List of works by William Merritt Chase

Last updated

This is an incomplete list of William Merritt Chase artwork and consists of works (mostly paintings, but also etchings) listed in three different ways:

Contents

The alphabetical list aids in quickly finding information about that work and provides additional information on some individual works; the chronological listing helps trace the artist's development; the location list helps readers discover where they can see Chase's work first-hand.

Alphabetical listing

A-D

Blue Kimono, 1898 version Chase William Merritt The Blue Kimono 1888.jpg
Blue Kimono, 1898 version
A Sunny Day at Shinnecock Bayc. 1892
Alice Dieudonnéec. 1892 Terra Museum of American Art, Chicago, Illinois
Alice in Shinnecock Studio1909 Parrish Art Museum, Southampton, New York
Along the CanalArt Gallery of the University of Rochester, New York
The Antiquary Shop1879 Brooklyn Museum, New York, N.Y.
Arab Boy Indianapolis Museum of Art, Indiana
Artist's Daughter in Mother's
Dress (Young Girl in Black)
c. 1899 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
The Artist's Mother, Sarah Swaim Chase1892 Indianapolis Museum of Art, Indiana
At the Seaside c. 1892 Metropolitan Museum of Art, New York City
At Her Ease 1884 National Academy of Design, New York City
Autumn Still Life Pennsylvania Academy of the Fine Arts, Philadelphia
The Bayberry Bush Parrish Art Museum, Southampton, New York
The Big Brass Bowl1899 Indianapolis Museum of Art, Indiana
The Blue Kimono1898 Parrish Art Museum, Southampton, New York
One of a number of Chase's paintings with Oriental motifs and inspired by Diego Velázquez and seventeenth-century Dutch masters, a fleeting moment is captured with the model striking a "studious yet captured pose", according to the painting's description at the Philbrook Museum of Art Web site. The work features a "flourish of contours, stunning colors, decorative patterns and broad, broken brushwork". Oriental decorative and design elements are incorporated, perhaps showing the influence of Chase's contemporaries, James Abbott McNeill Whistler and John Singer Sargent. [1]
Carll H. de Silverc. 1909 Brooklyn Museum, New York City
A City Park Art Institute of Chicago
The Court Jester (etching) Museum of Fine Arts, Boston, Massachusetts
The Deserted Beach1907 Maier Museum of Art, Randolph College, Virginia
Did You Speak to Me? Chase William Merritt Did You Speak To Me 1897.jpg
Did You Speak to Me?
The painting focuses on the girl's implied movement (she has just turned around from looking at one of the paintings), by rendering her in greater detail than the objects around her. The girl is Alice Dieudonne, Chase's daughter, then 10 years old, at his studio at Shinnecock Hills on Long Island. Her bracelets and gold hair band suggest genteel, graceful prosperity, and it has been said that the paintings also suggest it, although Chase at that point had some difficulty maintaining his lifestyle. The painting captures "a casual image of life suspended in time which, while looking effortless and unpremeditated, was actually carefully composed to reflect the movement of real people in real life situations." Chase learned much of this from French Impressionists. [2] The artist was also enamored of the Dutch painter Frans Hals, who also strove to capture moments in time.
Dora Wheeler1882–1883 Cleveland Museum of Art, Ohio
Dorothy 1902 Indianapolis Museum of Art, Indiana
Duveneck in His Studio San Antonio Art League Museum, Texas

E-K

A Friendly Call, 1895, National Gallery of Art, Washington, D.C. A Friendly Call.JPG
A Friendly Call , 1895, National Gallery of Art, Washington, D.C.
Edward Everett Hale Fogg Museum, Harvard University, Cambridge, Massachusetts
The Fairy Tale1892 National Gallery of Art, Washington, D.C.
The Family Cow1869 Indianapolis Museum of Art, Indiana
Fish, Plate, and Copper Containerc. 1910 Washington County Museum of Fine Arts, Hagerstown, Maryland
First Touch of Autumn1897-99 Indianapolis Museum of Art, Indiana
Floral Still Life with Hummingbird1870 Indianapolis Museum of Art, Indiana
Florence Brooklyn Museum, New York City
A Friendly Call [3] 1895 National Gallery of Art, Washington D.C.
General James Watson Webb1880 Shelburne Museum, Shelburne, Vermont
Girl in a Japanese Costumec. 1890 Brooklyn Museum, New York City
Girl in Whitec. 1890 Smithsonian American Art Museum, Washington, D.C.
Girl With Bookc. 1902 Montgomery Museum of Fine Arts, Montgomery, Alabama
The Golden Lady1896 Parrish Art Museum, Southampton, New York
Good Friendsc. 1909 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Gray Day on the Lagoonc. 1877 Museum of Fine Arts, Boston, Massachusetts
Hall at Shinnecock1892 Terra Museum of American Art, Chicago, Illinois
Harbor Scenec. 1895 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Head of a Boy Cleveland Museum of Art, Ohio
Henry W. Longfellow (etching, dry-point)1882 Museum of Fine Arts, Boston, Massachusetts
Hide and Seek1888 Brooklyn Museum, New York City
Idle Hours Amon Carter Museum, Fort Worth, Texas
In the Park. A By-pathc. 1890 Thyssen-Bornemisza Museum, Madrid
In The Studioc. 1892-1893 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
In the Studio Cornerc. 1881 Canajoharie Library & Art Gallery, Canajoharie, New York
An Italian Gardenc. 1909 Chrysler Museum of Art, Norfolk, Virginia
The Jester: Preparatory drawing for
the painting "Keying Up" The Court Jester
c. 1875 Pennsylvania Academy of the Fine Arts, Philadelphia
The Jesterc. 1890 Cleveland Museum of Art, Ohio
Just Onions (Onions; Still Life)1912 Los Angeles County Museum of Art, California
Keying Up' - The Court Jester1875 Pennsylvania Academy of the Fine Arts, Philadelphia
The Kimonoc. 1895 Thyssen-Bornemisza Museum, Madrid

