List of paintings by Hans Holbein the Younger

Self-portrait , c. 1542–43. Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence.

This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works. ^[1]

Hans Holbein the Younger (c. 1497–1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. ^[2] He also made a significant contribution to the history of book design, and produced religious art, satire, and Reformation propaganda.

Born in Augsburg, Holbein worked mainly in Basel as a young artist, painting murals and religious works and drawing designs for stained glass and printed books. He produced the occasional portrait, and made his international mark with portraits of the famous humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein produced works for reformist clients while continuing to serve traditional religious patrons. His late-Gothic style was influenced by artistic trends in Italy, France and the Netherlands, as well as by Renaissance humanism, resulting in a combined aesthetic that was uniquely his own.

Holbein travelled to England in 1526 in search of work, armed with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he soon built a high reputation. After returning to Basel for four years, in 1532 he resumed his career in England, where he worked for Anne Boleyn and Thomas Cromwell, and was appointed King's Painter to Henry VIII. In this role, he produced designs for jewellery, plates, and other precious objects, as well as for festive decorations. His portraits of the king and his family and courtiers provide a vivid record of a brilliant court, during a momentous period when Henry was assuming power as the Supreme Head of the English church.

Paintings

Work	Description	Date	Medium	Size	Location
	Head of a Female Saint, attributed to Holbein [3]	c. 1515–16	Oil and tempera on spruce wood	23.5 × 21.5 cm	Kunstmuseum Basel
	Head of a Male Saint, attributed to Holbein [3]	c. 1515–16	Oil and tempera on spruce wood	23.5 × 21.5 cm	Kunstmuseum Basel
	Portrait of Jakob Meyer zum Hasen [4]	1516	Oil and tempera on limewood	38.5 × 31 cm	Kunstmuseum Basel
	Portrait of Dorothea Meyer , wife of Jakob Meyer zum Hasen [5]	1516	Oil and tempera on limewood	38.5 × 31 cm	Kunstmuseum Basel
	Signboard for the Schoolmaster Oswald Myconius (with Ambrosius Holbein) [6]	1516	Oil and tempera on pine panel	55.5 × 65.5 cm	Kunstmuseum Basel
	Adam and Eve [7]	1517	Oil and tempera on paper mounted on pine	30.2 × 35.7 cm	Kunstmuseum Basel
	Portrait of Benedikt von Hertenstein [8]	1517	Oil and tempera on paper mounted on wood	52.4 × 38.1 cm	Metropolitan Museum of Art, New York
	Portrait of Bonifacius Amerbach [9]	1519	Oil and tempera on pine	28.5 × 27.4 cm	Kunstmuseum Basel
	Oberried Altarpiece, The Adoration of the Magi, left panel [10]	c 1520	Oil and tempera on pine	230 × 109 cm	University Chapel of the Cathedral, Freiburg im Breisgau
	Oberried Altarpiece, The Birth of Christ, right panel [10]	c 1520	Oil and tempera on pine	230 × 109 cm	University Chapel of the Cathedral, Freiburg im Breisgau
	The Body of the Dead Christ in the Tomb [11]	1521–22	Oil and tempera on limewood	30.6 × 200 cm	Kunstmuseum Basel
	The Solothurn Madonna [12]	1522	Oil and tempera on limewood	140.5 × 102 cm	Kunstmuseum Solothurn
	Portrait of Johannes Froben [13]	c 1522–23	Oil on panel	48.8 × 32.4 cm	Royal Collection
	Portrait of Erasmus of Rotterdam writing [14]	1523	Oil and tempera on paper mounted on pine	36.8 × 30.5 cm	Kunstmuseum Basel
