Formation | February 1, 1901 |
---|---|
Founders | Henry S. Fleming, Otto Henry Bacher, Frank Vincent DuMond, Henry Hutt, Albert Wenzell, Albert Sterner, Benjamin West Clinedinst, F. C. Yohn, Louis Loeb, and Reginald Birch |
Purpose | Encourage high ideals through exhibitions, lectures, education, and by fostering a sense of community and open discussion. Its mission is to promote the art and appreciation of illustration and comics, as well as their history. |
Headquarters | 128 E. 63rd Street New York City, U.S. |
Coordinates | 40°45′52.56″N73°58′1.25″W / 40.7646000°N 73.9670139°W |
Fields | Illustration and Comics |
Executive Director | Arabelle Liepold |
Subsidiaries | Museum of Comic and Cartoon Art |
Website | www |
The Society of Illustrators (SoI) is a professional society based in New York City. It was founded in 1901 to promote the art of illustration and, since 1959, has held an annual exhibition.
Since absorbing the Museum of Comic and Cartoon Art (MoCCA) in 2012, the Society has also promoted the art of comics. In addition to its holding exhibitions in its own Museum of American Illustration, the Society holds the annual MoCCA Festival, an independent comics showcase.
The Society of Illustrators was founded on February 1, 1901, by a group of nine artists and one advising businessman. The advising businessman was Henry S. Fleming, a coal dealer who offered his legal staff to the Society in an advisory role and also served as the Society of Illustrators Secretary and Treasurer for many years. [1] The nine artists who, with Fleming, founded the Society were Otto Henry Bacher, Frank Vincent DuMond, Henry Hutt, Albert Wenzell, Albert Sterner, Benjamin West Clinedinst, F. C. Yohn, Louis Loeb, and Reginald Birch. [2]
The mission statement was "to promote generally the art of illustration and to hold exhibitions from time to time". [3] Women first became part of the organization in 1903, when Elizabeth Shippen Green and Florence Scovel Shinn were named Associate Members; but women were prohibited from full membership until 1922. [4]
During the World War I years, with Charles Dana Gibson as the acting president, [6] Society members worked through the Committee on Public Information's Division of Pictorial Publicity, creating many original poster designs, including James M. Flagg's US Army iconic recruiting poster of Uncle Sam, [3] as well as advertising of the massive War Bond effort. [2]
Photo journalism was impractical during these years [7] and eight Society members, commissioned Captains in the Engineers, were sent to France to sketch the war. [6]
After the war, the Society operated the School for Disabled Soldiers. [8]
In 1920, the society was incorporated, and in 1922 women were allowed to become full members. [4] The early history of the society was documented in 1927 and 1939 by Norman Mills Price. His handwritten notes are held in the Society of Illustrators archives. [2]
During the 1920s and 1930s, the Society presented the Illustrator's Shows, featuring artists and their models as actors, songwriters, set designers and painters. Professional talent such as the Cotton Club band and Jimmy Durante also performed. Through member and set designer Watson Barrett, the Illustrator's Show of 1925 was held at the Shubert Theatre, and the Shuberts purchased the rights to the skits for their Broadway productions of Artists and Models .
In 1939, those funds allowed the Society to acquire its present headquarters, at 128 East 63rd Street. [3] Norman Rockwell's Dover Coach became the backdrop for the bar on the fourth floor, donated by Rockwell in honor of the Society's new building. This painting currently hangs in the Members Dining Room. [9]
During World War II, the society again contributed to the war effort with a massive campaign of posters. Society members visited veterans’ hospitals to sketch the wounded, [3] and these art works were sent to the families to boost morale.
The Illustrator's Jazz Band was formed to entertain the wounded, [10] and an ensemble by the same name plays at Society events up until the present. [11]
In 1946, a Welfare Fund for indigent artists was established.