L-N

Lady in a Pink Dressc. 1892 Westmoreland Museum of American Art, Greensburg, Pennsylvania
Landscapec. 1885 Wright Museum of Art at Beloit College, Wisconsin
Landscape, Near Coney Islandc. 1886 Hyde Collection Art Museum, Glens Falls, New York
Landscape: Shinnecock, Long Island Princeton University Art Museum, New Jersey
The Lone Fisherman1890s Hood Museum of Art, Dartmouth College, New Hampshire
Lydia Field Emmet1892 Brooklyn Museum, New York City
Lydia Field Emmetc. 1892 Detroit Institute of Arts, Michigan
Marianne Heyward Taylorc. 1902-06 Columbia Museum of Art, South Carolina
A Modern Magdalenc. 1888 Museum of Fine Arts, Boston, Massachusetts
The Moorish Warriorc. 1878 Brooklyn Museum, New York City
Morning at Breakwater, Shinnecockc. 1897 Terra Museum of American Art, Chicago, Illinois
Chase paints his daughter, holding a coral whistle, and her mother, wearing a Japanese-inspired costume. The black tones of the kimono and the background reflect Chase's experiments with delicate tonal harmonies, which contrast sharply with the white of the child's clothing and the red near the mother's neck. One critic wrote of " . . . the tingling pleasure that one receives from the one note of vivid scarlet that cuts through this quiet harmony like a knife . . .". [4]
Mrs. Chase1890–1895 Carnegie Museum of Art, Pittsburgh, Pennsylvania
Mrs. Chase and Cosy Sheldon Museum of Art, Lincoln, Nebraska
Mrs. Chase in Prospect Park1886 Metropolitan Museum of Art, New York City
Mrs. James Watson Webb (Laura Virginia Cram)c. 1880 Shelburne Museum, Shelburne, Vermont
Mrs. William Merritt Chasec. 1890 Detroit Institute of Arts, Michigan
My Little Daughter Dorothyc. 1894 Detroit Institute of Arts, Michigan
My Palette Reading Public Museum, Pennsylvania
Myra Reynolds late 19th century Smart Museum of Art, University of Chicago, Illinois
Nudec. 1901 National Gallery of Art, Washington, D.C.

O-R

The Olive Grovec. 1910 Terra Museum of American Art, Chicago, Illinois
The Open Air Breakfastc. 1888 Toledo Museum of Art, Ohio
The Opera Cloakc. 1890

Grand Rapids Museum of Art, Michigan

Pablo de Sarasate: Portrait of a Violinistc. 1875 Los Angeles County Museum of Art, California
Park Benchc. 1890 Museum of Fine Arts, Boston, Massachusetts
The Patrician1875 Minneapolis Institute of Arts, Minnesota
Peoniesc. 1903 Lilly Endowment, Inc., Indianapolis
The Pink Bow
(Portrait of Alice Dieudonnee Chase)
c. 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
The Pot Hunter1894 Parrish Art Museum, Southampton, New York
Portrait of Alice Gersonby 1886 Terra Museum of American Art
Portrait of an Elderly Woman1907 Maier Museum of Art, Randolph College, Virginia
Portrait of Artist's Daughterc. 1895 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Portrait of a Girl1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Portrait of a Lady in Blackc. 1895 Detroit Institute of Arts, Michigan
Portrait of the Lady in Pink (Mrs. Leslie Cotton)c. 1888-89Museum of the Rhode Island School of Design
Portrait of a Manc. 1875 Smart Museum of Art, University of Chicago
Portrait of Fra Dana Montana Museum of Art and Culture, Missoula
Portrait of Henry Wolfc. 1900 Westmoreland Museum of American Art, Greensburg, Pennsylvania
Both figures look out at the viewer with composed expressions, as if they are conscious of the dignity of their pose. Yet the double portrait shows signs of a natural bond, especially the intertwined hands, suggesting affection between the grandfather and grandson, who share the same name. Chase combined a fashionable painting style of loose brushwork and dark palette with conventions of formal portraiture to create portraits that Americans with money would want. Scattered magazines on the floor and similar details add touches of authenticity that moderate the artificiality of the formal portrait. [5]
Portrait of Miss B.c. 1903 Richmond Art Museum, Indiana
Portrait of Mrs. C. (Lady with a White Shawl)1893 Pennsylvania Academy of the Fine Arts, Philadelphia
Portrait of Mrs. William Merritt Chasec. 1890 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Portrait of My Daughter Alicec. 1895 Cleveland Museum of Art, Ohio
Portrait of President William Waugh Smith1907 Maier Museum of Art at Randolph College, Virginia
Portrait of William Gurley Munson1868 Indianapolis Museum of Art, Indiana
Portrait of a Young Girl
(daughter of Karl Theodore von Piloty)
c. 1877 Philadelphia Museum of Art, Pennsylvania
Portrait Sketch of a Woman with Mantilla Terra Museum of American Art
Priam Montana Museum of Art and Culture, Missoula
Prospect Park, Brooklyn1887 Parrish Art Museum, Southampton, New York
Ready for a Walk: Beatrice Clough Bachmannc. 1885 Terra Museum of American Art
Reflections1893 National Gallery of Art, Washington D.C.
Repair Docks, Gowanus Bayc. 1870-1885 Cleveland Museum of Art, Ohio
The Roycrofter - Portrait of Elbert Hubbardc. 1902 Maier Museum of Art, Randolph College, Virginia