	Portrait of Erasmus of Rotterdam writing [15]	1523	Oil and tempera on wood	43 × 33 cm	Louvre, Paris
	Portrait of Erasmus of Rotterdam [16]	1523	Oil and tempera on wood	76 × 51 cm	National Gallery, London, on loan from Longford Castle
	Printer's Device of Johannes Froben [17]	c 1523	Tempera on canvas, heightened with gold	44 × 31 cm	Kunstmuseum Basel
	Allegory of the Old and New Law [18]	Unknown date between 1524 and 1535	Oil and tempera on oak	49 × 60 cm	National Gallery of Scotland, Edinburgh
	The Passion altarpiece, the two left panels [19]	c. 1524–25	Oil and tempera on limewood	136 × 31 cm and 149.5 × 31 cm	Kunstmuseum Basel
	The Passion altarpiece, the two right panels [19]	1524–25	Oil and tempera on limewood	149.5 × 31 cm and 136 × 31 cm	Kunstmuseum Basel
	The Last Supper [20]	c 1524–25	Oil and tempera on limewood	115.5 × 97.3 cm	Kunstmuseum Basel
	Lais of Corinth [21]	1526	Oil and tempera on limewood	34.6 × 26.8 cm	Kunstmuseum Basel
	Portrait of a Man with a Lute [22]	c. 1526–27	Oil and tempera on oak	43.5 × 43.5 cm	Berlin State Museums
	The Darmstadt Madonna (the Madonna of Jakob Meyer zum Hasen) [23]	1526 and 1528–30	Oil and tempera on limewood	146.5 × 102 cm	Johanniterkirche, Schwäbisch Hall
	Noli me Tangere [24]	Unknown date, perhaps 1526 to 1528	Oil and tempera on oak	76.8 × 94.9 cm	Royal Collection
	Portrait of Sir Thomas More [25]	1527	Oil and tempera on oak	74.2 × 59 cm	Frick Collection, New York
	Portrait of William Warham, Archbishop of Canterbury [26]	1527	Oil and tempera on oak	82 × 67 cm	Louvre, Paris
	Portrait of Sir Henry Guildford [27]	1527	Oil and tempera on oak	82.6 × 66.4 cm	Royal Collection, Windsor Castle
	Portrait of Mary, Lady Guildford [28]	1527	Oil and tempera on oak	87 × 70.5 cm	Saint Louis Art Museum, Saint Louis, Missouri
	Portrait of a Lady with a Squirrel and a Starling [29]	c. 1527–28	Oil and tempera on oak	54 × 38.7 cm	National Gallery, London
	Portrait of Thomas Godsalve and his son John [30]	1528	Oil and tempera on oak	35 × 36 cm	Gemäldegalerie Alte Meister, Dresden
	Portrait of Nikolaus Kratzer [31]	1528	Oil and tempera on oak	83 × 67 cm	Louvre, Paris
	Portrait of the Artist's Family [32]	c. 1528–29	Oil and tempera on paper, cut out and mounted on wood	79.4 × 64.7 cm	Kunstmuseum Basel
	Rehoboam, fragment of wall painting [33]	1530	Painting on plaster	28 × 41.5 cm	Kunstmuseum Basel
	Miniature Portrait of Erasmus of Rotterdam [34]	c. 1532	Oil and tempera on limewood	10 cm diameter	Kunstmuseum Basel
	Portrait of Hermann von Wedigh [35]	1532	Oil and tempera on wood	42.2 × 32.4 cm	Metropolitan Museum of Art, New York
	Portrait of the Merchant Georg Gisze [36]	1532	Oil and tempera on oak	90.3 × 85.7 cm	Berlin State Museums
	Portrait of Thomas Cromwell [37]	c. 1532–33	Oil and tempera on oak	76 × 61 cm	Frick Collection, New York
	A Merchant of the German Steelyard: 'Hans of Antwerp' [38]	c. 1532–33	Oil and tempera on oak	61 × 46.8 cm	Royal Collection
	Portrait of a Woman in a White Coif [39]	c. 1532–34	Oil and tempera on oak	23.4 × 18.8 cm	Detroit Institute of Arts
	Portrait of William Reskimer [40]	c. 1532–34	Oil and tempera on oak	46.4 × 33.7 cm	Royal Collection, Windsor Castle
	Miniature Portrait of Philipp Melanchthon [41]	c. 1530–1535	Oil and tempera on oak	9 cm diameter	Lower Saxony State Museum, Hanover
	Miniature Portrait of a Man in a Red Cap [42]	c. 1532–35	Oil and tempera on wood	9.5 cm diameter	Metropolitan Museum of Art, New York
