This is an incomplete list of the paintings by the French Impressionist artist Gustave Caillebotte . Of independent means, Caillebotte was not obliged to sell his paintings to make a living, but nevertheless produced over 400 canvasses.
The catalog numbers of the works are as listed in the Catalogue Raisonné of the Wilderstein Institute. [1]
Image | Name | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Déjeuner de canotiers au bord de l'Yerres | 32 x 25 | Private collection | 1 | ||
Après déjeuner | 2 | ||||
Willows by the Yerres (Saules au bord de l'Yerres) | c.1872 | 31 x 40 | Private collection | 3 | |
Woman Seated beneath a Tree (Femme assise sous un arbre) | c.1874 | 46 x 38 | Private collection | 4 | |
Landscape with Railway Tracks (Paysage à la voie de chemin de fer) | c.1872 | 81 x 116 | Private collection | 5 | |
A Road in Naples (Une route à Naples) | 1872 | 40 x 60 | Private collection | 6 | |
Bord du canal, près de Naples | 1872 | 40 x 60 | Private collection | 7 | |
Naked Woman Lying on a Couch (Femme nue étendue sur un divan) | 1873 | 87 x 113 | Private collection Promised gift to the Metropolitan Museum of Art, New York [2] | 8 | |
Woman at a Dressing Table (Femme à sa toilette) | c.1873 | 65 x 81 | Private collection | 9 | |
Interior of a Studio (Intérieur d'atelier au poèle) | c.1873 | 81 x 65 | Private collection | 10 | |
Lilas dans un vase blanc | 24 x 19 | Private collection | 11 | ||
Still Life (Nature morte:pichet, pommes et raisin) | 62 x 76 | Musée du Vieux-Château, Laval | 12 | ||
Canard d'Inde | 60 x 73 | Private collection | 13 | ||
Still Life (Nature morte:fruits, pot et pipe) | 38 x 55 | 14 | |||
Still Life (Nature morte:panier de fruits et vase de fleurs) | 55 x 46 | Private collection | 15 | ||
Portrait of Bérenger | 45 x 38 | Private collection | 16 | ||
The Painter Morot in his Studio (Le peintre Morot dans son atelier) | 1874 | 45 x 54 | 17 | ||
Horses in the Stable (Chevaux à l'écurie) | c.1874 | 33 x 46 | Private collection | 18 | |
Landscape with Haystacks (Paysage aux meules de paille) | c.1874 | 18 x 35 | Private collection | 19 | |
Paysage sous la neige | 29 x 33 | Private collection | 20 | ||
The Yerres, Rain (L'Yerres, effet de pluie) | 1875 | 81 x 59 | Eskenazi Museum of Art, University of Indiana | 21 | |
Lavoir au bord de l'Yerres | 19 x 46 | Private collection | 22 | ||
Landscape, Banks of the Yerres (Bord de l'étang, Parc d'Yerres) | c.1875 | 40 x 49 | Private collection | 23 | |
Prairie à Yerres | 73 x 92 | Private collection | 24 | ||
The Park on the Caillebotte Property at Yerres (Le parc de la propriété Caillebotte à Yerres) | 1875 | 65 x 92 | Private collection | 25 | |
Self-portrait (Autoportrait) | c.1875 | 64 x 48 | 26 | ||
Billiards (Le billard) | c.1875 | 60 x 81 | Private collection | 27 | |
Remise de barques près de Port-Marly | 38 x 46 | Kunsthalle Bremen, Germany | 28 | ||
La Seine à Port-Marly | 35 x 65 | Private collection | 29 | ||
La machine de Marly | 27 x 34 | Private collection | 30 | ||
Bord de rivière, effet de brume matinale | 46 x 55 | Private collection | 31 | ||
Man at the Window (Jeune homme a sa fenêtre) | 1875 | 116 x 80 | Getty Center | 32 | |
The Parquet Planers (Les raboteurs de parquet) | 1875 | 26 x 39 | Private collection | 33 | |
Études pour les raboteurs de parquet | 1875 | 48 x 31 | Private collection | 33a | |
The Parquet Planers (Les raboteurs de parquet) | 1875 | 102 x 145 | Musée d'Orsay, Paris | 34 | |
The Parquet Planers (Les raboteurs de parquet) | 1876 | 80 x 100 | Private collection | 35 | |
Jeune homme au piano | 1876 | 81 x 116 | Artizon Museum, Tokyo | 36 | |
Luncheon (Le déjeuner) | 1876 | 52 x 75 | Private collection | 37 | |
Coin d'un parc, Yerres | 27 x 35 | Private collection | 38 | ||
The Garden at Yerres (Le jardin à Yerres) | c.1876 | 59 x 81 | Private collection | 39 | |
Portraits in the countryside (Portraits à la campagne) | 95 x 111 | Musée d'Art et d'Histoire Baron Gérard, Bayeux | 40 | ||
La partie de cartes | 45 x 58 | Private collection | 41 | ||
Le jardin de Luxembourg en automne | 57 x 84 | Private collection | 42 | ||