S

St. Jerome (copy after Rembrandt)c. 1872-1879 Smithsonian American Art Museum, Washington, D.C.
Seascape 1890s Cleveland Museum of Art, Ohio
The painting was commissioned for the Richmond Art Museum, where it now hangs. Chase painted himself in his studio at his easel, holding his artist palette and with a blank canvas before him. In a letter to the museum director, Chase wrote: "I painted that picture for you people in Richmond. I thought you deserved something good. I have been interested in what you have been doing in the west for art." He added that the blank canvas in the picture was " the great picture I am going to paint someday". [6]
Self-Portrait Smithsonian American Art Museum, Washington, D.C.
Self-Portraitc. 1884 National Gallery of Art, Washington, D.C.
Self-portrait1908State Museums of Florence, Italy
Self-Portraitc. 1915 Terra Museum of American Art, Chicago, Illinois
The beribboned pince-nez eyeglasses, the carnation in his lapel and his cravat were all signature elements of Chase's typical dress and were caricatured in the press. When the Detroit Institute of Arts bought the painting in 1916, the museum stated "As a likeness it reproduces the artist as his many friends and pupils know him". The painting also exemplifies his technique, with "sure, quick brushwork". The painting has not been lined, so the original impasto (build up of paint) can be seen, especially on the forehead. The work was used to illustrate a reprint of a 1916 speech Chase made to the American Federation of Arts. [7] The portrait shows Chase, head and shoulders, in a quarter turn to the right, head turned toward the viewer, his right side somewhat in shadow, looking directly at the viewer, eyebrows crossed. He wears a jet black jacket (and sits in front of a jet black background) with very white collar and cravat, along with a very delicate white carnation (carefully painted) in his lapel.
Shinnecock Hills1893–1897 Thyssen-Bornemisza Museum, Madrid, Spain
Shinnecock Hills1895 Cleveland Museum of Art, Ohio
Shinnecock Hillsc. 1895 Smithsonian American Art Museum, Washington, D.C.
Shinnecock Hills Landscapec. 18901895 Detroit Institute of Arts, Michigan
Shinnecock Hills, Long Islandc. 1895 Lilly Endowment, Inc., Indianapolis, Indiana
Shinnecock Studio Interior1892 Terra Museum of American Art, Chicago, Illinois
Sketch for a Picture Columbus before
the Council of Salamanca (A)
c. 1876 Los Angeles County Museum of Art, California
Sketch for a Picture Columbus
before the Council of Salamanca (B)
c. 1876 Los Angeles County Museum of Art, California
Sketch of a Man, Whistling Terra Museum of American Art, Chicago, Illinois
Spanish bull-fighter (etching, dry-point) Museum of Fine Arts, Boston, Massachusetts
Spring Flowers (Peonies)by 1889 Terra Museum of American Art, Chicago, Illinois
Still Life: Cod and Mackerelc. 1885 National Museum of Wildlife Art, Jackson Hole, Wyoming
Still Life—Fish The Parthenon, Nashville, Tennessee
Still Life—Fishc. 1900 Museum of Fine Arts, Boston, Massachusetts
Still Life, Fishc. 1903 Pennsylvania Academy of the Fine Arts, Philadelphia
Still Life, Fish1912 Brooklyn Museum, New York City
An example of Chase's "Munich-school" style, "characterized by bravura brushwork, heavy impasto, and muted colors"; inspirations for the style came from Frans Hals and Velázquez. [8]
Still Life With Fruit1871 Parrish Art Museum, Southampton, New York
Still Life With Watermelon1869 Birmingham Museum of Art, Alabama
Chase's studio conveyed the sophisticated, worldly image he wanted to project. This rendering of it gives examples of the brilliant colors and bravura brushwork he could use. Near the center is a copy of Malle Babbe by Frans Hals, a painter Chase revered. [9] Contrasting textures can be seen throughout the painting, as for instance between the rougher rug, the woman's softer clothing and the pages of the books (the edges of which are rendered with careful brushstrokes) and the hard, reflective pot at the left, contrasted with the soft, reflective wall hanging and the large green plant; the shelves are full of smaller items of contrasting textures and colors.
Summer At Shinnecock Hills1891 Cincinnati Art Museum, Ohio
In this pastel on canvas, Chase used "[h]igh-keyed summary colors and rapid Impressionistic strokes" to depict the brilliant sky, wildflowers and ocean. He often painted his daughters exploring the area around his home in Shinnecock, Long Island. [10]
Summertime (Pulling for Shore)c. 1886 Lilly Endowment, Inc., Indianapolis, Indiana
Sunlight and Shadow1884 Joslyn Art Museum, Omaha, Nebraska
Sunlight and Shadow, Shinnecock Hillsc. 1895, Museum of Fine Arts, Houston, Texas

