This is an incomplete list of William Merritt Chase artwork and consists of works (mostly paintings, but also etchings) listed in three different ways:
The alphabetical list aids in quickly finding information about that work and provides additional information on some individual works; the chronological listing helps trace the artist's development; the location list helps readers discover where they can see Chase's work first-hand.
A Sunny Day at Shinnecock Bay | c. 1892 | |
Alice Dieudonnée | c. 1892 | Terra Museum of American Art, Chicago, Illinois |
Alice in Shinnecock Studio | 1909 | Parrish Art Museum, Southampton, New York |
Along the Canal | Art Gallery of the University of Rochester, New York | |
The Antiquary Shop | 1879 | Brooklyn Museum, New York, N.Y. |
Arab Boy | Indianapolis Museum of Art, Indiana | |
Artist's Daughter in Mother's Dress (Young Girl in Black) | c. 1899 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
The Artist's Mother, Sarah Swaim Chase | 1892 | Indianapolis Museum of Art, Indiana |
At the Seaside | c. 1892 | Metropolitan Museum of Art, New York City |
At Her Ease | 1884 | National Academy of Design, New York City |
Autumn Still Life | Pennsylvania Academy of the Fine Arts, Philadelphia | |
The Bayberry Bush | Parrish Art Museum, Southampton, New York | |
The Big Brass Bowl | 1899 | Indianapolis Museum of Art, Indiana |
The Blue Kimono | 1898 | Parrish Art Museum, Southampton, New York |
Carll H. de Silver | c. 1909 | Brooklyn Museum, New York City |
A City Park | Art Institute of Chicago | |
The Court Jester (etching) | Museum of Fine Arts, Boston, Massachusetts | |
The Deserted Beach | 1907 | Maier Museum of Art, Randolph College, Virginia |
Dora Wheeler | 1882–1883 | Cleveland Museum of Art, Ohio |
Dorothy | 1902 | Indianapolis Museum of Art, Indiana |
Duveneck in His Studio | San Antonio Art League Museum, Texas |
Edward Everett Hale | Fogg Museum, Harvard University, Cambridge, Massachusetts | |
The Fairy Tale | 1892 | National Gallery of Art, Washington, D.C. |
The Family Cow | 1869 | Indianapolis Museum of Art, Indiana |
Fish, Plate, and Copper Container | c. 1910 | Washington County Museum of Fine Arts, Hagerstown, Maryland |
First Touch of Autumn | 1897-99 | Indianapolis Museum of Art, Indiana |
Floral Still Life with Hummingbird | 1870 | Indianapolis Museum of Art, Indiana |
Florence | Brooklyn Museum, New York City | |
A Friendly Call [3] | 1895 | National Gallery of Art, Washington D.C. |
General James Watson Webb | 1880 | Shelburne Museum, Shelburne, Vermont |
Girl in a Japanese Costume | c. 1890 | Brooklyn Museum, New York City |
Girl in White | c. 1890 | Smithsonian American Art Museum, Washington, D.C. |
Girl With Book | c. 1902 | Montgomery Museum of Fine Arts, Montgomery, Alabama |
The Golden Lady | 1896 | Parrish Art Museum, Southampton, New York |
Good Friends | c. 1909 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
Gray Day on the Lagoon | c. 1877 | Museum of Fine Arts, Boston, Massachusetts |
Hall at Shinnecock | 1892 | Terra Museum of American Art, Chicago, Illinois |
Harbor Scene | c. 1895 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
Head of a Boy | Cleveland Museum of Art, Ohio | |
Henry W. Longfellow (etching, dry-point) | 1882 | Museum of Fine Arts, Boston, Massachusetts |
Hide and Seek | 1888 | Brooklyn Museum, New York City |
Idle Hours | Amon Carter Museum, Fort Worth, Texas | |
In the Park. A By-path | c. 1890 | Thyssen-Bornemisza Museum, Madrid |
In The Studio | c. 1892-1893 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
