Hunter Stockton Thompson was an American journalist and author. He rose to prominence with the publication of Hell's Angels (1967), a book for which he spent a year living with the Hells Angels motorcycle club to write a first-hand account of their lives and experiences. In 1970, he wrote an unconventional article titled "The Kentucky Derby Is Decadent and Depraved" for Scanlan's Monthly, which further raised his profile as a countercultural figure. It also set him on the path to establishing his own subgenre of New Journalism that he called "Gonzo", a journalistic style in which the writer becomes a central figure and participant in the events of the narrative.
Aztlán is the ancestral home of the Aztec peoples. The word "Aztec" was derived from the Nahuatl aztecah, meaning "people from Aztlán." Aztlán is mentioned in several ethnohistorical sources dating from the colonial period, and while each cites varying lists of the different tribal groups who participated in the migration from Aztlán to central Mexico, the Mexica who later founded Mexico-Tenochtitlan are mentioned in all of the accounts.
Oscar "Zeta" Acosta Fierro was a Mexican American attorney, author and activist in the Chicano Movement. He wrote the semi-autobiographical novels Autobiography of a Brown Buffalo (1972) and The Revolt of the Cockroach People (1973), and was friends with American author Hunter S. Thompson. Thompson characterized him as a heavyweight Samoan attorney, Dr. Gonzo, in his 1971 novel Fear and Loathing in Las Vegas. Acosta disappeared in 1974 during a trip in Mexico and is presumed dead.
M.E.Ch.A. is a US-based organization that seeks to promote Chicano unity and empowerment through political action.
The Revolt of the Cockroach People is a novel by Oscar Zeta Acosta. It tells the story of a Chicano lawyer, "Buffalo Zeta Brown", fictionalizing events from Oscar Acosta's own life, including the East L.A. walkouts at Garfield High School, the founding of the Brown Berets, the Christmas protests at St. Basil's church, the Castro v. Superior Court decision of 1970, Acosta's run for sheriff of Los Angeles County later that year, the Chicano National Moratorium, and the death of Ruben Salazar, who is referred to as "Roland Zanzibar" in the novel. The novel is written in the style of Gonzo journalism, which he helped codify the conventions with American journalist and friend Hunter S. Thompson. The story of Buffalo Z. Brown, a persona of the author, satirizes the East L.A. Chicano movement through the eyes of a participant observer. Acosta uses the historical events of the late 1960s and early 1970s "as the context for the construction of a Chicano identity and the realization of a revolutionary class consciousness."
Raoul Duke is the partially fictionalized author surrogate character and sometimes pseudonym used by Hunter S. Thompson as the main character and antihero for many of his works. He is perhaps best known as the narrator for his 1971 autobiographical novel Fear and Loathing in Las Vegas. The book was originally written under the name Raoul Duke. The character wears a bucket hat and yellow tinted aviator sunglasses.
The Chicano Moratorium, formally known as the National Chicano Moratorium Committee Against The Vietnam War, was a movement of Chicano anti-war activists that built a broad-based coalition of Mexican-American groups to organize opposition to the Vietnam War. Led by activists from local colleges and members of the Brown Berets, a group with roots in the high school student movement that staged walkouts in 1968, the coalition peaked with an August 29, 1970 march in East Los Angeles that drew 30,000 demonstrators. The march was described by scholar Lorena Oropeza as "one of the largest assemblages of Mexican Americans ever." It was the largest anti-war action taken by any single ethnic group in the USA. It was second in size only to the massive U.S. immigration reform protests of 2006.
The Great Shark Hunt is a book by Hunter S. Thompson. Originally published in 1979 as Gonzo Papers, Vol. 1: The Great Shark Hunt: Strange Tales from a Strange Time, the book is a roughly 600-page collection of Thompson's essays from 1956 to the end of the 1970s, including the rise of the author's own gonzo journalism style as he moved from Air Force and sports beat writing to straight-ahead political commentary. It is the first of what would become four volumes in The Gonzo Papers series.
Where the Buffalo Roam is a 1980 American semi-biographical comedy film which loosely depicts author Hunter S. Thompson's rise to fame in the 1970s and his relationship with Chicano attorney and activist Oscar "Zeta" Acosta. The film was produced and directed by Art Linson. Bill Murray portrayed Thompson and Peter Boyle portrayed Acosta, who is referred to in the film as Carl Lazlo, Esq. A number of other names, places, and details of Thompson's life are also changed.
