The "Gonzo fist", characterized by two thumbs and four fingers holding a peyote button, was originally used in Hunter S. Thompson's 1970 campaign for sheriff of Pitkin County, Colorado. It has since evolved into a symbol for gonzo journalism.
Gonzo journalism is a style of journalism that is written without claims of objectivity, often including the reporter as part of the story using a first-person narrative. The word "gonzo" is believed to have been first used in 1970 to describe an article about the Kentucky Derby by Hunter S. Thompson, who popularized the style. It is an energetic first-person participatory writing style in which the author is a protagonist, and it draws its power from a combination of social critique and self-satire.[1] It has since been applied to other subjective artistic endeavors.
Gonzo journalism involves an approach to accuracy that concerns the reporting of personal experiences and emotions, in contrast to traditional journalism, which favors a detached style and relies on facts or quotations that can be verified by third parties. Gonzo journalism disregards the strictly edited product once favored by newspaper media and strives for a more personal approach; the personality of a piece is as important as the event or actual subject of the piece. Use of sarcasm, humour, exaggeration, and profanity is common.
Thompson, who was among the forefathers of the New Journalism movement, said in the February 15, 1973, issue of Rolling Stone, "If I'd written the truth I knew for the past ten years, about 600 people—including me—would be rotting in prison cells from Rio to Seattle today. Absolute truth is a very rare and dangerous commodity in the context of professional journalism."[2]
Etymology
The term "gonzo" was first used in connection with Hunter S. Thompson by The Boston Globe magazine editor Bill Cardoso in 1970. He described Thompson's article "The Kentucky Derby Is Decadent and Depraved", which was written for the June 1970 edition of Scanlan's Monthly, as "pure Gonzo journalism".[3] This predates the December 1970 debut of the Muppet of that name in The Great Santa Claus Switch.[4] Cardoso said "gonzo" was South BostonIrishslang describing the last man standing after an all-night drinking marathon.[5] He also said it was a corruption of the French Canadian word gonzeaux, which means "shining path", although this is disputed.[6]
Another speculation is that the word may have been inspired by the 1960 hit song "Gonzo" by New Orleansrhythm and blues pianist James Booker. This possibility is supported by a 2007 oral biography of Thompson, which states that the term is taken from a song by Booker[7] but does not explain why Thompson or Cardoso would have chosen the term to describe Thompson's journalism. The 2013 documentary Bayou Maharaja: The Tragic Genius of James Booker[8] quotes Thompson's literary executor as saying that the song was the origin of the term.[9] According to a Greg Johnson biographical note on Booker,[10] the song title "Gonzo" comes from a character in a movie called The Pusher,[11] which in turn may have been inspired by a 1956 Evan Hunter novel of the same title.
Thompson himself first used the term referring to his own work on page 12 of the counterculture classic[12]Fear and Loathing in Las Vegas. He wrote, "But what was the story? Nobody had bothered to say. So we would have to drum it up on our own. Free Enterprise. The American Dream. Horatio Alger gone mad on drugs in Las Vegas. Do it now: pure Gonzo journalism."[13]
Thompson based his style on William Faulkner's notion that "fiction is often the best fact".[15] While the things that Thompson wrote about are basically true, he used satirical devices to drive his points home. He often wrote about recreational drugs and alcohol use, which added subjective flair to his reporting. The term "gonzo" has also come into (sometimes pejorative) use to describe journalism in Thompson's style, characterized by a drug-fueled stream of consciousness writing technique.
Fear and Loathing in Las Vegas followed the Mint 400 piece in 1971 and included a main character by the name of Raoul Duke, accompanied by his attorney, Dr. Gonzo, with defining art by Ralph Steadman. Although this book is considered a prime example of gonzo journalism, Thompson regarded it as a failed experiment.[16] He had intended it to be an unedited record of everything he did as it happened, but he edited the book five times before publication.
Thompson would instigate events himself, often in a prankish or belligerent manner, and then document both his actions and those of others. Notoriously neglectful of deadlines, Thompson often annoyed his editors because he submitted articles late, "too late to be edited, yet still in time for the printer".[17] Thompson wanted his work to be read as he wrote it, in its "true Gonzo" form. Historian Douglas Brinkley said gonzo journalism requires virtually no rewriting and frequently uses transcribed interviews and verbatim telephone conversations.[18]
"I don't get any satisfaction out of the old traditional journalist's view: 'I just covered the story. I just gave it a balanced view,'" Thompson said in an interview for the online edition of The Atlantic. "Objective journalism is one of the main reasons American politics has been allowed to be so corrupt for so long. You can't be objective about Nixon."[19]
The Gonzo Studies Society proposes eleven features that, to varying degrees, are included in Hunter S. Thompson's Gonzo journalism:
Thompson felt that objectivity in journalism was a myth. Gonzo journalism has now become a bona fide style of writing that is similar to the New Journalism of the 1960s, led primarily by Tom Wolfe and also championed by Lester Bangs, George Plimpton, Terry Southern, and John Birmingham, and is considered a subgenre of New Journalism.[21][22] When asked whether there was a difference between the two, Thompson answered, "Yeah, I think so. Unlike Tom Wolfe or Gay Talese, for instance, I almost never try to reconstruct a story. They're both much better reporters than I am, but then I don't really think of myself as a reporter."[23]
In 1998, Christopher Locke asserted that the webzine genre is descended from gonzo journalism,[24] a claim that has since been extended to social media.[25] Thompson's gonzo journalism influence is reflected in the current website Gonzo Today which features a top banner by Thompson's longtime illustrator Ralph Steadman, with rotating contributions by others including Thompson associate, poet Ron Whitehead.