In the Studio Corner | c. 1881 | Canajoharie Library & Art Gallery, Canajoharie, New York |
An Italian Garden | c. 1909 | Chrysler Museum of Art, Norfolk, Virginia |
The Jester: Preparatory drawing for the painting "Keying Up" — The Court Jester | c. 1875 | Pennsylvania Academy of the Fine Arts, Philadelphia |
The Jester | c. 1890 | Cleveland Museum of Art, Ohio |
Just Onions (Onions; Still Life) | 1912 | Los Angeles County Museum of Art, California |
Keying Up' - The Court Jester | 1875 | Pennsylvania Academy of the Fine Arts, Philadelphia |
The Kimono | c. 1895 | Thyssen-Bornemisza Museum, Madrid |
Lady in a Pink Dress | c. 1892 | Westmoreland Museum of American Art, Greensburg, Pennsylvania |
Landscape | c. 1885 | Wright Museum of Art at Beloit College, Wisconsin |
Landscape, Near Coney Island | c. 1886 | Hyde Collection Art Museum, Glens Falls, New York |
Landscape: Shinnecock, Long Island | Princeton University Art Museum, New Jersey | |
The Lone Fisherman | 1890s | Hood Museum of Art, Dartmouth College, New Hampshire |
Lydia Field Emmet | 1892 | Brooklyn Museum, New York City |
Lydia Field Emmet | c. 1892 | Detroit Institute of Arts, Michigan |
Marianne Heyward Taylor | c. 1902-06 | Columbia Museum of Art, South Carolina |
A Modern Magdalen | c. 1888 | Museum of Fine Arts, Boston, Massachusetts |
The Moorish Warrior | c. 1878 | Brooklyn Museum, New York City |
Morning at Breakwater, Shinnecock | c. 1897 | Terra Museum of American Art, Chicago, Illinois |
Mrs. Chase | 1890–1895 | Carnegie Museum of Art, Pittsburgh, Pennsylvania |
Mrs. Chase and Cosy | Sheldon Museum of Art, Lincoln, Nebraska | |
Mrs. Chase in Prospect Park | 1886 | Metropolitan Museum of Art, New York City |
Mrs. James Watson Webb (Laura Virginia Cram) | c. 1880 | Shelburne Museum, Shelburne, Vermont |
Mrs. William Merritt Chase | c. 1890 | Detroit Institute of Arts, Michigan |
My Little Daughter Dorothy | c. 1894 | Detroit Institute of Arts, Michigan |
My Palette | Reading Public Museum, Pennsylvania | |
Myra Reynolds | late 19th century | Smart Museum of Art, University of Chicago, Illinois |
Nude | c. 1901 | National Gallery of Art, Washington, D.C. |
The Olive Grove | c. 1910 | Terra Museum of American Art, Chicago, Illinois |
The Open Air Breakfast | c. 1888 | Toledo Museum of Art, Ohio |
The Opera Cloak | c. 1890 | Grand Rapids Museum of Art, Michigan |
Pablo de Sarasate: Portrait of a Violinist | c. 1875 | Los Angeles County Museum of Art, California |
Park Bench | c. 1890 | Museum of Fine Arts, Boston, Massachusetts |
The Patrician | 1875 | Minneapolis Institute of Arts, Minnesota |
Peonies | c. 1903 | Lilly Endowment, Inc., Indianapolis |
The Pink Bow (Portrait of Alice Dieudonnee Chase) | c. 1898 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
The Pot Hunter | 1894 | Parrish Art Museum, Southampton, New York |
Portrait of Alice Gerson | by 1886 | Terra Museum of American Art |
Portrait of an Elderly Woman | 1907 | Maier Museum of Art, Randolph College, Virginia |
Portrait of Artist's Daughter | c. 1895 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
Portrait of a Girl | 1903 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
Portrait of a Lady in Black | c. 1895 | Detroit Institute of Arts, Michigan |
Portrait of the Lady in Pink (Mrs. Leslie Cotton) | c. 1888-89 | Museum of the Rhode Island School of Design |
Portrait of a Man | c. 1875 | Smart Museum of Art, University of Chicago |
Portrait of Fra Dana | Montana Museum of Art and Culture, Missoula | |