T-Z

A Tambourine Playerc. 1886 Montclair Art Museum, Montclair, New Jersey
Tenth Street Studioc. 1880-1881
and c. 1910
Carnegie Museum of Art, Pittsburgh, Pennsylvania
Terrace, Prospect Parkc. 1887 Smithsonian American Art Museum, Washington, D.C.
Tompkins Park, Brooklyn1887 Colby College Museum of Art, Waterville, Maine
The Unknown Danec. 1876 Philadelphia Museum of Art, Pennsylvania
Untitled (Shinnecock Landscape)c. 1892 Parrish Art Museum, Southampton, New York
Painted during Chase's final summer abroad, the painting shows the influence of Impressionism on his work. A student of his from the St. Joseph, Missouri, area urged the St. Joseph Art League to buy the painting, which became the first piece in the collection that later became the Albrecht-Kemper Museum of Art.
Venice1877 Oklahoma City Art Museum, Oklahoma
View of the Brooklyn Navy Yard1886-1890 University of Michigan Museum of Art, Ann Arbor, Michigan [12]
Wash Day (Washing Day-a Backyard Reminiscence)c. 1886 Lilly Endowment, Inc., Indianapolis, Indiana
The figure, Josephine Jessup, was a student of the artist. The entire work was drawn in pastel, which takes much longer than painting, so pastel pictures tend to be small, yet this work is life-size and almost six feet in height. [13]
The painting is a portrait of his wife Alice Gerson Chase.
Woman Standing in a Landscape Fogg Museum, Harvard University, Cambridge, Massachusetts
The Yield of the Waters1878 Detroit Institute of Arts
A demonstration piece executed before a class, probably for students at the New York School of Art (given the date). Chase typically took an hour for these paintings and gave them away as prizes to students for good work. The artist concentrated his efforts on the sitter's head to get a "sensitive and expressive portrayal" with minimal brushwork. Dabs of unmixed paint are used to portray the effects of light. The lower end of the painting is unfinished, with exuberant, curving strokes. [9]

Chronological listing

1870s and before

Image
Title
YearLocationDimensions (cm.)MediumNotes
Portrait of William Gurley Munson William Merritt Chase - Portrait of William Gurley Munson - 57.101 - Indianapolis Museum of Art.jpg
Portrait of William Gurley Munson
1868 Indianapolis Museum of Art, Indiana
Still Life With Watermelon Chase William Merritt Still Life With Watermelon 1869.jpg
Still Life With Watermelon
1869 Birmingham Museum of Art, Alabama [14]
The Family Cow William Merritt Chase - The Family Cow (Calf's Head) - 1997.71 - Indianapolis Museum of Art.jpg
The Family Cow
1869 Indianapolis Museum of Art, Indiana
Repair Docks, Gowanus Bayc. 1870-1885 Cleveland Museum of Art, Ohio
Floral Still Life with Hummingbird William Merritt Chase - Still Life with Hummingbird - Google Art Project.jpg
Floral Still Life with Hummingbird
1870 Indianapolis Museum of Art, Indiana
Still Life With Fruit William Merrit Chase - Still life with fruit 1871.jpg
Still Life With Fruit
1871 Parrish Art Museum, Southampton, N.Y.
St. Jerome (copy after Rembrandt) William Merritt Chase (copy after Rembrandt Van Rijn) - St. Jerome, c1872-1879 - SAAM-1974.69.22-jpg.jpg
St. Jerome (copy after Rembrandt)
c. 1872-1879 Smithsonian American Art Museum, Washington, D.C.
The Patrician William Merritt Chase - The Patrician - 78.73 - Minneapolis Institute of Arts.jpg
The Patrician
1875 Minneapolis Institute of Arts, Minnesota
The Jester: Preparatory drawing for
the painting "Keying Up" The Court Jester
c. 1875 Pennsylvania Academy of the Fine Arts, Philadelphia
Keying Up -- The Court Jester William Merritt Chase Keying up.jpg
Keying UpThe Court Jester
1875 Pennsylvania Academy of the Fine Arts, Philadelphia
Pablo de Sarasate: Portrait of a Violinist Pablo de Sarasate- Portrait of a Violinist LACMA 40.12.9.jpg
Pablo de Sarasate: Portrait of a Violinist
c. 1875 Los Angeles County Museum of Art, California
Portrait of a Manc. 1875 Smart Museum of Art, University of Chicago, Illinois
Sketch for a Picture Columbus before
the Council of Salamanca (A)
c. 1876 Los Angeles County Museum of Art, California
Sketch for a Picture Columbus
before the Council of Salamanca (B)
c. 1876 Los Angeles County Museum of Art, California
The Unknown Danec. 1876 Philadelphia Museum of Art, Pennsylvania
Courtyard in Venice1877 Philadelphia Museum of Art, Pennsylvania
Venice1877 Oklahoma City Art Museum, Oklahoma
Gray Day on the Lagoonc. 1877 Museum of Fine Arts, Boston, Massachusetts
Portrait of a Young Girl
(daughter of Karl Theodore von Piloty)
c. 1877 Philadelphia Museum of Art, Pennsylvania
The Moorish Warriorc. 1878 Brooklyn Museum, New York City
The Yield of the Waters1878 Detroit Institute of Arts, Michigan
The Antiquary Shop1879 Brooklyn Museum, New York City

