Frick Collection

Last updated

The Frick Collection logo.png
Frick Collection New York cour.jpg
The museum's courtyard
Frick Collection
Interactive fullscreen map
EstablishedDecember 16, 1935;88 years ago (1935-12-16) [1]
Location 1 East 70th Street
Manhattan, New York, U.S.
Coordinates 40°46′16″N73°58′2″W / 40.77111°N 73.96722°W / 40.77111; -73.96722
Type Art [2]
DirectorAxel Rüger
Public transit access Subway: NYCS-bull-trans-6-Std.svg NYCS-bull-trans-6d-Std.svg ​ at 68th Street–Hunter College
Bus: M1, M2, M3, M4, M66, M72, M98, M101, M102, M103 [3]
Website www.frick.org OOjs UI icon edit-ltr-progressive.svg

The Frick Collection (colloquially known as the Frick) is an art museum on the Upper East Side of Manhattan in New York City, New York, U.S. It was established in 1935 to preserve the art collection of the industrialist Henry Clay Frick. The collection consists of 14th- to 19th-century European paintings, as well as other pieces of European fine and decorative art. It is located at the Henry Clay Frick House, a Beaux-Arts mansion designed for Henry Clay Frick. The Frick also houses the Frick Art Research Library, an art history research center established by Frick's daughter Helen Clay Frick in 1920, which contains sales catalogs, books, periodicals, and photographs.

Contents

The museum dates to 1920, when the trustees of Frick's estate formed the Frick Collection Inc. to care for his art collection, which he had bequeathed for public use. After Frick's wife Adelaide Frick died in 1931, John Russell Pope converted the Frick House into a museum, which opened on December 16, 1935. The museum acquired additional works of art over the years, and it expanded the house in 1977 to accommodate increasing visitation. Following fundraising campaigns in the 2000s, a further expansion was announced in the 2010s. From 2021 until March 2024, during the renovation of the Frick House, the Frick Madison operated at 945 Madison Avenue. The Frick House is scheduled to reopen in April 2025.

The Frick has about 1,500 pieces in its collection as of 2021. Artists with works in the collection include Bellini, Fragonard, Gainsborough, Goya, Holbein, Rembrandt, Titian, Turner, Velázquez, Vermeer, and Whistler. The museum has gradually acquired additional pieces over the years to supplement the paintings in Frick's original collection. In addition to its permanent collection, the museum has hosted small temporary exhibitions on narrowly defined topics, as well as academic symposiums, concerts, and classes. The Frick Collection typically has up to 300,000 visitors annually and has an endowment fund to support its programming. Commentary on the museum over the years has been largely positive, particularly in relation to the works themselves and their juxtaposition with the Frick House.

History

Henry Clay Frick was a coke and steel magnate. [4] [5] As early as 1870, he had hung pictures throughout his house in Broadford, Pennsylvania. [6] Frick acquired the first painting in his permanent collection, Luis Jiménez's In the Louvre, in 1880, [7] after moving to Pittsburgh. [6] He did not begin buying paintings in large numbers until the mid-1890s, [8] [9] and he began devoting significant amounts of time to his collection. [10] This made Frick one of several prominent American businessmen who also collected art, along with figures such as Henry Havemeyer and J. P. Morgan. [11] In explaining why he collected art, Frick said, "I can make money... I cannot make pictures." [12] He curated his collection with the help of Joseph Duveen, 1st Baron Duveen. [13] [14]

When the Frick family moved from Pittsburgh to New York City in 1905, they leased the William H. Vanderbilt House at 640 Fifth Avenue, [15] [12] and Frick expanded his collection during that time. [16] [17] The collection was spread across their homes in New York, Pennsylvania, and Massachusetts. [18] Thomas Hastings of Carrère and Hastings designed Frick's permanent house at 1 East 70th Street, [19] which was completed in 1914. [20] The house had been designed with the collection in mind. [12] James Howard Bridge, Frick's personal assistant, was hired as the house's curator in 1914 and worked at the house for fourteen years. [21] [22] Frick, who was known for being especially particular in his tastes, [23] spent an estimated $10 million to acquire pieces during his lifetime. [24] Duveen opened four art-purchasing accounts for Frick, including two accounts specifically for art from Morgan's estate. [25]

Creation

Establishment of Frick Collection Inc.

When Frick died in 1919, he bequeathed the Henry Clay Frick House on Fifth Avenue as a public museum for his art collection. Frickmusjeh.JPG
When Frick died in 1919, he bequeathed the Henry Clay Frick House on Fifth Avenue as a public museum for his art collection.

Frick died in 1919 at the age of 69, bequeathing the house as a public museum for his art collection. [4] [26] His widow Adelaide Howard Childs Frick continued living in the mansion with her daughter Helen; [27] if Adelaide died or moved away, the house would be converted to a public museum. [28] [29] At the time, the collection alone was worth $30 million, [30] and Frick also provided a $15 million endowment for the maintenance of the collection. [28] Nine people, including Adelaide, Helen, and Helen's brother Childs, were named as trustees of his estate; [31] Childs served as the head of the Frick estate's board of trustees until his death in 1965. [32] Per the terms of Frick's will, the trustees moved to incorporate Frick's art collection in April 1920, submitting articles of incorporation to the New York state government. [33] The Frick Collection Inc. was incorporated that month. [34]

The New York and Pennsylvania state governments fought over which government should collect taxes from Frick's estate. [35] Amid this dispute, the collection was reassessed at $13 million in 1921; [30] this figure was repeated in a revised appraisal of Frick's estate that was filed with the New York state government in 1923. [36] Meanwhile, Helen Frick studied plans for the Witt Library in London in the early 1920s, as she wanted to create a library for Frick's personal collection. [37] Helen catalogued most of the collection over the next decade. [31] The Frick Art Research Library, originally named the Frick Art Reference Library, was organized at the mansion after Frick's death, [38] and a dedicated library building opened the next year. [39] During the 1920s, the library added thousands of volumes and photographs to its holdings. [21] [40] Over the years, four additional trustees had to be appointed after their predecessors died. [27]

Opening of museum

After Adelaide Frick's death in October 1931, the trustees were finally allowed to open the house to the public; [41] they announced in January 1933 that the collection would likely open to the public within a year. [42] [43] John Russell Pope was hired to alter and enlarge the house. [44] Frederick Mortimer Clapp, who had joined the Frick Collection as an advisor in 1931, [45] was hired as the museum's first director. [43] [46] Work on the mansion began in December 1933. [47] A new library wing was constructed on 71st Street to replace the original library. [48] Other modifications included a new storage vault and renovations of the Frick family's living space. [49] The museum's opening, originally scheduled for 1934, was postponed because of the complexity of the construction project. [50] The Frick estate also sued the city government in 1935 to obtain a property-tax exemption for the museum, [51] [52] and the taxes were waived the next year, as the Frick Collection was a public museum. [53]

The Frick Art Research Library reopened in 1935. Frick Art Reference Library - interior.jpg
The Frick Art Research Library reopened in 1935.

When the rebuilt library opened in January 1935, [54] it had 200,000 photographs, 18,000 catalogs of art sales, and 45,000 books. [55] The museum itself had a soft opening on December 11, 1935; [56] the preview was noteworthy enough that the names of 700 visitors were published in that day's New York Herald Tribune . [57] The Frick Collection officially opened to the public five days later on December 16. [1] When it opened, the museum did not charge admission fees, [27] [58] but staff distributed timed-entry tickets to prevent crowding. [27] [49] [59] Although about 600 tickets were distributed daily to people who showed up in person, [60] other visitors had to make reservations several weeks in advance due to high demand. [27] [49] Ropes were placed throughout the house to force visitors to follow a specific path. [27] The galleries were originally closed on holidays, Sundays, and for a month in the middle of the year. [60] Artworks were arranged based on how they blended in with the house's ambiance, rather than being arranged by year. [61]

1930s to 1960s

Within a year of the museum's opening, demand had declined enough that officials decided to scale down, and then eliminate, its timed-entry ticketing system. [62] The ropes throughout the house were taken down, and visitors were allowed to visit the Frick House's rooms in any order. [63] [64] Museum officials also presented lectures five days a week during the late 1930s, [62] [63] and they started hosting afternoon concert series in November 1938; [64] [65] these concerts and lectures continued throughout Clapp's tenure at the museum. [45] Clapp also obtained fresh flowers each day and placed them in the first-floor galleries for esthetic purposes. [45] Three magnolia trees were planted on the grounds in 1939. [66] To expand their land holdings, museum officials bought a neighboring townhouse at 9 East 70th Street in 1940 [67] and used that building as storage space. [68]

Museum officials constructed a vault in 1941 to protect the artwork from air raids. [69] During World War II, the museum continued to host visitors, but some rooms were closed, [70] and more than five dozen paintings and all of the sculptures were moved into storage. [71] Museum officials took these pieces out of storage in May 1945 and restored them; other artworks in the house were rearranged and cleaned as well. [72] The Frick acquired another townhouse at 7 East 70th Street in 1947 [73] and replaced it with a service wing. [68] By the late 1940s, the museum had cumulatively spent about $2.9 million in acquisitions since Frick's death. [74] When John D. Rockefeller Jr. offered to donate several pieces of artwork in 1948, Helen Frick objected, arguing that the museum only accepted gifts from Frick family members. [75] In the lawsuit that followed, a New York Supreme Court judge ruled that the terms of Frick's will did not prevent the museum from accepting external gifts; [76] the court's Appellate Division upheld this ruling. [77] Rockefeller, who had been on the board of trustees, resigned amid the dispute. [12]

Clapp resigned in 1951 and was replaced by the museum's assistant director Franklin M. Biebel. [78] Biebel established a decorative-arts conservation program, and the number of annual visitors nearly doubled under his tenure. [79] The museum's collection remained largely unchanged over the next several years, as Helen Frick opposed any expansions, saying that her father would not have wanted items to be added. [80] Helen resigned from the museum's board of trustees in 1961, when the board finally voted to accept Rockefeller's gift. [81] Assistant director Harry D. M. Grier replaced Biebel, becoming the museum's third director in 1964. [82] By the mid-1960s, the Frick had 160 portraits, 80 sculptures, and various other items in its collection. The Frick was open six days a week (except in August, when it was closed) and was still free to enter. [83] The collection was small compared to that of the Metropolitan Museum of Art, which at the time had 365,000 items. [83] Edgar Munhall was hired as the museum's first chief curator in 1965, a position he would hold for thirty-five years. [84] As part of a master plan in 1967, [85] the Frick's trustees drew up plans for an annex at 7 and 9 East 70th Street. [86]

1970s to 1990s

Entrance to the Frick Collection Frick Collection New York entree.jpg
Entrance to the Frick Collection

By the early 1970s, the museum recorded about 800 daily visitors [87] and employed 75 staff members. [87] [88] The next year, the museum began asking visitors to pay an optional admission fee due to rising taxes and expenses. [89] After Grier was killed in a traffic accident in 1972, [90] Everett Fahy was appointed as the museum's fourth director in 1973. [91] The museum announced plans to construct an annex at 5–9 East 70th Street. [92] After the New York City Landmarks Preservation Commission (LPC) expressed concerns over the fact that the expansion would require the demolition of the Widener House at 5 East 70th Street, [93] the museum announced a plan for a "temporary garden" on the 70th Street lots, which the LPC approved. [94] The original annex was canceled that November, [92] and Frick officials subsequently decided to build a one-story wing on the Widener House's site. [95] The annex had been proposed because, at the time, the mansion could accommodate only 250 people at once. [96]

Under Fahy's tenure, the museum began hosting more temporary exhibits, which it had seldom held before Fahy took over. [97] The Frick began charging admission for the first time in 1976. [98] The annex was completed the next year, along with a garden, [96] [98] designed by British landscape architect Russell Page. [99] The Frick renovated the Boucher Room and cleaned and rearranged its paintings during the following decade. [100] By the mid-1980s, the museum displayed 169 works of art, [101] [102] and the galleries occupied 16 rooms. [101] The museum periodically hosted chamber music performances in the Frick House's courtyard. [103] It was relatively low-profile compared to others in New York City, only sporadically expanding its collection and hosting small temporary exhibitions. [104] After Helen Frick died in 1984, the museum took over responsibility for the Frick Art Research Library; [104] initially, the library had no endowment as Helen had not provided anything for the library in her will. [105] Ceiling lights were installed in the Fragonard and Boucher rooms in the 1980s. [106]

Charles Ryskamp, the former director of the Pierpont Morgan Library, was appointed as the Frick's fifth director in December 1986 after Fahy's resignation, [107] though he did not assume that position for another six months. [104] Under Ryskamp's directorship, some of the paintings were rearranged or brought out of storage. [108] By the 1990s, the art reference library was low on funds; [109] the library had a $25 million endowment by 1993, [105] and the Frick began charging "frequent commercial users" of the library that year. [110] Through the 1990s, the Frick banned all children under the age of 10, as well as unaccompanied minors between ages 10 and 15, [111] [112] and the museum also did not have a café. [113] The New York City government passed a law banning public institutions from discriminating by age in 1993, which would have forced the museum to start admitting children. [111] [114] Museum officials requested a waiver, saying that they would have to install barriers if children were allowed, [111] [112] and they received such a waiver in 1995. [115] In addition, further lighting upgrades were made in the mid-1990s. [106]

Ryskamp announced his retirement in 1997. [116] After Samuel Sachs II was named as the museum's sixth director that May, [116] [117] the trustees tasked him with raising funds. [118] Under Sachs's directorship, the museum launched a website in the 1990s, [119] and replaced the lighting and hosted additional special exhibitions. [120] Sachs also contemplated expanding the exhibition space, adding a café, and relocating the entrance to the house's garden. [119] In addition, the museum began providing complimentary audio guides for the mansion and artworks [29] [121] and, in the early 21st century, added the Bloomberg Connects smartphone app. [122] Museum officials also began allowing parties to be hosted in the Frick House. [123] A group named Friends of the Fellows of the Frick Collection was formed to raise interest in the museum. [124]

2000s and 2010s

Colin Bailey was appointed as chief curator in 2000 after Munhall resigned. [125] During the late 1990s, the Helen Clay Frick Foundation proposed moving its archives in Pittsburgh to the Frick Collection's archives, prompting an intra-family debate over whether the collections should be merged. [126] The foundation's collection ultimately was split between the two cities in 2001, and most of the objects were sent to New York City. [127] After attendance dropped following the September 11 attacks that year, the Andrew W. Mellon Foundation provided $270,000, in part to fund extended hours on Fridays. [128] Sachs announced in January 2003 that he would resign as the museum's director in eight months, [129] as the board of trustees had not renewed his contract. [118] At the time of Sachs's resignation, the museum recorded 350,000 annual visitors, 20 percent more than in 1997, [129] but it was running at a $1 million annual deficit. [130] Annexes to the museum were proposed in 2001, 2005, and 2008, [131] but all of these plans were canceled because it would have required an extended closure of the museum and still would not have provided sufficient space. [132]

The art scholar Anne L. Poulet was hired in August 2003 as the Frick's first female director, [133] and the museum was reorganized as a tax-exempt public charity shortly after Poulet became the director. [130] Under Poulet's tenure, she replaced lighting in several galleries [130] [134] and rearranged some of the pieces. [130] She also raised $55 million for renovations; [134] the museum's facilities had become dated, and the basement exhibition space was no longer sufficient. [130] Because of the Frick's classification as a charity, the museum had to raise a third of its budget from donations. [118] The Frick created programs to attract major donors and art collectors, [118] [134] and it began charging admission fees for concerts in 2005. [135] [136] During the 2000s decade, the Frick did not acquire many additional items. [134] In contrast to larger museums, it generally hosted small, detailed exhibits, [134] though the number of short-term exhibitions at the Frick increased during the decade. [137] Further restorations of the museum's galleries took place through the late 2000s to attract visitors. [138]

A plan to expand the museum in 2014 failed because of opposition to demolishing the 70th Street garden (pictured). Frick Museum garden seen through gated fence.jpg
A plan to expand the museum in 2014 failed because of opposition to demolishing the 70th Street garden (pictured).

Poulet announced her retirement in September 2010, [139] and Ian Wardropper was hired as the museum's director in 2011. [140] A sculpture gallery, designed by Davis Brody Bond, opened at the Frick House in December 2011, becoming the first new gallery at the museum in three decades. [141] [142] Bailey resigned as the chief curator in 2013, [143] and Xavier F. Salomon was hired as the chief curator the same year. [144] During the 2010s, the Frick began raising $290 million for its renovation. [145] [146] The collection had reached more than 1,100 works by the mid-2010s. [147] [131] [132] [a] In addition, the museum was hosting an average of five temporary exhibits per year. [132] The Frick House's facilities were not adequate for the museum's modern needs. For example, paintings had to be carried into the museum through the house's front door, and portraits had to be placed in storage whenever the Frick hosted a visiting show. [85] The concerts at the museum sometimes sold out as well. [132]

In 2014, the museum announced plans for a six-story annex on 70th Street designed by Davis Brody Bond. [131] [147] Russell Page's garden on 70th Street would have been demolished to make way for the annex; this prompted opposition from residents and preservationists, [148] [149] and the Frick announced in June 2015 that it would draw up new designs. [150] To attract younger visitors, the museum began hosting free events in the mid-2010s, [151] such as First Fridays. [152] The Frick hired Annabelle Selldorf to design a revised expansion plan for the museum, which was announced in April 2018; [153] [154] the LPC approved Selldorf's plans that June. [155] The Frick then sought to relocate to the Solomon R. Guggenheim Museum temporarily, but the Guggenheim was available for only four months. [156] By September 2018, the Frick was negotiating to take over the Whitney Museum's space at 945 Madison Avenue; [157] the Frick finalized a two-year lease for that building in 2020. [158]

2020s to present

The Frick moved to 945 Madison Avenue between 2021 and 2024. 6 16 2021 Frick old Whitney building 945 Madison Avenue NYC.jpg
The Frick moved to 945 Madison Avenue between 2021 and 2024.