Portrait of Henry Wolf | c. 1900 | Westmoreland Museum of American Art, Greensburg, Pennsylvania |
Portrait of Miss B. | c. 1903 | Richmond Art Museum, Indiana |
Portrait of Mrs. C. (Lady with a White Shawl) | 1893 | Pennsylvania Academy of the Fine Arts, Philadelphia |
Portrait of Mrs. William Merritt Chase | c. 1890 | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
Portrait of My Daughter Alice | c. 1895 | Cleveland Museum of Art, Ohio |
Portrait of President William Waugh Smith | 1907 | Maier Museum of Art at Randolph College, Virginia |
Portrait of a Young Girl (daughter of Karl Theodore von Piloty) | c. 1877 | Philadelphia Museum of Art, Pennsylvania |
Portrait Sketch of a Woman with Mantilla | Terra Museum of American Art | |
Priam | Montana Museum of Art and Culture, Missoula | |
Prospect Park, Brooklyn | 1887 | Parrish Art Museum, Southampton, New York |
Ready for a Walk: Beatrice Clough Bachmann | c. 1885 | Terra Museum of American Art |
Reflections | 1893 | National Gallery of Art, Washington D.C. |
Repair Docks, Gowanus Bay | c. 1870-1885 | Cleveland Museum of Art, Ohio |
The Roycrofter - Portrait of Elbert Hubbard | c. 1902 | Maier Museum of Art, Randolph College, Virginia |
St. Jerome (copy after Rembrandt) | c. 1872-1879 | Smithsonian American Art Museum, Washington, D.C. |
Seascape | 1890s | Cleveland Museum of Art, Ohio |
Self-Portrait | Smithsonian American Art Museum, Washington, D.C. | |
Self-Portrait | c. 1884 | National Gallery of Art, Washington, D.C. |
Self-portrait | 1908 | State Museums of Florence, Italy |
Self-Portrait | c. 1915 | Terra Museum of American Art, Chicago, Illinois |
Shinnecock Hills | 1893–1897 | Thyssen-Bornemisza Museum, Madrid, Spain |
Shinnecock Hills | 1895 | Cleveland Museum of Art, Ohio |
Shinnecock Hills | c. 1895 | Smithsonian American Art Museum, Washington, D.C. |
Shinnecock Hills Landscape | c. 1890–1895 | Detroit Institute of Arts, Michigan |
Shinnecock Hills, Long Island | c. 1895 | Lilly Endowment, Inc., Indianapolis, Indiana |
Shinnecock Studio Interior | 1892 | Terra Museum of American Art, Chicago, Illinois |
Sketch for a Picture — Columbus before the Council of Salamanca (A) | c. 1876 | Los Angeles County Museum of Art, California |
Sketch for a Picture — Columbus before the Council of Salamanca (B) | c. 1876 | Los Angeles County Museum of Art, California |
Sketch of a Man, Whistling | Terra Museum of American Art, Chicago, Illinois | |
Spanish bull-fighter (etching, dry-point) | Museum of Fine Arts, Boston, Massachusetts | |
Spring Flowers (Peonies) | by 1889 | Terra Museum of American Art, Chicago, Illinois |
Still Life: Cod and Mackerel | c. 1885 | National Museum of Wildlife Art, Jackson Hole, Wyoming |
Still Life—Fish | The Parthenon, Nashville, Tennessee | |
Still Life—Fish | c. 1900 | Museum of Fine Arts, Boston, Massachusetts |
Still Life, Fish | c. 1903 | Pennsylvania Academy of the Fine Arts, Philadelphia |
Still Life, Fish | 1912 | Brooklyn Museum, New York City |
Still Life With Fruit | 1871 | Parrish Art Museum, Southampton, New York |
Still Life With Watermelon | 1869 | Birmingham Museum of Art, Alabama |
Summer At Shinnecock Hills | 1891 | Cincinnati Art Museum, Ohio |
Summertime (Pulling for Shore) | c. 1886 | Lilly Endowment, Inc., Indianapolis, Indiana |
Sunlight and Shadow | 1884 | Joslyn Art Museum, Omaha, Nebraska |
Sunlight and Shadow, Shinnecock Hills | c. 1895, | Museum of Fine Arts, Houston, Texas |
A Tambourine Player | c. 1886 | Montclair Art Museum, Montclair, New Jersey |
