Artist | Span | Work | Date | Medium |
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Ivan Albright | 1925-1983 | works unknown, maybe a traveling exhibition | date unknown | oil on canvas |
Andrea di Bartolo | active 1389–1428 | Madonna and Child [1] | date unknown | tempera on panel |
Barna da Siena | active c. 1330–1350 | Christ Bearing the Cross, with a Dominican Friar [2] | c. 1350–1360 | tempera on panel, cradled |
Lazzaro Bastiani | active c. 1425–1512 | Adoration of the Magi [3] | 1470–1479 | tempera on poplar panel |
Gentile Bellini | c. 1429–1507 | Doge Giovanni Mocenigo [4] | 1478–1485 | tempera on poplar panel |
Giovanni Bellini | c. 1430–1516 | St. Francis in the Desert [5] | c. 1476–1478 | tempera on poplar panel |
Francesco Botticini | 15th century | The Resurrection [6] | 1465–1470 | tempera on poplar panel, cradled |
François Boucher | 1703–1770 | A Lady on Her Day Bed [7] | 1743 | oil on canvas |
François Boucher | 1703–1770 | The Four Seasons: Spring [8] | 1755 | oil on canvas |
François Boucher | 1703–1770 | The Four Seasons: Summer [8] | 1755 | oil on canvas |
François Boucher | 1703–1770 | The Four Seasons: Autumn [9] | 1755 | oil on canvas |
François Boucher | 1703–1770 | The Four Seasons: Winter [9] | 1755 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Astronomy and Hydraulics [10] | 1750–1753 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Poetry and Music [10] | 1750–1753 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Fowling and Horticulture [11] | 1750–1753 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Fishing and Hunting [11] | 1750–1753 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Architecture and Chemistry [12] | 1750–1753 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Painting and Sculpture [12] | 1750–1753 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Comedy and Tragedy [13] | 1750–1753 | oil on canvas |
François Boucher and workshop | 1703–1770 | The Arts and Sciences: Singing and Dancing [13] | 1750–1753 | oil on canvas |
François Boucher, workshop of | 1703–1770 | Girl with Roses [14] | 1760s | oil on canvas |
Agnolo Bronzino | 1503–1572 | Lodovico Capponi [15] | 1550–1555 | oil on poplar panel |
Pieter Bruegel the Elder | active 1551–1569 | The Three Soldiers [16] | 1568 | oil on oak panel |
Willem Buytewech, attributed | c. 1591−1624 | The Jovial Company [17] | c. 1622–1624 | oil on canvas |
Eugène Carrière | 1849–1906 | Motherhood [18] | 1880s | oil on canvas |
Jean-Baptiste-Siméon Chardin | 1699−1779 | Lady with a Bird-Organ [19] | 1753 | oil on canvas |
Jean-Baptiste-Siméon Chardin | 1699−1779 | Still Life with Plums [20] | 1728 | oil on canvas |
Cimabue | c. 1240 – c. 1302 | The Flagellation of Christ [21] | c. 1280 | tempera on poplar panel |
Claude Lorrain | 1604–1682 | The Sermon on the Mount [22] | c. 1656 | oil on canvas |
John Constable | 1776–1837 | Salisbury Cathedral from the Bishop's Garden [23] | 1826 | oil on canvas |
John Constable | 1776–1837 | The White Horse [24] | 1819 | oil on canvas |
Jean-Baptiste-Camille Corot | 1796–1875 | The Arch of Constantine and the Forum, Rome [25] | 1843 | oil on paper mounted on canvas |
Jean-Baptiste-Camille Corot | 1796–1875 | The Boatman of Mortefontaine [26] | c. 1865–1870 | oil on canvas |
Jean-Baptiste-Camille Corot | 1796–1875 | The Lake [27] | 1861 | oil on canvas |
Jean-Baptiste-Camille Corot | 1796–1875 | The Pond [28] | c. 1868–1870 | oil on canvas |
Jean-Baptiste-Camille Corot | 1796–1875 | Ville-d'Avray [29] | c. 1860 | oil on canvas |
Francis Cotes | 1726–1770 | Francis Vernon [30] | 1757 | pastel on paper affixed to canvas |