Le Pont d'Europe, esquisse | c.1876 | 32 x 45 | Musée des Beaux-Arts, Rennes, France Archived 2020-11-17 at the Wayback Machine | 43 | |
Le Pont d'Europe, esquisse | c.1876 | 82 x 120 | Albright-Knox Gallery, Buffalo, New York | 44 | |
Le Pont d'Europe, esquisse | c.1876 | 54 x 73 | Private collection | 45 | |
Le Pont d'Europe, étude partielle | c.1876 | 55 x 38 | Private collection | 46 | |
Le Pont d'Europe, étude partielle | c.1876 | 56 x 46 | Private collection | 47 | |
Le Pont d'Europe, étude partielle | c.1876 | 73 x 60 | 48 | ||
Le Pont d'Europe | 1876 | 125 x 180 | Musée du Petit Palais, Geneva | 49 | |
Le Pont d'Europe, esquisse | 1876 | 65 x 81 | Private collection | 50 | |
Le Pont d'Europe | 1876 | 105 x 131 | Kimbell Art Museum, Fort Worth, Texas | 51 | |
Les peintres en bâtiment (study) | 1877 | 60 x 73 | Private collection | 52 | |
Les peintres en bâtiment | 1877 | 89 x 116 | Private collection | 53 | |
Rue de Paris, temps de pluie, étude partielle | 54 x 65 | Private collection | 54 | ||
Homme et femme sous un parapluie | 45 x 32 | Private collection | 55 | ||
Paris Street, a Rainy Day, study (Rue de Paris, temps de pluie, esquisse) | 1877 | 54 x 65 | Musée Marmottan, Paris | 56 | |
Paris Street, a Rainy Day (Rue de Paris, temps de pluie) | 1877 | 212 x 276 | Art Institute of Chicago | 57 | |
Portrait of Madame Martial Caillebotte | 1877 | 83 x 72 | Private collection | 58 | |
Portrait of a Young Woman in an Interior (Portrait de jeune femme dans un intérieur) | c.1877 | 81 x 65 | Private collection | 59 | |
Portrait of a Man (Portrait de M.R.) | 1877 | 105 x 80 | Private collection | 60 | |
Portrait de A. Cassabois | 1877 | 80 x 74 | Private collection on loan to Los Angeles County Museum of Art | 61 | |
Portraits dans un intérieur | 1877 | 46 x 56 | Private collection | 62 | |
Portrait de jeune femme | 106 x 82 | Private collection | 63 | ||
Le parc Monceau | 1877 | 50 x 65 | Private collection | 64 | |
Une rue à Yerres | 55 x 65 | Private collection | 65 | ||
Maison et jardins, Yerres | 54 x 65 | Private collection | 66 | ||
Portrait of Mademoiselle Boissiere Knitting (Madame Boissière tricotant) | 1877 | 65 x 80 | Museum of Fine Arts, Houston, Texas | 67 | |
Portrait de Zöe Caillebotte | 1877 | 81 x 100 | Private collection | 68 | |
Portrait de Camille Daurelle | 1877 | 40 x 32 | Musée d'Orsay, Paris | 69 | |
Camille Daurelle dans le parc de Yerres | 1877 | 73 x 60 | Musée d'Orsay, Paris | 70 | |
Zöe Caillebotte dans le jardin, Yerres | 1877 | 47 x 59 | Private collection | 71 | |
Jeune homme au chapeau de paille | 45 x 40 | Private collection | 72 | ||
The Park at Yerres (Le parc de Yerres) | 1877 | 81 x 59 | Private collection | 73 | |
Un jardin, Yerres | 27 x 22 | Private collection | 74 | ||
The Wall of the Kitchen Garden, Yerres (Le mur du jardin potager, Yerres) | c.1877 | 27 x 41 | Private collection | 75 | |
The Wall of the Kitchen Garden, Yerres (Le mur du jardin potager, Yerres) | c.1877 | 44 x 49 | Private collection | 76 | |
Le parc de Yerres, étude de fleurs | Private collection | 77 | |||
Jardin potager, Yerres | 1877 | 42 x 54 | Private collection | 78 | |
The Gardener (Le Jardinier) | 1877 | 60 x 73 | Private collection | 79 | |
The Gardeners (Les Jardiniers) | 1877 | 90 x 117 | Private collection | 80 | |
The Kitchen Garden (Le jardin potager, Yerres) | c.1877 | 60 x 73 | Private collection | 81 | |
Landscape near Yerres (Vue du jardin de l'artiste et de la vallée de l'Yerres) | 48 x 65 | 82 | |||
Canotiers ramant sur l'Yerres | 1877 | 81 x 116 | Private collection | 83 | |
Boaters on the Yerres (Canotiers sur l'Yerres) | 1877 | 30 x 46 | Private collection | 84 | |
Canotiers péchant sur l'Yerres | 1877 | Private collection | 85 | ||
Boating on the Yerres (Périssoires sur l'Yerres) | 1877 | 103 x 156 | Milwaukee Art Museum | 86 | |
Skiffs on the Yerres (Périssoires sur l'Yerres) | 1877 | 89 x 115 | National Gallery of Art, Washington D.C. | 87 | |
Skiff (Périssoires sur l'Yerres) | 65 x 81 | Norton Simon Museum, Pasadena, California | 88 | ||
The Bather or The Diver (Baigneurs, bord de l'Yerres) | 1877 | 75 x 95 | Musée d'Orsay, Paris | 89 | |