The Frick closed in mid-March 2020 due to the COVID-19 pandemic in New York City; [159] [160] the opening of the temporary location was delayed due to the pandemic. [161] [160] The museum's collection was moved to 945 Madison Avenue, which reopened as the Frick Madison in March 2021. [162] The Frick Madison housed the museum's old masters collection, including 104 paintings, along with sculptures, vases, and clocks. [156] Most of the 1,500-piece collection of artwork was placed in storage at 945 Madison Avenue, [163] and about 300 works were placed on display. [163] [164] At the Frick Madison, the artwork was exhibited against stark dark gray walls, in contrast to the Frick House's ornate decoration; [163] [156] the paintings were also grouped according to their age and region of origin. [165] [166] [167] The Frick Madison also included a café. [168]

The museum had raised $242 million for its capital campaign by the end of 2023. [145] [146] Wardropper announced in January 2024 that he would resign the following year, after the Frick House's renovation was complete. [146] [169] The Frick Madison closed on March 3, 2024. [170] [171] The Henry Clay Frick House and Frick Art Research Library were originally expected to reopen in late 2024, [170] [172] but this was later pushed back to April 2025. [173] In September 2024, the Frick hired Axel Rüger, the head of the Royal Academy of Arts in London, to serve as the museum's director beginning in 2025. [174]

Collection

The Frick has a collection of old master paintings and furniture housed in 19 galleries of varying size within the former residence. [119] Frick ultimately acquired a variety of European paintings, [31] [175] Renaissance bronzes, [43] French clocks, [176] and a set of porcelains. [175] Toward the end of Frick's life, he focused on porcelains, sculptures, and furniture. [177] Although Frick made over a thousand acquisitions over his lifetime, he resold most of the things he bought. [88] The original collection contained 635 pieces of art or decorations when Frick died. [147] When the museum opened, it displayed 136 [59] or about 200 paintings in addition to porcelains, enamels, and bronzes. [49] There were also 80 sculptures on display. [60]

Helen Clay Frick and the board of trustees expanded the collection after his death; in 2006, the New York Times estimated that about 30 percent of the collection had been acquired after Frick died. [118] Nonetheless, until 1948, the museum accepted donations of art only from Frick family members. [74] The museum can lend works acquired after Frick's death, but not works that he owned in his lifetime; [119] [178] [179] this restriction has prevented works from appearing in other museums' exhibitions. [180] The Frick is also prohibited from selling items in its collection and seldom acquires new works. Some of the works are normally not visible to the public but can be displayed as necessary. [181] The Frick has sometimes borrowed paintings for long periods, including a portrait of Cosimo de' Medici that was displayed in the museum from 1970 to 1989. [182] Purchases of new art were funded by the museum's endowment until 2016, when the museum's trustees established an acquisitions fund. [183]

As of 2021, the museum has 1,500 pieces in its collection, including both paintings and other objects; [163] it normally displays 470 objects. [164] Prior to the museum's 2021 renovation, the artwork was displayed in 15 galleries. [184]

Visual arts collection

Frick's collection initially consisted of salon pieces and works by Barbizon School artists, [24] [7] and he bought 90 paintings from Charles Carstairs between 1895 and 1900 alone. [9] He had begun to acquire other types of paintings by the end of the 19th century, [24] [7] and his acquisitions during the 1900s were increasingly composed of Old Master artworks. [23] [185] By the early 1910s, his collection consisted largely of English and Dutch paintings, with scattered French and Spanish paintings; a magazine article from that time described him as having relatively little interest in Italian Renaissance work. [186] The paintings ranged from the 14th to 19th centuries, [187] and many of the paintings depicted women. [57] There were some chronological gaps in the original collection: for example, there were no 17th-century French paintings when the museum opened, even as the museum had both older and newer French paintings. [188]

When Frick died, he was variously cited as having collected 103, [175] 137, [189] "about 140", [24] or 250 paintings. [18] Some of the original paintings in Frick's personal collection were discovered to be forgeries after his death, [190] while other paintings were found to be misattributed. [191] Artists with works in the museum's collection have included:

Several artists, including Holbein, Vermeer, Rembrandt, Turner, Gainsborough, Van Dyck, Fragonard, and Boucher, painted multiple pieces that are in the collection. [187] Included in the modern collection are Fragonard's The Progress of Love, [203] three Vermeer paintings including Mistress and Maid , two van Ruisdael paintings including Quay at Amsterdam , [232] El Greco's Christ Driving the Money Changers from the Temple, [233] Titian's Portrait of a Man in a Red Cap , [234] [233] one of Rembrandt's self-portraits, [102] [235] and della Francesca's St. John the Evangelist. [13] [236]

Notable works in the original collection

Some of the earliest works in Frick's collection were portraits of his family, created for his Pittsburgh residence. At the beginning of the 20th century, Frick bought works such as Rembrandt's Portrait of a Young Artist [185] [237] (possibly the first Old Master painting in the collection [238] ), Jean-Baptiste-Camille Corot's Ville d'Avray, [237] Constant Troyon's A Pasture in Normandy, [237] and Vermeer's Girl Interrupted at Her Music . [185] From 1905 to 1915, Frick also acquired paintings such as Hals's Portrait of a Woman, [239] Velázquez's Portrait of Philip IV in Fraga , [175] [240] Rembrandt's A Dutch Merchant, [241] and Rembrandt's The Polish Rider . [242]

After Frick had finished his own mansion, he brought over several paintings of his firstborn daughter Martha, who had died in her childhood. [19] He also obtained 14 Fragonard panels from the collection of J. P. Morgan [243] [244] and moved the panels to his house's drawing room. [245] [246] At the time of the house's completion, he owned paintings by such artists as El Greco, Goya, Hals, Rembrandt, Romney, Titian, Anthony van Dyck, and Velázquez. [246] [247] In the late 1910s, Frick acquired additional pieces from outside the Morgan collection, such as Hans Holbein's portrait of Thomas Cromwell, [248] Rubens's Portrait of the Marquis Ambrose de Spinola, [249] Rembrandt's An Old Woman Reflecting Over the Lecture, [250] and Gainsborough's Mall between 1915 and 1916 alone. [251] He also bought four Boucher panels, [252] although he turned down the opportunity to buy additional panels. [253] From 1917 through 1919, Frick obtained several pieces of Boucher tapestry furniture, [254] Van Dyck's Countess of Clanbrazil, [255] Hals's Portrait of a Man , [256] Vermeer's Mistress and Maid, [256] [257] and a Gilbert Stuart portrait of George Washington. [175] [258]

Notable acquisitions after Frick's death

In the half-century after Frick died, thirty objects were added to the original collection. [87] After Frick's death but before the opening of the current museum, the Frick estate's trustees bought the Portrait of Comtesse d'Haussonville by Jean-Auguste-Dominique Ingres, [259] as well as a painting by Duccio and the Coronation of the Virgin by Paolo Veneziano. [21] The Giuseppe Bastiani painting Adoration of Magi was acquired in 1935. [8] Works by Cimabue, Duccio, della Francesca, and Filippo Lippi entered the museum's collection for the first time between 1924 and 1950. [260] Shortly after the museum opened, it acquired items such as a Renaissance-era panel by della Francesca, [261] a portrait that Boucher painted of his wife, [262] Jacques-Louis David's painting of a French noblewoman, [63] [263] Monet's Vétheuil in Winter, [260] and a Paul Cézanne landscape. [264] This was followed in the 1950s by three Italian Renaissance paintings, [265] David's portrait of Antonio Bartolomeo Bruni, [266] and Jan van Eyck's Virgin and Child, with Saints and Donor. [267] The collection had only one 17th-century French work until the 1960s, when the museum obtained Claude Lorrain's painting of the Sermon on the Mount; [268] the museum also obtained della Francesca's Crucifixion during that decade. [81]

The Frick did not acquire anything between c. 1968 and 1991, when the museum obtained its first Jean-Antoine Watteau painting, Portal of Valenciennes. [269] The museum's other acquisitions in the 1990s and 2000s included one of Corot's oil sketches, [270] two of Jean-Baptiste Greuze's portraits, [271] and Gabriel de Saint-Aubin's The Private Academy. [272] After former director Ryskamp died in 2010, he bequeathed some of his collection to the Frick. [273] The museum's other acquisitions in the 2010s included a self-portrait by Bartolomé Esteban Murillo that had been owned by Henry Clay Frick's grandson. [274] In 2023, the Frick obtained Giovanni Battista Moroni's painting Portrait of a Lady, the first Renaissance-era portrait of a woman in the collection. [275]

Other objects

The modern-day museum's collection includes numerous works of sculpture and porcelain, [29] [2] in addition to 18th-century French furniture, Limoges enamel, and Oriental rugs. [83] [103] [29] The objects in the collection include 18th-century tapestries that belonged to Louis XV and Louis XVI of France. [276]

Frick had acquired some objects from the J. P. Morgan estate specifically to complement the visual art in his collection. [57] Some of these acquisitions included 18th-century French sculptures and furniture, [25] a hawthorn beaker, [277] and Chinese porcelains. [278] In one case, Frick paid $1.5 million for some of Morgan's 44 enamels and 225 bronzes. [279] He also acquired 40 Limoges enamels from Morgan's collection in 1919, [280] one of the last things he would personally purchase. [256] Outside of the Morgan collection, Frick also bought the bronzes Bust of a Jurist by Danese Cattaneo, Antonio Galli by Federico Brandani, and Duke of Alba by Jacques Jonghelinck. Although Frick had planned a sculpture gallery to his home in the late 1910s, the lack of other statuary caused him to cancel the plan. [281] Duveen displayed numerous marble busts in the Frick House while Frick decided whether to buy them. [256]

A bust of Henry Clay Frick by Malvina Hoffman was gifted to the museum when it opened in 1935. [282] Other acquisitions of sculpture in the mid-20th century included a Diana bust by Jean-Antoine Houdon, [283] a 15th-century bronze figure of an angel, [71] and a pair of 15th-century Italian marble busts. [81] In the 1990s and 2000s, the Frick received Winthrop Edey's collection of timekeeping pieces, [284] a 19th-century terracotta bust by Joseph Chinard, [285] a marble bust by Houdon; [284] a bust by Massimiliano Soldani Benzi, [286] and a clock. [284] [134] Acquisitions since the 2010s have included 131 Meissen porcelains, [287] as well as 28 objects from collector Alexis Gregory (including rare clocks and enamels). [288]

Selected works

Programming and events

Temporary exhibits

The Frick Collection has historically hosted temporary exhibitions less frequently than similar museums. [97] [134] It initially focused almost exclusively on its permanent collection, [310] with one temporary exhibit a year during the 1960s. [132] Since 1972, the Frick has sometimes hosted small exhibitions on narrowly defined topics; [310] in some cases, exhibitions have consisted of a single painting. [120] By the 2010s, the museum hosted five exhibits a year on average, [132] and exhibitions were scheduled several years in advance. [311]

Late 20th century

Temporary exhibitions in the 1970s included an exhibit in honor of the museum's late director Harry D. M. Grier, [312] bronzes by Severo Calzetta da Ravenna, [313] and drawings by Fragonard. [97] Topics of temporary exhibitions during the 1980s included busts by Houdon, [314] French clocks, [176] terracotta sculptures by Clodion, [310] drawings by Ingres, [315] Henry Clay Frick's earliest acquisitions, [316] and Old Master paintings. [317]

Especially in the late 20th and early 21st centuries, the museum has hosted temporary exhibitions about singular artworks or artists. [179] Among the items exhibited in the 1990s were works by French painter Nicolas Lancret, [318] watercolors from the Rijksmuseum, [319] eighteenth- and nineteenth-century drawings from the Stanford Museum, [320] a single Claude Monet painting, [120] drawings by German artists, [321] and drawings by French artists. [322] In 1999, several items in the permanent collection were taken out of storage specifically to complement an exhibition of Ingres's Portrait of Comtesse d'Haussonville. [323]

21st century

In the early 2000s, the topics of the Frick's exhibitions included drawings in the collection of the Albertina museum, [324] paintings from John Hay Whitney's collection, [325] El Greco paintings, [326] antique clocks, [327] pieces from the Toledo Museum of Art's collection, [328] a set of Parmigianino paintings, [329] and three consecutive exhibits of antique bronzes. [330] Later in the decade, the temporary exhibitions included portraits by Hans Memling, [331] paintings by Paolo Veronese, [332] a show of French art, [333] the Frick's first Meissen porcelain show, [334] pieces from the Norton Simon Museum's collection, [335] and a single painting by Parmigianino. [336] The Frick hosted various exhibits in honor of its 75th anniversary in 2010, [337] including an exhibition on its own founding. [23] Other early-2010s exhibits included works from the Dulwich Picture Gallery, [179] works from the Courtauld Gallery, [338] Picasso drawings, [339] Renoir paintings, [340] Piero della Francesca panels, [341] and a historical overview of St. Francis in the Desert. [342]

After some works from the Mauritshuis in The Hague were displayed at the Frick in 2013, [343] the Frick displayed several paintings at the Mauritshuis in 2015, [344] marking the first time that the Frick lent paintings to a European museum. [345] During the mid- and late 2010s, the subjects of the Frick's exhibits included paintings from the Scottish National Gallery's collection, [346] paintings from the Museo dell'Opera del Duomo in Florence, [347] works by Andrea del Sarto, [348] objects by Pierre Gouthière, [349] and canvases by J. M. W. Turner. [350] When the Frick moved to 945 Madison Avenue in the early 2020s, its exhibits included a showcase of Barkley Hendricks paintings (the museum's first exhibit of a black artist's art) [351] and a pair of paintings by Giovanni Bellini and Giorgio da Castelfranco. [352]

Other programs

The museum hosts special events, [353] such as academic symposiums, concerts, and classes. [184] The educational programs are led by Rika Burnham, who became head of the museum's education department in 2008. [354] The Frick's educational programs include online visits for students at secondary schools and postsecondary institutions, [355] as well as courses where a single piece is discussed at length. [356] The Frick also has partnerships with local educational partnerships such as the Ghetto Film School. [357] Docents began hosting lectures in galleries in 2010, [57] and the museum launched a mobile app in 2014, allowing visitors to bookmark artworks in the museum's collection. [358] After the Frick closed for renovation, museum officials launched several digital programs, including drawing classes and discussions about artwork. [359]

Every year since 2000, the Frick hosts the Young Fellows Ball, a springtime gala for philanthropists who are largely under age 40. [360] The museum also started hosting an annual Garden Party in 2008; [361] [362] the event, which began as a members-only gathering, evolved into an annual fundraiser. [362] In 2016, the Frick introduced First Fridays, in which patrons could visit the museum for free on the first Friday of every month. [152] [363] First Fridays include gallery talks and activities for visitors. [152]

The Concerts from the Frick Collection series was launched in 1938 [64] [364] and has continued through the 20th and 21st centuries. [365] [366] Musicians who have performed at the Frick Collection have included Ian Bostridge, Matthias Goerne, Guarneri String Quartet, Wanda Landowska, Gregor Piatigorsky, Artur Schnabel, and Kiri Te Kanawa. [135] [364] The concerts were broadcast on radio starting in 1939, first on the Municipal Broadcasting System, then on American Public Radio and WNYC. [366] Although visitors originally could listen to the concerts free of charge (even after the museum started charging an admission fee), a separate admission charge for concerts was instituted in 2005. [135] [136] Prior to the 2020s renovation, the concerts were hosted in the Frick House's music room. [367]

Publications

The collection is detailed in books such as Masterpieces of the Frick Collection, first published in 1970, [88] [368] and Art in the Frick Collection, first published in 1996. [369] The history of the collection was also detailed in Henry Clay Frick: An Intimate Portrait, a biography of Frick written by his great-granddaughter Martha Frick Symington Sanger in 1998. [8] [13] [121] Sanger's subsequent book The Henry Clay Frick House: Architecture-Interiors—Landscapes in the Golden Era, published in 2001, described the Frick House and its collection in detail. [370] In 2011, the Frick and the BNP Paribas Foundation published a guidebook on the collection, its history, and the Frick House. [371] The Frick launched its Diptych series in 2017; the series consists of short books with essays that relate to paintings from the museum's collection. [372]

Building

The Frick House, which contains the museum's collection Frick collection.jpg
The Frick House, which contains the museum's collection

The museum is ordinarily located at the Henry Clay Frick House at 1 East 70th Street, [44] [373] which is part of Fifth Avenue's Museum Mile. [374] The house spans an entire blockfront on Fifth Avenue between 70th and 71st Streets. [375] The original structure from 1914 was designed by Thomas Hastings [19] in the Beaux-Arts style. [376] The same style is also used for the 1970s reception wing, [376] designed by Harry Van Dyke, John Barrington Bayley, and G. Frederick Poehler. [96] Both structures have a facade of Indiana Limestone. [377] The house has a lawn that is mostly closed to the public. [378]

