Edward Sorel | |
---|---|
Born | Edward Schwartz March 26, 1929 The Bronx, New York City |
Nationality | American |
Occupation(s) | Illustrator, writer |
Edward Sorel (born Edward Schwartz, 26 March 1929) [1] is an American illustrator, caricaturist, cartoonist, graphic designer and author. His work is known for its storytelling, its left-liberal social commentary, its criticism of reactionary right-wing politics and organized religion. Formerly a regular contributor to The Nation , New York Magazine and The Atlantic , his work is today seen more frequently in Vanity Fair . He has been hailed by The New York Times as "one of America's foremost political satirists". [2] [3] [4] As a lifelong New Yorker, a large portion of his work interprets the life, culture and political events of New York City. There is also a large body of work which is nostalgic for the stars of 1930s and 1940s Hollywood when Sorel was a youth. Sorel is noted for his wavy pen-and-ink style, which he describes as "spontaneous direct drawing". [5]
Sorel was born and grew up in The Bronx, the son of Jewish immigrants. [2] His father was a door-to-door dry goods salesman, while his mother worked full-time in a hatmaking factory. [5] Sorel became serious about drawing when a case of double pneumonia confined him to bed for nearly a year. [2] He attended the High School of Music & Art, and graduated from the Cooper Union in 1951. [2]
As he explains in Mary Astor's Purple Diary, he took his name from the character Julien Sorel of The Red and the Black by Stendhal, with whom he felt akin because both hated their fathers, the clergy and the corrupt society of their time. [6]
Sorel was a co-founder of Push Pin Studios with Milton Glaser, Seymour Chwast, and Reynold Ruffins in 1953. [2]
In 1956 Sorel went freelance. [5] His first published illustration was A War for Civilization was sold to the satirical magazine The Realist ; [7] in 1961. He then sold the magazine a cartoon satirizing the glamor of the Kennedy family, an early example of his parody movie posters. Victor Navasky appointed him art director for the satirical magazine Monocle in 1963. [2] In the later 1960s he produced full-color satirical bestiaries for the left-wing Ramparts , and a series called "Sorel's Unfamiliar Quotations" for The Atlantic . A profile of Sorel in Time 15 October 1968 was instrumental in selling "Sorel's News Service" by King Features to 44 syndicated newspapers [2] for 14 months from later 1969 through 1970. Clay Felker founded New York magazine in the late 1960s and Glaser hired Sorel as its art director in the late 1970s. [2]
Sorel also contributed covers and features to early issues of National Lampoon . When Felker bought the Village Voice in 1974 Sorel was given a weekly spot there, which lasted for most of the 1970s. By the mid-1980s Sorel moved to The Nation , now edited by his old colleague Navasky, and to which he contributed for the next decade. Sorel joined The New Yorker in late 1992 contributing a cover to the first issue edited by new editor Tina Brown. He has contributed many illustrations, features, and 44 covers to The New Yorker.
He has contributed many features to Vanity Fair . His art has also appeared on the covers of Harper's Magazine , Fortune , Forbes , Esquire , Time , American Heritage , Atlantic Monthly . Sorel also had a lengthy association with Penthouse , often lavishly reworking earlier drawings and ideas from his work for The Village Voice and The Nation .
In 2007 he completed the celebrated mural for the Waverly Inn in New York's Greenwich Village, which was published as a book, The Mural at the Waverly Inn in 2008. In 2009 he completed the mural for the redesigned Monkey Bar Restaurant in New York City.
As a writer, Sorel has reviewed books and exhibitions of fellow cartoonists and illustrators for such publications as The New York Times , The New York Observer , and American Heritage magazine.
In February 2010 he was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers. [8]
In 2016, Sorel published "Mary Astor's Purple Diary," which was received with praise. In late December 2016, Sorel received a rave book review by Woody Allen.
Sorel has been married twice. He met his second wife, Nancy Caldwell, in 1963 at a Quakers Morningside Friends Meeting, and married her in 1965. Sorel and Caldwell have collaborated on two books, with Caldwell writing the text and Sorel doing the illustrations. [2] Sorel has four children: Madeline Sorel Kahn, Leo Sorel, [5] Jenny Sorel, Katherine Sorel; and six grandchildren: Saskia Kahn, Sabella Kahn, Walter Sorel, Adam Sorel, Dulio Sorel, and Thelonious Sorel.
In 1998 the National Portrait Gallery in Washington, DC, devoted several rooms to an exhibition of his caricatures. Other one-man shows include the Graham Gallery and the Davis and Langdale Gallery in New York City, the Susan Conway Gallery in Washington, DC, the Art Institute of Boston, Galerie Bartsch & Chariau in Munich, Germany, and Chris Beetles Gallery in London.