Ruben Salazar was a civil rights activist and a reporter for the Los Angeles Times. He was the first Mexican journalist from mainstream media to cover the Chicano community.
Católicos por La Raza was a political association organized by Ricardo Cruz in the later 1960s in Los Angeles, California. Formed in the fall of 1969, Católicos por La Raza was made up of Chicano Catholic student activists who were engaged with both "their Catholic and Chicano heritage," enabling them to name and fight against racism in the Catholic Church and its effects on the community. The CPLR was concerned with the discrimination and hypocrisy of the church's institutional power and wealth, arguing that such should be "brought to bear in solving the current Chicano urban and rural crisis". CPLR sought to transform the Church into an institution for social change, creating projects focused on housing development, education, and small business development; believing that the Catholic Church in Los Angeles should use its power and wealth to address the economic and social needs of Mexican Americans.
The Chicano Movement, also referred to as El Movimiento, was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation. Chicanos also expressed solidarity and defined their culture through the development of Chicano art during El Movimiento, and stood firm in preserving their religion.
Fear and Loathing in Las Vegas is a 1998 American stoner road black comedy film based on Hunter S. Thompson's novel of the same name. It was co-written and directed by Terry Gilliam and stars Johnny Depp and Benicio del Toro as Raoul Duke and Dr. Gonzo, respectively. The film details the duo's journey through Las Vegas as their initial journalistic intentions devolve into an exploration of the city under the influence of psychoactive substances.
Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is a 1971 novel in the gonzo journalism style by Hunter S. Thompson. The book is a roman à clef, rooted in autobiographical incidents. The story follows its protagonist, Raoul Duke, and his attorney, Doctor Gonzo, as they descend on Las Vegas to chase the American Dream through a drug-induced haze, all the while ruminating on the failure of the 1960s countercultural movement. The work is Thompson's most famous book and is noted for its lurid descriptions of illicit drug use and its early retrospective on the culture of the 1960s. Thompson's highly subjective blend of fact and fiction, which it popularized, became known as gonzo journalism. Illustrated by Ralph Steadman, the novel first appeared as a two-part series in Rolling Stone magazine in 1971 before being published in book form in 1972. It was later adapted into a film of the same title in 1998 by director Terry Gilliam, starring Johnny Depp and Benicio del Toro, who portrayed Raoul Duke and Dr. Gonzo, respectively.
Bibliography of works by American author and journalist Hunter S. Thompson.
Las Adelitas de Aztlán was a short-lived Mexican American female civil rights organization that was created by Gloria Arellanes and Gracie and Hilda Reyes in 1970. Gloria Arellanes and Gracie and Hilda Reyes were all former members of the Brown Berets, another Mexican American Civil rights organization that had operated concurrently during the 1960s and 1970s in the California area. The founders left the Brown Berets due to enlarging gender discrepancies and disagreements that caused much alienation amongst their female members. The Las Adelitas De Aztlan advocated for Mexican-American Civil rights, better conditions for workers, protested police brutality and advocated for women's rights for the Latino community. The name of the organization was a tribute to Mexican female soldiers or soldaderas that fought during the Mexican Revolution of the early twentieth century.
The Rise and Fall of the Brown Buffalo is a 2017 American documentary film directed by Phillip Rodriguez, and written by Phillip Rodriguez, and David Ventura.
Rosalio Muñoz is a Chicano activist who is most recognized for his anti-war and anti-police brutality organizing with the Chicano Moratorium against the Vietnam War. On August 29, 1970, Muñoz and fellow Chicano activist Ramses Noriega organized a peaceful march in East Los Angeles, California in which over 30,000 Mexican Americans were in attendance to protest the war in Vietnam. The event became a site of police brutality after sheriffs attacked and tear gassed the crowd, leading to the deaths of three people, including Muñoz's friend and Chicano journalist Ruben Salazar.
David Sanchez is an American civil rights activist, and founding member of the Brown Berets. In the 1960s and 70s he was heavily involved in the Chicano civil rights and political movements.
The Chicano Liberation Front (CLF) was an underground revolutionary group in California, United States, that committed dozens of bombings and arson attacks in the Los Angeles area in the early 1970s. The radical militant group publicly claimed responsibility for 28 bombings between March 1970 and July 1971 in a taped message sent to the Los Angeles Free Press. Their targets were typically banks, schools and supermarkets. They also claimed responsibility for a bomb at Los Angeles City Hall. The Chicano Liberation Front was also more than likely responsible for explosions at a downtown federal building and at the Los Angeles Hall of Justice, although those incidents remain officially unsolved.