It has been claimed that Thai writer Rong Wongsawan wrote in a style that was Gonzo, beginning in the 1960s when he reported from San Francisco. However he wrote in Thai, and he probably developed the style independently of Hunter S. Thompson. He also used the style in his books Sattahip and Takli which describe American soldiers and Thai bar girls during the Vietnam War.[26] His book The Man from Bangkok: San Francisco Culture in the 60s is an English translation of a book published in Thai in 1978.[27]
Modern gonzo journalism
In the early days of YouTube and digital journalism in the early 2000s, outlets such as Vice Media began to create videos in the style of gonzo journalism. Journalist Shane Smith, the founder of Vice, published videos and articles reporting on his visits to extreme locations. These videos included a multi-day propaganda tour he received of North Korea, his visit to a Bangkok brothel, and on-the-ground reports of Darfur and Iran. Vice also published on-the-ground reports from people experiencing current events, such as a 2007 issue written by Iraqi citizens about their ongoing experiences surrounding the Iraq War troop surge.[28][29]
Journalist Hamilton Morris wrote 'The Magic Jews' for Vice in 2008, in which he documented his experience taking LSD with a group of Hasidic Jews.[31][32] In 2009, Vice hired Morris to write the monthly column Hamilton's Pharmacopeia, which quickly evolved into a series of articles and documentaries in which Morris documents the culture, pharmacology, manufacturing, and use of psychoactive drugs; the series generally documents Morris using substances alongside the people he is documenting.[33]
↑ Thompson, Hunter S. (1996). Fear and loathing in Las Vegas and other American stories. New York: Modern Library. p.210. ISBN0-679-60298-4. OCLC38432032.
↑ Whitmer, Peter O. (1993). When the Going Gets Weird: The Twisted Life and Times of Hunter S. Thompson (Firsted.). New York: Hyperion. ISBN1-56282-856-8. OCLC26544707.
↑ Thompson, Hunter S.; Hitchens, Christopher (2009). Thompson, Anita (ed.). Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson (Firsted.). Cambridge, Massachusetts: Da Capo Press. ISBN978-0-7867-4798-6. OCLC449190907.
Hunter Stockton Thompson was an American journalist and author. He rose to prominence with the publication of Hell's Angels (1967), a book for which he spent a year living with the Hells Angels motorcycle club to write a first-hand account of their lives and experiences. In 1970, he wrote an unconventional article titled "The Kentucky Derby Is Decadent and Depraved" for Scanlan's Monthly, which further raised his profile as a countercultural figure. It also set him on the path to establishing his own subgenre of New Journalism that he called "Gonzo", a journalistic style in which the writer becomes a central figure and participant in the events of the narrative.
Oscar "Zeta" Acosta Fierro was a Mexican American attorney, author and activist in the Chicano Movement. He wrote the semi-autobiographical novels Autobiography of a Brown Buffalo (1972) and The Revolt of the Cockroach People (1973), and was friends with American author Hunter S. Thompson. Thompson characterized him as a heavyweight Samoan attorney, Dr. Gonzo, in his 1971 novel Fear and Loathing in Las Vegas. Acosta disappeared in 1974 during a trip in Mexico and is presumed dead.
Uncle Duke is a fictional character in the comic strip Doonesbury by Garry Trudeau. He is nominally Zonker Harris's uncle, albeit an "uncle by courtesy" only. Duke appeared in the strip July 1974 and was originally a straightforward caricature of the gonzo journalist Hunter S. Thompson, but eventually took on a life of his own and a succession of ill-fated ventures in the areas of politics, business and crime.
Ralph Idris Steadman is a British illustrator best known for his collaboration with the American writer Hunter S. Thompson. Steadman is renowned for his satirical political cartoons, social caricatures, and picture books.
Raoul Duke is the partially fictionalized author surrogate character and sometimes pseudonym used by Hunter S. Thompson as the main character and antihero for many of his works. He is perhaps best known as the narrator for his 1971 autobiographical novel Fear and Loathing in Las Vegas. The book was originally written under the name Raoul Duke. The character wears a bucket hat and yellow tinted aviator sunglasses.
Fear and Loathing: On the Campaign Trail '72 is a 1973 book that recounts and analyzes the 1972 presidential campaign in which Richard Nixon was re-elected President of the United States. Written by Hunter S. Thompson and illustrated by Ralph Steadman, the book was largely derived from articles serialized in Rolling Stone throughout 1972.