He is a recipient of the Auguste St. Gaudens Medal for Professional Achievement from Cooper Union (his alma mater), the Hamilton King Award from The Society of Illustrators, the Page One Award from the Newspaper Guild, the Best in Illustration Award from the National Cartoonists Society, the George Polk Award for Satiric Drawing, and the "Karikaturpreis der deutschen Anwaltschaft" from the Wilhelm Busch Museum in Hanover, Germany. [9] He received the National Cartoonist Society Advertising and Illustration Award for 1993. [10] In 2001, Sorel was given the Hunter College James Aronson Award for Social Justice Journalism Lifetime Achievement Award. In 2001 the Art Directors Club of New York elected him to their Hall of Fame, [5] the first cartoonist since John Held Jr. to be so honored. [9] Ed Sorel serves as an Honorary Board Member of the Freedom From Religion Foundation. [11]
In 2011, the School of Visual Arts in Manhattan honored Sorel as part of their Masters Series, an award and exhibition that honors great visual communicators. [3] The SVA produced a documentary about Sorel entitled Nice Work if You Can Get It directed by his son, Leo. The documentary is now streaming on Vimeo.
In 2022, he was awarded the Reuben Award for Outstanding Cartoonist of the Year by the National Cartoonists Society. [12]
Sir John Tenniel was an English illustrator, graphic humourist and political cartoonist prominent in the second half of the 19th century. An alumnus of the Royal Academy of Arts in London, he was knighted for artistic achievements in 1893, the first such honour ever bestowed on an illustrator or cartoonist.
A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings. Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in newspapers and news magazines as political cartoons, while caricatures of movie stars are often found in entertainment magazines.
Gerald Anthony Scarfe is an English cartoonist and illustrator. He has worked as editorial cartoonist for The Sunday Times and illustrator for The New Yorker.
James Gillray was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Patrick Bruce "Pat" Oliphant is an Australian-born American artist whose career spanned more than sixty years. His body of work as a whole focuses mostly on American and global politics, culture, and corruption; he is particularly known for his caricatures of American presidents and other powerful leaders. Over the course of his long career, Oliphant produced thousands of daily editorial cartoons, dozens of bronze sculptures, as well as a large oeuvre of drawings and paintings. He retired in 2015.
Drew Friedman is an American cartoonist and illustrator who first gained renown for his humorous artwork and "stippling"-like style of caricature, employing thousands of pen-marks to simulate the look of a photograph. In the mid-1990s, he switched to painting.
Tom Richmond is an American freelance humorous illustrator, cartoonist and caricaturist whose work has appeared in many national and international publications since 1990. He was chosen as the 2011 "Outstanding Cartoonist of the Year", also known as "The Reuben Award", winner by the National Cartoonists Society.
Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization.
David Levine was an American artist and illustrator best known for his caricatures in The New York Review of Books. Jules Feiffer has called him "the greatest caricaturist of the last half of the 20th Century".
Charles David Saxon was an American cartoonist known for his work for The New Yorker.
Bob StaakeSTAK is an American illustrator, cartoonist, children's book author and designer. He lives and works in Chatham, Massachusetts on the elbow of Cape Cod.
Sidney Arnold Barron was a Canadian editorial cartoonist and artist. During his career as a cartoonist, he drew for the Victoria Times, the Toronto Star, Maclean's, and The Albertan. His cartoons were satirical takes on social mores, and often contained a biplane towing a banner, and a bored-looking cat, holding a card bearing a wry comment. Later in life, Barron moved to Vancouver Island, where he and his wife opened an art studio and gallery.
Ralph Waldo Emerson Barton was a popular American cartoonist and caricaturist of actors and other celebrities. His work was in heavy demand through the 1920s and has been considered to epitomize the era. Barton was nearly forgotten soon after his death, shortly before his fortieth birthday.
Joseph Ferdinand Keppler was an Austrian-born American cartoonist and caricaturist who greatly influenced the growth of satirical cartooning in the United States.
Alexander Saroukhan was an Armenian-Egyptian cartoonist and caricaturist whose drawings have appeared in a number of Arabic and international newspapers and magazines. He is considered one of the best and most famous caricaturists in the Arab world.
Bozorgmehr Hosseinpour is an Iranian cartoonist, comic artist, and art director. He holds a bachelor of painting from the Azad University of Tehran (1378).
Pamarthy Shankar is an artist, caricaturist and cartoonist from Hyderabad, India. He is currently working as chief cartoonist for Sakshi, a daily newspaper in Hyderabad published in Telugu.
Edward Tennyson Reed (1860–1933) was an English political cartoonist and illustrator, primarily known for his cartoons in Punch Magazine.
Jeff Bell is a New Zealand cartoonist and caricaturist. His work appears every Monday in the Dominion Post, the Press, and other Stuff Ltd newspapers.