	Miniature Portrait of George Nevill, 5th Baron Bergavenny [43]	c. 1532–35			Duke of Buccleuch collection
	Portrait of Derich Born [44]	1533	Oil and tempera on oak	60.3 × 45 cm	Royal Collection, Windsor Castle
	Derich Born [45]	c. 1533	Oil and tempera on red beech	13.1 cm diameter	Alte Pinakothek, Munich
	Portrait of Robert Cheseman [46]	1533	Oil and tempera on oak	59 × 62.5 cm	Mauritshuis, The Hague
	Portrait of Hermann Hillebrandt de Wedigh [47]	1533	Oil and tempera on oak	42.1 × 32.6 cm	Gemäldegalerie, Berlin
	Portrait of Dirk Tybis [48]	1533	Oil and tempera on oak	48 × 35 cm	Kunsthistorisches Museum, Vienna
	Portrait of Cyriacus Kale [49]	1533	Oil and tempera on oak	60 × 44 cm	Herzog Anton Ulrich Museum, Braunschweig
	Double Portrait of Jean de Dinteville and Georges de Selve ("The Ambassadors") [50]	1533	Oil and tempera on oak	207 × 209 cm	National Gallery, London
	Portrait Miniature of a Young Man with a Pink [51] [52]	1533	Oil on oak	12.4 × 12.1 cm	Upton House, Bearsted Collection
	Portrait of Sir Brian Tuke [53]	c. 1533–35	Oil and tempera on oak	49.1 × 38.5 cm	National Gallery of Art, Washington, D. C.
	E Cosi Desio me Mena, Allegory of Love [54]	c. 1533–36	Oil on oak in lozenge format	45 × 45 cm	J. Paul Getty Museum, Los Angeles
	Miniature Portrait of a Court Official [55]	1534	Oil and tempera on limewood	12 cm diameter	Kunsthistorisches Museum, Vienna
	Miniature Portrait of a Court Official's Wife [55]	1534	Oil and tempera on limewood	12 cm diameter	Kunsthistorisches Museum, Vienna
	Portrait of Charles de Solier, Sieur de Morette [56]	1534–35	Oil and tempera on oak	92.5 × 75.4 cm	Gemäldegalerie Alte Meister, Dresden
	Solomon and the Queen of Sheba [57]	c. 1534–35	Pen and brush in bistre and grey wash, heightened in white, gold, and oxidised silver with red and green watercolour over black chalk on vellum	22.9 × 18.2 cm	Royal Library, Windsor
	Portrait of Simon George [58]	c. 1534–37	Oil and tempera on oak	Diameter 31 cm	Städelsches Kunstinstitut, Frankfurt
	Portrait of an Unknown English Lady [59]	1535	Tempera on Oak	32 × 25  cm	Oskar Reinhart Collection 'Am Römerholz', Winterthur
	Portrait of Derich Berck [60]	1536	Oil and tempera transferred to canvas	53.3 × 42.6 cm	Metropolitan Museum of Art, New York
	Portrait Miniature of William Roper [61]	c. 1536	Bodycolour on vellum mounted on card	4.5 cm diameter	Metropolitan Museum of Art, New York
	Portrait Miniature of Margaret Roper [61]	c. 1536	Bodycolour on vellum mounted on card	4.5 cm diameter	Metropolitan Museum of Art, New York
	Portrait of Sir Richard Southwell [62]	1536	Oil and tempera on oak	47.5 × 38 cm	Uffizi, Florence
	Portrait of Sir Thomas Lestrange [63]	1536	Oil and tempera on wood	39.4 × 26.7 cm	Kimbell Art Museum, Fort Worth, Texas
	Portrait of Sir Henry Wyatt [64]	c. 1537	Oil and tempera on oak	39 × 31 cm	Louvre, Paris
	Portrait of Henry VIII [65]	c. 1536–37	Oil and tempera on oak	28 × 20 cm	Thyssen-Bornemisza Museum, Madrid
	Portrait of Jane Seymour [66]	1537	Oil and tempera on oak	65 × 40 cm	Kunsthistorisches Museum, Vienna
	Mural of Henry VIII, Jane Seymour, Henry VII, and Elizabeth of York	1536–1537			Destroyed in Whitehall Palace fire, 1698
	Portrait Miniature of Hans Schwarzwaldt [67]	c. 1535–1540	Watercolour on vellum mounted on playing card	3.8 cm diameter	Royal Collections, The Hague
	Portrait of Christina of Denmark [68]	1538	Oil and tempera on oak	179 × 82.5 cm	National Gallery, London