1880s

Portrait of a Lady in Pink Chase William Merritt Portrait Of A Lady In Pink 1888.jpg
Portrait of a Lady in Pink
1880Harriet Hubbard Ayer De Young Museum, San Francisco, California
1880General James Watson Webb Shelburne Museum, Shelburne, Vermont
c. 1880Mrs. James Watson Webb (Laura Virginia Cram) Shelburne Museum, Shelburne, Vermont
c. 1880-1881
and c. 1910
Tenth Street Studio Carnegie Museum of Art, Pittsburgh, Pennsylvania
c. 1881In the Studio Corner Canajoharie Library and Art Gallery, Canajoharie, New York
c. 1882Studio Interior Brooklyn Museum, New York City
1882Henry W. Longfellow (etching, dry-point) Museum of Fine Arts, Boston, Massachusetts
1882–1883Dora Wheeler Cleveland Museum of Art, Ohio
1884Sunlight and Shadow Joslyn Art Museum, Omaha, Nebraska
1884 At Her Ease National Academy of Design, New York City
c. 1884Self-Portrait National Gallery of Art, Washington D.C.
c. 1885Landscape Wright Museum of Art at Beloit College, Wisconsin
c. 1885Still Life: Cod and Mackerel National Museum of Wildlife Art, Jackson Hole, Wyoming
c. 1885Ready for a Walk: Beatrice Clough Bachmann Terra Museum of American Art, Chicago, Illinois
1886Mrs. Chase in Prospect Park Metropolitan Museum of Art, New York City
by 1886Portrait of Alice Gerson Terra Museum of American Art, Chicago, Illinois
1886-1890View of the Brooklyn Navy Yard University of Michigan Museum of Art, Ann Arbor, Michigan [12]
c. 1886Wash Day (Washing Day—a Backyard Reminiscence Lilly Endowment, Inc., Indianapolis, Indiana
c. 1886Summertime (Pulling for Shore) Lilly Endowment, Inc., Indianapolis, Indiana
c. 1886The White Rose Phoenix Art Museum, Arizona
c. 1886Landscape, Near Coney Island Hyde Collection Art Museum, Glens Falls, New York
c. 1886A Tambourine Player Montclair Art Museum, Montclair, New Jersey
c. 1887Terrace, Prospect Park Smithsonian American Art Museum, Washington, D.C.
1887Tompkins Park, Brooklyn Colby College Museum of Art, Waterville, Maine
1887Prospect Park, Brooklyn Parrish Art Museum, Southampton, New York
1888 Hide and Seek The Phillips Collection, Washington, D.C.
c. 1888A Modern Magdalen Museum of Fine Arts, Boston, Massachusetts
c. 1888Mother and Child (The First Portrait) Museum of Fine Arts, Houston, Texas
c. 1888The Open Air Breakfast Toledo Museum of Art, Ohio
c. 1888-89Portrait of the Lady in Pink
(Mrs. Leslie Cotton)
Museum of the Rhode Island School of Design
by 1889Spring Flowers (Peonies) Terra Museum of American Art, Chicago, Illinois