Francis Cotes | 1726–1770 | The Hon. Booth Grey [31] | 1764 | oil on canvas |
Aelbert Cuyp | 1620–1691 | Cows and Herdsman by a River [32] | After 1650 | oil on oak panel |
Aelbert Cuyp | 1620–1691 | Dordrecht: Sunrise [33] | c. 1650 | oil on canvas |
Aelbert Cuyp | 1620–1691 | River Scene [34] | date unknown | oil on oak panel |
Charles-François Daubigny | 1817–1878 | Dieppe [35] | 1877 | oil on canvas |
Charles-François Daubigny | 1817–1878 | The Washerwomen [36] | 1870–1874 | oil on canvas |
Gerard David | active 1484–1523 | The Deposition [37] | c. 1495–1500 | oil on linen |
Jacques-Louis David | 1748−1825 | Comtesse Daru [38] | 1810 | oil on canvas |
Césarine-Henriette-Flore Davin-Mirvault | 1773–1844 | Antonio Bartolomeo Bruni [39] | c. 1804 | oil on canvas |
Edgar Degas | 1834–1917 | The Rehearsal [40] | 1878–1879 | oil on canvas |
François-Hubert Drouais | 1727–1775 | The Comte and Chevalier de Choiseul as Savoyards [41] | 1758 | oil on canvas |
Duccio di Buoninsegna | c. 1255 – c. 1319 | The Temptation of Christ on the Mountain [42] | 1308–1311 | tempera on poplar panel |
Jules Dupré | 1811–1889 | The River [43] | date unknown | oil on canvas |
James Whitney Fosburgh | 1910–1978 | View of Montauk [44] | date unknown | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: The Pursuit [45] | 1771–1772 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: The Meeting [46] | 1771–1772 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: The Lover Crowned [47] | 1771–1772 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love Letters [48] | 1771–1772 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Reverie [49] | 1790–1791 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love Triumphant [50] | 1790–1791 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love the Avenger [51] | 1790–1791 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love Pursuing a Dove [51] | 1790–1791 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love the Jester [51] | 1790–1791 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love the Sentinel [51] | 1790–1791 | oil on canvas |
Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Hollyhocks (4 panels) [52] | 1790–1791 | oil on canvas |
French, Probably Burgundian | 14th century | Virgin and Child [53] | c. 1390–1400 | oil and tempera on panel |
French, Probably South of France | 15th century | Pietà with Donor [54] | 15th century | tempera or mixed technique on panel |
Thomas Gainsborough | 1727–1788 | Grace Dalrymple Elliott [55] | c. 1782 | oil on canvas |
Thomas Gainsborough, attributed | 1727–1788 | Mrs. Charles Hatchett [56] | c. 1786 | oil on canvas |
Thomas Gainsborough | 1727–1788 | Mrs. Peter William Baker [57] | 1781 | oil on canvas |
Thomas Gainsborough | 1727–1788 | Richard Paul Jodrell [58] | c. 1774 | oil on canvas |
Thomas Gainsborough | 1727–1788 | Sarah, Lady Innes [59] | c. 1757 | oil on canvas |
Thomas Gainsborough | 1727–1788 | The Hon. Frances Duncombe [60] | c. 1777 | oil on canvas |
Thomas Gainsborough | 1727–1788 | The Mall in St. James's Park [61] | c. 1783 | oil on canvas |
Gentile da Fabriano | c. 1385 – before 1427 | Madonna and Child, with Saints Lawrence and Julian [62] | 1423–1425 | tempera on panel, cradled |
Baron François Gérard | 1770–1837 | Portrait of Camillo Borghese [63] | c. 1810 | oil on canvas |
Francisco de Goya | 1746–1828 | An Officer (Conde de Teba?) [64] | c. 1804 (?) | oil on canvas |
Francisco de Goya | 1746–1828 | Don Pedro, Duque de Osuna [65] | c. 1790s | oil on canvas |
Francisco de Goya | 1746–1828 | Portrait of a Lady (María Martínez de Puga?) [66] | 1824 | oil on canvas |