The Nap (La sieste) | 1877 | 36 x 53 | Wadsworth Atheneum, Hartford, Connecticut | 90 | |
Paysage aux meules | 1877 | 44 x 61 | 91 | ||
Vallée de l'Yerres | 1877 | 57 x 72 | Private collection | 92 | |
Rue Halevy, View from a Balcony (La Rue Halévy, vue d'un balcon) | 1877 | 54 x 65 | Museum Barberini, Potsdam | ||
Paysage urbain sous la neige | 40 x 52 | Private collection | 93 | ||
Temps de neige à Paris | 36 x 45 | Private collection | 94 | ||
Toits sous la neige, Paris | 1878 | 59 x 72 | Private collection | 95 | |
Roofs under the Snow (Toits sous la neige) | 64 x 82 | Musée d'Orsay, Paris | 96 | ||
Vue de toits, Paris | 1878 | 60 x 73 | Private collection | 97 | |
Vue de toits, Paris | 50 x 65 | Private collection | 98 | ||
Rue Halevy, Balcony View (La Rue Halévy, vue d'un balcon) | 60 x 73 | Private collection | 99 | ||
Rue Halevy, Seen from the Sixth Floor (La Rue Halévy, vue du sixième étage) | 1878 | 60 x 73 | Museum Barberini, Potsdam | 100 | |
La Place Vintimille | 73 x 60 | Private collection | 101 | ||
The Park Monceau (Le Parc Monceau) | 1878 | 65 x 81 | Private collection | 102 | |
Place Saint Augustin, Misty Weather (La Place Saint-Augustin, temps brumeux) | 1878 | 54 x 65 | Private collection | 103 | |
The Pépinière Barracks (La Caserne de la Pépinière ) | 54 x 65 | Private collection | 104 | ||
Vue de Paris, soleil | 105 x 74 | Private collection | 105 | ||
Portrait d'homme | 49 x 38 | Private collection | 106 | ||
Portrait de Richard Gallo | 80 x 65 | Private collection | 107 | ||
Le peintre de nature morte | 32 x 23 | Private collection | 108 | ||
Portrait d'Eugène Daufresne lisant | 1878 | 100 x 81 | Private collection | 109 | |
Portrait of Madame X | 1878 | 65 x 50 | Musée Fabre, Montpellier | 110 | |
Portrait de Paul Hugot | 1878 | 204 x 92 | Private collection | 111 | |
Portrait de Madame Charles Caillebotte | 1878 | 92 x 74 | Private collection | 112 | |
Portrait de Marie Caillebotte | 1878 | 40 x 26 | Private collection | 113 | |
The Orange Trees (Les orangers) | 1878 | 157 x 117 | Museum of Fine Arts, Houston | 114 | |
The Painter under His Parasol (Peintre sous son parasol) | c.1878 | 80 x 65 | Private collection | 115 | |
Theodore Robinson peignant sous un parasol au bord d'une rivière | 38 x 46 | Private collection | 116 | ||
Pêcheurs au bord de l'Yerres | 66 x 50 | Private collection | 117 | ||
Pêche à la ligne | 1878 | 157 x 113 | Private collection | 118 | |
Baigneurs, bords de l'Yerres | 1878 | 157 x 117 | Private collection | 119 | |
Périssoires sur l'Yerres | 157 x 113 | Musée des Beaux-Arts, Rennes Archived 2020-11-12 at the Wayback Machine | 120 | ||
Bather Preparing to Dive (Baigneur s'aprêtant à plonger, bord de l'Yerres) | 117 x 89 | Private collection | 121 | ||
Boat party or Rower in a Top Hat (Partie de bateau or Canotier au chapeau haut de forme) | 1877-1878 | 90 x 117 | Musée d'Orsay, Paris | 122 | |
Canotier ramenant sa périssoire, bord de l'Yerres | 1878 | 73 x 93 | Virginia Museum of Fine Arts, Richmond | 123 | |
Canot à voile sur l'Yerres | 1878 | Private collection | 124 | ||
Banks of the Yerres (Bords de l'Yerres) | 15 x 22 | Private collection | 125 | ||
Le veau et la chèvre | Private collection | 126 | |||
Prairie, Yerres | 46 x 61 | Private collection | 127 | ||
Paysage, environs de Yerres | 46 x 34 | Private collection | 128 | ||
Image | Name | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Portrait de Jules Richemond | 1879 | 100 x 81 | Private collection | 129 | |
Portrait de Jules Froyez | 1879 | 82 x 65 | Private collection | 130 | |
Portrait of a Schoolboy (Portrait d'un collegièn) | 65 x 54 | Private collection | 131 | ||
Self-Portrait with an Easel (Autoportrait au chevalet) | 90 x 115 | Private collection | 132 | ||
Still Life (Nature morte: verres, carafes et compotiers de fruits) | 1879 | 50 x 60 | Private collection | 133 | |
En bateau sur la Seine | 95 x 129 | Private collection | 134 | ||
Navires dans un bassin, Le Havre | 65 x 49 | Ahmed Zabana National Museum, Oran, Algeria | 135 | ||
Navires dans un bassin, Le Havre | 65 x 54 | Private collection | 136 | ||
