Established | 2015 |
---|---|
Location | 119 West 23rd Street New York, NY 10011 |
Coordinates | 40°44′36″N73°59′37″W / 40.74335°N 73.99349°W |
Type | Art museum |
Director | Angelina Lippert [1] |
President | Val Crosswhite |
Architect | LTL Architects |
Public transit access | New York City Bus: M7, M20, M23 SBS, M55 New York City Subway:
|
Website | posterhouse |
Poster House is the first museum in the United States dedicated exclusively to posters. [2] [3] Located in Chelsea, Manhattan, New York City, on 23rd Street between Sixth Avenue and Seventh Avenue, the museum opened to the public on June 20, 2019.
Poster House was incorporated in 2015 and opened to the public on June 20, 2019. [4] [5] Its logo was designed by Paula Scher of Pentagram. [6] The museum space, which formerly housed an Apple products repair store by the name of Tekserve, was redesigned by LTL Architects and Lumen Architecture. [7] [8]
When Poster House opened in 2019, its permanent collection contained approximately 7,000 posters from 100 different countries. [6] This included 3,000 pieces related to the 2017 Women's March as well as 98 Subway Series posters. [6] [9] The Subway Series donation was made by the School of Visual Arts. It includes works by Milton Glaser, Louise Fili, and Paula Scher. [9]
The museum's collection contains works ranging from the late 1800s through present day. [4] The contemporary works are contained in a living archive that Poster House adds to on a regular basis. [10] [11] The museum draws from both its historic and contemporary collections to stage exhibitions focused on a particular artist, movement, or theme. [10]
Poster House's first exhibition, in June 2019, featured more than 80 posters by the Czech graphic designer Alphonse Mucha. [5] A February 2020 exhibition called The Swiss Grid examined influential Swiss design and typographic style. [12]
In April 2021, Poster House held an exhibition featuring the work of Julius Klinger. [13] In September 2021, the museum opened You Can't Bleed Me, which displayed posters and marketing materials from notable Blaxploitation films such as Slaughter and Coffy . [14] That same month, it opened an exhibition containing over 200 posters from the New York-based design and illustration firm Push Pin Studios. [15]
In March 2022, Poster House opened Ethel Reed: I Am My Own Person, a show featuring poster and magazine cover illustrations Reed designed in the late 19th and early 20th centuries. [16] [17]
Black Power to Black People, an exhibition featuring the history, art, and branding of the Black Panther Party, began in March 2023. [18] That month also marked the opening of Made in Japan, which focused on World War II and Post-War Era Japanese poster art. [19] Other 2023 exhibitions included Art Deco: Commercializing the Avant-Garde, a 53-piece show examining the use of Art Deco in mid-century advertisements, and We Tried To Warn You!, which featured environmental movement posters and advertisements from the 1970s through the 2000s. [20] [21]
In April 2020, Poster House and Print collaborated on a public safety campaign called #CombatCOVID. The campaign employed graphic designers including Jessica Hische, Maira Kalman, and Edel Rodriguez, who created a series of posters communicating public safety guidelines and encouraging sentiment to New York City residents. [22] [23] These posters were displayed on approximately 1,700 digital advertising spaces across the five boroughs. [23]
Poster House also partnered with food writer and historian Grace Young to create Coronavirus: Chinatown Stories, a video series in which Young documented the difficulties small businesses in Manhattan's Chinatown were experiencing during the pandemic. [24] [25] Young received the 2022 Julia Child Award, in part due to her work on the series. [26] The award was presented to her by Poster House's Julia Knight. [27]
Keith Allen Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language". Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, he participated in renowned national and international group shows such as documenta in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997.
Seymour Chwast is an American graphic designer, illustrator, and type designer.
Shigeo Fukuda was a sculptor, medallist, graphic artist and poster designer who created optical illusions. He is one of Japan's most well-known post-war graphic designers. He is known to be an environmentalist and anti-war, for he designed posters on these social issues. His art pieces usually portray deception, such as Lunch With a Helmet On, a sculpture created entirely from forks, knives, and spoons, that casts a detailed shadow of a motorcycle.