1890s

Park Bench Chase William Merritt Park Bench 1890.jpg
Park Bench
c. 1890The Opera Cloak Grand Rapids Museum of Art, Michigan
c. 1890Park Bench Museum of Fine Arts, Boston, Massachusetts
1890–1895Mrs. Chase Carnegie Museum of Art, Pittsburgh, Pennsylvania
late 19th
century
Myra Reynolds Smart Museum of Art, University of Chicago, Illinois
c. 1890Portrait of Mrs. William Merritt Chase Hirshhorn Museum and Sculpture Garden, Washington, D.C.
c. 1890Girl in a Japanese Costume Brooklyn Museum, New York City
c. 1890Girl in White Smithsonian American Art Museum, Washington, D.C.
c. 1890The Jester Cleveland Museum of Art, Ohio
c. 1890Mrs. William Merritt Chase Detroit Institute of Arts, Michigan
c. 1890In the Park. A By-path Thyssen-Bornemisza Museum, Madrid
c. 18901895Shinnecock Hills Landscape Detroit Institute of Arts, Michigan
1891Summer At Shinnecock Hills Cincinnati Art Museum, Ohio
1890sThe Lone Fisherman Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
1890sSeascape Cleveland Museum of Art, Ohio
1892Lydia Field Emmet Brooklyn Museum, New York City
c. 1892A Summer DayArt Gallery of the University of Rochester, New York
c. 1892A Sunny Day at Shinnecock Bay
c. 1892 At the Seaside Metropolitan Museum of Art, New York City
c. 1892 Lydia Field Emmet Detroit Institute of Arts, Michigan
c. 1892Alice Dieudonnée Terra Museum of American Art, Chicago, Illinois
c. 1892Lady in a Pink Dress Westmoreland Museum of American Art, Greensburg, Pennsylvania
c. 1892Untitled (Shinnecock Landscape) Parrish Art Museum, Southampton, New York
1892Hall at Shinnecock Terra Museum of American Art, Chicago, Illinois
1892Shinnecock Studio Interior Terra Museum of American Art, Chicago, Illinois
1892The Fairy Tale National Gallery of Art, Washington, D.C.
c. 1892-1893In The Studio Hirshhorn Museum and Sculpture Garden, Washington, D.C.
1893Reflections National Gallery of Art, Washington, D.C.
1893Portrait of Mrs. C. (Lady with a White Shawl) Pennsylvania Academy of the Fine Arts, Philadelphia
1893–1897Shinnecock Hills Thyssen-Bornemisza Museum, Madrid
c. 1894Idle Hours Amon Carter Museum, Fort Worth, Texas
c. 1894My Little Daughter Dorothy Detroit Institute of Arts, Michigan
1894The Pot Hunter Parrish Art Museum, Southampton, New York
1895Shinnecock Hills Cleveland Museum of Art, Ohio
c. 1895Portrait of a Lady in Black Detroit Institute of Arts, Michigan
c. 1895Shinnecock Hills, Long Island Lilly Endowment, Inc., Indianapolis, Indiana
c. 1895Shinnecock Hills Smithsonian American Art Museum, Washington, D.C.
c. 1895Portrait of My Daughter Alice Cleveland Museum of Art, Ohio
c. 1895Harbor Scene Hirshhorn Museum and Sculpture Garden, Washington, D.C.
c. 1895The Kimono Thyssen-Bornemisza Museum, Madrid
c. 1895Portrait of Artist's Daughter Hirshhorn Museum and Sculpture Garden, Washington, D.C.
1895 A Friendly Call National Gallery of Art, Washington, D.C.
c. 1895Still Life Urns and Red Peppers Swope Art Museum, Terre Haute, Indiana
c. 1895Sunlight and Shadow, Shinnecock Hills Museum of Fine Arts, Boston, Massachusetts
1896The Golden Lady Parrish Art Museum, Southampton, New York
c. 1897Morning at Breakwater, Shinnecock Terra Museum of American Art, Chicago, Illinois
1897Did You Speak to Me? Butler Institute of American Art, Youngstown, Ohio
c. 1898The Pink Bow
(Portrait of Alice Dieudonnee Chase)
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
1898The Blue Kimono Parrish Art Museum, Southampton, New York
c. 1899Artist's Daughter in Mother's Dress
(Young Girl in Black)
Hirshhorn Museum and Sculpture Garden, Washington, D.C.

1900-1909

c. 1900Portrait of Ms. D De Young Museum, San Francisco, California
c. 1900Portrait of Henry Wolf Westmoreland Museum of American Art, Greensburg, Pennsylvania
c. 1900Still Life—Fish Museum of Fine Arts, Boston, Massachusetts
c. 1900Young Girl Bruce Museum, Greenwich, Connecticut
c. 1901Nude National Gallery of Art, Washington, D.C.
c. 1902The Roycrofter - Portrait of Elbert Hubbard Maier Museum of Art, Randolph College, Virginia
c. 1902Girl With Book Montgomery Museum of Fine Arts, Montgomery, Alabama
c. 1902-06Marianne Heyward Taylor Columbia Museum of Art, South Carolina
c. 1903Still Life, Fish Pennsylvania Academy of the Fine Arts, Philadelphia
c. 1903Portrait of Miss B. Richmond Art Museum, Indiana
c. 1903Peonies Lilly Endowment, Inc., Indianapolis, Indiana
1903Portrait of a Girl Hirshhorn Museum and Sculpture Garden, Washington, D.C.
1903Portrait of Master Otis Barton and
his Grandfather
Currier Museum of Art, Manchester, New Hampshire
1907Portrait of President William Waugh Smith Maier Museum of Art at Randolph College, Virginia
1907Portrait of an Elderly Woman Maier Museum of Art, Randolph College, Virginia
1907The Deserted Beach Maier Museum of Art, Randolph College, Virginia
1908Self-portraitState Museums of Florence, Italy
c. 1909Carll H. de Silver Brooklyn Museum, New York City
c. 1909Good Friends Hirshhorn Museum and Sculpture Garden, Washington, D.C.
c. 1909An Italian Garden Chrysler Museum of Art, Norfolk, Virginia
1909Alice in Shinnecock Studio Parrish Art Museum, Southampton, New York

1910 and after

c. 1910Fish, Plate, and Copper Container Washington County Museum of Fine Arts, Hagerstown, Maryland
c. 1910The Olive Grove Terra Museum of American Art, Chicago, Illinois
1911Portrait of a Lady in Black (Anna Traquair Lang) Philadelphia Museum of Art, Pennsylvania
1912Just Onions (Onions; Still Life) Los Angeles County Museum of Art, California
1912Still Life, Fish Brooklyn Museum, New York City
1913Venetian Balcony Albrecht-Kemper Museum of Art, St. Joseph, Missouri
c. 1914Self Portrait Detroit Institute of Arts, Michigan
c. 1915Self-Portrait Terra Museum of American Art, Chicago, Illinois
1915-16Self-portrait: The Artist in his Studio Richmond Art Museum, Indiana