The interiors were designed by a variety of people. The British decorator Charles Allom furnished most of the rooms on the ground floor, [379] [380] while the majority of the rooms on the second and third floors were decorated by Elsie de Wolfe. [381] [382] Charles Carstairs and Joseph Duveen provided the original decorations for the rooms. [383] [384] Inside the house are the museum's galleries (adapted from the old living spaces of the mansion), as well as a courtyard with reflecting pool, [385] [377] the latter of which is based on a Roman atrium. [386] Some parts of the house have been modified over the years specifically to accommodate the artwork, including a room for the Fragonard panels. [387] In addition to the artwork and artifacts on display, there are bookcases placed throughout the Frick House's rooms, [385] and some rooms have various other pieces of furniture such as a dining table. [187]

Frick Art Research Library

The Frick Collection oversees the Frick Art Research Library, [388] which was established in 1920 and opened to researchers in June 1924. [39] The library is housed at a 13-story building at 10 East 71st Street (next to the original mansion). [39] [147] [389] Prior to the library building's opening, the basement bowling alley was used as storage space for the library's collection. [18] [390] [389] The library has always been open to the public, except during World War II, when it was closed for six months, [389] and during the COVID-19 pandemic and 2020 renovation, when it was shuttered while being moved to the Frick Madison. [160] The library is typically open free of charge to "any adult with a serious interest in art". [390] In the late 20th century, the library served 6,000 people a year on average, most of whom made advance reservations or requests. [109]

Helen Frick acted as director for six decades, during which time its collection expanded to include 50,000 sales catalogs, 400,000 photographs, and 150,000 books. [391] By the 1990s, the library had an estimated 235,000 volumes, [109] which grew to 280,000 by the late 2000s. [18] The collections of the library focus on art of the Western tradition from the fourth century to the mid-twentieth century, and chiefly include information about paintings, drawings, sculpture, prints, and illuminated manuscripts. Archival materials supplement its research collections. [392] The Frick Art Research Library Photoarchive contains over a million photocopies of artwork, including objects that are not in the museum's collection. [389] [393]

The Frick has been part of the New York Art Resources Consortium (NYARC), which also includes the Museum of Modern Art and Brooklyn Museum, since 2007. [394] NYARC operates Arcade, an online catalog that combines the collections of the three museums' libraries. [394] [395] The Center for the History of Collecting, also founded in 2007, [396] is also part of the library. [397] The Frick is a member of the International Consortium of Photo Archives (PHAROS), which operates a database of digitized artworks from the collections of 14 art museums. [393]

Management

The Frick Collection is operated by a nonprofit organization of the same name, which is dedicated to conserving the artworks in the museum's collection. [398] Axel Rüger was named the Frick's director in 2024, [174] while Xavier F. Salomon is the chief curator. [399] The director's position has been known as the Anna-Maria and Stephen Kellen Director since 2020, [400] while the chief curator's position is known as the Peter Jay Sharp Chief Curator. [401]

The museum's board of trustees originally comprised nine trustees [31] and was largely composed of Frick family members. [134] The board was relatively small during the 20th century, with nine trustees until the 1990s [119] and eleven by 2003. [353] Under Poulet's directorship, in the 2000s, the board was expanded by 10 members [139] and was broadened to include more people from outside the Frick family. [118] [134] Poulet also introduced the Director's Circle, a group of 44 members who each give a minimum of $25,000 a year to the Frick Collection. [134] [139]

Admission and attendance

After the museum opened in 1935, it accommodated 5,000 visitors in its first week [58] and 100,000 visitors in six months; at its peak, the museum saw 1,600 visitors in one day. [402] At the end of 1936, the museum had seen 136,000 visitors, an average of 460 per day. [62] In the 1970s, the museum recorded between 800 [87] and 1,500 daily visitors. [96] The number of annual visitors averaged 250,000 by the late 1990s, [117] and annual attendance had increased to 350,000 by the early 2000s. [129] The Frick Collection had a typical annual attendance of up to 300,000 in the 2010s, [146] [403] although it recorded 420,000 visitors in 2013 due to a particularly popular exhibit there. [404] Shows in the 2010s attracted upwards of 4,000 daily visitors. [85]

The Frick was originally free to enter but has charged an admission fee since 1976. [98] The museum offers pay-as-you-wish hours one day of the week, in addition to free admission on First Fridays. [405] Free admission is also provided to members of the Frick; students and staff of certain universities in New York City; certain demographic groups such as youth, senior citizens, and people with disabilities; and other groups such as military personnel. [406] Frick Collection members receive several membership benefits, [407] including a queue jump for exhibits. [408] As part of the Culture Pass program, persons with cards from New York City's public libraries [b] could also visit the museum for free with a Culture Pass, [409] albeit with restrictions on the number of passes distributed. [410] Until 2019, the Frick also sold the Connoisseur Pass, [411] which also provided admission to the Morgan Library & Museum and Neue Galerie New York. [412]

Children under the age of 10 are not allowed inside the museum; [115] [184] this restriction, intended to protect the paintings, has existed ever since the museum opened in 1935. [111] [112] As part of the same restriction, youths between 10 and 15 years old are allowed to enter only if there is an adult with them. [59] The museum provides guided tours to small groups and school classes. [184] Starting in the late 1990s, the museum provided complimentary audio guides to visitors; [29] [121] it later added the Bloomberg Connects smartphone app. [122] [413] The guides are offered in several languages [413] and consist of handsets that provide information about the artworks and the subjects of each painting. [414] The Frick also launched its website in the late 1990s; [119] the website has been updated several times since then. [415]

Funding

Frick's will established a $15 million endowment fund for what would become the Frick Collection museum. [28] At the Frick Collection Inc.'s 50th anniversary in 1970, the museum's endowment had grown to $40 million, and it received more than $1 million a year in income. [89] By 1997, the Frick Collection had an operating budget of $10 million and an endowment of $170 million; [116] [117] this increased in the mid-2000s to a budget of $18.8 million and an endowment of $200 million. [135] As of 2015, the museum had an endowment of $315 million. [416]

Reception and commentary

20th-century commentary

In 1912, before the collection had become a museum, Town & Country magazine wrote that Frick owned "one of the greatest private collections of paintings in the world". [186] Art World magazine said in 1917 that the Frick House contained "one of the most remarkable assemblies of old paintings in the United States belonging to a private collector", rivaling the collection of the former Lenox Library on the same site. [417] When the Frick Collection opened to the public in 1935, a critic for The New York Times wrote that the museum's "informality in the distribution of works of art has even its amusing overtones", [418] while another commentator in The Christian Science Monitor regarded the collection as having "long been recognized as one of the world's treasuries of art". [60] One of the few detractors was Lewis Mumford, who felt that the other objects in the house diverted visitors' attention from the visual art. [57]

A Los Angeles Times critic wrote in 1941 that few other art collections in the U.S. "so completely [exemplified] a great period in American art collecting". [419] The New York Times wrote in 1969 that the Frick was one of the world's best "residence-museums" along with the Isabella Stewart Gardner Museum and the Wallace Collection. [45] A critic for the Christian Science Monitor said in 1971 that the collection's paintings seemed to fit the building because Frick had "to be sure he felt at home with them". [7] Another critic, writing for The Post-Standard of Syracuse, New York, in 1975, praised the museum's "tranquility and superb decorative arts coupled with masterworks". [420]

John Russell of the Times said in 1981 that "The Frick is loved for its unpushy ways, for the largesse of its hospitality and for the high quality of what it has to show." [100] In a review for the Christian Science Monitor the same year, Madeline Lee wrote that the museum was special because of its courtyard and reflecting pool; [421] another reviewer for the same newspaper said "The Frick is the only museum I know whose collection consists almost exclusively of great or nearly great art." [233] GQ magazine said that "the most renowned—and probably best—combined house and art collection of a so-called 'robber baron' is that of Henry Clay Frick". [422] Bryan Miller of the Times wrote in 1987 that there were "artistic gems in every room", [423] and Grace Glueck of the same paper called it "the enclave of masterpieces". [187] A Los Angeles Times critic in 1990 said the Frick Collection "represents the aristocratic aspirations of turn-of-the-century robber barons". [424] Another New York Times critic called the museum "as frumpy and elegant as a dowager queen", describing the quality of its collection and the Frick House. [425] A Globe and Mail reviewer said the museum was extremely peaceful and was "a more comfortable museum than most" because it used to serve as a residence. [426]

21st-century commentary

A 2000 poll by Travel Holiday magazine ranked the Frick Collection as the third-best art museum in the U.S. [427] Upon the museum's 75th anniversary in 2010, a Wall Street Journal critic wrote that, although the museum lacked major shows and had not undergone a high-profile renovation, it "quietly attracts a steady stream of about 300,000 visitors each year who come to see one of the most extraordinary assemblages of fine and decorative arts in the world". [134] A reviewer for the Condé Nast Traveler wrote that the museum was "exactly the right scale, everything in the collection is worth seeing, and can be viewed in an hour or less", [184] while a New Yorker writer said that "you feel more than welcomed—you feel invited, like a family friend" at the Frick House. [428] A critic for the Daily Telegraph wrote in 2014 that the Frick was "the best small museum in New York, perfect if you don't fancy dealing with a crush of people at MoMA or the Met". [429]

When the museum was temporarily relocated to 945 Madison Avenue, one critic wrote that the temporary building was "an exercise in contrasts" with the Frick House's decorations and that "the vibe here is serious and meditative". [165] Another critic wrote for Vogue that the Frick Madison was a "shock to the senses in every way" but that "the collection comes directly to the fore" amid that building's bare walls. [430] Writers for the Financial Times and the Wall Street Journal similarly said that the spartan setting helped highlight the collection itself. [167] [431]

See also

Related Research Articles

<span class="mw-page-title-main">1964 New York World's Fair</span> Worlds fair held in New York City

The 1964 New York World's Fair was an international exposition at Flushing Meadows–Corona Park in Queens, New York City, United States. The fair included exhibitions, activities, performances, films, art, and food presented by 80 nations, 24 U.S. states, and nearly 350 American companies. The five sections of the 646-acre (261 ha) fairground were the Federal and State, International, Transportation, Lake Amusement, and Industrial areas. The fair's theme was "Peace through Understanding", and its symbol was the Unisphere, a stainless-steel model of Earth. Initially, the fair had 139 pavilions, and 34 concessions and shows.

<span class="mw-page-title-main">Solomon R. Guggenheim Museum</span> Art museum in Manhattan, New York

The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum at 1071 Fifth Avenue between 88th and 89th Streets on the Upper East Side of Manhattan in New York City. It hosts a permanent collection of Impressionist, Post-Impressionist, early Modern, and contemporary art and also features special exhibitions throughout the year. It was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director, Hilla von Rebay. The museum adopted its current name in 1952, three years after the death of its founder Solomon R. Guggenheim. It continues to be operated and owned by the Solomon R. Guggenheim Foundation.

<span class="mw-page-title-main">Queensboro Bridge</span> Bridge in New York City

The Queensboro Bridge, officially the Ed Koch Queensboro Bridge, is a cantilever bridge over the East River in New York City. Completed in 1909, it connects the Long Island City neighborhood in the borough of Queens with the East Midtown and Upper East Side neighborhoods in Manhattan, passing over Roosevelt Island. Because the western end of the bridge connects to 59th Street in Manhattan, it is also called the 59th Street Bridge. The bridge consists of five steel spans measuring 3,725 ft (1,135 m) long; including approaches, its total length is 7,449 ft (2,270 m).

<span class="mw-page-title-main">American Museum of Natural History</span> Natural history museum in Manhattan, New York

The American Museum of Natural History (AMNH) is a natural history museum on the Upper West Side of Manhattan in New York City. Located in Theodore Roosevelt Park, across the street from Central Park, the museum complex comprises 21 interconnected buildings housing 45 permanent exhibition halls, in addition to a planetarium and a library. The museum collections contain about 32 million specimens of plants, animals, fungi, fossils, minerals, rocks, meteorites, human remains, and human cultural artifacts, as well as specialized collections for frozen tissue and genomic and astrophysical data, of which only a small fraction can be displayed at any given time. The museum occupies more than 2,500,000 sq ft (232,258 m2). AMNH has a full-time scientific staff of 225, sponsors over 120 special field expeditions each year, and averages about five million visits annually.

<span class="mw-page-title-main">Alexander Hamilton U.S. Custom House</span> Building in Manhattan, New York

The Alexander Hamilton U.S. Custom House is a government building, museum, and former custom house at 1 Bowling Green, near the southern end of Manhattan in New York City, New York, United States. Designed by Cass Gilbert in the Beaux-Arts style, it was erected from 1902 to 1907 by the government of the United States as a headquarters for the Port of New York's duty collection operations. The building contains the George Gustav Heye Center museum, the United States Bankruptcy Court for the Southern District of New York, and the New York regional offices of the National Archives. The facade and part of the interior are New York City designated landmarks, and the building is listed on both the New York State Register of Historic Places and the National Register of Historic Places (NRHP) as a National Historic Landmark. It is also a contributing property to the Wall Street Historic District, listed on the NRHP.

<span class="mw-page-title-main">Brooklyn Museum</span> Art museum in Brooklyn, New York

The Brooklyn Museum is an art museum in the New York City borough of Brooklyn. At 560,000 square feet (52,000 m2), the museum is New York City's second largest and contains an art collection with around 500,000 objects. Located near the Prospect Heights, Crown Heights, Flatbush, and Park Slope neighborhoods of Brooklyn, the museum's Beaux-Arts building was designed by McKim, Mead & White.

<span class="mw-page-title-main">Cooper Hewitt, Smithsonian Design Museum</span> Design museum in Manhattan, New York

Cooper Hewitt, Smithsonian Design Museum is a design museum at the Andrew Carnegie Mansion in Manhattan, New York City, along the Upper East Side's Museum Mile. It is one of 19 Smithsonian Institution museums and one of three Smithsonian facilities located in New York City, along with the National Museum of the American Indian's George Gustav Heye Center in Bowling Green and the Archives of American Art New York Research Center in the Flatiron District. Unlike other Smithsonian museums, Cooper Hewitt charges an admissions fee. It is the only museum in the United States devoted to historical and contemporary design. Its collections and exhibitions explore design aesthetic and creativity from throughout the United States' history.

<span class="mw-page-title-main">Gracie Mansion</span> New York City mayoral residence

Gracie Mansion is the official residence of the mayor of New York City. Built in 1799, it is located in Carl Schurz Park, at East End Avenue and 88th Street in the Yorkville neighborhood of Manhattan. The federal-style mansion overlooks Hell Gate in the East River and consists of the original two-story house and an annex built in 1966. The original house is a New York City designated landmark and is listed on the National Register of Historic Places.

<span class="mw-page-title-main">Queens Museum</span> Art museum in Queens, New York

The Queens Museum is an art museum and educational center at Flushing Meadows–Corona Park in Queens, New York City, United States. Established in 1972, the museum has among its permanent exhibitions the Panorama of the City of New York, a room-sized scale model of the five boroughs originally built for the 1964 New York World's Fair. Its collection includes a large archive of artifacts from both the 1939 and 1964 World's Fairs, a selection of which is on display. As of 2018, Queens Museum's director is Sally Tallant.

<span class="mw-page-title-main">Morgan Library & Museum</span> Museum and library in Manhattan, New York

The Morgan Library & Museum is a museum and research library at 225 Madison Avenue in the Murray Hill neighborhood of Manhattan in New York City, New York, U.S. Completed in 1906 as the private library of the banker J. P. Morgan, the institution has more than 350,000 objects. As of 2024, the museum is directed by Colin B. Bailey and governed by a board of trustees.

<span class="mw-page-title-main">Morris–Jumel Mansion</span> Historic house in Manhattan, New York

The Morris–Jumel Mansion is an 18th-century historic house museum in the Washington Heights neighborhood of Upper Manhattan in New York City, United States. It is the oldest extant house in Manhattan, having been built in 1765 by British military officer Roger Morris, and was also home to the family of socialite Eliza Jumel in the 19th century. The New York City government has owned the house since 1903. The house's facade and interior are New York City designated landmarks, and the building is a National Historic Landmark and a contributing property to the Jumel Terrace Historic District.

<span class="mw-page-title-main">Otto H. Kahn House</span> Building in Manhattan, New York

The Otto H. Kahn House is a mansion at 1 East 91st Street, at Fifth Avenue, in the Carnegie Hill section of the Upper East Side of Manhattan in New York City. The four-story mansion was designed by architects J. Armstrong Stenhouse and C. P. H. Gilbert in the neo-Italian Renaissance style. It was completed in 1918 as the town residence of the financier and philanthropist Otto H. Kahn and his family. The Convent of the Sacred Heart, a private school, owns the Kahn House along with the adjacent James A. Burden House, which is internally connected. The mansion is a New York City designated landmark and, along with the Burden House, is listed on the National Register of Historic Places.

<span class="mw-page-title-main">Park Avenue Armory</span> Armory in Manhattan, New York

The Park Avenue Armory, also known as the 7th Regiment Armory, is a historic armory for the U.S. Army National Guard at 643 Park Avenue in the Upper East Side neighborhood of Manhattan in New York City, United States. Designed in the Gothic Revival style by Charles Clinton for the 7th New York Militia Regiment, the Park Avenue Armory was completed in 1880, with two expansions in the early 20th century. The building and its interior are New York City designated landmarks, and the structure was made a National Historic Landmark in 1986. Since 2006, it has been the home of the Park Avenue Armory Conservancy, which leased the building for 99 years from the New York state government. The 53rd Digital Liaison Detachment of the New York Army National Guard, the Veterans of the 7th Regiment, the Knickerbocker Greys cadet corps, and the Lenox Hill Neighborhood House also occupy parts of the armory.