Homme au chapeau haut de forme, assis près d'une fenêtre | 1880 | 100 x 81 | Musée National des Beaux-Arts d'Alger, Algiers | 137 | |
Portrait d'homme | 1880 | 82 x 65 | Private collection | 138 | |
Interior, Woman Reading (Intérieure, femme lisant) | 1880 | 65 x 81 | Private collection | 139 | |
Interior, Woman at the Window (Intérieure, femme à la fenêtre) | 1880 | 116 x 89 | Private collection | 140 | |
Tête d'homme | 55 x 38 | Private collection | 141 | ||
Dans un café | 1880 | 155 x 115 | Musée des Beaux-Arts, Rouen (deposit of Musée d'Orsay, Paris) | 142 | |
Rue de Paris vue d'en haut | 33 x 23 | Private collection | 143 | ||
Boulevard des Italiens | 54 x 65 | Private collection | 144 | ||
Homme au balcon | c.1880 | 116 x 90 | Private collection | 145 | |
Un balcon, Boulevard Haussmann | 69 x 62 | Private collection | 146 | ||
Vue prise à travers un balcon | 1880 | 65 x 54 | Van Gogh Museum, Amsterdam | 147 | |
A Balcony in Paris (Un balcon, Boulevard Haussmann) | 55 x 38 | Private collection | 148 | ||
Homme au balcon, Boulevard Haussmann | 1880 | 117 x 90 | Private collection | 149 | |
Vase de fleurs devant une fenêtre | 65 x 81 | Private collection | 150 | ||
Fillette au balcon | 41 x 33 | Private collection | 151 | ||
L'homme au Gil Blas | 1880 | 27 x 33 | Private collection | 152 | |
Traffic Island on Boulevard Haussmann (Un refuge, Boulevard Haussmann) | 81 x 101 | Private collection | 153 | ||
The Boulevard Viewed from Above (Le boulevard vu d'en haut) | 65 x 54 | Private collection | 154 | ||
14 Juillet Rue Lepic | 60 x 35 | Private collection | 155 | ||
La Place Saint-Georges | 73 x 92 | Private collection | 156 | ||
Rue de Mont-Cenis, Montmartre | 73 x 92 | Private collection | 157 | ||
Chemin montant | 1881 | 100.2 x 125.3 | Museum Barberini, Potsdam | 158 | |
Étude de rue, Paris | 159 | ||||
Attelage de Fardier | 30 x 25 | Private collection | 160 | ||
Villers-sur-Mer | 1880 | 60 x 73 | Private collection | 161 | |
Villas à Villers-sur-Mer | 65 x 81 | Private collection | 162 | ||
Maison sur la campagne normande | 26 x 35 | Private collection | 163 | ||
Villas au bord de la mer, Normandie | 58 x 65 | Private collection | 164 | ||
Vue de mar, Villers | 1880 | 54 x 65 | Private collection | 165 | |
Bois près de la mer | 1880 | 65 x 55 | Private collection | 166 | |
Marine, régates à Villers | 75 x 101 | Private collection | 167 | ||
Maisons sur la falaise, bord du mer | Private collection | 168 | |||
Un champ à Villers | 1880 | 46 x 55 | Private collection | 169 | |
La maison dans les arbres | 1880 | 60 x 73 | Private collection | 170 | |
Verger en Normandie | 1880 | 54 x 44 | Private collection | 171 | |
Route en Normandie | 1880 | 54 x 44 | Private collection | 172 | |
The Bezique Game (La partie de Bezique) | 1880 | 121 x 161 | Louvre Abu Dhabi [3] | 183 | |
Pommiers au bord de la mer, Trouville | 65 x 54 | Private collection | 173 | ||
Paysage en Normandie, pommier dans un vallon boisé | 73 x 60 | Private collection | 174 | ||
Paysage en Normandie, pommier dans un vallon boisé | 82 x 65 | Private collection | 175 | ||
Bord de mer en Normandie | 59 x 81 | Private collection | 176 | ||
Falaise en Normandie | 73 x 60 | Private collection | 177 | ||
Falaise en Normandie | 65 x 81 | Private collection | 178 | ||
Boulevard Haussmann, effet de neige | 81 x 66 | Private collection | 179 | ||
Boulevard Haussmann in the Snow (Boulevard Haussmann, effet de niege) | 65 x 82 | Private collection | 180 | ||
Portrait of Jules Froyez | 1881 | 100 x 82 | Private collection | 181 | |
Portrait of Richard Gallo | 97 x 116 | Nelson-Atkins Museum of Art, Kansas City, Missouri | 182 | ||
Portrait d'homme | 1881 | 45 x 38 | Private collection | 184 | |
A soldier (Un soldat) | 106 x 75 | Private collection | 185 | ||
The piano lesson (La leçon de piano) | 81 x 65 | Musée Marmottan, Paris | 186 | ||
Le jeu de la main chaude | 128 x 116 | Private collection | 187 | ||
La Vallée de la Trouques, Trouville | 60 x 82 | Private collection | 188 | ||
Paysage près de Trouville | 1881 | 60 x 73 | Private collection | 189 | |
Route de Honfleur à Trouville | 81 x 65 | Private collection | 190 | ||
Chemin couvert en Normandie | 50 x 54 | Private collection | 191 | ||