Undated

Still Life With Watermelon Chase William Merritt Still Life With Watermelon 1869.jpg
Still Life With Watermelon
Along the CanalArt Gallery of the University of Rochester, New York
Autumn Still Life Pennsylvania Academy of the Fine Arts, Philadelphia
The Bayberry Bush Parrish Art Museum, Southampton, New York
The Blue Kimono Philbrook Museum of Art, Tulsa, Oklahoma
A City Park Art Institute of Chicago, Illinois
The Court Jester (etching) Museum of Fine Arts, Boston, Massachusetts
Doorway and Garden Wall University of Michigan Museum of Art, Ann Arbor, Michigan
Duveneck in His Studio San Antonio Art League Museum, Texas
Edward Everett Hale Fogg Museum, Harvard University, Cambridge, Massachusetts
Florence The Phillips Collection, Washington, D.C.
Head of a Boy Cleveland Museum of Art, Ohio
Keying Up' - The Court Jester Pennsylvania Academy of the Fine Arts, Philadelphia
Landscape: Shinnecock, Long Island Princeton University Art Museum, New Jersey
Mrs. Chase and Cosy Sheldon Museum of Art, Lincoln, Nebraska
My Palette Reading Public Museum, Pennsylvania
Portrait of Fra Dana Montana Museum of Art and Culture, Missoula
Portrait Sketch of a Woman with Mantilla Terra Museum of American Art, Chicago, Illinois
Priam Montana Museum of Art and Culture, Missoula
Self-Portrait Smithsonian American Art Museum, Washington, D.C.
Sketch of a Man, Whistling Terra Museum of American Art, Chicago, Illinois
Spanish bull-fighter (etching, dry-point) Museum of Fine Arts, Boston, Massachusetts
Still Life—Fish The Parthenon, Nashville, Tennessee
Woman in Spanish Shawl (Alice) Wake Forest University Fine Arts Gallery, Winston-Salem, North Carolina
Woman Standing in a Landscape Fogg Museum, Harvard University, Cambridge, Massachusetts

List of works by current location

Northeast United States

New York City

Metropolitan Museum of Art:

Brooklyn Museum:

  • The Antiquary Shop, 1879
  • Still Life, Fish, 1912
  • Lydia Field Emmet, 1892
  • Carll H. de Silver, c. 1909
  • The Moorish Warrior, c. 1878
  • Girl in a Japanese Costume
  • Studio Interior, c. 1882

Elsewhere in New York City:

Elsewhere in New York state

Art Gallery of the University of Rochester:

  • A Summer Day
  • Along the Canal

Parrish Art Museum , Southampton:

  • The Blue Kimono, 1898
  • The Bayberry Bush
  • Alice in Shinnecock Studio, 1909
  • The Pot Hunter, 1894
  • The Golden Lady, 1896
  • Still Life With Fruit, 1871
  • Prospect Park, Brooklyn, 1887
  • Untitled (Shinnecock Landscape) c. 1892

New Jersey, Pennsylvania

Pennsylvania:

Carnegie Museum of Art , Pittsburgh:

  • Mrs. Chase, 1890–1895
  • Tenth Street Studio, c. 1880-1881, and c. 1910

Westmoreland Museum of American Art , Greensburg:

  • Lady in a Pink Dress, c. 1892
  • Portrait of Henry Wolf, c. 1900

Pennsylvania Academy of the Fine Arts , Philadelphia:

  • The Jester: Preparatory drawing for the painting "Keying Up" The Court Jester, c. 1875
  • "Keying Up" The Court Jester, 1875
  • Portrait of Mrs. C. (Lady with a White Shawl), 1893
  • Still Life, Fish, c. 1903
  • Autumn Still Life

Philadelphia Museum of Art

  • Courtyard in Venice, 1877
  • Portrait of a Lady in Black (Anna Traquair Lang), 1911
  • Portrait of a Lady, c. 1915
  • The Unknown Dane, c. 1876
  • Portrait of a Young Girl (daughter of Karl Theodore von Piloty) c. 1877

New Jersey:

Boston and Cambridge, Massachusetts

Museum of Fine Arts , Boston:

  • Sunlight and Shadow, Shinnecock Hills, c. 1895
  • Still Life Fish, c. 1900
  • Gray Day on the Lagoon, c. 1877
  • Park Bench, c. 1890
  • A Modern Magdalen, c. 1888
  • Spanish bull-fighter (etching, dry-point)
  • Henry W. Longfellow (etching, dry-point), 1882
  • The Court Jester (etching)

Fogg Art Museum , Harvard University, Cambridge:

  • Edward Everett Hale
  • Woman Standing in a Landscape

Elsewhere in New England

Washington, D.C.