<span class="mw-page-title-main">Andrew Carnegie Mansion</span> Museum building in Manhattan, New York

The Andrew Carnegie Mansion is a historic house and a museum building at 2 East 91st Street, along the east side of Fifth Avenue, on the Upper East Side of Manhattan in New York City. The three-and-a-half story, brick and stone mansion was designed by Babb, Cook & Willard in the Georgian Revival style. Completed in 1902 for the industrialist Andrew Carnegie, his wife Louise, and their only child Margaret, it served as the family's residence until 1946. Since 1976, the house has been occupied by the Cooper-Hewitt Museum, part of the Smithsonian Institution. The mansion is internally connected to two townhouses at 9 East 90th Street and 11 East 90th Street, both of which are part of the Cooper-Hewitt.

<span class="mw-page-title-main">Grand Army Plaza (Manhattan)</span> Plaza in Manhattan, New York

Grand Army Plaza is a public square at the southeast corner of Central Park in Manhattan, New York City, near the intersection of Fifth Avenue and Central Park South. It consists of two rectangular plots on the west side of Fifth Avenue between 58th and 60th streets. The current design of Grand Army Plaza dates to a 1916 reconstruction by the architectural firm of Carrère and Hastings. The plaza is designated as a New York City scenic landmark.

<span class="mw-page-title-main">Henry Clay Frick House</span> Museum building in Manhattan, New York

The Henry Clay Frick House is a mansion and museum building on Fifth Avenue, between 70th and 71st streets, on the Upper East Side of Manhattan in New York City. Designed by Thomas Hastings as the residence of the industrialist Henry Clay Frick, the house contains the Frick Collection museum and the Frick Art Reference Library. The house and library building are designated as a New York City landmark and National Historic Landmark.

Colin Barry Bailey is a British art historian and museum director. Bailey is currently the Director of the Morgan Library & Museum in New York City. He is a scholar of eighteenth- and nineteenth-century French art, specifically on the artist Pierre-Auguste Renoir.

<span class="mw-page-title-main">Crown Building (Manhattan)</span> Building in Manhattan, New York

The Crown Building is a 25-story, 416-foot-tall (127 m) building at 730 Fifth Avenue, on the southwest corner of Fifth Avenue and 57th Street, in the Midtown Manhattan neighborhood of New York City. Constructed between 1920 and 1922 for the philanthropist August Heckscher, the structure was designed by Warren and Wetmore as an office building. The lower levels contain retail space, while the upper levels became the luxury Aman New York hotel and residences in 2022. The structure has been a New York City designated landmark since 2024.

<span class="mw-page-title-main">Vanderbilt Triple Palace</span> Demolished mansion in Manhattan, New York

The Triple Palace, also known as the William H. Vanderbilt House, was an elaborate mansion at 640 Fifth Avenue between 51st Street and 52nd Street in Midtown Manhattan, New York City. The urban mansion, completed in 1882 to designs by John B. Snook and Charles B. Atwood, was owned by members of the Vanderbilt family. It was composed of two portions: a single-family unit to the south and a two-family unit to the north. William Henry Vanderbilt owned and lived in the southern portion. Two of his daughters, Emily Thorn Vanderbilt and Margaret Louisa Vanderbilt Shepard, along with their respective families, occupied the two residences in the northern portion.

<span class="mw-page-title-main">1939 New York World's Fair pavilions and attractions</span>

The 1939 New York World's Fair took place at Flushing Meadows–Corona Park in Queens, New York, United States, during 1939 and 1940. The fair included pavilions with exhibits by 62 nations, 34 U.S. states and territories, and over 1,300 corporations. The exhibits were split across seven zones, and there were also two standalone exhibits. The fair had about 375 buildings when it opened, which were arranged around the fair's theme center, the Trylon and Perisphere. Buildings were color-coded based on the zone where they were located.

References

Notes

  1. ↑ A New York Times article from 2014 described the collection as having 1,200 works, [131] while a Wall Street Journal article from the same year gives a figure of 1,115 works. [132]
  2. ↑ The Brooklyn Public Library, Queens Library, and New York Public Library [409]