Chemin à l'Orée d'un bois | 60 x 72 | Private collection | 192 | ||
Fruits on a stand (Fruits à l'étalage) | 75 x 100 | Museum of Fine Arts, Boston | 193 | ||
Deux perdreaux | 38 x 55 | Private collection | 194 | ||
Still Life with Oysters (Nature morte aux huitres) | 38 x 55 | Private collection | 195 | ||
Nature morte au plat de langouste | 58 x 72 | Private collection | 196 | ||
Gâteaux | 25 x 55 | Private collection | 197 | ||
Hors d'oeuvre | 25 x 55 | Private collection | 198 | ||
Giroflées | 61 x 46 | Private collection | 199 | ||
Dahlias dans une vase | 55 x 46 | Private collection | 200 | ||
Nu au divan | 131 x 196 | Minneapolis Institute of Arts | 201 | ||
Femme assise sur un sofa à fleurs rouges | 1882 | 81 x 65 | Seattle Art Museum | 202 | |
Image | Name | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
Massif de fleurs, jardin de Petit Gennevilliers | 54 x 65 | Private collection | 203 | ||
Arbre en fleurs | 80 x 66 | Musée d'Orsay, Paris | 204 | ||
Hangar dans le jardin du Petit Gennevilliers | 54 x 65 | Private collection | 205 | ||
La maison de l'artiste au Petit Gennevilliers | 65 x 54 | Private collection | 206 | ||
Le jardin potager, Petit Gennevilliers | 66 x 81 | Private collection | 207 | ||
Une maison au Petit Gennevilliers | 65 x 54 | Private collection | 208 | ||
Enclos avec arbres frutiers dans un paysage | 65 x 54 | Private collection | 209 | ||
Le quai du Petit Gennevilliers | 73 x 60 | Private collection | 210 | ||
Arbre au bord d'un sentier | 1882 | 28 x 41 | Private collection | 211 | |
Le Verger | 51 x 62 | Private collection | 212 | ||
Voiliers sur la Seine, Argenteuil | 62 x 75 | Private collection | 213 | ||
Bateaux à voile à Argenteuil | 65 x 55 | Musée d'Orsay, Paris | 214 | ||
La berge et la pont d'Argenteuil | 1882 | 60 x 71 | Private collection | 215 | |
Le bassin d'Argenteuil | 65 x 81 | Private collection | 216 | ||
La Seine a Argenteuil | 60 x 73 | Private collection | 217 | ||
Voiliers au pont d'Argenteuil | 65 x 54 | Private collection | 218 | ||
Voiliers en mer | 54 x 65 | Private collection | 219 | ||
Champ au bord de la mer, Trouville | 54 x 65 | Private collection | 220 | ||
La mer vue de Villerville | 60 x 71 | Private collection | 221 | ||
Les toits de l'Hôtel des Roches Noires, Trouville | 1882 | 54 x 65 | Private collection | 222 | |
Villas à Trouville | 1882 | 65 x 82 | Tokyo Fuji Art Museum Archived 2021-05-25 at the Wayback Machine | 223 | |
Paysage de bord de mer, Trouville | 1882 | 65 x 82 | Private collection | 224 | |
Bord de mer en Normandie | 65 x 54 | Private collection | 225 | ||
Une villa à Trouville | 54 x 65 | Private collection | 226 | ||
La plage de Trouville, vue de la corniche | 50 x 73 | Private collection | 227 | ||
Trouville, la plage et les villas | 65 x 82 | Private collection | 228 | ||
La Chaumière, Trouville | 54 x 65 | Private collection | 229 | ||
La Chaumière à Trouville | 60 x 73 | Private collection | 230 | ||
Maison et jardin en Normandie | 60 x 73 | Private collection | 231 | ||
Un jardin à Trouville | 65 x 82 | Private collection | 232 | ||
Jardin à Trouville | 27 x 35 | Wallraf-Richartz Museum | 233 | ||
Chemin en Normandie | 1882 | 81 x 65 | Private collection | 234 | |
L'allée de la Villa des Fleurs, Trouville | 1882 | 65 x 54 | Private collection | 235 | |
Allée sous bois | 1882 | 80 x 60 | Private collection | 236 | |
Mullet (Rougets) | 1882 | 38 x 55 | Private collection | 237 | |
Melon et compotier de figues | 54 x 65 | Private collection | 238 | ||
L'assiette de pêches | 38 x 46 | Private collection | 239 | ||
Roses jaunes dans un vase | 1882 | 54 x 46 | Dallas Museum of Art | 240 | |
Reines-Marguerites dans un vase | 55 x 46 | Private collection | 241 | ||
Nature morte: poulet et gibier | 76 x 105 | Private collection | 242 | ||
Veau á l'étal | 144 x 74 | Private collection | 243 | ||
Nature morte: tête de veau et langue du boeuf | 73 x 54 | Art Institute of Chicago | 244 | ||
Côte de boeuf | 38 x 55 | Private collection | 245 | ||
Deux canards sauvages | 76 x 40 | Private collection | 246 | ||
Deux faisans suspendu | 73 x 54 | Private collection | 247 | ||