	Hanseatic Merchant [69]	1538	Oil on oak panel	49.6 x 39 cm	Yale University Art Gallery, New Haven CT
	Portrait Miniature of Elizabeth, Lady Audley [70]	c. 1538	Watercolour on vellum mounted on playing card	5.6 cm diameter	Royal Collection, Windsor castle
	Portrait of Thomas Howard, 3rd Duke of Norfolk [71]	c. 1539	Oil and tempera on oak	80.3 × 61.6 cm	Royal Collection, Windsor Castle
	Portrait of Edward, Prince of Wales [72]	c. 1539	Oil and tempera on oak	57 × 44 cm	National gallery of Art, Washington, D. C.
	Portrait of Anne of Cleves [73]	c. 1539	Oil and tempera on parchment mounted on canvas	65 × 48 cm	Louvre, Paris
	Portrait Miniature of Anne of Cleves [74]	c. 1539	Watercolour and gum on vellum in ivory case	4.6 cm diameter	Victoria and Albert Museum, London
	Portrait of a Lady, perhaps Katherine Howard [75]	c. 1540	Bodycolour on vellum mounted on playing card	6.4 cm diameter	Royal Collection, Windsor Castle
	Portrait Miniature of Katherine Howard [76]	c. 1540	Watercolour on vellum	5.3 cm diameter	Buccleuch collection, Strawberry Hill House
	Portrait of a Lady, probably a Member of the Cromwell Family [77]	c. 1535–1540	Oil and tempera on oak	74 × 48 cm	Toledo Museum of Art
	Portrait Miniature of Jane Small , also called "Jane Pemberton" [78]	c. 1540	Bodycolour on vellum	5.3 cm diameter	Victoria and Albert Museum, London
	Portrait of an Unknown Man, Holding his Gloves and a Letter [79]	c. 1540	Oil and tempera on oak	56 × 48 cm	Private collection
	Portrait of an Unknown Man [80]	c. 1540–43	Oil and tempera on oak	44.4 × 34.2 cm	English Heritage, Audley End House
	Portrait Miniature of Henry Brandon [81]	1541	Bodycolour on vellum mounted on playing card	5.7 cm diameter	Royal Collection, Windsor Castle
	Portrait Miniature of Charles Brandon [81]	1541	Bodycolour on vellum mounted on playing card	5.7 cm diameter	Royal Collection, Windsor Castle
	Roelof de Vos van Steenwijk (circa 1504 - circa 1564) [82]	1541	On oak	47.5 × 37.3 cm	Berlin State Museums
	Portrait of a Young Merchant [83]	1541	Oil and tempera on oak	46.5 × 34.8 cm	Kunsthistorisches Museum, Vienna
	Portrait Miniature of a Young Woman with a White Coif [84]	1541	Oil and tempera on panel	11.11 cm diameter	Los Angeles County Museum of Art
	Portrait of a Man with a Falcon [85]	1542	Oil and tempera on oak	25 × 19 cm	Mauritshuis, The Hague
	Portrait of Henry Howard, Earl of Surrey [86]	c. 1542	Oil and tempera on oak	55.5 × 44 cm	São Paulo Museum of Art, Brazil
	Portrait of an English Lady [87]	c. 1541–43	Oil and tempera on oak	19.2 × 15.3 cm	Kunsthistorisches Museum, Vienna
	Self-portrait	c. 1542–1543	Coloured chalks and pen	32× 26 cm	Uffizi, Florence
	Portrait of Dr John Chambers [88]	c. 1543	Oil and tempera on oak	51 × 44 cm	Kunsthistorisches Museum, Vienna
	Portrait of Sir William Butts [89]	c. 1543	Oil and tempera, formerly on oak panel, transferred to canvas in 1941	47 × 36.8 cm	Isabella Stewart Gardner Museum, Boston
	Portrait of Lady Margaret Butts [89]	c. 1543	Oil and tempera on oak	46 × 37 cm	Isabella Stewart Gardner Museum, Boston
	Portrait of Johann von Schwarzwaldt [90] [91]	1543	Tempera on parchment	5.4 cm diameter	Pushkin State Museum of Fine Arts, Moscow
	Portrait of Antony the Good, Duke of Lorraine [92]	c. 1543	Oil and tempera on oak	51 × 37 cm	Berlin State Museums
	Henry VIII and the Barber Surgeons, reworked and overpainted by other hands [93]	c. 1543	Oil on oak	108.3 × 312.4 cm	Worshipful Company of Barbers, London