Citations

  1. 1 2 "Frick Art Museum Opened to Public; 750 View Superb Collection in Former Home of Donor – Same Number to See It Daily". The New York Times. December 17, 1935. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024; "Frick Museum Opens to Public As 700 See Art: Director Calls First Day a Success; Lecture Tour Is Planned for Visitors". New York Herald Tribune. December 17, 1935. p. 21. ISSN   1941-0646. ProQuest   1242909040.
  2. 1 2 "The Frick Collection: About". ARTINFO. 2008. Archived from the original on October 5, 2008. Retrieved April 29, 2022.
  3. ↑ "Manhattan Bus Map" (PDF). Metropolitan Transportation Authority. July 2019. Retrieved December 1, 2020.
  4. 1 2 "Henry C. Frick Dies; Leaves Art to City; Pioneer in Steel and Coke Industry Stricken Suddenly By Heart Attack". The New York Times. December 3, 1919. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  5. ↑ Bailey 2006 , p. 10.
  6. 1 2 Bailey 2006 , pp. 10–11.
  7. 1 2 3 4 Chapin, Louis (July 29, 1971). "Museum Treasure Hunt: the Frick Collection". The Christian Science Monitor. p. 6. ISSN   0882-7729. ProQuest   511241270.
  8. 1 2 3 Dobrzynski, Judith H. (October 19, 1998). "Mourning Became Frick as an Art Collector". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  9. 1 2 Bailey 2006 , p. 13.
  10. ↑ "Frick Collection Belongs to Public". The Christian Science Monitor. October 5, 1931. p. 6. ISSN   0882-7729. ProQuest   513076875.
  11. ↑ Raynor, Vivien (December 13, 1987). "Art; Jersey City: Early Collector's Collection". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  12. 1 2 3 4 Maeder, Jay (February 25, 1999). "American Sepulchral: Henry Clay Frick". New York Daily News. p. 506. ISSN   2692-1251. Archived from the original on February 5, 2024. Retrieved February 5, 2024– via newspapers.com.
  13. 1 2 3 Lambert, Richard (January 9, 1999). "The robber baron's gift: Why did coke king Henry Frick leave his art collection to the US nation? asks Richard Lambert". Financial Times. p. 5. ProQuest   248753901.
  14. ↑ Fabrikant, Geraldine (March 12, 2008). "Re-Enter the Gilded Age". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  15. ↑ "Gets Vanderbilt Twin House?". The Sun. March 22, 1905. p. 1. Archived from the original on September 26, 2021. Retrieved September 21, 2021– via newspapers.com.
  16. ↑ Gutkowski, Melanie Linn (Spring 2012). "Aspiration and Obsession; Henry Clay Frick and the W.H. Vanderbilt House and Collection". 19th Century. 32 (1): 29–30 – via Internet Archive.
  17. ↑ Quodbach, Esmee (November 1, 2009). "'I want this collection to be my monument': Henry Clay Frick and the formation of The Frick Collection". Journal of the History of Collections. 21 (2): 229–240. doi:10.1093/jhc/fhp008. ISSN   0954-6650. Archived from the original on February 2, 2022. Retrieved January 29, 2024.
  18. 1 2 3 4 Shaw, Kurt (October 28, 2007). "Frick legacy: Book examines life of industrialist's daughter". Pittsburgh Tribune-Review. ProQuest   382473031.
  19. 1 2 3 Skrabec, Jr. 2014 , p. 210.
  20. ↑ Gray, Christopher (November 14, 2014). "The Garden at the Frick, and How It Grew". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  21. 1 2 3 "Frick Art Listed Among World's Best Collections: Outstanding Private Accumulation Housed in Perfect Gallery, Experts Agree". New York Herald Tribune. October 6, 1931. p. 27. ISSN   1941-0646. ProQuest   1114140415.
  22. ↑ "Helen C. Frick Sued by Ex-curator, 73; James H. Bridge Says Daughter of Capitalist Slandered Reputation as Art Specialist". The New York Times. February 21, 1932. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  23. 1 2 3 Gray, Christopher (April 29, 2010). "The Frick and Other Grand Private Galleries". The New York Times. ISSN   0362-4331. Archived from the original on January 26, 2021. Retrieved February 9, 2024.
  24. 1 2 3 4 "Masterpieces Left by Frick to Be Given to the Public". Boston Daily Globe. December 7, 1919. p. E5. ProQuest   503844676.
  25. 1 2 Bailey 2006 , p. 76.
  26. ↑ "Henry Clay Frick, Pioneer Iron Master and Famous Art Collector, Passes Away". Buffalo Courier. December 3, 1919. p. 1. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com.
  27. 1 2 3 4 5 6 "Art: Elaborately Guarded Frick Collection Open After 16 Years". Newsweek. Vol. 6, no. 24. December 14, 1935. p. 19. ProQuest   1796842053.
  28. 1 2 3 "$136,000,000 Left by Frick". Times Union. December 7, 1919. p. 1. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com; "$65,000,000 for New York Art Gallery". New-York Tribune. December 7, 1919. pp. 1, 13. ISSN   1941-0646. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com.
  29. 1 2 3 4 5 Andre, Mila (December 17, 1999). "Museo Drive". New York Daily News. p. 97. ISSN   2692-1251. ProQuest   313742866.
  30. 1 2 "Frick Art Values Shrink $17,000,000; Collection Originally Estimated at $30,000,000 Appraised in 1919 at $13,000,000". The New York Times. May 28, 1921. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024; "Value of Frick's Art Collection Shrinks Over 50%". Chicago Daily Tribune. May 28, 1921. p. 1. ISSN   1085-6706. ProQuest   174841032.
  31. 1 2 3 4 "Art Fortune Goes to Public By Death of Mrs. H. C. Frick: Fifth Avenue Mansion and Collection of Old Masters, Valued Up to $30,000,000, May Become Museum Under Steel Man's Will". New York Herald Tribune. October 5, 1931. p. 1. ISSN   1941-0646. ProQuest   1114223395.
  32. ↑ "Childs Frick, 81, Art Patron, Managed Frick Collection". Newsday. May 10, 1965. p. 34. ISSN   2574-5298. ProQuest   915250229 ; "Childs Frick Dies; Paleontologist: Millionaire Museum Aide Headed Art Collection". The New York Times. May 10, 1965. p. 33. ISSN   0362-4331. ProQuest   116840755.
  33. ↑ "Frick Collection Plans; Incorporation Sought in Order to Carry Out Provisions of Will". The New York Times. April 8, 1920. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024; "Bill Incorporates Frick Collection". New York Herald. April 8, 1920. p. 3. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com.
  34. ↑ "Frick Art Collection Is Incorporated". Press and Sun-Bulletin. April 15, 1920. p. 3. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com.
  35. ↑ "2 States Fight to Set Big Frick Estate Tax; Surrogate Reserves Decision on Application to Have Financier Declared New York Resident". The New York Times. June 15, 1921. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  36. ↑ "$92,953,552 Total H. C. Frick Estate; Only $20,932,905 of Realty and Personal Property Is Tax- able in New York". The New York Times. March 2, 1923. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  37. ↑ Grant, Jane (August 14, 1921). "Society Oracle". The Buffalo Times. p. 39. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com.
  38. ↑ "Henry Clay Frick Reference Library Nearing Completion: Collection Ultimately Will Contain Photographic Reproduction of Ancient and Modern Art Works". St. Louis Post – Dispatch. February 23, 1922. p. 18. ProQuest   578830122 ; "Frick Library Gives Key to World's Art". New York Herald. February 23, 1922. p. 11. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com.
  39. 1 2 3 Howell, Hannah Johnson (1951). "The Frick Art Reference Library". College Art Journal. 11 (2). [College Art Association, Taylor & Francis, Ltd.]: 123–126. doi:10.2307/772702. ISSN   1543-6322. JSTOR   772702. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  40. ↑ "Histories of Family Portraits Sought by Frick Art Library: Home of Great Collection of Portrait Photographs A Secluded Place to Study". The Christian Science Monitor. July 29, 1927. p. 5B. ISSN   0882-7729. ProQuest   512180943.
  41. ↑ "Mrs. Frick Estate Goes to Children; Son and Daughter Divide Bulk of $6,000,000 in Will Filed at Pittsburgh". The New York Times. October 9, 1931. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024; "Death of Mrs. Frick Gives Art Gallery to New York: Collection and House Containing it, Valued at $50,000,000". The Washington Post. October 5, 1931. p. 1. ISSN   0190-8286. ProQuest   150128901.
  42. ↑ "Frick Art Collection Will Be Put On Public Display Within Year: $2,000,000 5th Ave. Chateau Housing Treasures To Be Made a Museum". New York Herald Tribune. January 19, 1933. p. 1. ISSN   1941-0646. ProQuest   1221650499.
  43. 1 2 3 "Public to Receive Frick Art in Fall; Trustees of His $50,000,000 Collection Will Open Centre in Fifth Avenue Home". The New York Times. January 19, 1933. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  44. 1 2 New York City Landmarks Preservation Commission; Dolkart, Andrew S.; Postal, Matthew A. (2009). Postal, Matthew A. (ed.). Guide to New York City Landmarks (4th ed.). New York: John Wiley & Sons. pp.  162–163. ISBN   978-0-470-28963-1.
  45. 1 2 3 4 Horsley, Carter B. (December 17, 1969). "Frederick Clapp of Frick Museum; Founding Director, 90, Dies – Organized Art Treasure". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  46. ↑ Bailey 2006 , p. 99.
  47. ↑ "Frick Mansion To Be Altered Into Museum: Workmen Already Busy Remodeling House at 5th Av. and 71st St. for Art". New York Herald Tribune. December 3, 1933. p. 24. ISSN   1941-0646. ProQuest   1114674666.
  48. ↑ "New Frick Library to Open in October; Structure in 71st Street Will Contain Noted Collection of Art Photographs". The New York Times. July 1, 1934. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  49. 1 2 3 4 Rhodenbaugh, Harold (December 15, 1935). "$50,000,000 Frick Art Collection Opens to Public View Tomorrow in New York: His Mansion Is Converted Into Museum Cultural World Eager to See Fabulous Works of Masters. Death of Industrial Titan's Widow Permits Release of Legacy". The Washington Post. p. SS5. ISSN   0190-8286. ProQuest   150577112.
  50. ↑ "Frick Art Showing Delayed Till Fall; Unexpected Difficulties Are Met in Turning Residence Into Public Gallery". The New York Times. February 22, 1934. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  51. ↑ "Frick Gallery Sues for City Tax Exemption: Asks Court to Void 5 Million Assessment on Plea Art Was Willed to Public Library Is Included Justice Walsh Sets Sept. 30 for Hearing of Plea". New York Herald Tribune. June 18, 1935. p. 17. ISSN   1941-0646. ProQuest   1221591498.
  52. ↑ "Frick Art Gallery Asks Tax Exemption; Fights $5,000,000 Assessment and Gets Order for Review – University Club Acts, Too". The New York Times. June 18, 1935. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  53. ↑ "Tax Exemption On the Morgan Library Ended: $12,000,000 Collection of Art and Books Not Open to the Public, City Rules $48,000 Already Due Frick Gallery Need Not Pay Levies, Windels Holds". New York Herald Tribune. May 22, 1936. p. 17. ISSN   1941-0646. ProQuest   1237440297.
  54. ↑ "New Frick Library Opened to Students; Art Reference Centre Resumes Service After Moving Into $850,000 Building". The New York Times. January 15, 1935. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024; "Frick Library Of Art Opens in Its New Home: Pre-View Held in 7-Story Building Housing 200,000 Pictorial Reproductions Adjoins Site of Gallery $50,000,000 Collection To Be on Exhibition Soon Views of the Imposing New Frick Art Reference Library". New York Herald Tribune. January 6, 1935. p. 25. ISSN   1941-0646. ProQuest   1223551353.
  55. ↑ "Art: Helen Clay Frick Opens Home for Her Hobby". Newsweek. Vol. 5, no. 2. January 12, 1935. pp. 26–27. ProQuest   1797093787.
  56. ↑ "700 See Treasures of Frick Gallery; Steelmaker's Mansion Begins Career as Museum With Preview to Guests". The New York Times. December 12, 1935. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024; "Frick Gallery Of Art Opens With 700 at Its Preview: Vast Treasure, Centered on 136 Master Paintings, Becomes Accessible to Public Monday Donor's Children Receive the Guests Collection's Purchase of Morgan Painting Made Known; Value of Works Is Called $50,000,000". New York Herald Tribune. December 12, 1935. p. 1. ISSN   1941-0646. ProQuest   1221727004.
  57. 1 2 3 4 5 "Frick museum celebrates its 75th birthday:: Art museum welcomes 300,000 visitors annually". Charleston Daily Mail. Associated Press. June 17, 2010. p. D.6. ProQuest   506235636.
  58. 1 2 "5,000 In First Week See Frick Collection; Attendance at Museum Averaged 830 With All Requests Filled Except for Yesterday". The New York Times. December 22, 1935. ISSN   0362-4331. Archived from the original on January 31, 2024. Retrieved January 31, 2024; "5,000 See Frick Collection". New York Herald Tribune. December 22, 1935. p. 17A. ISSN   1941-0646. ProQuest   1266817851.
  59. 1 2 3 "Canvases of Masters Viewed At Opening of Frick Gallery: Fifth Avenue Mansion Becomes Art Center". The Christian Science Monitor. December 12, 1935. p. 15. ISSN   0882-7729. ProQuest   513922219.
  60. 1 2 3 4 Sherburne, Ernest C. (February 12, 1936). "The Frick Collection: Like the Wallace Collection in London, Which Henry Clay Frick Regarded as a Model, the New Museum in New York Uses the Family Residence to House Some Rare Treasures .. The Frick Collection: A Gallery of Treasures". The Christian Science Monitor. p. WM8. ISSN   0882-7729. ProQuest   513933607.
  61. ↑ "New York Full of Treasures". The Herald Statesman. June 2, 1964. p. 9. Archived from the original on February 3, 2024. Retrieved February 1, 2024– via newspapers.com.
  62. 1 2 3 "Frick Gallery Drew 135,523 Last Year; Report Shows an Average of 460 Visitors Daily to Art Collection". The New York Times. January 31, 1937. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  63. 1 2 3 "Frick Collection Buys David Work". New York Herald Tribune. November 23, 1937. p. 19. ISSN   1941-0646. ProQuest   1240614945.
  64. 1 2 3 Bailey 2006 , p. 109.
  65. ↑ "Frick Collection Lists Chamber Music Series". New York Herald Tribune. November 3, 1938. p. 17. ISSN   1941-0646. ProQuest   1313535243.
  66. ↑ "Magnolias". The Frick Collection. August 5, 2020. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  67. ↑ "Frick Collection Buys Home Near Art Gallery". The New York Times. November 15, 1940. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  68. 1 2 Horsley, Carter B. (June 15, 1973). "Frick Plans Garden on Widener Site". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  69. ↑ "Frick Art Works Prepared for Raids; Concrete and Steel Underground Chamber Being Built". The New York Times. December 13, 1941. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  70. ↑ Jewell, Edward Alden (August 9, 1942). "Changes at the Frick; Some Works Withdrawn as a Wartime Precaution, but Much of Interest Remains". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  71. 1 2 "Frick Collection Buys Rare Statue; Bronze Angel That Stood for Many Years in the Morgan Library Is Privately Sold". The New York Times. February 2, 1944. ISSN   0362-4331. Archived from the original on August 6, 2023. Retrieved February 1, 2024.
  72. ↑ "At the Frick". The New York Times. May 6, 1945. p. X2. ISSN   0362-4331. ProQuest   107109857 ; "Frick Paintings Removed From War Hide-Away: 70 of Collection's Fines Were Kept in Rock Vault a Step From the Museum". New York Herald Tribune. May 6, 1945. p. 24. ISSN   1941-0646. ProQuest   1267958057.
  73. ↑ "Frick Collection Buys Town House: Adds the 37-room James Residence on 70th St. To Adjacent Holdings". The New York Times. January 24, 1947. p. 35. ISSN   0362-4331. ProQuest   107865374 ; "Frick Interests Take Dwelling In East 70th St: Collection Acquires James Residence of 37 Rooms: Former Taylor Home Sold". New York Herald Tribune. January 24, 1947. p. 25A. ISSN   1941-0646. ProQuest   1291278526.
  74. 1 2 "Decision Reserved in Frick Gift Case; Action Brought to Determine Trustees' Right to Accept Donations to Collection". The New York Times. May 1, 1948. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; "Miss Frick Tells Father's View of Art Collection: Testifies He Was To Sole Benefactor; Rockefeller Gift Put at $1,700,000". New York Herald Tribune. May 1, 1948. p. 9. ISSN   1941-0646. ProQuest   1327360882.
  75. ↑ "Philanthropists Lock Horns Over Gift to Frick Collection". Los Angeles Times. January 30, 1948. p. 1. ISSN   0458-3035. ProQuest   165792667 ; Beckley, Paul (January 30, 1948). "Frick Trustees Seek Court Rule On Gifts of Art: Miss Helen Frick Opposes Addition of Rockefeller Paintings to Collection". New York Herald Tribune. p. 16. ISSN   1941-0646. ProQuest   1327379027.
  76. ↑ "Court Opens Way to Frick Art Gifts; Daughter Loses Fight to Bar Rockefeller Donation of Six Paintings Worth $1,700,000". The New York Times. July 13, 1948. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; "Frick Trustees Can Accept Gift Of Rockefeller: Court Denies Contention of Founder's Daughter Will Bars Outside Donations". New York Herald Tribune. July 13, 1948. p. 1. ISSN   1941-0646. ProQuest   1326817880.
  77. ↑ "Frick Art Expansion Sustained on Appeal". The New York Times. February 2, 1949. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; "Frick Museum Is Upheld In Accepting Outside Gifts". New York Herald Tribune. February 2, 1949. p. 19. ISSN   1941-0646. ProQuest   1326781127.
  78. ↑ "Biebel is New Head of Frick Collection". The New York Times. January 15, 1951. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; "Clapp Resigns As Director of Frick Museum". New York Herald Tribune. January 15, 1951. p. 24. ISSN   1941-0646. ProQuest   1322417302.
  79. ↑ "Franklin Biebel of the Frick Dies; Directed Art Collection Left by Steel Magnate 13 Years". The New York Times. September 24, 1966. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  80. ↑ Folliard, Edward T. (March 12, 1961). "Mellon Treasure House Marking 20th Year". The Washington Post, Times Herald. p. G1. ISSN   0190-8286. ProQuest   141304086.
  81. 1 2 3 "Miss Frick Moves to Quit Museum; Daughter of Founder Seeks to Resign Over Acceptance of Rockefeller Bequest". The New York Times. January 19, 1961. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; Sugrue, Francis (January 18, 1961). "Frick's Daughter Quits Museum Post Over Acceptance of Rockefeller Art: She Takes Action in Letter to the Herald Tribune". New York Herald Tribune. p. 21. ISSN   1941-0646. ProQuest   1326058910.
  82. ↑ "Harry Grier is Appointed Frick Collection's Director". The New York Times. June 5, 1964. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  83. 1 2 3 "N.Y. Gives Museum Buffs a Break: Class by Itself". The Christian Science Monitor. June 7, 1963. p. 7. ISSN   0882-7729. ProQuest   510495844.
  84. ↑ Roberts, Sam (October 21, 2016). "Edgar Munhall, First Curator of the Frick Collection, Dies at 83". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024; Roberts, Sam (October 22, 2016). "Edgar Munhall, 83, first curator of the Frick Collection". The Boston Globe. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  85. 1 2 3 Iovine, Julie V. (December 17, 2014). "In Defense of the Frick". The Wall Street Journal. p. D.5. ISSN   0099-9660. ProQuest   1636584902. Archived from the original on February 15, 2024. Retrieved February 11, 2024.
  86. ↑ Gray, Christopher (November 14, 2014). "The Garden at the Frick, and How It Grew". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved February 11, 2024.
  87. 1 2 3 4 Glueck, Grace (April 29, 1970). "With Minimum of Fanfare, Frick Collection Turns". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  88. 1 2 3 Nadel, Norman (June 20, 1970). "Frick Art 'Lives' in House". The Pittsburgh Press. p. 8. Archived from the original on February 23, 2024. Retrieved February 23, 2024– via newspapers.com.