Hirshhorn Museum and Sculpture Garden:

  • Good Friends, c. 1909
  • Harbor Scene, c. 1895
  • In The Studio, c. 1892-1893
  • Portrait of a Girl, 1903
  • Portrait of Artist's Daughter, c. 1895
  • Portrait of Mrs. William Merritt Chase, c. 1890
  • The Pink Bow (Portrait of Alice Dieudonnee Chase), c. 1898
  • Artist's Daughter in Mother's Dress (Young Girl in Black), c. 1899

National Gallery of Art:

  • A Friendly Call , 1895
  • Nude, c. 1901
  • Self-Portrait, c. 1884
  • The Fairy Tale, 1892
  • Reflections, 1893
  • Girl in White, c. 1890
  • Shinnecock Hills, c. 1895

The Phillips Collection:

  • Florence, undated
  • Hide and Seek, 1888

Smithsonian American Art Museum

  • St. Jerome (copy after Rembrandt), c. 1872-1879
  • Terrace, Prospect Park, c. 1887
  • Self-Portrait

Maryland

Washington County Museum of Fine Arts , Hagerstown:

  • Fish, Plate, and Copper Container, c. 1910

Midwest United States

Chicago, Illinois

Art Institute of Chicago:

  • A City Park

Terra Museum of American Art:

  • Ready for a Walk: Beatrice Clough Bachmann, c. 1885
  • Alice Dieudonnée, c. 1892
  • Portrait of Alice Gerson by 1886
  • Morning at Breakwater, Shinnecock, c. 1897
  • Spring Flowers (Peonies), by 1889
  • Hall at Shinnecock, 1892
  • Shinnecock Studio Interior, 1892
  • The Olive Grove, c. 1910
  • Self-Portrait, c. 1915
  • Sketch of a Man, Whistling, undated
  • Portrait Sketch of a Woman with Mantilla, undated

Smart Museum of Art , University of Chicago:

  • Myra Reynolds, late 19th century
  • Portrait of a Man, c. 1875

Indiana

Michigan

Detroit Institute of Arts
  • Lydia Field Emmet, c. 1892
  • Mrs. William Merritt Chase, c. 1890
  • Portrait of a Lady in Black, c. 1895
  • My Little Daughter Dorothy, c. 1894
  • Self Portrait, c. 1914
  • Shinnecock Hills Landscape, c. 18901895
  • The Yield of the Waters, 1878
Kalamazoo Institute of Arts
  • A Study in Pink(Mrs. Robert McDougal), 1895
University of Michigan Museum of Art
  • Doorway and Garden Wall, year unknown
  • View of the Brooklyn Navy Yard, 1886–1890

Ohio

Cleveland

Cleveland Museum of Art:

  • Portrait of My Daughter Alice, c. 1895
  • Head of a Boy
  • Dora Wheeler, 1882–1883
  • Shinnecock Hills, 1895
  • Seascape, 1890s
  • Repair Docks, Gowanus Bay, c. 1870-1885
  • The Jester, c. 1890

Southern United States

Oklahoma

Texas

Virginia

Maier Museum of Art at Randolph College, Lynchburg:

  • Portrait of President William Waugh Smith, 1907
  • The Roycrofter Portrait of Elbert Hubbard, c. 1902
  • The Deserted Beach, 1907
  • Portrait of an Elderly Woman, 1907

Elsewhere:

Elsewhere

Western United States

Los Angeles County Museum of Art:

Montana Museum of Art and Culture , Missoula:

Elsewhere:

Outside the United States

Thyssen-Bornemisza Museum , Madrid, Spain:

Elsewhere:

Notes and references

Items on the lists above largely come from the Artcyclopedia Web site.

  1. "The Blue Kimono". Archived from the original on 2007-02-16. Retrieved 2007-02-26.
  2. "William Merritt Chase 1849". Archived from the original on 2007-02-03. Retrieved 2007-02-26.
  3. "A Friendly Call". nga.gov. 1895.
  4. The Museum of Fine Arts, Houston. "MFAH - Collections at the Museum of Fine Arts, Houston". mfah.org. Archived from the original on 2007-09-28. Retrieved 2007-02-27.
  5. http://collections.currier.org/Obj141$1052
  6. "Self-portrait: The Artist in his Studio by William Merritt Chase". Archived from the original on 2007-07-22. Retrieved 2007-03-04.
  7. Orcut, Kimberly, catalog for the exhibit of the same name, Painterly Controversy: William Merritt Chase and Robert Henri, the Bruce Museum, Greenwich, Connecticut (January 27 to April 29, 2007) ISBN   0-9766381-2-6 page 60; for the Detroit museum quote, the author cites "Chase Self-portrait" Bulletin of the Detroit Museum of Art, 10 (May 1916): 2
  8. "SWOPE Art Museum". Archived from the original on 2007-08-05. Retrieved 2007-03-05.
  9. 1 2 Orcutt, Kimberly, Painterly Controversy: William Merritt Chase and Robert Henri, catalog for an exhibit of the same name at The Bruce Museum of Arts and Science, Greenwich, Connecticut, January 27 April 29, 2007
  10. http://magart.rochester.edu/CUS.18.AddedInfo_test._3061$7603*395899
  11. "The Albrecht-Kemper Museum of Art". albrecht-kemper.org.
  12. 1 2 "Exchange: View of the Brooklyn Navy Yard". exchange.umma.umich.edu. Retrieved 2020-12-10.
  13. "Archived copy". Archived from the original on 2007-02-16. Retrieved 2007-03-03.{{cite web}}: CS1 maint: archived copy as title (link)
  14. "BMA Collection - Painting and Sculpture: American Gallery". www.artsbma.org. Archived from the original on 2003-12-14.

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