Copies and derivative works

Work	Description	Date	Medium	Size	Location
	Portrait of a Woman from Southern Germany, former attribution [94]	c. 1520–1525	Oil on panel	45 × 34 cm	Mauritshuis, The Hague
	Portrait of Nikolaus Kratzer, after Holbein [95]	c. 1528	Oil on panel	81.9 × 64.8 cm	National Portrait Gallery (London)
	Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop [96]	c. 1530	Oil and tempera on limewood	18.2 × 14.5 cm	Kunstmuseum Basel
	Portrait of Sir Nicholas Carew, workshop or follower of Holbein [97]	Probably 1530s	Oil and tempera on wood	95.3 × 112 cm	Duke of Buccleuch, Drumlanrig Castle, Dumfries
	Portrait of an Unidentified Gentleman, workshop or follower of Holbein [98]	1535	Oil on oak	30.5 cm diameter	Metropolitan Museum of Art, New York
	Portrait of Sir Nicholas Poyntz, after Holbein [99]	c.1535	Oil on panel	42.5 × 29.2 cm	National Portrait Gallery, London
	Portrait Miniature of an Unidentified Man, possibly Hans of Antwerp, workshop of Holbein [100]	c. 1535–40	Oil and tempera on oak	13 cm diameter	Victoria and Albert Museum, London.
	Portrait of Jane Seymour, after Holbein [101]	c. 1537	Oil and tempera on oak	26.3 × 18.7 cm	Mauritshuis, The Hague
	Portrait Miniature of Thomas Cromwell, after Holbein [102]	c. 1537	Watercolour and bodycolour on vellum	4.4 cm diameter	National Portrait Gallery, London
	Portrait Miniature of Thomas Cromwell, after Holbein [103]	c. 1537	Watercolour and bodycolour on vellum	4.4 cm diameter	National Portrait Gallery, London
	Portrait of Prince Edward, after Holbein [104]	16th century, after c. 1538	Oil on panel	59 × 44.5cm	Berger Collection, Denver Art Museum
	Portrait of a Young Woman, Holbein's Workshop [105]	c. 1540 - 1545	Oil and gold on oak	28.3 x 23.2 cm	Metropolitan Museum of Art, New York
	Lady Lee (Margaret Wyatt), Holbein's workshop [106]	c. 1540	Oil on panel	44.1 × 34 cm	Metropolitan Museum of Art, New York
	Portrait of Henry VIII, Holbein's workshop [107]	c. 1540	Oil on oak	88.2 × 75 cm	Galleria Nazionale d'Arte Antica, Rome
	Portrait of Elizabeth, Lady Rich, after Holbein [108]	c. 1540	Oil and tempera on wood (probably oak)	44.5 × 33.9 cm	Metropolitan Museum of Art, New York
	Portrait of Henry VIII in a Great Coat Holding a Staff, after Holbein [109]	1542	Oil and tempera on oak	92.7 × 66.7 cm	Castle Howard, Yorkshire
	Portrait Miniature of Hans Holbein the Younger, copy of Holbein's self-portrait, probably by Lucas Horenbout [110]	1543	Watercolour on vellum mounted on playing card	3.7 cm diameter	Wallace Collection, London
	Portrait of Henry VIII, after Holbein [111]	After 1537, possibly c 1567	Oil on canvas	233.7 × 134.6 cm	Walker Art Gallery, Liverpool
	Portrait of Sir William Butts, after Holbein [112]	c 1543	Oil on panel	47 × 37.5 cm	National Portrait Gallery, London
	Portrait of George Brooke, 9th Baron Cobham [113]	After 1544	Oil on panel	32 cm diameter	Private collection
	Edward VI (1537–1553), When Duke of Cornwall. Holbein's Workshop [114]	c. 1545; reworked 1547 or later	Oil and gold on oak	32.4 cm diameter	Metropolitan Museum of Art, New York
	Portrait Miniature of Thomas Wriothesley, 1st Earl of Southampton, after Holbein [115]	Probably second half of 16th century	Watercolour on vellum laid on card	Oval of 5 × 3 cm	Metropolitan Museum of Art, New York
	The Family of Thomas More, by Rowland Lockey, after Holbein's lost painting [116]	1592	Oil on canvas		Nostell Priory, West Yorkshire
	Dresden Madonna, copy by Bartholomäus Sarburgh(de) of Holbein's Darmstadt Madonna [117]	c. 1635–37	Oil on oak	159 × 103 cm	Gemäldegalerie Alte Meister, Dresden
	Portrait of Johann Froben, after Holbein [118]	16th or beginning of 17th century, after an original of 1520–26	Oil and tempera on oak	39.5 × 33.5 cm	Kunstmuseum Basel
	Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop, with later additions [119]	c. 1523–40, background c. 1629	Oil on wood	54.7 x 32.4 cm	Royal Collection, Windsor Castle
	Henry VII, Elizabeth of York, Henry VIII, and Jane Seymour, copy by Remigius van Leemput of Holbein's Whitehall Mural, destroyed by fire in 1698 [120]	1667	Oil on canvas	88.9 × 99.2 cm	Royal Collection, Windsor Castle