Bécasses | 55 x 38 | Private collection | 248 | ||
Hare and Thrushes (Lièvre et grives) | 79 x 36 | Private collection | 249 | ||
Lièvre | 89 x 35 | Private collection | 250 | ||
Portrait d'Henri Cordier | 1883 | 65 x 82 | Musée d'Orsay, Paris | 251 | |
Roses rouges dans un vase | 46 x 38 | Private collection | 252 | ||
Bouquet de rose dans un vase de cristal | 61 x 51 | Private collection | 253 | ||
Nature morte: un vase de lilas | 72 x 60 | Private collection | 254 | ||
Lilas et pivoines dans deux vases | 92 x 73 | Museum Barberini, Potsdam | 255 | ||
Lilas dans un vase | 65 x 54 | Private collection | 256 | ||
Le jardin du Petit Genevilliers | 1883 | 60 x 73 | 257 | ||
Musa, jardin du Petit Genevilliers | 82 x 65 | Private collection | 258 | ||
La promenade d'Argenteuil | 60 x 70 | Private collection | 259 | ||
La promenade d'Argenteuil | 60 x 73 | Private collection | 260 | ||
Marroniers rouges, Argenteuil | 65 x 55 | Private collection | 261 | ||
Maisons à Argenteuil | 1883 | 65 x 54 | Private collection | 262 | |
La Place du Marché | 1883 | 65 x 82 | Musée Pissarro, Pontoise | 263 | |
Argenteuil, Fête Foraine | 65 x 81 | Private collection | 264 | ||
Pommiers en fleures, coteau de Colombes | 54 x 65 | Private collection | 265 | ||
Verger aux pommiers en fleures, Colombes | 60 x 81 | Private collection | 266 | ||
Champ jaune, Gennevilliers | 1883 | 61 x 81 | Private collection | 267 | |
Les champs, plaine de Gennevilliers, étude en jaune et vert | 54 x 65 | Private collection | 268 | ||
La plaine de Gennevilliers, groupe de poplars | 54 x 65 | Private collection | 269 | ||
Allée de la Villa des Fleurs, Trouville | 1883 | 73 x 60 | Private collection | 270 | |
Allée de la Villa des Fleurs, Trouville | 1883 | 65 x 54 | Private collection | 271 | |
Voiliers au mouillage sur la Seine à Argenteuil | 1883 | 54 x 65 | Private collection | 272 | |
Voiliers au mouillage sur la Seine à Argenteuil | 1883 | 60 x 73 | Private collection | 273 | |
Barques près de l'appontement | 18 x 24 | Private collection | 274 | ||
La barque rouge | 73 x 60 | Private collection | 275 | ||
Le ponton d'Argenteuil | 74 x 100 | Private collection | 276 | ||
La Seine à Argenteuil, bateaux au mouillage | 1883 | 60 x 73 | Private collection | 277 | |
Bateau au mouillage, sur la Seine à Argenteuil | 65 x 54 | Private collection | 278 | ||
La Seine à Argenteuil, bateaux au mouillage | 54 x 65 | Private collection | 279 | ||
Barque près de la rive, effet d'automne | 54 x 65 | Private collection | 280 | ||
Faisans et bécasses sur une table de marbre | 1883 | 51 x 81 | Museum of Fine Arts, Springfield, Massachusetts | 282 | |
Trois perdrix sur une table | 38 x 67 | Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin | 284 | ||
Avenue de la Villa des Fleurs à Trouville | 1883 | 60 x 73 | Museum Barberini, Potsdam Musée | ||
Wild Garden at Le Petit Gennevilliers (Jardin sauvage au Petit Gennevilliers) | c. 1882-1884 | 63.7 x 74.2 | Museum Barberini, Potsdam | ||
Homme s'essuyant la jambe | 1884 | 100 x 125 | Private collection | 285 | |
Homme au bain | 1884 | 145 x 114 | Museum of Fine Arts, Boston | 286 | |
La femme à la rose | 1884 | 74 x 60 | Private collection | 287 | |
Portrait de femme au chapeau à plumes | 46 X 35 | Private collection | 288 | ||
La plaine de Gennevilliers, champs jaunes | 65 x 81 | Private collection | 289 | ||
The Yellow Fields at Gennevilliers (La Plaine de Gennevilliers, Champs jaunes) | 1884 | 54 × 65 | Wallraf Richartz Museum, Cologne Bildindex | ||
Le coteau de Colombes | 60 x 73 | Wallraf-Richartz Museum, Cologne | 290 | ||
La plaine de Genevilliers | 54 x 65 | Botero Museum, Bogotá | 292 | ||
Le petit bras de la Seine à Argenteuil | 1884 | 92 x 75 | Private collection | 302 | |
Le petit bras de la Seine à Argenteuil, effet de soleil | 82 x 65 | Private collection | 303 | ||
La berge du Petit Gennevilliers | 38 x 46 | Private collection | 304 | ||
Richard Gallo et son chien, Dick, au Petit Gennevilliers | 1884 | 89 x 116 | Private collection | 305 | |
Le père Magloire sur le chemin de Saint-Clair à Étretat | 65 x 54 | Private collection | 306 | ||