  89. 1 2 Glueck, Grace (July 7, 1971). "Frick Collection Seeks to Stave Off Tax". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  90. ↑ "Harry D. M. Grier of Frick Museum". The New York Times. June 1, 1972. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  91. ↑ Shirey, David L. (May 20, 1973). "Everett Fahy of the Met Is Narned. Frick Director". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  92. 1 2 Fowler, Glenn (November 28, 1973). "Frick Drops Plan for Its New Wing". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  93. ↑ Knight, Michael (March 15, 1973). "Frick Planning to Raze Widener Town House". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024; "Frick Dooms Town House". New York Daily News. March 15, 1973. p. 450. ISSN   2692-1251. Archived from the original on February 2, 2024. Retrieved February 2, 2024– via newspapers.com.
  94. ↑ Horsley, Carter B. (July 9, 1973). "Widener Mansion is Coming Down". The New York Times. ISSN   0362-4331. Archived from the original on February 15, 2024. Retrieved February 8, 2024; "Garden to Grow at Frick Museum". New York Daily News. July 9, 1973. p. 50. ISSN   2692-1251. Archived from the original on February 2, 2024. Retrieved February 2, 2024– via newspapers.com.
  95. ↑ "The Frick Changes Plan for Vacant Plot, Proposing 2d Wing". The New York Times. May 17, 1974. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  96. 1 2 3 4 Wallach, Amei (January 23, 1977). "Frick Collection's New Room Is Worth Waiting For". Newsday. p. 89. ISSN   2574-5298. Archived from the original on January 29, 2024. Retrieved January 29, 2024– via newspapers.com.
  97. 1 2 3 "Frick shows loaned Fragonard drawings". Newsday. January 23, 1979. p. 110. ISSN   2574-5298. Archived from the original on February 2, 2024. Retrieved February 2, 2024– via newspapers.com.
  98. 1 2 3 Goldberger, Paul (March 1, 1977). "Frick Addition Echoes Original, a Holdover From Innocent Times". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  99. ↑ Howe, Marvine (January 6, 1985). "Russell Page, British Planner of Gardens and Landscapes". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  100. 1 2 Russell, John (July 24, 1981). "A Guide to the Discreet Changes at the Frick". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  101. 1 2 Garrett, Robert (August 14, 1988). "Masters of the House: New York's Frick Collection". The Washington Post. p. 83. ISSN   0190-8286. ProQuest   139447378 . Retrieved January 29, 2024.
  102. 1 2 Mays, John Bentley (October 25, 1985). "Seeing Old Masters With New Eyes". The Globe and Mail. p. D9. ProQuest   1222376533.
  103. 1 2 Ulmanis, Silvija (January 19, 1985). "Museums in New York: Everything From Picasso to Dogs". The London Gazette. p. H3. ProQuest   431185641.
  104. 1 2 3 Glueck, Grace (January 9, 1987). "Frick Awaits New Director". The New York Times. ISSN   0362-4331. Archived from the original on February 15, 2024. Retrieved February 3, 2024.
  105. 1 2 Russell, John (March 21, 1993). "Art View; Trouble at the Nonpareil of Art Libraries". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  106. 1 2 "Gallery by Gallery Improvements at Frick Museum". Italian Voice. December 9, 2010. p. 4. ProQuest   824553202.
  107. ↑ Glueck, Grace (December 19, 1986). "The Frick Gets New Director". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024; "Frick Collection Names New Director". Newsday. December 19, 1986. p. 194. ISSN   2574-5298. Archived from the original on February 3, 2024. Retrieved February 3, 2024– via newspapers.com.
  108. ↑ Deitz, Paula (April 10, 1988). "Art; Charles Ryskamp Brings a New Look To the Frick". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  109. 1 2 3 Shepard, Richard F. (December 30, 1990). "Frick Reference Library Is Obliged to Seek Funds". The New York Times. ISSN   0362-4331. Archived from the original on December 15, 2020. Retrieved February 4, 2024.
  110. ↑ Vogel, Carol (December 17, 1993). "Inside Art". The New York Times. ISSN   0362-4331. Archived from the original on February 23, 2024. Retrieved February 23, 2024.
  111. 1 2 3 4 Fein, Esther B. (December 4, 1993). "New York to Bar Age Bias in Public Places". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  112. 1 2 3 Wasserman, Joanne (January 14, 1994). "A risk of art attack". New York Daily News. p. 1916. ISSN   2692-1251. Archived from the original on February 5, 2024. Retrieved February 5, 2024– via newspapers.com.
  113. ↑ Asimov, Eric (November 13, 1992). "Sating the Eyes And Satisfying The Appetite". The New York Times. ISSN   0362-4331. Archived from the original on July 26, 2023. Retrieved February 5, 2024.
  114. ↑ Wasserman, Joanne (January 11, 1994). "Debate rages over kids' rights". New York Daily News. p. 336. ISSN   2692-1251. Archived from the original on February 5, 2024. Retrieved February 5, 2024– via newspapers.com.
  115. 1 2 "Policy on the Admission of Children" (PDF). The Frick Collection. July 2009. Archived (PDF) from the original on February 5, 2024. Retrieved February 5, 2024.
  116. 1 2 3 Abbe, Mary (May 14, 1997). "Samuel Sachs II will head New York's Frick art museum". Star Tribune. p. 4.B. ProQuest   426838303.
  117. 1 2 3 Vogel, Carol (May 13, 1997). "Frick Finds Its Director In Detroit". The New York Times. ISSN   0362-4331. Archived from the original on October 29, 2023. Retrieved January 29, 2024.
  118. 1 2 3 4 5 6 Fabrikant, Geraldine (March 29, 2006). "New Money Dances With Old Money at the Frick". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  119. 1 2 3 4 5 6 Vogel, Carol (September 7, 1998). "Director Tries Gentle Changes For the Frick". The New York Times. ISSN   0362-4331. Archived from the original on January 24, 2014. Retrieved January 29, 2024.
  120. 1 2 3 Mandell, Jonathan (September 20, 1998). "On Museums / Monet Mania Hits the Frick – Well, Almost". Newsday. p. D13. ISSN   2574-5298. ProQuest   279143382.
  121. 1 2 3 Vikan, Gary (October 11, 1998). "Henry Clay Frick: Urge to Collect". The Sun. p. 7F. ProQuest   313742866.
  122. 1 2 Eisenpress, Cara (December 20, 2022). "How arts organizations got the app they needed-for free". Crain's New York Business. Retrieved April 10, 2024.
  123. ↑ Hamilton, William L. (March 12, 2008). "Throwing a Bash? Surround It With Culture". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  124. ↑ Barron, James; Brescia, Joe (July 6, 1999). "Public Lives". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  125. ↑ "Chief curator of National Gallery leaves for small but important Frick museum in New York". National Post. June 9, 2000. p. B7. ProQuest   329660518.
  126. ↑ Lowry, Patricia (December 19, 1999). "Frick Papers Spark Feud; 3 in Family Balk at Moving Them From Here to N.y.". Pittsburgh Post – Gazette. p. A-1. ProQuest   391386264.
  127. ↑ "Frick Mementos to Be Restored in New York". The New York Times. Associated Press. March 6, 2001. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024; Lowry, Patricia (March 6, 2001). "Frick Archives May Be Split Between City and New York". Pittsburgh Post – Gazette. p. A-1. ProQuest   392042089.
  128. ↑ Vogel, Carol (April 26, 2002). "Inside Art". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved February 8, 2024.
  129. 1 2 3 Vogel, Carol (January 9, 2003). "After Gently Modernizing the Frick, Director Plans to Leave". The New York Times. ISSN   0362-4331. Archived from the original on September 22, 2022. Retrieved January 29, 2024.
  130. 1 2 3 4 5 Eakin, Hugh (July 31, 2005). "Making a Less Fusty Frick (and Hoping Nobody Notices)". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  131. 1 2 3 4 Pogrebin, Robin (June 10, 2014). "Frick Seeks to Expand Beyond Jewel-Box Spaces". The New York Times. ISSN   0362-4331. Archived from the original on October 6, 2021. Retrieved January 29, 2024.
  132. 1 2 3 4 5 6 7 Smith, Jennifer (December 12, 2014). "Flak Over the Frick Collection's Expansion Plans". The Wall Street Journal. p. A.17. ISSN   0099-9660. Archived from the original on February 15, 2024. Retrieved February 11, 2024.
  133. ↑ Muchnic, Suzanne (December 28, 2003). "Eye on the Frick; Anne Litle Poulet draws attention as the first woman to serve as director of the famed New York collection". Los Angeles Times. p. E48. ISSN   0458-3035. ProQuest   421871142 ; Vogel, Carol (August 5, 2003). "Boston Curator Chosen To Direct the Frick". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  134. 1 2 3 4 5 6 7 8 9 10 11 Landi, Ann (December 15, 2010). "Museum: The Frick at a Glowing 75". The Wall Street Journal. p. D6. ISSN   0099-9660. ProQuest   817587039. Archived from the original on April 19, 2023. Retrieved February 3, 2024.
  135. 1 2 3 4 Wakin, Daniel J. (June 30, 2005). "Frick's Concert Tickets Go From Free to $20". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  136. 1 2 Mattison, Ben (June 30, 2005). "New York's Frick Collection to Charge for Concerts". Playbill. Retrieved February 5, 2024.
  137. ↑ Smith, Roberta (August 28, 2008). "Change Arrives on Tiptoes at the Old Frick Mansion". The New York Times. ISSN   0362-4331. Archived from the original on January 5, 2018. Retrieved February 8, 2024.
  138. ↑ Smith, Roberta (January 7, 2010). "A Fresh Makeover for Familiar Faces at Frick Collection". The New York Times. ISSN   0362-4331. Archived from the original on February 13, 2024. Retrieved February 9, 2024.
  139. 1 2 3 Vogel, Carol (September 22, 2010). "Director of Frick Collection Will Retire in Fall of 2011". The New York Times. ISSN   0362-4331. Archived from the original on November 7, 2023. Retrieved January 29, 2024.
  140. ↑ "Ian Wardropper Named Next Director of the Frick Collection". Italian Voice. June 2, 2011. p. 6. ProQuest   872185925 ; Taylor, Kate; Vogel, Carol (May 19, 2011). "The Frick Collection Names a New Director". The New York Times. ISSN   0362-4331. Archived from the original on October 29, 2023. Retrieved January 29, 2024.
  141. ↑ Russeth, Andrew (December 14, 2011). "Frick Collection Grows a Gallery". Observer. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  142. ↑ Kahn, Eve M. (December 8, 2011). "Patent Models, Roger Broders Posters, Meissen Porcelain". The New York Times. ISSN   0362-4331. Archived from the original on February 13, 2024. Retrieved February 9, 2024; Owens, Mitchell (January 1, 2012). "New Sculpture Gallery at the Frick Collection". Architectural Digest. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  143. ↑ Finkel, Jori (October 23, 2014). "Colin Bailey Revamps San Francisco Art Museums". The New York Times. ISSN   0362-4331. Archived from the original on February 7, 2024. Retrieved February 8, 2024.
  144. ↑ Duray, Dan (November 4, 2013). "Xavier F. Salomon, 34, Named New Frick Collection Chief Curator". Observer. Archived from the original on February 15, 2024. Retrieved February 9, 2024; Vogel, Carol (November 4, 2013). "New Chief Curator for the Frick". ArtsBeat. Archived from the original on November 4, 2023. Retrieved February 9, 2024.
  145. 1 2 Tremayne-Pengelly, Alexandra (November 6, 2023). "The Frick Collection Is Nearing Its $290M Fundraising Goal for Renovations". Observer. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  146. 1 2 3 4 Pogrebin, Robin (January 3, 2024). "Frick Leader to Step Down After 14-Year Run". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  147. 1 2 3 4 Pitz, Marylynne (November 23, 2014). "New York's Frick Collection to expand". Pittsburgh Post-Gazette. Archived from the original on October 2, 2022. Retrieved February 11, 2024.
  148. ↑ Goodman, Wendy (March 12, 2015). "One Very Contentious Garden". New York. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  149. ↑ Pogrebin, Robin (November 9, 2014). "Frick's Plan for Expansion Faces Fight Over Loss of Garden". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  150. ↑ Pitz, Marylynne (June 6, 2015). "Frick Museum in N.Y. Drops Plans for Garden Area". Pittsburgh Post – Gazette. ProQuest   1686201001 ; Pogrebin, Robin (June 4, 2015). "Frick Museum Abandons Contested Renovation Plan". The New York Times. ISSN   0362-4331. Archived from the original on January 4, 2024. Retrieved January 29, 2024; Smith, Jennifer (June 4, 2015). "Frick Collection to Redo Expansion Plan". The Wall Street Journal. ISSN   0099-9660. Archived from the original on February 13, 2024. Retrieved February 11, 2024.
  151. ↑ Passy, Charles (August 25, 2017). "NYC Museums Offering Free Events to Draw Visitors". The Wall Street Journal. ISSN   0099-9660. Archived from the original on January 3, 2024. Retrieved February 11, 2024.
  152. 1 2 3 Kennedy, Randy (September 8, 2016). "Frick Collection to Offer Free Admission on First Fridays". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  153. ↑ Stamp, Elizabeth (April 6, 2018). "The Frick Museum Selects Selldorf Architects for Multimillion-Dollar Renovation". Architectural Digest. Archived from the original on February 5, 2024. Retrieved February 5, 2024; Pogrebin, Robin (April 4, 2018). "Frick Collection, With Fourth Expansion Plan, Crosses Its Fingers Again". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  154. ↑ Davidson, Justin (April 13, 2018). "This Time, a Much More Promising Attempt to Fix the Frick". Intelligencer. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  155. ↑ Pogrebin, Robin (June 26, 2018). "Frick's Expansion Is Approved by Landmarks Preservation Board". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  156. 1 2 3 Farago, Jason (February 25, 2021). "The Frick Savors the Opulence of Emptiness". The New York Times. ISSN   0362-4331. Archived from the original on July 20, 2023. Retrieved July 31, 2023.
  157. ↑ Gibson, Eleanor (September 28, 2018). "The Met to give Breuer building to Frick Collection during renovation". Dezeen. Archived from the original on October 1, 2023. Retrieved February 12, 2024; Pogrebin, Robin (September 21, 2018). "The Frick Likely to Take Over the Met Breuer". The New York Times. ISSN   0362-4331. Archived from the original on January 1, 2019. Retrieved February 12, 2024.
  158. ↑ Pogrebin, Robin (September 30, 2020). "Frick Announces Plans for Its Two-Year Stay in Breuer Building". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  159. ↑ Pogrebin, Robin; Cooper, Michael (March 12, 2020). "New York's Major Cultural Institutions Close in Response to Coronavirus". The New York Times. ISSN   0362-4331. Archived from the original on February 11, 2024. Retrieved February 11, 2024.
  160. 1 2 3 Kenney, Nancy (July 20, 2020). "New York's Frick Collection will open at Madison Avenue location in early 2021". The Art Newspaper – International art news and events. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  161. ↑ Pogrebin, Robin (February 9, 2021). "Frick Collection to Open as Frick Madison in March (With Coffee)". The New York Times. ISSN   0362-4331. Archived from the original on June 8, 2023. Retrieved February 2, 2024.
  162. ↑ "The Frick Collection's New Home". The New Yorker. March 12, 2021. Archived from the original on February 3, 2023. Retrieved February 4, 2024.
  163. 1 2 3 4 Raskin, Laura (March 4, 2021). "Frick Madison Brings a New Look to the Breuer". Architectural Record. Archived from the original on February 7, 2024. Retrieved April 15, 2023.
  164. 1 2 Tarmy, James (March 4, 2021). "Touring the Frick Madison, New York's Newest Cultural Landmark". Bloomberg.com. Archived from the original on September 26, 2022. Retrieved February 2, 2024.
  165. 1 2 Whittle, Andrea (February 11, 2021). "Frick Madison — Museum Review". Condé Nast Traveler. Archived from the original on February 5, 2024. Retrieved February 9, 2024.
  166. ↑ "Frick Collection Reviews". U.S. News Travel. January 1, 1970. Archived from the original on February 9, 2024. Retrieved February 9, 2024.
  167. 1 2 Wilkin, Karen (March 10, 2021). "The Frick Collection: Relocated, Reshuffled and Revitalized". The Wall Street Journal. ISSN   0099-9660. Archived from the original on June 7, 2023. Retrieved February 9, 2024.
  168. ↑ Senzamici, Peter (January 27, 2023). "Cold-Brew Sisters Open Up Cafe Inside UES Museum". Upper East Side, NY Patch. Retrieved April 10, 2024.
  169. ↑ Goukassian, Elena (January 8, 2024). "Frick Collection director to retire after $195m renovation". The Art Newspaper – International art news and events. Archived from the original on January 29, 2024. Retrieved January 29, 2024; Pogrebin, Robin (January 3, 2024). "Frick Leader to Step Down After a 14-Year Run". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  170. 1 2 Sutton, Benjamin (April 21, 2023). "Frick Collection will vacate Brutalist Madison Avenue building in early 2024". The Art Newspaper – International art news and events. Archived from the original on November 3, 2023. Retrieved January 29, 2024.
  171. ↑ Senzamici, Peter (April 29, 2023). "Frick Announces Move From Madison Back To Reno'd Mansion". Upper East Side, NY Patch. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  172. ↑ Clark, Roger (February 26, 2024). "The Frick Collection will soon be going home". Spectrum News NY1. Archived from the original on March 3, 2024. Retrieved March 3, 2024.
  173. ↑ Pogrebin, Robin (October 30, 2024). "Renovated Frick to Reopen in April 2025". The New York Times. Retrieved October 31, 2024; McDowell, Michael (October 30, 2024). "Frick Reopening Date Announced". Upper East Side, NY Patch. Retrieved October 31, 2024.
  174. 1 2 Pogrebin, Robin (September 21, 2024). "The Frick Looks to London for Its Next Leader". The New York Times. p. C3. Retrieved September 21, 2024; Mitchell, Bea (September 20, 2024). "Frick Collection appoints Axel Rüger as next director". Blooloop. Retrieved September 21, 2024; Harris, Gareth (September 20, 2024). "Axel Rüger leaves London's Royal Academy for New York's Frick Collection". The Art Newspaper – International art news and events. Retrieved September 21, 2024.
  175. 1 2 3 4 5 "The Frick Collection of Art Becomes the Public's Property". Current Opinion. Vol. LXVIII, no. 1. January 1920. p. 100. ProQuest   124776538.
  176. 1 2 "A French lesson". New York Daily News. November 5, 1982. p. 379. ISSN   2692-1251. Archived from the original on February 2, 2024. Retrieved February 2, 2024– via newspapers.com.
  177. ↑ Bailey 2006 , pp. 81–82.
  178. ↑ Boehm, Mike (December 18, 2007). "Sharing its treasures; The Norton Simon Museum is making unprecedented loans to the National Gallery and New York's Frick Collection". Los Angeles Times. p. E3. ISSN   0458-3035. ProQuest   422180386.
  179. 1 2 3 Esplund, Lance (April 22, 2010). "Art: Fresh Faces in the Family". The Wall Street Journal. p. D7. ISSN   0099-9660. ProQuest   193313858.
  180. ↑ Andreae, Christopher (January 22, 1992). "A clearer picture of Rembrandt Scholars weed out the pretenders to shed more light on the artist". Chicago Tribune. p. 1. ISSN   1085-6706. ProQuest   283399348.
  181. ↑ Russell, John (August 31, 1990). "A Critic's Eye: Choosing Favorites In Museum Collections". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  182. ↑ Muchnic, Suzanne (April 17, 1989). "'New Money' Squeezes Out Museum Buys". Los Angeles Times. p. 1. ISSN   0458-3035. ProQuest   280778087 ; Reif, Rita (March 15, 1989). "Medici Portrait Removed From Frick". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  183. ↑ "Frick Collection Announces Launch of Acquisitions Fund" (PDF). The Frick Collection (Press release). October 4, 2016. Archived (PDF) from the original on May 11, 2017. Retrieved February 11, 2024.