Tenth Street Studio | c. 1880-1881 and c. 1910 | Carnegie Museum of Art, Pittsburgh, Pennsylvania |
Terrace, Prospect Park | c. 1887 | Smithsonian American Art Museum, Washington, D.C. |
Tompkins Park, Brooklyn | 1887 | Colby College Museum of Art, Waterville, Maine |
The Unknown Dane | c. 1876 | Philadelphia Museum of Art, Pennsylvania |
Untitled (Shinnecock Landscape) | c. 1892 | Parrish Art Museum, Southampton, New York |
Venice | 1877 | Oklahoma City Art Museum, Oklahoma |
View of the Brooklyn Navy Yard | 1886-1890 | University of Michigan Museum of Art, Ann Arbor, Michigan [12] |
Wash Day (Washing Day-a Backyard Reminiscence) | c. 1886 | Lilly Endowment, Inc., Indianapolis, Indiana |
Woman Standing in a Landscape | Fogg Museum, Harvard University, Cambridge, Massachusetts | |
The Yield of the Waters | 1878 | Detroit Institute of Arts |
1869 | Still Life With Watermelon | Birmingham Museum of Art, Alabama [14] |
c. 1870-1885 | Repair Docks, Gowanus Bay | Cleveland Museum of Art, Ohio |
1871 | Still Life With Fruit | Parrish Art Museum, Southampton, N.Y. |
c. 1872-1879 | St. Jerome (copy after Rembrandt) | Smithsonian American Art Museum, Washington, D.C. |
1875 | The Patrician | Minneapolis Institute of Arts, Minnesota |
c. 1875 | The Jester: Preparatory drawing for the painting "Keying Up" — The Court Jester | Pennsylvania Academy of the Fine Arts, Philadelphia |
1875 | "Keying Up" — The Court Jester | Pennsylvania Academy of the Fine Arts, Philadelphia |
c. 1875 | Pablo de Sarasate: Portrait of a Violinist | Los Angeles County Museum of Art, California |
c. 1875 | Portrait of a Man | Smart Museum of Art, University of Chicago, Illinois |
c. 1876 | Sketch for a Picture — Columbus before the Council of Salamanca (A) | Los Angeles County Museum of Art, California |
c. 1876 | Sketch for a Picture — Columbus before the Council of Salamanca (B) | Los Angeles County Museum of Art, California |
c. 1876 | The Unknown Dane | Philadelphia Museum of Art, Pennsylvania |
1877 | Courtyard in Venice | Philadelphia Museum of Art, Pennsylvania |
1877 | Venice | Oklahoma City Art Museum, Oklahoma |
c. 1877 | Gray Day on the Lagoon | Museum of Fine Arts, Boston, Massachusetts |
c. 1877 | Portrait of a Young Girl (daughter of Karl Theodore von Piloty) | Philadelphia Museum of Art, Pennsylvania |
c. 1878 | The Moorish Warrior | Brooklyn Museum, New York City |
1878 | The Yield of the Waters | Detroit Institute of Arts, Michigan |
1879 | The Antiquary Shop | Brooklyn Museum, New York City |
1880 | Harriet Hubbard Ayer | De Young Museum, San Francisco, California |
1880 | General James Watson Webb | Shelburne Museum, Shelburne, Vermont |
c. 1880 | Mrs. James Watson Webb (Laura Virginia Cram) | Shelburne Museum, Shelburne, Vermont |
c. 1880-1881 and c. 1910 | Tenth Street Studio | Carnegie Museum of Art, Pittsburgh, Pennsylvania |
c. 1881 | In the Studio Corner | Canajoharie Library and Art Gallery, Canajoharie, New York |
c. 1882 | Studio Interior | Brooklyn Museum, New York City |
1882 | Henry W. Longfellow (etching, dry-point) | Museum of Fine Arts, Boston, Massachusetts |
1882–1883 | Dora Wheeler | Cleveland Museum of Art, Ohio |
1884 | Sunlight and Shadow | Joslyn Art Museum, Omaha, Nebraska |
1884 | At Her Ease | National Academy of Design, New York City |
c. 1884 | Self-Portrait | National Gallery of Art, Washington D.C. |
c. 1885 | Landscape | Wright Museum of Art at Beloit College, Wisconsin |
c. 1885 | Still Life: Cod and Mackerel | National Museum of Wildlife Art, Jackson Hole, Wyoming |