Le père Magloire sur le chemin de Saint-Clair à Étretat | 129 x 80 | Musée du Petit Palais, Geneva | 307 | ||
Le père Magloire allongé dans un bois | 1884 | 69 x 115 | Musée du Petit Palais, Geneva | 308 | |
Villas à Trouville | 1884 | 64 x 81 | Kemper Corporation, Kansas City | 309 | |
La Villa Rose, Trouville | 60 x 75 | Private collection | 310 | ||
Régates en Mer à Villerville | 1884 | 60 x 72 | Toledo Museum of Art | 311 | |
Bord de mer, Normandie | 95 x 72 | Private collection | 312 | ||
Bord de mer, Normandie | 31 x 41 | Private collection | 313 | ||
Massif de fleurs, jardin du Petit Gennevilliers | 1884 | 61 × 46 | Private collection Artnet | ||
Vaches dans une pré | 54 x 65 | Private collection | 317 | ||
Le Rosier fleuri | 1884-1885 | 53 × 37 | Private collection Catalogue Dorotheum | ||
Portrait de E.-J. Fontaine, Libraire | 1885 | 56 x 82 | Private collection | 319 | |
Portrait of Jules Dubois | 1885 | 117 x 89 | Private collection | 320 | |
Promenade au bord de la mer | 1885 | 65 x 54 | Private collection | 322 | |
Arbres en fleurs, Petit Gennevilliers | c.1885 | 73 x 60 | Brooklyn Museum | 324 | |
Les Soleils, jardin du petit Gennevilliers | c.1885 | 130.5 x 105.8 | Musée d'Orsay | ||
La Seine et le pont de chemin de fer d'Argenteuil | 115 x 155 | Brooklyn Museum | 333 | ||
Le pont d'Argenteuil et la Seine | 65 x 82 | Museum Barberini, Potsdam | 334 | ||
Soleils au bord de la Seine | 92 x 73 | Fine Arts Museums of San Francisco | 336 | ||
Bateaux au mouillage sur la Seine à Argenteuil | 65 x 54 | Nelson-Atkins Museum of Art, Kansas City, Missouri | 348 | ||
Portrait de Jean Daurelle | 65 x 54 | Musée d'Orsay, Paris | 352 | ||
Portrait de Jean Daurelle en pied | 1887 | 75 x 50 | Musée d'Orsay, Paris | 353 | |
Paysage d'hiver | 1887–1888 | 37 x 45 | Israel Museum, Jerusalem | ||
Linge séchant au bord de la Seine, Petit Gennevilliers | 106 x 150 | Wallraf-Richartz Museum, Cologne | 368 | ||
Pêcheur en barque | 22 x 29 | Private collection | 386 | ||
Bord de Seine à Argenteuil | 54 x 56 | Private collection | 388 | ||
Fabriques à Argenteuil | 54 x 65 | Private collection | 390 | ||
Portrait of Madame Renoir | c.1888 | 73 x 59 | Private collection | 391 | |
Portrait de femme assise, lisant | 93 x 72 | Private collection | 392 | ||
Portrait de Eugène Lamy, en buste (unfinished) | 65 x 54 | Private collection | 394 | ||
Paysage à Argenteuil | 1889 | 60 x 73 | Musée d'Art et d'Histoire Baron Gérard, Bayeux (deposit of Musée d'Orsay, Paris) | 401 | |
Portrait de Eugène Lamy | 82 x 65 | Private collection | 403 | ||
Autoportrait | 1889 | 55 x 46 | Private collection | 404 | |
La berge du Petit Gennevilliers et la Seine | 1890 | 151 x 127 | Private collection | 406 | |
Voiliers sur la Seine à Argenteuil | 65 x 82 | Private collection | 408 | ||
Bateaux sur la Seine à Argenteuil | 1890 | 60 x 73 | Private collection | 409 | |
Le petit bras de la Seine en automne | c.1890 | 65 x 54 | 416 | ||
Bords de Seine | 45 x 60 | Private collection | 432 | ||
Autoportrait | 40 x 32 | Musée d'Orsay, Paris | 436 | ||
Bateaux à l'ancre sur la Seine | 1892 | 73 x 60 | Private collection | 437 | |
Les dahlias, jardin du Petit Gennevilliers | 157 x 114 | National Gallery of Art, Washington | 462 | ||
Le bateau jaune | 1891 | 72 x 92 | Norton Simon Museum, Pasadena, California | 467 | |
Chrysanthèmes blancs et jaunes, jardin du Petit Gennevilliers | 1893 | 73 x 60 | Musée Marmottan, Paris | 488 | |
Parterre de marguerites (wall decoration composed of 7 canvasses and 17 fragments reunited) | c. 1893 | 2 pannels of 205 × 116 | Musée des Impressionnismes, Giverny | ||
Cheval bai-cerise a l'écurie | 31 x 43 | Private collection | 517 | ||
Cheval bai-brun a l'écurie | 39 x 33 | Private collection | 518 | ||
A Haycart (Une Gerbière) | 36 x 47 | Private collection | 546 | ||
Bord de Seine au Petit-Gennevilliers | 43.5 × 51.3 | Musée Camille-Pissarro, Pontoise (deposit of Musée d'Argenteuil, Argenteuil) | |||
La berge du Petit-Gennevilliers et la Seine | 43.4 × 51.4 | Musée d'art et d'histoire de Saint-Denis (deposit of Musée d'Argenteuil, Argenteuil) | |||
Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form.