  184. 1 2 3 4 5 James Watkinson, Katie (February 10, 2021). "The Frick Collection – Museum Review". Condé Nast Traveler. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  185. 1 2 3 Bailey 2006 , p. 15.
  186. 1 2 "The Great Pictures of the Frick Collection". Town & Country. Vol. 67, no. 5. April 13, 1912. pp. 35, 37. ProQuest   2092495935.
  187. 1 2 3 4 Glueck, Grace (January 9, 1987). "An Art Connoisseur's Guide to the Frick's Serene Pleasures". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  188. ↑ Wallach, Amei (June 4, 1982). "Art Review/Doubtless French glory". Newsday. p. 171. ISSN   2574-5298. Archived from the original on February 2, 2024. Retrieved February 2, 2024– via newspapers.com.
  189. ↑ "Acquiring the Collection". The Frick Collection. August 5, 2020. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  190. ↑ Philpott, A. J. (July 28, 1946). "Real Artists, Honest Deal Suffer Most From Frauds". Daily Boston Globe. p. C3. ProQuest   839371353.
  191. ↑ Glueck, Grace (December 7, 1986). "Masterpieces Rise and Fall on a Tide of New Expertise". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  192. 1 2 The Frick Collection 2016 , p. 7.
  193. ↑ Smee, Sebastian (January 13, 2021). "The drama is in the details". The Washington Post. Archived from the original on August 1, 2021. Retrieved February 9, 2024; Cotter, Holland (June 9, 2011). "Alone in the Wilderness and the Spotlight". The New York Times. ISSN   0362-4331. Archived from the original on January 31, 2024. Retrieved January 31, 2024.
  194. ↑ The Frick Collection 2016 , pp. 10–13, 18.
  195. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 "World-famed Art in Frick's Bequest; $50,000,000 Collection Turned Over to Public Contains Long List of Masterpieces". The New York Times. October 6, 1931. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  196. 1 2 The Frick Collection 2016 , p. 19.
  197. ↑ The Frick Collection 2016 , p. 26.
  198. ↑ The Frick Collection 2016 , pp. 28, 30.
  199. ↑ The Frick Collection 2016 , pp. 31–35.
  200. ↑ The Frick Collection 2016 , pp. 37–39.
  201. ↑ The Frick Collection 2016 , p. 43.
  202. ↑ The Frick Collection 2016 , p. 42.
  203. 1 2 Schjeldahl, Peter (October 21, 2016). "The Rococo Genius of Jean-Honoré Fragonard". The New Yorker. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  204. ↑ The Frick Collection 2016 , pp. 51–58.
  205. ↑ The Frick Collection 2016 , pp. 68–69.
  206. 1 2 3 4 5 Cary, Elisabeth Luther (October 18, 1931). "A Place for Pilgrimage; The Famous Henry Clay Frick Collection Is Composed of Masterpieces by Masters". The New York Times. ISSN   0362-4331. Archived from the original on January 31, 2024. Retrieved January 31, 2024.
  207. ↑ The Frick Collection 2016 , pp. 61–67.
  208. ↑ The Frick Collection 2016 , pp. 80–83.
  209. ↑ The Frick Collection 2016 , pp. 84–85.
  210. ↑ The Frick Collection 2016 , p. 86.
  211. 1 2 3 The Frick Collection 2016 , pp. 87–88.
  212. ↑ The Frick Collection 2016 , pp. 89–90.
  213. ↑ The Frick Collection 2016 , p. 91.
  214. ↑ The Frick Collection 2016 , pp. 94–95.
  215. ↑ The Frick Collection 2016 , p. 103.
  216. ↑ The Frick Collection 2016 , p. 105.
  217. ↑ The Frick Collection 2016 , pp. 106–107.
  218. ↑ The Frick Collection 2016 , pp. 115–116.
  219. ↑ Renaud, Ralph E. (January 2, 1936). "Rembrandts Supreme In Frick Galleries: Visitor Asks For Sunday Afternoon Alone To View New York Collection Left By Steel Master For Eager Throng Of Public". The Washington Post. p. B7. ISSN   0190-8286. ProQuest   150854503.
  220. ↑ The Frick Collection 2016 , pp. 117–120.
  221. 1 2 The Frick Collection 2016 , p. 121.
  222. ↑ The Frick Collection 2016 , pp. 122–123.
  223. ↑ The Frick Collection 2016 , pp. 125–129.
  224. ↑ The Frick Collection 2016 , pp. 140–141.
  225. ↑ The Frick Collection 2016 , pp. 143–147.
  226. ↑ The Frick Collection 2016 , pp. 158–160.
  227. ↑ The Frick Collection 2016 , pp. 161–162.
  228. 1 2 The Frick Collection 2016, p. 156.
  229. ↑ The Frick Collection 2016 , p. 49.
  230. ↑ The Frick Collection 2016 , pp. 132–133.
  231. ↑ The Frick Collection 2016 , pp. 164–169.
  232. ↑ "Jacob van Ruisdael". Frick Collection. Archived from the original on October 7, 2016. Retrieved March 13, 2016.
  233. 1 2 3 Wolff, Theodore F. (September 13, 1983). "Where masterworks of art find a gracious New York home". The Christian Science Monitor. ISSN   0882-7729. ProQuest   1037940320.
  234. 1 2 The Frick Collection 2016 , p. 140.
  235. ↑ Cotter, Holland (February 18, 2011). "Pride of Place, Brighter Than Ever". The New York Times. ISSN   0362-4331. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  236. ↑ Rosenberg, Karen (February 14, 2013). "At the Altar of Renaissance Tuscany". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  237. 1 2 3 Feigenbaum 2024 , p. 335.
  238. ↑ Saltzman 2008 , p. 162.
  239. ↑ "Frick Buys Hals's Portrait of Woman; Pittsburg Steel Man Purchases Famous Work Sold at Yerkes Sale for $137,000". The New York Times. April 17, 1910. ISSN   0362-4331. Archived from the original on March 4, 2024. Retrieved March 4, 2024; "H. C. Frick Buys Hals "Portrait of a Woman.": Said to Have Paid Over $140,000 for Famous Painting". The Hartford Courant. April 18, 1910. p. 13. ISSN   1047-4153. ProQuest   555708130.
  240. ↑ "Frick's Velasquez a Wonderful Work; Portrait of King Philip IV. One of the Most Important Pictures in Existence". The New York Times. March 1, 1911. ISSN   0362-4331. Archived from the original on March 4, 2024. Retrieved March 4, 2024.
  241. ↑ "Frick Buys a Rembrandt". New-York Tribune. May 4, 1912. p. 1. ISSN   1941-0646. ProQuest   574945519 ; Times, Marconi Transatlantic Wireless Telegraph To the New York (May 4, 1912). "FRICK BUYS A REMBRANDT.; He Pays $250,000 for a Picture, Long Owned by the Fevershams". The New York Times. ISSN   0362-4331. Archived from the original on March 4, 2024. Retrieved March 4, 2024.
  242. ↑ "Mr. Frick's Rembrandt Praised". The Christian Science Monitor. November 1, 1913. p. 35. ISSN   0882-7729. ProQuest   508945715.
  243. ↑ Bailey 2006 , p. 70.
  244. ↑ "H.C. Frick Bought Fragonard Room; Panels from Morgan Collection in Metropolitan Museum for His Fifth Avenue Home". The New York Times. February 25, 1915. ISSN   0362-4331. Archived from the original on February 17, 2024. Retrieved February 17, 2024; "H. C. Frick Buys Fragonard Panels: Gets Morgan Paintings at Price Said to Be Close to $1,500,000". New-York Tribune. February 25, 1915. p. 9. ISSN   1941-0646. ProQuest   575357790.
  245. ↑ "Fragonards Moved to New Frick Home; Paintings to be Set in Drawing Room Designed for Them by Sir Charles Allom". The New York Times. March 16, 1915. ISSN   0362-4331. Archived from the original on February 18, 2024. Retrieved February 18, 2024; "Fragonard Panels Now in Frick Home: Paintings Sold by J. P. Morgan Removed From Museum of Art". New-York Tribune. March 16, 1915. p. 7. ISSN   1941-0646. ProQuest   575394249.
  246. 1 2 Philpott, A J (May 30, 1915). "New York's Real Art Treasures: Boston Pilgrims See Many of Them. Wonderful Paintings in Mr Frick's New House. Society of Printers Shown Many Courtesies". Boston Daily Globe. p. 25. ProQuest   502938057.
  247. ↑ "Fifth Avenue Homes Which Were Opened to Balfour and Joffre; To Entertain the Visitors, New York Provided Best It Had to Offer, the Astor and Frick Houses". The New York Times. May 13, 1917. ISSN   0362-4331. Archived from the original on February 19, 2024. Retrieved February 19, 2024.
  248. ↑ "$235,000 Holbein Bought by Frick: Box Which Aroused Comment on the Philadelphia Contained Famous Painting". The New York Times. May 4, 1915. p. 7. ISSN   0362-4331. ProQuest   97726552. Archived from the original on February 18, 2024. Retrieved February 18, 2024; "$235,000 Painting Frick's, is Belief: Mysterious Canvas Brought From Liverpool Said to Be Holbein's "Cromwell."". New-York Tribune. May 4, 1915. p. 9. ISSN   1941-0646. ProQuest   575425037.
  249. ↑ "Henry C. Frick Buys a Rubens: "Portrait of Spinola" Makes 104th Painting He Has Bought". New-York Tribune. October 21, 1916. p. 1. ISSN   1941-0646. ProQuest   575628541 ; "Frick Adds a Rubens to His Art Collection; Price Paid for Portrait of Marquis de Spinola, a Spanish General, Said to be Very High". The New York Times. October 21, 1916. ISSN   0362-4331. Archived from the original on March 4, 2024. Retrieved March 4, 2024.
  250. ↑ "Frick Adds $250,000 Prize to His Collection of Art: Steel Magnate Buys Rembrandt Painted in 1649—estimated He Has Spent $2,300,000 in Year". Chicago Tribune. October 16, 1916. p. 3. ISSN   1085-6706. ProQuest   174110598 ; "Frick's $250,000 Gets Rembrandt: Buys "Old Woman Reflecting Over Lecture" for Country Gallery". New-York Tribune. October 16, 1916. p. 1. ISSN   1941-0646. ProQuest   575628117.
  251. ↑ "Frick Buys 'Mall' by Gainsborough; Famous Painting Soon to be Hung Among Other Art Treasures in Collector's Home". The New York Times. March 15, 1916. ISSN   0362-4331. Archived from the original on February 18, 2024. Retrieved February 18, 2024.
  252. ↑ "Frick Buys $200,000 Panels". New York Herald. January 27, 1917. p. 1. Archived from the original on February 19, 2024. Retrieved February 18, 2024– via newspapers.com; "Frick Buys Four Bouchers; Reported to Have Paid $200,000 for Paintings Representing Seasons". The New York Times. January 27, 1917. ISSN   0362-4331. Archived from the original on February 18, 2024. Retrieved February 18, 2024.
  253. ↑ Bailey 2006 , p. 83.
  254. ↑ "Rare Art Objects for Frick: Boucher Tapestry Furniture and Portrait Busts Cost $500,000". The Washington Post. June 17, 1917. p. 7. ISSN   0190-8286. ProQuest   145565141.
  255. ↑ "$250,000 Van Dyck Portrait Added to Frick Collection: "Countess of Clanbrazil" Now Hangs in the Capitalist's Residence". New-York Tribune. February 20, 1917. p. 11. ISSN   1941-0646. ProQuest   575677103 ; "Frick Buys Famous Van Dyck". The Sun. February 20, 1917. p. 7. Archived from the original on February 19, 2024. Retrieved February 18, 2024– via newspapers.com.
  256. 1 2 3 4 Bailey 2006 , p. 91.
  257. ↑ "Vermeer, a Great Little Master: the Metropolitan Vermeers Clarity Itself". The Christian Science Monitor. September 22, 1919. p. 14. ISSN   0882-7729. ProQuest   510274820.
  258. ↑ "Frick Pays $75,000 for a Washington; Manufacturer Buys Bust Portrait by Gilbert Stuart for Fifth Avenue Home". The New York Times. March 22, 1919. ISSN   0362-4331. Archived from the original on February 19, 2024. Retrieved February 19, 2024.
  259. 1 2 "Frick Collection Acquires Noted Ingres Painting: Estate Buys Portrait of Mme. d'Haussonville, One of Most Renowned Works of Eminent French Artist Lately Brought to U. S. Canvas Hung in Fifth Ave. Mansion Which Ultimately Will Be a City Museum". New York Herald Tribune. April 23, 1927. p. 7. ISSN   1941-0646. ProQuest   1131393399 ; The Frick Collection 2016 , p. 91.
  260. 1 2 Bailey 2006 , p. 111.
  261. ↑ "Frick Museum Acquires Rare Italian Painting: Piero della Francesca Panel, 'A Saint,' Called Greatest Find of 20th Century Bears an Austrian Crest Arrival Announced Last Month by Knoedler Co. A Famous Panel Acquired by the Frick Collection". New York Herald Tribune. April 8, 1936. p. 19. ISSN   1941-0646. ProQuest   1330799304 ; "Frick Museum Gets Rare Piero Panel; Early Italian Masterpiece Is First Acquisition Since Gallery Was Opened". The New York Times. April 8, 1936. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  262. ↑ "Boucher Portrait Acquired by the Frick Collection". New York Herald Tribune. October 24, 1937. p. 18. ISSN   1941-0646. ProQuest   1222269416 ; "Metropolitan Gets Collection of Rugs; Current Design Is Illustrated in Show at Museum to Open on Tuesday". The New York Times. October 24, 1937. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  263. ↑ "Frick Collection Buys David Work; Portrait of Countess Daru Once Part of French Exhibit at the Royal Academy". The New York Times. November 23, 1937. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  264. ↑ "Cezanne Art Bought by Frick Collection; Gallery Gets Its First Post-Impressionist Work, 'Chestnut Trees at Jas de Bouffon'". The New York Times. March 15, 1938. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; "Frick Collection Buys Its First Cezanne Canvas: Landscape by French Master Goes on Display Today". New York Herald Tribune. March 15, 1938. p. 13A. ISSN   1941-0646. ProQuest   1242991501.
  265. ↑ "Rare Art Acquired by Frick Museum; Three Paintings of the Italian Renaissance Are Added to the Collection Here". The New York Times. February 1, 1951. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  266. ↑ "Bruni Portrait Acquired; Frick Collection Buys Painting of Italian Violinist and Composer". The New York Times. October 7, 1952. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  267. ↑ Saarinen, Aline B. (October 24, 1954). "The Frick's New Masterpiece; The Van Eyck Madonna, Splendid in Color, Goes on View". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; Genauer, Emily (October 24, 1954). "Frick Museum Showing New $750,000 Van Eyck". New York Herald Tribune. p. 25. ISSN   1941-0646. ProQuest   1313729031.
  268. ↑ Preston, Stuart (May 12, 1961). "Art: The Frick Fills Important Gap; 'Sermon on the Mount' Acquired by Museum Claude Lorraine Work Goes on View Today". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  269. ↑ Russell, John (September 15, 1991). "Art View; The Great Absentee Shows Up at the Frick". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  270. ↑ Kimmelman, Michael (February 18, 1994). "Art in Review". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  271. ↑ Russell, John (March 22, 1996). "Art Review;Made for Each Other in Paris: A Painter and an Actor". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  272. ↑ Vogel, Carol (October 2, 2008). "Artist in Residence, Sort of: Corin Hewitt's 'Seed Stage' at the Whitney". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  273. ↑ Vogel, Carol (January 13, 2011). "Charles Ryskamp Bequeaths Work to Frick and Morgan". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  274. ↑ Vogel, Carol (November 27, 2014). "A New Home at the Frick for a Rare Murillo Work". The New York Times. ISSN   0362-4331. Archived from the original on January 26, 2021. Retrieved February 11, 2024.
  275. ↑ Feldman, Ella (January 17, 2023). "The Frick Adds Its First Renaissance Portrait of a Woman to Permanent Collection". Smithsonian Magazine. Archived from the original on January 29, 2024. Retrieved January 29, 2024; Bahr, Sarah (January 6, 2023). "The Frick Acquires Its First Renaissance Portrait of a Woman". The New York Times. ISSN   0362-4331. Archived from the original on September 28, 2023. Retrieved January 29, 2024.
  276. ↑ Reif, Rita (January 14, 2001). "Art/Architecture; Tapestries Tell a Tale Of Royal Ownership". The New York Times. ISSN   0362-4331. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  277. ↑ "Frick Has a Green Hawthorne Beaker; His Latest Purchase of Morgan Art Finer Than the Black Hawthorne". The New York Times. April 6, 1915. ISSN   0362-4331. Archived from the original on March 4, 2024. Retrieved March 4, 2024.
  278. ↑ "Frick to Acquire More Morgan Art; Purchaser of Fragonard Room Now Reported to Have Got the Porcelains Also". The New York Times. February 26, 1915. ISSN   0362-4331. Archived from the original on February 18, 2024. Retrieved March 4, 2024.
  279. ↑ "$1,500,000 Reported Paid by Frick for Morgan Art Works". The Brooklyn Daily Eagle. August 10, 1919. p. 7. Archived from the original on March 4, 2024. Retrieved March 4, 2024– via newspapers.com.
  280. ↑ "H. C. Frick Pays $1,500,000 for Art Enamels". Chicago Tribune. August 10, 1919. p. 1. ISSN   1085-6706. ProQuest   174548426.
  281. ↑ Bailey 2006 , pp. 87–88.
  282. ↑ Sanger 2001 , p. 187.
  283. ↑ "Houdon Diana Added to Frick Collection; Terra Cotta Version of Famous Statue Goes on View Today". The New York Times. June 13, 1939. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024; "Houdon Diana is Acquired by Frick Museum: Terra-Cotta Statue to Go on View Today; Once Owned -by Uncle of Napoleon". New York Herald Tribune. June 13, 1939. p. 19. ISSN   1941-0646. ProQuest   1319974712.
  284. 1 2 3 Vogel, Carol (June 16, 2006). "New Treasures at the Frick: Two Sculptures (One That Ticks)". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  285. ↑ Vogel, Carol (November 26, 2004). "The Frick Acquires a Chinard Bust". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  286. ↑ Vogel, Carol (October 27, 2006). "Two New Sculptures for the Frick Collection". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  287. ↑ Vogel, Carol (July 28, 2011). "MoMa PS 1 Plans 9/11 Exhibition". The New York Times. ISSN   0362-4331. Archived from the original on February 13, 2024. Retrieved February 9, 2024.
  288. ↑ Saenger, Peter (February 3, 2023). "A Feast of Decoration; A new bequest to New York's Frick Collection includes fanciful clocks and Limoges enamel". The Wall Street Journal. ISSN   0099-9660. ProQuest   2772012183. Archived from the original on January 29, 2024. Retrieved January 28, 2024.
  289. ↑ The Frick Collection 2016, p. 20.
  290. ↑ "Tracing El Greco's Evolution". New York Daily News. May 25, 2001. ISSN   2692-1251. Archived from the original on February 15, 2024. Retrieved February 9, 2024; The Frick Collection 2016, p. 75.
  291. ↑ The Frick Collection 2016, p. 118.
  292. ↑ The Frick Collection 2016, p. 119.
  293. ↑ The Frick Collection 2016, p. 158.
  294. ↑ The Frick Collection 2016, p. 160.
  295. ↑ The Frick Collection 2016, p. 159.
  296. 1 2 The Frick Collection 2016, p. 15.
  297. 1 2 The Frick Collection 2016, p. 16.
  298. ↑ The Frick Collection 2016, p. 28.
  299. ↑ The Frick Collection 2016, p. 144.
  300. ↑ The Frick Collection 2016, p. 145.
  301. ↑ The Frick Collection 2016, p. 146.
  302. ↑ The Frick Collection 2016, p. 52.
  303. ↑ The Frick Collection 2016, p. 54.
  304. ↑ The Frick Collection 2016, p. 72.
  305. ↑ The Frick Collection 2016, p. 167.
  306. ↑ The Frick Collection 2016, p. 138.
  307. ↑ The Frick Collection 2016, p. 21.
  308. ↑ The Frick Collection 2016, p. 6.
  309. ↑ The Frick Collection 2016, p. 94.
  310. 1 2 3 Weinshenker, Anne Betty (Winter 1984). "Clodion at The Frick Collection". Art Journal. Vol. 44, no. 4. p. 383. ProQuest   1289998750.
  311. ↑ Wecker, Menachem (November 21, 2014). "Donatello exhibition heading to Museum of Biblical Art in New York". The Washington Post. ISSN   0190-8286. Archived from the original on July 29, 2023. Retrieved February 11, 2024.
  312. ↑ Kramer, Hilton (November 25, 1972). "The Frick Collection Honors a Director". The New York Times. p. 23. ISSN   0362-4331. ProQuest   119411371.