In 1948, the Joint Ethics Committee, of which The Society is a member [12] developed the first Code of Fair Practice, which still serves today in addressing concerns of artists and art directors working in the graphic communications field where abuses and misunderstandings regarding usage rights and ownership of works of illustration and other works of art created for a wide range of public media. [13]
In 1954, the U.S. Air Force began sending Society of Illustrators members around the world to document the Air Force's activities. This program continues today. Thousands of paintings have been contributed over the years. [14]
In 1959, the society hold its first Annual Exhibition, juried by Bob Peak, Bradbury Thompson, Stevan Dohanos, and others. It opened with 350 original works of art and led to the publication of the first Illustrators Annual. [15]
The Society opened its doors to the public in 1981, establishing the Museum of American Illustration, with regular public exhibitions. [12]
In 2001, the 100th anniversary of the society's founding, a 12-month celebration began with the U.S. Postal Service issuing the Great American Illustrators. [16] That year was punctuated with the 9/11 Memorial Exhibition, Prevailing Human Spirit. [17]
The Museum of Comic and Cartoon Art (MoCCA) endowed its assets in August 2012 to the society, which has since subsidized the MoCCA Festival. [3]
Anelle Miller was appointed executive director of the society in 2007 and served in that capacity until 2023. She updated the exhibition space, hired new staff, and instituted a slew of programs open to the general public. [18] Arabelle Liepold took the position in June 2023. [19]
The Society of Illustrators maintains an annual of illustration, student scholarship competition,s and various awards honoring excellence in the field of illustration. [12] The society has had outreach programs with the New York City Department of Parks and Recreation since 2001, [20] and with the New York City Board of Education since 1999. [21]
As of 2023, the president of the Society of Illustrators is Leslie Cober. [22]
Notable past presidents of the Society: [22]
The Museum of American Illustration was established at the society in 1981, under the stewardship of John Witt, the society's president. [12] The Society's permanent collection, featuring pieces on rotational display throughout the building, includes nearly 2500 works by such artists as Norman Rockwell, Howard Pyle, N.C. Wyeth, James Montgomery Flagg, Bob Peak, and Bernie Fuchs. [23]
The Museum hosts the Annual Illustration show and smaller topical exhibits related to illustration and comics. [24] In recent years, the main galleries have played host to numerous acclaimed, contemporary, and popular exhibitions including:
The Society also has a gallery on the second floor dedicated to MoCCA that frequently hosts smaller exhibits of comic book art.
The Society of Illustrators inaugurated the Hall of Fame program in 1958, to recognize "distinguished achievement in the art of illustration". [36] The first recipient was Norman Rockwell. [6] Like other recognized artists, he was elected by former Society presidents for his contributions to the field of illustration. Every year since 1958, one or more illustrators have been added to the Hall of Fame. In 2001, two additional forms of recognition were added: Dean Cornwell Recognition Award [37] and the Arthur William Brown Achievement Award, which may be awarded annually.
In 1965, The Society established the Hamilton King Award, which is given annually to one society member. [38]
In 1981, The Society established the Student Scholarship Competition, which has continued annually to the present. [39] The Highest Award presented to a student by the society is the Zankel Scholarship Award, established in 2006 in honor of Arthur Zankel, an advocate for higher education whose bequest made the scholarship possible. [40]
Norman Percevel Rockwell was an American painter and illustrator. His works have a broad popular appeal in the United States for their reflection of the country's culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem We All Live With, Saying Grace, and the Four Freedoms series. He is also noted for his 64-year relationship with the Boy Scouts of America (BSA), during which he produced covers for their publication Boys' Life, calendars, and other illustrations. These works include popular images that reflect the Scout Oath and Scout Law such as The Scoutmaster, A Scout Is Reverent and A Guiding Hand.
Maurice Bernard Sendak was an American author and illustrator of children's books. He became most widely known for his book Where the Wild Things Are, first published in 1963. Born to Polish-Jewish parents, his childhood was affected by the death of many of his family members during the Holocaust. Sendak also wrote works such as In the Night Kitchen, Outside Over There, and illustrated many works by other authors including the Little Bear books by Else Holmelund Minarik.
Alan E. Cober, born in New York City was an American illustrator. His artwork appeared in The New York Times, Life, Time and numerous other publications. Cober was inducted into the Illustration Hall of Fame in 2011, thirteen years after his death in 1998. Cober was frequently cited as one of the most innovative illustrators America has ever produced.
Joseph Christian Leyendecker was one of the most prominent and financially successful freelance commercial artists in the U.S. He was active between 1895 and 1951 producing drawings and paintings for hundreds of posters, books, advertisements, and magazine covers and stories. He is best known for his 80 covers for Collier's Weekly, 322 covers for The Saturday Evening Post, and advertising illustrations for B. Kuppenheimer men's clothing and Arrow brand shirts and detachable collars. He was one of the few known gay artists working in the early-twentieth century U.S.