Francisco de Goya | 1746–1828 | The Forge [67] | c. 1815–1820 | oil on canvas |
El Greco | 1541–1614 | Purification of the Temple [68] | c. 1600 | oil on canvas |
El Greco | 1541–1614 | St. Jerome [69] | 1590–1600 | oil on canvas |
El Greco | 1541–1614 | Vincenzo Anastagi [70] | 1571–1576 | oil on canvas |
Jean-Baptiste Greuze | 1725−1805 | Madame Baptiste Aîné [71] | c. 1799 | pastel on cream paper |
Jean-Baptiste Greuze | 1725−1805 | Baptiste Aîné [72] | c. 1799 | pastel on cream paper |
Jean-Baptiste Greuze | 1725−1805 | The Wool Winder [73] | c. 1759 | oil on canvas |
Francesco Guardi | 1712–1793 | Regatta in Venice [74] | c. 1770 | oil on canvas |
Francesco Guardi | 1712–1793 | View of the Cannaregio Canal in Venice [75] | c. 1770 | oil on canvas |
Frans Hals | 1581/1585–1666 | Portrait of a Man [76] | c. 1660 | oil on canvas |
Frans Hals | 1581/1585–1666 | Portrait of a Painter [77] | early 1650s | oil on canvas |
Frans Hals | 1581/1585–1666 | Portrait of a Woman [78] | 1635 | oil on canvas |
Frans Hals | 1581/1585–1666 | Portrait of an Elderly Man [79] | 1627–1630 | oil on canvas |
Meyndert Hobbema | 1638–1709 | Village among Trees [80] | 1665 | oil on oak panel |
Meyndert Hobbema | 1638–1709 | Village with Water Mill among Trees [81] | c. 1665 | oil on canvas |
William Hogarth | 1697–1764 | Miss Mary Edwards [82] | 1742 | oil on canvas |
Hans Holbein the Younger | 1497/1498–1543 | Sir Thomas More [83] | 1527 | oil on oak panel |
Hans Holbein the Younger | 1497/1498–1543 | Thomas Cromwell [84] | 1532–1533 | oil on oak panel |
John Hoppner | 1758–1810 | The Hon. Lucy Byng [85] | c. 1790 | oil on canvas |
John Hoppner | 1758–1810 | The Ladies Sarah and Catherine Bligh [86] | c. 1790 | oil on canvas |
Jean-Auguste-Dominique Ingres | 1780–1867 | Comtesse d'Haussonville [87] | 1845 | oil on canvas |
John C. Johansen | 1876–1964 | Henry Clay Frick [88] | 1943 | oil on canvas |
Gerald Kelly | 1879–1972 | Portrait of Henry Clay Frick [89] | 1924 | oil on canvas |
Jacques de Lajoue, attributed | 1687–1761 | Seven Decorative Panels [90] | c. 1730–1740 | oil on canvas |
Georges de La Tour, studio of | 1593–1652 | The Education of the Virgin [91] | c. 1650 | oil on canvas |
Thomas Lawrence | 1769–1830 | Julia, Lady Peel [92] | 1827 | oil on canvas |
Thomas Lawrence | 1769–1830 | Miss Louisa Murray [93] | after 1827 | oil on canvas |
Jean-Étienne Liotard | 1702–1789 | Trompe l'Oeil [94] | 1771 | oil on silk transferred to canvas |
Fra Filippo Lippi | c. 1406–1469 | The Annunciation [95] | c. 1440 | tempera on poplar panels |
Nicholas Lochoff | 1872–1948 | Madonna and Child with Saint Francis and Saint John [96] | 1928–1930 | |
Édouard Manet | 1832–1883 | The Bullfight [97] | 1864 | oil on canvas |
Jacobus Hendrikus Maris | 1837–1899 | The Bridge [98] | 1885 | oil on canvas |
Anton Mauve | 1838–1888 | Early Morning Ploughing [99] | c. 1875 | oil on canvas |
Hans Memling | c. 1430–1494 | Portrait of a Man [100] | c. 1470–1475 | oil on oak panel |
Gabriel Metsu | 1629–1667 | A Lady at Her Toilet [101] | c. 1660 | oil on canvas |
Jean-François Millet | 1814–1875 | Woman Sewing by Lamplight [102] | 1870–1872 | oil on canvas |
Claude-Oscar Monet | 1840–1926 | Vétheuil in Winter [103] | 1878–1879 | oil on canvas |
Giovanni Battista Moroni | c. 1520/1524–1579/1580 | Portrait of a Woman [104] | c. 1575 | oil on canvas |
Bartolomé Esteban Murillo | 1617–1682 | Self-Portrait [105] | c. 1650–1655 | oil on canvas |
Jean-Marc Nattier | 1685–1766 | Elizabeth, Countess of Warwick [106] | 1754 | oil on canvas |
William Orpen | 1878–1931 | Portrait of Andrew W. Mellon [107] | 1924 | oil on canvas |