  313. ↑ "Art: What's Happening At the Frick Collection". The New York Times. June 30, 1978. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  314. ↑ Kramer, Hilton (June 12, 1981). "Art: Eight Portrait Busts by Houdon at the Frick". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  315. ↑ Brenson, Michael (May 25, 1986). "Gallery View; Delacroix and Ingres Continue Their Duel of Fire and Ice". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  316. ↑ Russell, John (July 8, 1988). "Reviews/Art; The Frick Collection Shows Off a Fresh Face". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  317. ↑ Kimmelman, Michael (November 17, 1989). "Review/Art; Old Masters on a Visit From Fort Worth". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  318. ↑ Kimmelman, Michael (November 22, 1991). "Reviews/Art; Lancret's Graceful Visions of 18th-Century Life". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  319. ↑ Cotter, Holland (September 17, 1993). "Review/Art; Decorative Images In a Delicate Medium". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  320. ↑ Karmel, Pepe (April 14, 1995). "Art Review; 60 Drawings From the Stanford Museum". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  321. ↑ Russell, John (July 24, 1998). "Art Review; Lessons in Poetry, Science and History From the Age of Goethe". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  322. ↑ Russell, John (October 29, 1999). "Art Review; It Wasn't All Dainty Ladies and Their Beaux in Frills and Satin". The New York Times. ISSN   0362-4331. Archived from the original on February 4, 2024. Retrieved February 4, 2024.
  323. ↑ Vogel, Carol (January 29, 1999). "Inside Art; A Mistress For the Frick". The New York Times. ISSN   0362-4331. Archived from the original on February 5, 2024. Retrieved February 5, 2024; Kempton, Murray (January 19, 1986). "Museum Lures Like a Countess". Newsday. p. 6. ISSN   2574-5298. Archived from the original on February 5, 2024. Retrieved February 5, 2024– via newspapers.com.
  324. ↑ Andre, Mila (April 21, 2000). "Frick Draws on Treasures of Vienna Collection". New York Daily News. p. 63. ISSN   2692-1251. ProQuest   313759590. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  325. ↑ Russell, John (September 1, 2000). "Art Review; It's Your Taste, Mr. Frick, If, Um, a Bit More Daring". The New York Times. ISSN   0362-4331. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  326. ↑ Smith, Roberta (May 25, 2001). "Art Review; El Greco, Richly Repeating Himself". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024; Budick, Ariella (June 8, 2001). "7 El Grecos, 2 Themes, Multiple Double Takes". Newsday. p. 143. ISSN   2574-5298. Archived from the original on February 8, 2024. Retrieved February 8, 2024– via newspapers.com.
  327. ↑ Cotter, Holland (December 21, 2001). "Critic's Notebook; The Gift Of Art Ready To Be Opened". The New York Times. ISSN   0362-4331. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  328. ↑ Glueck, Grace (November 1, 2002). "Art Review; At the Frick, the Next Best Thing to a Trip to Ohio". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  329. ↑ Kimmelman, Michael (January 30, 2004). "Art Review; Abundant Skills, Abbreviated Years". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  330. ↑ Glueck, Grace (March 18, 2005). "Treasures of a New Bronze Age, the Small Bronze Age". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  331. ↑ Vogel, Carol (August 5, 2005). "15th-Century Show Is a Coup for the Frick". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  332. ↑ Vogel, Carol (February 3, 2006). "Gathering a Trove of Veronese Paintings". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  333. ↑ Vogel, Carol (September 23, 2005). "Two Major Collections Land at Christie's". The New York Times. ISSN   0362-4331. Archived from the original on February 8, 2024. Retrieved February 8, 2024.
  334. ↑ Vogel, Carol (November 23, 2007). "An Art Nouveau Room Thick With Wisteria". The New York Times. ISSN   0362-4331 . Retrieved February 8, 2024.
  335. ↑ Rosenberg, Karen (February 26, 2009). "On Loan, 16th- and 17th-century Spanish, Italian and Flemish Master Works at the Frick". The New York Times. ISSN   0362-4331 . Retrieved February 8, 2024.
  336. ↑ "Books And Arts: One and only; Parmigianino at the Frick". The Economist. Vol. 386, no. 8564. January 26, 2008. p. 95. ProQuest   362648866.
  337. ↑ Kennedy, Randy (December 14, 2010). "1935 Pricing at the Frick for a Day: No Charge". ArtsBeat. Retrieved February 9, 2024.
  338. ↑ Rosenberg, Karen (October 18, 2012). "'Mantegna to Matisse,' at the Frick Collection". The New York Times. ISSN   0362-4331 . Retrieved February 9, 2024.
  339. ↑ Smith, Roberta (October 6, 2011). "Lines That Kept Moving and Knew No Boundaries". The New York Times. ISSN   0362-4331 . Retrieved February 9, 2024.
  340. ↑ Rosenberg, Karen (February 9, 2012). "Renoir's Full-Length Paintings at the Frick Collection". The New York Times. ISSN   0362-4331 . Retrieved February 9, 2024.
  341. ↑ Rosenberg, Karen (February 14, 2013). "At the Altar of Renaissance Tuscany". The New York Times. ISSN   0362-4331 . Retrieved February 10, 2024; Cohen, Stefanie (February 15, 2013). "Left at the Altar". The Wall Street Journal. ISSN   0099-9660 . Retrieved February 10, 2024.
  342. ↑ Vogel, Carol (April 7, 2011). "Bellini Work Back at Frick, Yielding New Insights". The New York Times. ISSN   0362-4331 . Retrieved February 9, 2024.
  343. ↑ Kennedy, Randy (November 28, 2013). "For Fervent Fans of the Dutch Masters, 'It's a Dream Come True'". The New York Times. ISSN   0362-4331 . Retrieved February 9, 2024; Pollack, Maika (December 10, 2013). "'Vermeer, Rembrandt and Hals: Masterpieces of Dutch Painting From the Mauritshuis' at the Frick Collection". Observer. Retrieved February 9, 2024.
  344. ↑ Brown, Mark (February 4, 2015). "Frick Collection masterpieces on show at the Mauritshuis in The Hague". The Guardian. Archived from the original on November 20, 2022. Retrieved February 4, 2024; "Frick Collection: Mauritshuis exhibits 30 masterpieces from New York". The Hague Online. February 6, 2015. Retrieved February 4, 2024.
  345. ↑ Vogel, Carol (February 13, 2014). "A Loan Extends Museums' Global Reach". The New York Times. ISSN   0362-4331. Archived from the original on April 3, 2023. Retrieved February 4, 2024.
  346. ↑ Rosenberg, Karen (November 20, 2014). "Scottish Visit in Gowns (and Kilt)". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  347. ↑ Johnson, Ken (February 19, 2015). "Review: Donatello in a Valedictory Show at the Museum of Biblical Art". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  348. ↑ Cotter, Holland (October 22, 2015). "Review: A Renaissance Painter, Andrea del Sarto, Striving for Perfection". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  349. ↑ Smith, Roberta (December 22, 2016). "Gouthière at the Frick: Gilding the Lily (and Everything Else)". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  350. ↑ Rosenberg, Karen (March 16, 2017). "That Visionary Wharf Rat, J.M.W. Turner". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  351. ↑ Elujoba, Yinka (September 28, 2023). "For Barkley Hendricks, Finally a Seat at the Head of the Table". The New York Times. ISSN   0362-4331. Archived from the original on January 5, 2024. Retrieved February 4, 2024.
  352. ↑ Gopnik, Blake (November 22, 2023). "2 Masterpieces Reveal the Big Bang Moment of Our Art Universe". The New York Times. ISSN   0362-4331. Archived from the original on December 23, 2023. Retrieved February 4, 2024.
  353. 1 2 Sozanski, Edward J. (March 10, 2003). "Wealth of art, but poor foundation: The Barnes fails while peers thrive". Philadelphia Inquirer. p. A.1. ProQuest   1898256328.
  354. ↑ "Appointment of Rika Burnham as Head of Education". The Frick Collection (Press release). August 5, 2020. Archived from the original on December 5, 2023. Retrieved January 29, 2024.
  355. ↑ "Online Visits for Schools, Colleges, and Universities". The Frick Collection. August 5, 2020. Retrieved February 8, 2024.
  356. ↑ Marius, Marley (March 17, 2021). "Seeing a Collection Anew at the Frick Madison". Vogue. Archived from the original on May 11, 2023. Retrieved February 9, 2024.
  357. ↑ Weisblum, Vida (January 12, 2016). "At the Frick, Art and Movies Mingle in New Student Film Project". Observer. Retrieved February 11, 2024; Sheets, Hilarie M. (January 8, 2016). "Young Moviemakers Meet Old Masters at the Frick". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  358. ↑ Miller, M. H. (August 13, 2014). "Frick Collection 'Engages Youth' With a Mobile App". ARTnews. Retrieved February 11, 2024.
  359. ↑ Terry, Christa (March 8, 2024). "Here's Everything Going On at the Frick Until It Reopens Later This Year". Observer. Retrieved May 10, 2024.
  360. ↑ Ramzi, Lilah (March 31, 2023). "The Frick Collection's Young Fellows Ball Was a "Bejeweled" Affair". Vogue. Retrieved February 7, 2024; Ortved, John (April 8, 2022). "Pink and Sequins at the Frick Young Fellows Ball". The New York Times. ISSN   0362-4331 . Retrieved February 7, 2024.
  361. ↑ Akers, W.M. (May 19, 2010). "So, I Went to a Garden Party…". Observer. Retrieved February 9, 2024.
  362. 1 2 Heyman, Marshall (July 14, 2012). "Museums Court Young Art Lovers". The Wall Street Journal. p. A.19. ISSN   0099-9660. ProQuest   1024780055 . Retrieved February 10, 2024.
  363. ↑ "The Frick Launches Free Monthly Evening Series- First Fridays | The Frick Collection". www.frick.org. Archived from the original on December 4, 2020. Retrieved December 8, 2020.
  364. 1 2 Beegle, Raymond (January 24, 2017). "2017 Concerts at The Frick Collection Are a Work of Art". Observer. Retrieved February 5, 2024.
  365. ↑ "New York's Classical Music Radio Station". WQXR. September 11, 2017. Retrieved February 5, 2024.
  366. 1 2 "The Frick Collection's Concert Series Celebrates its 77th Season with Dynamic Programs this Fall". Italian Voice. August 13, 2015. p. 3. ProQuest   1710649080.
  367. ↑ Tommasini, Anthony (June 29, 2018). "As the Frick Expands, New York City Music Suffers". The New York Times. ISSN   0362-4331. Archived from the original on February 2, 2024. Retrieved February 2, 2024.
  368. ↑ Walker, John (May 17, 1970). "Masterpieces Of the Frick Collection". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  369. ↑ Barnet, Andrea (April 6, 1997). "Books in Brief: Nonfiction". The New York Times. ISSN   0362-4331 . Retrieved February 5, 2024.
  370. ↑ Soltesz, David (October 15, 2001). "The Henry Clay Frick House: Architecture-Interiors-Landscapes in the Golden Era". Library Journal. Vol. 126, no. 17. p. 71. ProQuest   196786157.
  371. ↑ "Frick and the BNP Paribas Foundation Publish a New Guide to the Collection". Italian Voice. June 9, 2011. p. 6. ProQuest   874992043.
  372. ↑ Barone, Joshua (July 24, 2017). "Books From the Frick to Offer Authors' Views on Major Works". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  373. ↑ White, Willensky & Leadon 2010 , p. 436
  374. ↑ Davis, William A. (April 30, 1989). "Upper East Side galleries and museums make New York a world center for art". The Sun. p. 6L. ProQuest   1639449833.
  375. ↑ Gray, Christopher (July 8, 2010). "The Late Great Charles Schwab Mansion". The New York Times. ISSN   0362-4331. Archived from the original on December 29, 2023. Retrieved January 27, 2024.
  376. 1 2 Kimmelman, Michael (July 30, 2014). "The Case Against a Mammoth Frick Collection Addition". The New York Times. ISSN   0362-4331. Archived from the original on January 29, 2024. Retrieved February 3, 2024.
  377. 1 2 Morrone 2009 , pp. 299–300.
  378. ↑ Bratburd, Rebecca (July 8, 2013). "Frolicking at the Frick; The Garden Party on the Lawn of the Henry Clay Frick Home". The Wall Street Journal. ISSN   0099-9660. ProQuest   1400538647.
  379. ↑ Morrone, Francis (December 8, 2006). "The House That Frick Built". The New York Sun. Archived from the original on February 9, 2018. Retrieved November 8, 2013.
  380. ↑ Bailey 2006 , p. 47.
  381. ↑ Bailey 2006 , p. 63.
  382. ↑ National Park Service 2008 , pp. 18–19.
  383. ↑ National Park Service 2008 , p. 19.
  384. ↑ Bailey 2006 , pp. 70, 73.
  385. 1 2 Jackson, Nancy (April 28, 1985). "Art dwells in millionaires' homes". Boston Globe. p. B17. ProQuest   1821138411.
  386. ↑ Kugel, Seth (May 25, 2008). "Weekend in New York: Small Gardens". The New York Times. ISSN   0362-4331 . Retrieved February 9, 2024.
  387. ↑ Russell, John (April 13, 1986). "Art View; Sprucing Up Rejuvenates Some Superb Fragonards". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  388. ↑ Ballard 2016 , p. 37.
  389. 1 2 3 4 Morais, Richard C. (January 20, 2014). "The Precious Frick Library". Barron's. Vol. 94, no. 3. p. 35. ProQuest   1490935602.
  390. 1 2 Gray, Christopher (October 15, 2000). "Streetscapes/The Frick Art Reference Library; A Memorial Built by a Daughter for Her Father". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  391. ↑ Russell, John (November 10, 1984). "Helen Clay Frick Dies at 96; Founded Art Library in 1920". The New York Times. ISSN   0362-4331. Archived from the original on October 29, 2023. Retrieved February 1, 2024.
  392. ↑ Feuer, Alan (June 10, 2009). "In Frick's Basement, a Secret Masterpiece". The New York Times. ISSN   0362-4331. Archived from the original on August 23, 2019. Retrieved August 23, 2019.
  393. 1 2 Loos, Ted (March 14, 2017). "'Photo Archives Are Sleeping Beauties.' Pharos Is Their Prince". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  394. 1 2 Pogrebin, Robin (March 14, 2010). "New York Museum Libraries Unite Decades of Research". The New York Times. ISSN   0362-4331 . Retrieved February 9, 2024.
  395. ↑ Keogh, K. M. (April 2012). "New York Art Resources Consortium". Choice. Vol. 49, no. 8. p. 1414. ProQuest   1019972435.
  396. ↑ Gardner, Ralph Jr. (January 9, 2013). "The Art of Collecting". The Wall Street Journal. p. A.16. ISSN   0099-9660. ProQuest   126722473 . Retrieved February 10, 2024.
  397. ↑ "Frick Art Reference Library's Center for the History of Collecting Reaches a Milestone and Celebrates Tenth Anniversary". The Frick Collection (Press release). August 5, 2020. Retrieved February 10, 2024.
  398. ↑ "The Frick Collection". GuideStar Profile. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  399. ↑ "Staff". The Frick Collection. August 5, 2020. Retrieved February 9, 2024.
  400. ↑ "Frick Directorship Named in Honor of Anna-Maria and Stephen Kellen". The Frick Collection (Press release). August 5, 2020. Archived from the original on January 29, 2024. Retrieved January 29, 2024.
  401. ↑ "Xavier F. Salomon Appointed Peter Jay Sharp Chief Curator of The Frick Collection". The Frick Collection (Press release). August 5, 2020. Retrieved February 9, 2024.
  402. ↑ "Frick Art Seen by 100,000; New Museum to Be Closed During August for Cleaning". The New York Times. June 26, 1936. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  403. ↑ Halperin, Julia (January 13, 2014). "Fricks finch lays golden egg". The Art Newspaper. Archived from the original on February 13, 2014. Retrieved February 7, 2024.
  404. ↑ Pogrebin, Robin (June 16, 2014). "The Redesign of a Design Museum". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  405. ↑ Chow, Andrew R. (June 1, 2017). "Frick Collection Expands Pay-What-You-Wish Hours". The New York Times. ISSN   0362-4331 . Retrieved February 11, 2024.
  406. ↑ "Discounted and Free Admission". The Frick Collection. August 5, 2020. Archived from the original on January 2, 2023. Retrieved February 11, 2024.
  407. ↑ "Membership Levels and Benefits". The Frick Collection. August 5, 2020. Retrieved March 4, 2024.
  408. ↑ Vogel, Carol (January 16, 2014). "Dutch Bonanza for the Frick". The New York Times. ISSN   0362-4331 . Retrieved March 4, 2024.
  409. 1 2 Weaver, Shaye (August 12, 2019). "Culture Pass NYC: How to get one, where to use it and what to know". amNewYork. Retrieved February 12, 2024; Passy, Charles (July 16, 2018). "New York City Library Cards Begin New Chapter as Free Museum Passes". The Wall Street Journal. ISSN   0099-9660 . Retrieved February 12, 2024.
  410. ↑ Svachula, Amanda (July 21, 2018). "Library Cards Rival Golden Tickets With Culture Pass Option". The New York Times. ISSN   0362-4331 . Retrieved February 12, 2024.
  411. ↑ "Expired: Connoisseur Pass". The Frick Collection. January 30, 2024. Retrieved April 27, 2024.
  412. ↑ Weaver, Shaye (June 23, 2017). "Visit The Frick and 2 Other Museums for $40 This Summer". DNAinfo New York. Archived from the original on April 27, 2024. Retrieved April 27, 2024.
  413. 1 2 "Audio Tours". The Frick Collection. January 30, 2024. Retrieved April 10, 2024.
  414. ↑ Langan, Fred (July 6, 2002). "New York's museum in a mansion: Frick Collection has staggering sample of Old Masters – and ArtPhone to explain all about the paintings". The London Gazette. p. I8. ProQuest   433844330.
  415. ↑ "Frick Launches Redesigned, Expanded Website". New York Almanack. December 12, 2012. Retrieved February 8, 2024.
  416. ↑ Freeman, Nate (April 8, 2015). "The Battle for the Frick: Can Thousands of Garden-Loving Activists Stop a Museum?". Observer. Retrieved March 4, 2024.
  417. ↑ "The Henry Clay Frick Collection". Art World. March 1, 1917. p. 377. ProQuest   128317688.
  418. ↑ Jewell, Edward Alden (December 12, 1935). "Frick Art Exhibition Reveals A Rich Pageant of Paintings; Costly Collection, Informally Hung, Ranges From Italian Primitives to Works of 19th Century – Wide Knowledge and Collector's Love of Art Disclosed". The New York Times. ISSN   0362-4331. Archived from the original on February 1, 2024. Retrieved February 1, 2024.
  419. ↑ Miller, Arthur (March 28, 1941). "Frick's Art Outstanding: 'Times' Critic Tells of Late Steelmaster's Fabulous Collection". Los Angeles Times. p. B1. ISSN   0458-3035. ProQuest   165121083.
  420. ↑ Muck, Gordon (April 28, 1975). "Art Views & News". The Post-Standard. p. 18. Archived from the original on February 2, 2024. Retrieved February 2, 2024– via newspapers.com.
  421. ↑ Lee, Madeline (November 16, 1981). "New York's small, exquisite museums". The Christian Science Monitor. p. B3. ProQuest   512275345.
  422. ↑ Sloane, Harry Herbert (March 1983). "Yesterday's Paris Lights' Homes Glow on Housing Art". Gentlemen's Quarterly. Vol. 53, no. 3. p. 26. ProQuest   2414358614.
  423. ↑ Miller, Bryan (April 24, 1987). "Running a Cultural Marathon: Packing Plays, Movies and Pop Into One Arts-filled Weekend". The New York Times. ISSN   0362-4331. Archived from the original on February 3, 2024. Retrieved February 3, 2024.
  424. ↑ Knight, Christopher (November 25, 1990). "Commentary: Hammer's Exercise in Superfluousness". Los Angeles Times. ISSN   0458-3035 . Retrieved February 4, 2024.
  425. ↑ Hagen, Charles (June 13, 1993). "Oases; When All of New York Is a Gallery to Browse". The New York Times. ISSN   0362-4331 . Retrieved February 5, 2024.
  426. ↑ Grant, Daniel (October 30, 1996). "New York's museums outside the spotlight: While a handful of the city's institutions make the news, there are more than 70 all together. Here is a list of the more memorable, low-profile ones". The Globe and Mail. p. D4. ProQuest   1139276138.
  427. ↑ "D.C. gallery is top art museum in U.S.". Nanaimo Daily News. October 28, 2000. p. D2. ProQuest   361114000.
  428. ↑ Schjeldahl, Peter (February 3, 2021). "When a Museum Feels Like Home". The New Yorker. Retrieved February 9, 2024.
  429. ↑ Rogers, Douglas (February 23, 2014). "Pathways through an urbane jungle: New York has a bewildering choice of attractions. Douglas Rogers offers a select guide to help you make the most of your stay". The Sunday Telegraph. p. 8. ProQuest   1501005698.
  430. ↑ Marius, Marley (March 17, 2021). "Seeing a Collection Anew at the Frick Madison". Vogue. Retrieved February 9, 2024.
  431. ↑ Budick, Ariella (March 15, 2021). "How the Frick Collection fares in its temporary home". Financial Times. Retrieved February 9, 2024.

Sources

Further reading


This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.