is Thompson's most famous book and is noted for its lurid descriptions of illicit drug use and its early retrospective on the culture of the 1960s. Thompson's highly subjective blend of fact and fiction, which it popularized, became known as gonzo journalism. Illustrated by Ralph Steadman, the novel first appeared as a two-part series in Rolling Stone magazine in 1971 before being published in book form in 1972. It was later adapted into a film of the same title in 1998 by director Terry Gilliam, starring Johnny Depp and Benicio del Toro, who portrayed Raoul Duke and Dr. Gonzo, respectively.
Gonzo Papers, Vol. 3: Songs of the Doomed: More Notes on the Death of the American Dream is a book by the American writer and journalist Hunter S. Thompson, originally published in 1990. The third installment of the four-volume The Gonzo Papers, it is a chronologically arranged selection of essays, newspaper articles, stories and letters, allowing readers to see how Thompson's brand of New Journalism, also termed Gonzo journalism, evolved over the years. Songs of the Doomed is mostly made up of pieces written between 1980 and 1990, but there is also some older material, including excerpts from Fear and Loathing in Las Vegas, Fear and Loathing on the Campaign Trail '72, his unfinished first novel, Prince Jellyfish, which is still unpublished, and The Rum Diary, which was not published in its entirety until 1998.
Bibliography of works by American author and journalist Hunter S. Thompson.
The Joke's Over: Bruised Memories—Gonzo, Hunter S. Thompson, and Me is a book written and illustrated by Ralph Steadman chronicling the odd and very often dangerous times when he met and worked with his friend Hunter S. Thompson. It contains some illustrations by Steadman created at the time of the events and some photos taken by Steadman or Thompson. It was published in 2006 by Heinemann in the UK and, perhaps during the same year, by Harcourt in the US.
Gonzo: The Life and Work of Dr. Hunter S. Thompson is a 2008 documentary film directed by Alex Gibney. It details Hunter S. Thompson's landmark writings on music and politics. Friends and family provide interviews to help describe the mythos of Hunter and his life.
Fear and Loathing on the Road to Hollywood, also known as Fear and Loathing in Gonzovision, is a documentary film produced by BBC Omnibus in 1978 on the subject of Hunter S. Thompson, directed by Nigel Finch.
Warren James Hinckle III was an American political journalist based in San Francisco. Hinckle is remembered for his tenure as editor of Ramparts magazine, turning a sleepy publication aimed at a liberal Roman Catholic audience into a major galvanizing force of American radicalism during the Vietnam War era. He also helped create Gonzo journalism by first pairing Hunter S. Thompson with illustrator Ralph Steadman.
Gonzo Today is an internet-based publication inspired by the writing and reporting style of gonzo journalism popularized by Hunter Thompson.
Huncho Jack, Jack Huncho is the only studio album by American hip hop duo Huncho Jack, which consists of Travis Scott and Quavo. The album was released on December 21, 2017, by Cactus Jack Records, Grand Hustle Records, Epic Records, Capitol Records, Motown, and Quality Control Music. It features guest appearances from fellow Migos members, Takeoff and Offset. Production was handled by Murda Beatz, Southside, and Frank Dukes, among others.
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Review of Steadman's catalogues for Oddbins