Isack van Ostade | 1621–1649 | Travelers Halting at an Inn [108] | date unknown | oil on oak panel |
Jean-Baptiste Pater | 1695–1736 | Procession of Italian Comedians [109] | date unknown | oil on canvas |
Jean-Baptiste Pater | 1695–1736 | The Village Orchestra [109] | date unknown | oil on canvas |
Piero della Francesca | c. 1415–1492 | Augustinian Friar [110] | date unknown | tempera on poplar panel |
Piero della Francesca | c. 1415–1492 | Augustinian Nun [110] | date unknown | tempera on poplar panel |
Piero della Francesca | c. 1415–1492 | St. John the Evangelist [111] | c. 1454–1469 | tempera on poplar panel |
Piero della Francesca | c. 1415–1492 | The Crucifixion [112] | date unknown | tempera on poplar panel |
Carel van der Pluym | 1625–1672 | Old Woman with a Book [113] | date unknown | oil on canvas |
Henry Raeburn | 1756–1823 | Alexander Allan [114] | c. 1815 | oil on canvas |
Henry Raeburn | 1756–1823 | James Cruikshank [115] | 1805–1808 | oil on canvas |
Henry Raeburn | 1756–1823 | Mrs. James Cruikshank [116] | 1805–1808 | oil on canvas |
Rembrandt van Rijn | 1606–1669 | Nicolaes Ruts [117] | 1631 | oil on mahogany panel |
Rembrandt van Rijn | 1606–1669 | Self-Portrait [118] | 1658 | oil on canvas |
Rembrandt van Rijn | 1606–1669 | The Polish Rider [119] | c. 1655 | oil on canvas |
Rembrandt van Rijn, follower of | 1606–1669 | Portrait of a Young Artist [120] | date unknown | oil on canvas |
Pierre-Auguste Renoir | 1841–1919 | La Promenade [121] | 1875–1876 | oil on canvas |
Joshua Reynolds | 1723–1792 | Elizabeth, Lady Taylor [122] | c. 1780 | oil on canvas |
Joshua Reynolds | 1723–1792 | General John Burgoyne [123] | c. 1766 | oil on canvas |
Joshua Reynolds | 1723–1792 | Lady Cecil Rice [124] | 1762 | oil on canvas |
Joshua Reynolds | 1723–1792 | Selina, Lady Skipwith [125] | 1787 | oil on canvas |
George Romney | 1734–1802 | Charlotte, Lady Milnes [126] | 1788–1792 | oil on canvas |
George Romney | 1734–1802 | Henrietta, Countess of Warwick, and Her Children [127] | 1787–1789 | oil on canvas |
George Romney | 1734–1802 | Lady Hamilton as 'Nature' [128] | 1782 | oil on canvas |
George Romney | 1734–1802 | Miss Frances Mary Harford [129] | 1780–1783 | oil on canvas |
George Romney | 1734–1802 | Miss Mary Finch-Hatton [130] | 1788 | oil on canvas |
Théodore Rousseau | 1812–1867 | The Village of Becquigny [131] | c. 1857 | oil on mahogany panel |
Peter Paul Rubens, follower of | 1577–1640 | A Knight of the Order of the Golden Fleece [132] | date unknown | oil on canvas |
Jacob van Ruisdael | c. 1629–1682 | Landscape with a Footbridge [133] | 1652 | oil on canvas |
Jacob van Ruisdael | c. 1629–1682 | Quay at Amsterdam [134] | c. 1670 | oil on canvas |
Salomon van Ruysdael | c. 1602–1670 | Landscape with Farmhouse [135] | 1628 | oil on panel |
Salomon van Ruysdael | c. 1602–1670 | River Scene: Men Dragging a Net [136] | c. 1667 | oil on canvas |
Gabriel de Saint-Aubin | 1724–1780 | The Private Academy [137] | c. 1755 | oil on panel |
Gerard van Spaendonck | 1746–1822 | Grapes with Insects on a Marble Top [138] | 1791–1795 | oil on marble |
Gilbert Stuart | 1755–1828 | George Washington [139] | 1795–1796 | oil on canvas |
Gerard ter Borch | 1617–1681 | Portrait of a Young Lady [140] | c. 1665–1670 | oil on canvas |
Frits Thaulow | 1847−1906 | Winter in Norway [141] | c. 1895 | oil on canvas |
Giovanni Battista Tiepolo | 1696–1770 | Perseus and Andromeda [142] | c. 1730–1731 | oil on paper affixed to canvas |
Jacopo Tintoretto, circle of | 1518–1594 | Portrait of a Venetian Procurator [143] | date unknown | oil on canvas |
