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Paul Brooks Davis | |
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| Born | 1938 (age 85–86) Centrahoma, Oklahoma, United States |
| Other names | Paul Davis |
| Education | Will Rogers High School |
| Alma mater | School of Visual Arts |
| Occupation | Graphic artist |
Paul Brooks Davis (a.k.a. Paul Davis, born 1938) is an American graphic artist.
Paul Brooks Davis, better known as Paul Davis, was born in 1938 in Centrahoma, Oklahoma. The middle of three children born to Howard Davis, a Methodist minister, and Susan Brookhart Davis, he spent his childhood in small towns: Caddo, Jenks, Hartshorne and Antlers, in Oklahoma, as well as Sulphur Springs, Arkansas; Ellis, Kansas; and, briefly, Great Falls, Montana. He attended Woodrow Wilson Junior High School (Tulsa, Oklahoma), and later, Will Rogers High School in Tulsa, where his talent was nurtured by art teacher Hortense Bateholts. While in high school, Davis, with friends Russell Myers and Archie Goodwin formed a cartoonist's club that met daily at the Owl Drugstore at 11th Street and Pittsburg in Tulsa. Davis won a scholarship to the School of Visual Arts and at the age of 17 moved to New York. There, he studied with outstanding illustrators Philip Hays and Robert Weaver, and graphic designer and artist George Tscherny.
While still a student, Davis produced his first commissioned illustration, a pencil drawing that appeared in the October 1959 issue of Playboy magazine. After finishing his courses at School of Visual Arts, he was hired by Milton Glaser and Seymour Chwast, partners in the groundbreaking Push Pin Studios. A series of his target paintings was the subject of issue 32 (1961) of the studio's publication, The Push Pin Graphic. [1] He then illustrated "A Bestiary" of famous people, conceived and written by artist Edward Sorel, which appeared in the July 1962 issue of Horizon magazine.
Davis's work quickly caught the imagination of art directors in the U.S. and abroad, and he was soon in demand as an illustrator for magazines, record album covers, book jackets, and advertising. He formed the Paul Davis Studio in 1963, working first in New York and later in Sag Harbor on Long Island. His style had a tremendous impact on the field of illustration. His illustrations have appeared in Life , Time , Playboy , Look , The Saturday Evening Post , Sports Illustrated , Evergreen Review , Harper's , Harper's Bazaar , Horizon , McCall's , Show , Esquire , The New Republic , New York , The New York Times , The New Yorker , Mirabella , Fast Company , Worth , Money and many other publications.
He was Art Director of Joseph Papp's New York Shakespeare Festival from 1984 to 1992. Other clients include UNITE!, Disney, Lincoln Center, McKinsey & Co., Rolling Stone , Yahoo, Adobe and A&E Television.
In 1968, Davis was invited by Galerie Delpire in Paris, France, to have his first solo exhibition of paintings, and in 1977, Gilles deBure, curator of the Galerie d'Actualité in the Centre Georges Pompidou, presented a solo exhibition of Davis's work as part of the museum's opening festivities. Davis's distinctive paintings and posters for advertising, publishing and entertainment also have been the subject of museum and gallery exhibitions throughout Japan and Italy, and in cities around the U.S., including a retrospective at the Philbrook Museum of Art in his native Tulsa.
Davis's work is included in collections throughout the world, and poster collection of MoMa in New York. In 1987, The Drama Desk created a special award [2] to recognize Davis's iconic posters for Joseph Papp's Public Theater, and he is in the Hall of Fame of both the Art Directors Club and the Society of Illustrators. He is also a recipient of the coveted AIGA Medal, and of honorary doctorates from School of Visual Arts and the Maryland Institute College of Art. He is a Fellow of the American Academy in Rome and a vice-president of their Society of Fellows.
Davis's artwork has appeared in many movies and TV shows. When Richard Dreyfuss and Marsha Mason share an apartment in The Goodbye Girl , it is decorated with Davis's poster for the New York Shakespeare Festival production of Henry V . Davis's poster of Che Guevara appears both in Brian De Palma's Hi, Mom! and Rob Cohen's A Small Circle of Friends .
In the 1993 film adaptation of John Guare's Six Degrees of Separation , Davis's mural for New York City's Arcadia restaurant is featured. Paul's iconic poster for the Public Theater production of Three Penny Opera is on the wall of Jonathan Eliot's apartment in the NBC sitcom The Single Guy . In the 2009 film Precious , Paul's poster for the 1975 production of Ntozake Shange's For Colored Girls adorns the teacher's apartment.
In a classroom scene in A Nightmare on Elm Street (1984), Davis' poster for The Cherry Orchard hangs on the wall. Davis created album artwork for two Chiaroscuro Records releases: Gene Krupa's Jazz at the New School and Summit Reunion's Yellow Dog Blues.
Arthur Paul was an American graphic designer and the founding art director of Playboy magazine. During his time at Playboy, he commissioned illustrators and artists, including Andy Warhol, Salvador Dalí, and James Rosenquist, as part of the illustration liberation movement.
Barry Zaid is a graphic artist and designer.
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In an era dominated by Swiss rationalism, the Push Pin style celebrated the eclectic and eccentric design of the passé past while it introduced a distinctly contemporary design vocabulary, with a wide range of work that included record sleeves, books, posters, corporate logotypes, font design and magazine formats.
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Charles Laforest Goslin was an American graphic designer and professor of graphic design and illustration at Pratt Institute in Brooklyn, New York (1966–2007). He also taught at the School of Visual Arts (SVA) in New York City (1975–1985). Goslin was educated at the Rhode Island School of Design (RISD) graduating in 1954. For most of his career, he worked as a one-person studio out of his home in Park Slope, Brooklyn, favoring independence over "filtering my work through another artist." He was also a popular professor known for his candid criticism and unique assignments.
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