See also

• List of portrait drawings by Hans Holbein the Younger

References

1. For more comprehensive lists, see the catalogues by Paul Ganz, by Roy Strong, and by John Rowlands; the catalogue of Holbein's Basel years by Christian Müller, Stephan Kemperdick, Maryan W. Ainsworth et al; and Susan Foister's catalogue of the Holbein in England exhibition of 2006 (all listed in References section).
2. Zwingenberger, 9.
3. Müller, Kemperdick, Ainsworth, et al, 136; Rowlands, 125; Strong, 12.
4. Buck, 13–14; Strong, 18.
5. Buck, 13, 15; Strong, 18.
6. Buck, 12; Strong, 20.
7. Buck, 18; Strong, 20.
8. Buck, 20; Strong, 20.
9. Buck, 24–25; Strong, 26.
10. Strong, 28.
11. Buck, 32–33; Strong, 28.
12. Buck, 34; Strong, 30.
13. "Johannes Froben (1460–1527)". Royal Collection Trust . Inventory no. 403035.
14. Buck, 46; Strong, 34.
15. Buck, 46–47; Strong, 34.
16. Buck, 48–49; Strong, 34.
17. Müller, Kemperdick, Ainsworth, et al, 295; Rowlands, 128;
18. Foister, 134; Strong, 34.
19. Buck, 36; Strong, 38.
20. Buck, 38–39; Strong, 38.
21. Buck, 42–43; Strong, 40.
22. Rowlands 1985, 141; Strong, 68.
23. Buck, 78–79; Strong, 40.
24. Foister, 127; Strong, 52.
25. Buck, 54–55; Strong, 42.
26. Buck, 56–57; Strong, 44.
27. Buck, 59–60; Strong, 44.
28. Buck, 59, 61; Strong, 46.
29. Buck, 62–63; Strong, 40.
30. Buck, 64–65; Strong, 46.
31. Buck, 68–69; Strong, 46.
32. Buck, 74–75; Strong, 48.
33. Müller, Kemperdick, Ainsworth, et al, 412.
34. Sander, in Müller, Kemperdick, Ainsworth, et al, 148–49. Scholars have found it difficult to establish which of the many versions of this pattern are by Holbein and which are copies; in the view of Jochen Sander, however, "There can be no doubt that this extraordinary portrait was painted by Holbein himself".
35. Foister, 64; Strong, 50.
36. Buck, 88–89; Strong, 50.
37. Buck, 112; Rowlands 1985, 137–38. Some scholars view this painting as a workshop copy, but Rowlands considers that pentimenti (alterations) indicate a Holbein original.
38. Strong, 50; Rowlands, 136–37.
39. Rowlands, 142; Strong, 58.
40. Foister, 42; Rowlands, 137; Strong, 56.
41. Buck, 71; Strong, 48.
42. Foister, 50; Rowlands, 141; Strong, 68.
43. Button, 169
44. Buck, 94–95; Strong, 62.
45. Rowlands, 139; Strong, 58.
46. Buck, 105; Strong, 62.
47. Buck, 92–93; Foister, 66; Strong, 58.
48. Buck, 92–93; Strong, 58.
49. Foister, 66; Strong, 62.
50. Buck, 99; Strong,
51. Foister, p. 49
52. "A Young Man with a Pink". National Trust . Retrieved 3 February 2015.
53. Bätschmann & Griener, 177; Foister, 131.
54. Foister, 61; Rowlands, 238. Art historian John Rowlands rejected this painting as a Holbein: "Although its attribution is by no means a straightforward question, the stylistic grounds supporting Holbein's authorship of this panel are very slender indeed". Curator Susan Foister, however, attributed it to Holbein in the Holbein in England exhibition at the Tate in 2006, citing trademarks such as the gold arabesque design and a figure of eight mark on the reverse.
55. Foister, 47; Rowlands, 141; Strong, 64.
56. Buck, 102–103; Strong, 68.
57. Buck, 120–23; Foister, 136.
58. Foister, 44; Strong, 70.
59. "Hans Holbein the Younger, Portrait of an Unknown English Lady c. 1535". Oskar Reinhart Collection.