John Jude Palencar is an American illustrator and fine artist, who specializes in works of fantasy, science fiction, and horror. In 2010, he was given the Hamilton King Award. His highly detailed work is described as containing a rich language of symbols and archetypes, which are left open to interpretation by the viewer.
Famous Artists School is an art correspondence course institution, in operation since 1948. The school was founded by members of the New York Society of Illustrators, principally Albert Dorne and Norman Rockwell.
The Museum of Comic and Cartoon Art (MoCCA) is a not-for-profit arts organization and former museum in New York City devoted to comic books, comic strips and other forms of cartoon art. MoCCA sponsored events ranging from book openings to educational programs in New York City schools, and hosted classes, workshops and lectures. MoCCA was perhaps best known for its annual small-press comic convention, known as MoCCA Fest, first held in 2002.
Anita E. Kunz, OC, DFA, RCA is a Canadian-born artist and illustrator. She was the first woman and first Canadian to have a solo exhibit at the Library of Congress in Washington, D.C.
Tim O'Brien is an American artist who works in a realistic style. His illustrations have appeared on the covers and interior pages of magazines such as Time, Rolling Stone, GQ, Esquire, National Geographic, Der Spiegel, and others. His illustrations are also used by the US Postal Service for postage stamps.
The MoCCA Arts Festival, or MoCCA Fest, is an independent comics showcase that typically includes artist booths, slide shows, and educational panels. It was created by the Museum of Comic and Cartoon Art in 2002 by bringing together over 2,000 artists, publishers, editors and enthusiasts. It was named "Best Small-Press Comics Nexus Anywhere" by The Village Voice.
Gregory Manchess is an American illustrator from Kentucky. His illustrations have appeared in magazines, digital murals, illustrated movie posters, advertising campaigns and book covers including sixty covers for Louis L’Amour. His work has appeared on Major League Baseball World Series Programs, Time, Newsweek, The Atlantic Monthly, Playboy, The Smithsonian and National Geographic. His style includes broad brush strokes and excellent figure work.
Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines she illustrated for were Woman's Day, Good Housekeeping, Redbook, McCall's, and Cosmopolitan. She was inducted into the Society of Illustrators' Hall of Fame in 1979.
Yuko Shimizu (清水裕子) is a Japanese illustrator based in New York City whose work combines Japanese heritage with contemporary reference points. Works by Shimizu address a range of serious issues including sex, race, and cultural identity, but also can be light and whimsical.
Tom Lovell was an American illustrator and painter. He was a creator of pulp fiction magazine covers and illustrations, and of visual art of the American West. He produced illustrations for National Geographic magazine and many others, and painted many historical Western subjects such as interactions between Indians and white settlers and traders. He was inducted into the Society of Illustrators' Hall of Fame in 1974.
Murray Tinkelman was an American science-fiction and fantasy illustrator. He won gold medals from the Society of Illustrators. He provided numerous book covers for paperback reprints of science fiction and fantasy novels for Ballantine Books in the 1970s, including the reprints of many of John Brunner's novels.
Robert Heindel was an American painter, illustrator, and stage designer best known for his paintings of dance and performing arts. Heindel created over 1300 paintings and drawings of dance and performing arts during a twenty-five year period in the late twentieth century. He was described as the best painter of dance of his time.
Naiad June Einsel was an American commercial illustrator and artist. Over the course of her career, Einsel completed artwork for magazines, newspapers, and brands. Einsel, along with husband Walter, was inducted into the Society of Illustrators' Hall of Fame in 2008.
Victo Ngai is an American illustrator raised in Hong Kong. Her work has been described as being highly detailed and precise, referencing comic book drawings, classic children's book illustrations, the work of Japanese painters, and more. Illustrations created by the artist are often considered to contain compelling imagery and unique styling.
John Carlton Atherton was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art, Whitney Museum of American Art and the Smithsonian American Art Museum.
Nora Krug is a German–American author and illustrator. Her graphic memoir Belonging: A German Reckons With History and Home won the 2018 National Book Critics Circle Award in Autobiography, the 2019 Schubart-Literaturpreis, and the 2019 Evangelischer Buchpreis. She is also an associate professor of Illustration at the Parsons School of Design in New York City.