"The Kentucky Derby Is Decadent and Depraved" is a seminal sports article written by journalist Hunter S. Thompson on the 1970 Kentucky Derby, which first appeared in Scanlan's Monthly in June of that year. The article marked the birth of what would become known as "gonzo journalism".
The Great Shark Hunt is a book by Hunter S. Thompson. Originally published in 1979 as Gonzo Papers, Vol. 1: The Great Shark Hunt: Strange Tales from a Strange Time, the book is a roughly 600-page collection of Thompson's essays from 1956 to the end of the 1970s, including the rise of the author's own gonzo journalism style as he moved from Air Force and sports beat writing to straight-ahead political commentary. It is the first of what would become four volumes in The Gonzo Papers series.
Where the Buffalo Roam is a 1980 American semi-biographical comedy film which loosely depicts author Hunter S. Thompson's rise to fame in the 1970s and his relationship with Chicano attorney and activist Oscar "Zeta" Acosta. The film was produced and directed by Art Linson. Bill Murray portrayed Thompson and Peter Boyle portrayed Acosta, who is referred to in the film as Carl Lazlo, Esq. A number of other names, places, and details of Thompson's life are also changed.
The Rum Diary is an early novel by American writer Hunter S. Thompson. It was written in the early 1960s but was not published until 1998. The manuscript, begun in 1959, was discovered among Thompson's papers by Johnny Depp. The story involves a journalist named Paul Kemp who, in the 1950s, moves from New York to work for a major newspaper, The Daily News, in San Juan, Puerto Rico. It is Thompson's second novel, preceded by the still-unpublished Prince Jellyfish.
The Curse of Lono is a book by Hunter S. Thompson describing his experiences in Hawaii in 1980. Originally published in 1983, the book was only in print for a short while. In 2005 it was re-released as a limited edition. Only 1000 copies were produced, each one being signed by the author and artist Ralph Steadman.The book is now available as a smaller hardcover edition.
Fear and Loathing in Las Vegas is a 1998 American black comedy adventure film based on Hunter S. Thompson's novel of the same name. It was co-written and directed by Terry Gilliam and stars Johnny Depp and Benicio del Toro as Raoul Duke and Dr. Gonzo, respectively. The film details the duo's journey through Las Vegas as their initial journalistic intentions devolve into an exploration of the city under the influence of psychoactive substances.
Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is a 1971 novel in the gonzo journalism style by Hunter S. Thompson. The book is a roman à clef, rooted in autobiographical incidents. The story follows its protagonist, Raoul Duke, and his attorney, Doctor Gonzo, as they descend on Las Vegas to chase the American Dream through a drug-induced haze, all the while ruminating on the failure of the 1960s countercultural movement. The work is Thompson's most famous book and is noted for its lurid descriptions of illicit drug use and its early retrospective on the culture of the 1960s. Thompson's highly subjective blend of fact and fiction, which it popularized, became known as gonzo journalism. Illustrated by Ralph Steadman, the novel first appeared as a two-part series in Rolling Stone magazine in 1971 before being published in book form in 1972. It was later adapted into a film of the same title in 1998 by director Terry Gilliam, starring Johnny Depp and Benicio del Toro, who portrayed Raoul Duke and Dr. Gonzo, respectively.
The Gonzo Papers is a four volume series of books by American journalist and author Hunter S. Thompson published between 1979 and 1994. The word Gonzo is often used to describe the unique style of journalism that Thompson cultivated throughout his life.
Gonzo Papers, Vol. 3: Songs of the Doomed: More Notes on the Death of the American Dream is a book by the American writer and journalist Hunter S. Thompson, originally published in 1990. The third installment of the four-volume The Gonzo Papers, it is a chronologically arranged selection of essays, newspaper articles, stories and letters, allowing readers to see how Thompson's brand of New Journalism, also termed Gonzo journalism, evolved over the years. Songs of the Doomed is mostly made up of pieces written between 1980 and 1990, but there is also some older material, including excerpts from Fear and Loathing in Las Vegas, Fear and Loathing on the Campaign Trail '72, his unfinished first novel, Prince Jellyfish, which is still unpublished, and The Rum Diary, which was not published in its entirety until 1998.
Bibliography of works by American author and journalist Hunter S. Thompson.
The Joke's Over: Bruised Memories—Gonzo, Hunter S. Thompson, and Me is a book written and illustrated by Ralph Steadman chronicling the odd and very often dangerous times when he met and worked with his friend Hunter S. Thompson. It contains some illustrations by Steadman created at the time of the events and some photos taken by Steadman or Thompson. It was published in 2006 by Heinemann in the UK and, perhaps during the same year, by Harcourt in the US.
Fear and Loathing on the Road to Hollywood, also known as Fear and Loathing in Gonzovision, is a documentary film produced by BBC Omnibus in 1978 on the subject of Hunter S. Thompson, directed by Nigel Finch.
Gonzo Today is an internet-based publication inspired by the writing and reporting style of gonzo journalism popularized by Hunter Thompson.
David S. Wills is a Scottish writer and editor who specializes in mid-twentieth century American literature. He is best known for his studies of William S. Burroughs and Hunter S. Thompson, as well as for editing the literary journal Beatdom.
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