60. Strong, 72.
61. Foister, 46; Rowlands, 151.
62. Buck, 125; Strong, 72.
63. Edmund Pillsbury; William Jordan (1985). "Recent Painting Acquisitions – II: The Kimbell Art Museum: Supplement". The Burlington Magazine . 127 (987): 409–418. JSTOR   882120.
64. Foister, 131; Rowlands, 134; Strong, 46.
65. Buck, 118–19; Strong, 74.
66. Buck, 117; Strong, 74.
67. Royal Collections, The Hague, MI-492; Rowlands, 152, pl. 136; Fitzgerald & MacCulloch, 594.
68. Buck, 126–27; Strong, 78.
69. "Collection:European Art". Yale University Art Gallery. Archived from the original on 29 December 2011. Retrieved 22 July 2013.
70. Foister, 106; Rowlands, 151; Strong, 94.
71. Foister, 150; Strong, 80.
72. Buck, 120–21; Strong, 78.
73. Buck, 109–110; Strong, 80.
74. Foister, 102; Rowlands, 151.
75. Foister, 102; Rowlands 1985, 151; Strong, 94.
76. "Portrait Miniature of Katherine Howard". Strawberry Hill House . Retrieved 2 February 2015.
77. Toledo Museum of Art, ref.1926.57; Rowlands, 146; Strong, 82. The sitter was formerly called Catherine Howard; she is probably a member of Thomas Cromwell's family, perhaps his daughter-in-law Elizabeth Seymour, sister of Jane Seymour.
78. Buck, 124; Foister, 49.
79. Rowlands, 147; Strong, 80.
80. Foister, 147; Rowlands, 147; Strong, 82.
81. Strong, 94.
82. Rowlands, 147.
83. Rowlands, 147; Strong, 82.
84. "Portrait of a Young Woman with a White Coif". Los Angeles County Museum of Art . Retrieved 3 February 2015.
85. Rowlands, 147; Strong, 86.
86. Rowlands 1985, 147–48; Strong, 134.
87. Reynolds, 148; Strong, 131.
88. Buck, 130–31; Strong, 86.
89. Rowlands, 149; Strong, 88.
90. Fitzgerald & MacCulloch 2016, pp. 598–600.
91. Portrait of Johann von Schwarzwaldt, The Division for Looted Art, Ministry of Culture and National Heritage, 29081
92. Buck, 31; Strong, 90.
93. Buck, 127–29; Rowlands 1985, 148–49.
94. Mauritshuis:
95. Rowlands, pp. 134–35.
96. Müller, Kemperdick, Ainsworth, et al, 418–19. 38 or more copies of this pattern are known, this being perhaps the finest.
97. Foister, 122; Rowlands, 233–34.
98. Foister, 114; Rowlands, 232.
99. Parker, 45; Rowlands, 232–33.
100. Foister, 116; Rowlands, 137.
101. Buck, 109; Rowlands 1985, 232; Strong, 74. Strong attributes this version to Holbein, and Buck to Holbein's workshop. Rowlands doubts it is a product of Holbein's workshop.
102. Rowlands, 240.
103. National Portrait Gallery: NPG 6311
104. Buck, 120; Rowlands, 116.
105. Metropolitan Museum of Art:
106. Metropolitan Museum of Art: Lee (Margaret Wyatt, born about 1509)
107. Buck, 106; Hearn, 42–43.
108. Parker, 50–51; Rowlands, 234; Strong, 82.
109. Rowlands 1985, 236; Strong, 86.
110. Rowlands, 239–40.
111. Strong, 1969, 159, suggests that this painting could be by Hans Eworth, who signed a comparable full-length version of the same pattern.
112. Rowlands, 149.
113. Hearn, 44.
114. Metropolitan Museum of Art:
115. Rowlands, 239.
116. Hearn, 128.
117. Buck, 78; Roskill & Hand, 211–221. This version was assumed to be Holbein's original until it was revealed as a copy (and probably a forgery) during the "Holbein Dispute" of 1863–71.
118. Müller, Kemperdick, Ainsworth, et al, 296–98; Rowlands, 129
119. Rowlands, 128
120. Buck, 115; Hearn, 40–41.