Titian | c. 1488–1576 | Pietro Aretino [144] | c. 1537 | oil on canvas |
Titian | c. 1488–1576 | Portrait of a Man in a Red Cap [145] | c. 1510 | oil on canvas |
Constant Troyon | 1810–1865 | A Pasture in Normandy [146] | 1850s | oil on panel |
Joseph Mallord William Turner | 1775–1851 | Antwerp: Van Goyen Looking Out for a Subject [147] | 1833 | oil on canvas |
Joseph Mallord William Turner | 1775–1851 | Cologne, the Arrival of a Packet-Boat: Evening [148] | 1826 | oil on canvas |
Joseph Mallord William Turner | 1775–1851 | Fishing Boats Entering Calais Harbor [149] | c. 1803 | oil on canvas |
Joseph Mallord William Turner | 1775–1851 | Mortlake Terrace: Early Summer Morning [150] | 1826 | oil on canvas |
Joseph Mallord William Turner | 1775–1851 | The Harbor of Dieppe: Changement de Domicile [151] | 1825–1826 | oil on canvas |
Jan van de Cappelle, follower of | c. 1624 – c. 1679 | A View of the River Maas before Rotterdam [152] | c. 1645–1665 | oil on oak panel, cradled |
Hendrick van der Burgh, attributed | active 1649 – after 1669 | Drinkers before the Fireplace [153] | c. 1660 | oil on canvas |
Anthony van Dyck | 1599–1641 | Frans Snyders [154] | c. 1620 | oil on canvas |
Anthony van Dyck | 1599–1641 | Genoese Noblewoman [155] | 1625–1627 | oil on canvas |
Anthony van Dyck | 1599–1641 | James Stanley, Lord Strange, Later Seventh Earl of Derby, with His Wife, Charlotte, and Their Daughter [156] | c. 1636 | oil on canvas |
Anthony van Dyck | 1599–1641 | Lady Anne Carey, Later Viscountess Claneboye and Countess of Clanbrassil [157] | c. 1636 | oil on canvas |
Anthony van Dyck | 1599–1641 | Marchesa Giovanna Cattaneo [158] | 1622–1627 | oil on canvas |
Anthony van Dyck | 1599–1641 | Margareta de Vos [159] | c. 1620 | oil on canvas |
Anthony van Dyck | 1599–1641 | Ottaviano Canevari [160] | 1627 | oil on canvas |
Anthony van Dyck | 1599–1641 | Sir John Suckling [161] | c. 1638 | oil on canvas |
Jan van Eyck and workshop | active 1422–1441 | Virgin and Child, with Saints and Donor [162] | c. 1441–1443 | oil on panel |
Diego Velázquez | 1599–1660 | King Philip IV of Spain [163] | 1644 | oil on canvas |
Paolo Veneziano and his son Giovanni Veneziano | active 1321–1358 | The Coronation of the Virgin [164] | 1358 | tempera on poplar panel |
Johannes Vermeer | 1632–1675 | Girl Interrupted at Her Music [165] | c. 1658–1659 | oil on canvas |
Johannes Vermeer | 1632–1675 | Mistress and Maid [166] | 1666−1667 | oil on canvas |
Johannes Vermeer | 1632–1675 | Officer and Laughing Girl [167] | c. 1657 | oil on canvas |
Paolo Veronese | 1528–1588 | The Choice Between Virtue and Vice [168] | c. 1565 | oil on canvas |
Paolo Veronese | 1528–1588 | Wisdom and Strength [169] | c. 1565 | oil on canvas |
Jean-Antoine Watteau | 1684–1721 | The Portal of Valenciennes [170] | c. 1710–1711 | oil on canvas |
James McNeill Whistler | 1834–1903 | Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac [171] | 1891–1892 | oil on canvas |
James McNeill Whistler | 1834–1903 | Arrangement in Brown and Black: Portrait of Miss Rosa Corder [172] | 1876–1878 | oil on canvas |
James McNeill Whistler | 1834–1903 | Harmony in Pink and Gray: Portrait of Lady Meux [173] | 1881–1882 | oil on canvas |
James McNeill Whistler | 1834–1903 | Symphony in Flesh Colour and Pink: Portrait of Mrs. Frances Leyland [174] | 1871–1874 | oil on canvas |
James McNeill Whistler | 1834–1903 | The Ocean [175] | 1866 | oil on canvas |
Konrad Witz, circle of | c. 1400 – c. 1447 | Pietà [176] | c. 1440 | tempera and oil on panel |
Philips Wouwerman | 1619–1668 | The Cavalry Camp [177] | date unknown | oil on oak panel |
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