Paula Scher is an American graphic designer, painter and art educator in design. She also served as the first female principal at Pentagram, which she joined in 1991.
Ethel Reed was an American graphic artist. In the 1890s, her works received critical acclaim in America and Europe. In 2016, they were on exhibit in the Metropolitan Museum of Art and Museum of Modern Art in New York, the National Museum of American History in Washington, D.C., the Fine Arts Museums of San Francisco, the Frederick R. Weisman Art Museum of the University of Minnesota in Minneapolis, and the Nelson-Atkins Museum of Art in Kansas City.
Pentagram is a design firm. It was founded in 1972, by Alan Fletcher, Theo Crosby, Colin Forbes, Kenneth Grange, and Mervyn Kurlansky at Needham Road, Notting Hill, London. The company has offices in London, New York City, San Francisco, Berlin and Austin, Texas. In addition to its influential work, the firm is known for its unusual structure, in which a hierarchically flat group of partners own and manage the firm, often working collaboratively, and share in profits and decisionmaking.
April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." According to design historian Steven Heller, “April Greiman was a bridge between the modern and postmodern, the analog and the digital.” “She is a pivotal proponent of the ‘new typography’ and new wave that defined late twentieth-century graphic design.” Her art combines her Swiss design training with West Coast postmodernism.
Massimo Vignelli was an Italian designer who worked in a number of areas including packaging, houseware, furniture, public signage, and showroom design. He was the co-founder of Vignelli Associates, with his wife, Lella. His motto was, "If you can design one thing, you can design everything," which the broad range of his work reflects.
Steven Heller is an American art director, journalist, critic, author, and editor who specializes in topics related to graphic design.
Mirko Ilić is a Bosnian-born comics artist and graphic designer based in New York City.
Edward McKnight Kauffer was an American artist and graphic designer who lived for much of his life in the United Kingdom. He worked mainly in poster art, but was also active as a painter, book illustrator and theatre designer.
Mildred Constantine Bettelheim was an American curator who helped bring attention to the posters and other graphic design in the collection of the Museum of Modern Art in the 1950s and 1960s
George Tscherny was a Hungarian-born American graphic designer and educator. Tscherny received the highest honors among graphic designers. He was awarded the AIGA Medal in 1988, celebrated in the annual Masters Series in 1992 at the School of Visual Arts, and inducted into the Art Directors Club Hall of Fame in 1997. He worked in a number of areas ranging from U.S. postage to identity programs for large corporations and institutions.
Lella Vignelli was an Italian architect, designer, and businesswomen. She collaborated closely throughout much of her life with her husband Massimo Vignelli, with whom she founded Vignelli Associates in 1971.
Jacqueline S. Casey was a graphic designer best known for the posters and other graphic art she created for the Massachusetts Institute of Technology (MIT). While practicing a functional Modernism, Jacqueline S. Casey was a graphic designer in the Office of Publications from 1955 to 1989, and was appointed director in 1972. In discussing her design, Casey stated, "My work combines two cultures: The American interest in visual metaphor on the one hand, and the Swiss fascination with planning, fastidiousness, and control over technical execution on the other."
Keith Godard was a British born graphic artist and designer who practiced in New York City. He was the principal artist at StudioWorks.
Gail Anderson is an American graphic designer, writer, and educator known for her typographic skill, hand-lettering and poster design.
Barbara Ethel Stauffacher Solomon was an American landscape architect and graphic designer. She was best known for her large-scale interior 'supergraphics' and the exterior signs at Sea Ranch, a private estate with a Utopian vision in Sonoma County, California.
Carin Goldberg was an American graphic designer, publication designer and brand consultant. She was known for her cover designs for record albums and books, with her work appearing in and on the covers of the New York Times Book Review, the New York Times Magazine, New York Magazine, The Atlantic Monthly, and Wired. Her use of visual historical references generated controversy within the graphic design community.
Adrian Shaughnessy is a British graphic designer, writer and publisher.