The Gare Saint-Lazare, officially Paris Saint Lazare, is one of the seven large mainline railway station terminals in Paris, France. It was the first train station built in Paris, opening in 1837. It mostly serves train services to western suburbs, as well as intercity services toward Normandy using the Paris–Le Havre railway. Saint-Lazare is the third busiest station in France, after the Gare du Nord and Gare de Lyon. It handles 290,000 passengers each day. The current station building opened in 1889 and was designed by architect Juste Lisch; the maître d'œuvre was Eugène Flachat.
The Milwaukee Art Museum (MAM) is an art museum in Milwaukee, Wisconsin. Its collection contains nearly 25,000 works of art.
Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Salon in 1882, it was identified as the best painting in the show by three critics. It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. It is now in The Phillips Collection in Washington, D.C. It shows a richness of form, a fluidity of brush stroke, and a flickering light.
In two-dimensional works of art, such as painting, printmaking, photography or bas-relief, repoussoir is an object along the right or left foreground that directs the viewer's eye into the composition by bracketing (framing) the edge. It became popular with Mannerist and Baroque artists, and is found frequently in Dutch seventeenth-century landscape paintings. Jacob van Ruisdael, for example, often included a tree along one side to enclose the scene. Figures are also commonly employed as repoussoir devices by artists such as Paolo Veronese, Peter Paul Rubens and Impressionists such as Gustave Caillebotte.
Paris Street; Rainy Day is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. It shows a number of individuals walking through the Place de Dublin, then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.
The Balcony is an 1868–69 oil painting by the French painter Édouard Manet. It depicts four figures on a balcony, one of whom is sitting: the painter Berthe Morisot, who married Manet's brother Eugène in 1874. In the centre is the painter Jean Baptiste Antoine Guillemet. On the right is Fanny Claus, a violinist. The fourth figure, partially obscured in the interior's background, is possibly Léon Leenhoff, Manet's son.
Vue de toits (Effet de neige) (English title: View of rooftops (Effect of snow)) is an oil painting by French impressionist Gustave Caillebotte executed in the winter of 1878 and 1879. The canvas measures 81 by 65 centimetres (32 in × 26 in). It was originally gifted by Caillebotte's brother in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, which held many impressionist works in France after World War II. In 1986, it was transferred again to the Musée d'Orsay in Paris, where it is currently displayed. The painting is one of the few Caillebotte works that have remained in public view since the artist's death in 1894.
The McMaster Museum of Art (MMA) is a non-profit public art gallery at McMaster University in Hamilton, Ontario. The museum is located in the centre of the campus, attached to Mills Memorial Library and close to the McMaster University Student Centre.
Les raboteurs de parquet is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures 102 by 146.5 centimetres. It was originally given by Caillebotte's family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d'Orsay in Paris, where it is currently displayed.
Les Orangers is an oil painting by French impressionist Gustave Caillebotte. The canvas measures 155 by 117 centimetres. It was acquired by Audrey Jones Beck and was part of a collection that was on a long-term loan to the Museum of Fine Arts, Houston, before the collection was donated to the museum in 1999. The painting now hangs in the museum building named for Beck.
Le Pont de l'Europe is an oil painting by French impressionist Gustave Caillebotte completed in 1876. It is held by the Musée du Petit Palais in Geneva, Switzerland. The finished canvas measures 125 by 181 centimetres.
Young Man at His Window is a painting of 1876 by the French Impressionist Gustave Caillebotte (1848–1894). The oil on canvas painting measures 117 by 82 centimetres. It is in the collection of the J. Paul Getty Museum in Los Angeles.
A Balcony in Paris is an oil-on-canvas painting by the French Impressionist painter Gustave Caillebotte. It was completed c. 1880–1881. The dimensions of the painting are 55.2 by 39 centimeters. It is housed in a private collection.
Homme au bain is an 1884 oil painting by French Impressionist Gustave Caillebotte.
The Portrait of Richard Gallo is an oil-on-canvas painting by French painter Gustave Caillebotte in the Nelson-Atkins Museum of Art, Kansas City, Missouri. The painting measures 97 × 116 cm. and dates from 1881, and is part of a series of seven portraits of Richard Gallo, a childhood friend of the artist, composed between 1878 and 1884. According to Kirk Varnedoe, "This series demonstrates with great artistic coherence how personal contribution of the artist to express an impressionistic point of view on the modern world".
Boating on the Yerres is a 1877 painting by French impressionist and realist painter Gustave Caillebotte.
Regatta at Molesey near Hampton Court is an 1874 painting by Alfred Sisley, now in the Musée d'Orsay, to which it was allocated in 1986. The work shows the Molesey Regatta on the River Thames, begun by an amateur sportsman in 1873 and still in existence. The viewpoint looks upstream from Molesey Boat Club, with the recently-constructed Island Hotel visible on Tagg's Island.
Regatta at Argenteuil is a c. 1872 painting by Claude Monet, now in the Musée d'Orsay. It was left to the French state in 1894 by the painter and collector Gustave Caillebotte.
The Bezique Game is an 1880 oil-on-canvas painting by the French impressionist artist Gustave Caillebotte (1848–1894). The work is now in the collection of the Louvre Abu Dhabi.