References

• Bätschmann, Oskar, & Pascal Griener. Hans Holbein. London: Reaktion Books, 1997. ISBN   1-86189-040-0.
• Buck, Stephanie. Hans Holbein, Cologne: Könemann, 1999, ISBN   3-8290-2583-1.
• Fitzgerald, Teri; MacCulloch, Diarmaid (2016). "Gregory Cromwell: two portrait miniatures by Hans Holbein the Younger". The Journal of Ecclesiastical History . 67 (3): 587–601. doi:10.1017/S0022046915003322.(subscription required)
• Foister, Susan. Holbein in England. London: Tate: 2006. ISBN   1-85437-645-4.
• Franklin-Harkrider, Melissa. Women, Reform and Community in Early Modern England. Boydell Press, 2008. google books preview
• Ganz, Paul. The Paintings of Hans Holbein: First Complete Edition. London: Phaidon, 1956. OCLC 2105129.
• Hearn, Karen. Dynasties: Painting in Tudor and Jacobean England, 1530–1630. London: Tate Publishing, 1995. ISBN   1-85437-157-6.
• de Lisle, Leanda. The Sisters Who Would Be Queen. Random House Publishing Group, 2009. google books preview
• Müller, Christian; Stephan Kemperdick; Maryan W. Ainsworth; et al.. Hans Holbein the Younger: The Basel Years, 1515–1532. Munich: Prestel, 2006. ISBN   3-7913-3580-4.
• Parker, K. T. The Drawings of Hans Holbein at Windsor Castle. Oxford: Phaidon, 1945. OCLC 822974.
• Roskill, Mark, & John Oliver Hand (eds). Hans Holbein: Paintings, Prints, and Reception. Washington: National Gallery of Art, 2001. ISBN   0-300-09044-7.
• Rowlands, John. The Age of Dürer and Holbein. London: British Museum, 1988. ISBN   0-7141-1639-4.
• Rowlands, John. Holbein: The Paintings of Hans Holbein the Younger. Boston: David R. Godine, 1985. ISBN   0-87923-578-0.
• Strong, Roy. Holbein: The Complete Paintings. London: Granada, 1980. ISBN   0-586-05144-9.
• Strong, Roy. Tudor & Jacobean Portraits. London: HMSO, 1969. OCLC 71370718.
• Zwingenberger, Jeanette. The Shadow of Death in the Work of Hans Holbein the Younger. London: Parkstone Press, 1999. ISBN   1-85995-492-8.

External links

• 2006 exhibition Holbein in England at Tate Britain