c. 1885 | Ready for a Walk: Beatrice Clough Bachmann | Terra Museum of American Art, Chicago, Illinois |
1886 | Mrs. Chase in Prospect Park | Metropolitan Museum of Art, New York City |
by 1886 | Portrait of Alice Gerson | Terra Museum of American Art, Chicago, Illinois |
1886-1890 | View of the Brooklyn Navy Yard | University of Michigan Museum of Art, Ann Arbor, Michigan [12] |
c. 1886 | Wash Day (Washing Day—a Backyard Reminiscence | Lilly Endowment, Inc., Indianapolis, Indiana |
c. 1886 | Summertime (Pulling for Shore) | Lilly Endowment, Inc., Indianapolis, Indiana |
c. 1886 | The White Rose | Phoenix Art Museum, Arizona |
c. 1886 | Landscape, Near Coney Island | Hyde Collection Art Museum, Glens Falls, New York |
c. 1886 | A Tambourine Player | Montclair Art Museum, Montclair, New Jersey |
c. 1887 | Terrace, Prospect Park | Smithsonian American Art Museum, Washington, D.C. |
1887 | Tompkins Park, Brooklyn | Colby College Museum of Art, Waterville, Maine |
1887 | Prospect Park, Brooklyn | Parrish Art Museum, Southampton, New York |
1888 | Hide and Seek | The Phillips Collection, Washington, D.C. |
c. 1888 | A Modern Magdalen | Museum of Fine Arts, Boston, Massachusetts |
c. 1888 | Mother and Child (The First Portrait) | Museum of Fine Arts, Houston, Texas |
c. 1888 | The Open Air Breakfast | Toledo Museum of Art, Ohio |
c. 1888-89 | Portrait of the Lady in Pink (Mrs. Leslie Cotton) | Museum of the Rhode Island School of Design |
by 1889 | Spring Flowers (Peonies) | Terra Museum of American Art, Chicago, Illinois |
c. 1890 | The Opera Cloak | Grand Rapids Museum of Art, Michigan |
c. 1890 | Park Bench | Museum of Fine Arts, Boston, Massachusetts |
1890–1895 | Mrs. Chase | Carnegie Museum of Art, Pittsburgh, Pennsylvania |
late 19th century | Myra Reynolds | Smart Museum of Art, University of Chicago, Illinois |
c. 1890 | Portrait of Mrs. William Merritt Chase | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
c. 1890 | Girl in a Japanese Costume | Brooklyn Museum, New York City |
c. 1890 | Girl in White | Smithsonian American Art Museum, Washington, D.C. |
c. 1890 | The Jester | Cleveland Museum of Art, Ohio |
c. 1890 | Mrs. William Merritt Chase | Detroit Institute of Arts, Michigan |
c. 1890 | In the Park. A By-path | Thyssen-Bornemisza Museum, Madrid |
c. 1890–1895 | Shinnecock Hills Landscape | Detroit Institute of Arts, Michigan |
1891 | Summer At Shinnecock Hills | Cincinnati Art Museum, Ohio |
1890s | The Lone Fisherman | Hood Museum of Art, Dartmouth College, Hanover, New Hampshire |
1890s | Seascape | Cleveland Museum of Art, Ohio |
1892 | Lydia Field Emmet | Brooklyn Museum, New York City |
c. 1892 | A Summer Day | Art Gallery of the University of Rochester, New York |
c. 1892 | A Sunny Day at Shinnecock Bay | |
c. 1892 | At the Seaside | Metropolitan Museum of Art, New York City |
c. 1892 | Lydia Field Emmet | Detroit Institute of Arts, Michigan |
c. 1892 | Alice Dieudonnée | Terra Museum of American Art, Chicago, Illinois |
c. 1892 | Lady in a Pink Dress | Westmoreland Museum of American Art, Greensburg, Pennsylvania |
c. 1892 | Untitled (Shinnecock Landscape) | Parrish Art Museum, Southampton, New York |
1892 | Hall at Shinnecock | Terra Museum of American Art, Chicago, Illinois |
1892 | Shinnecock Studio Interior | Terra Museum of American Art, Chicago, Illinois |
1892 | The Fairy Tale | National Gallery of Art, Washington, D.C. |
c. 1892-1893 | In The Studio | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
1893 | Reflections | National Gallery of Art, Washington, D.C. |
1893 | Portrait of Mrs. C. (Lady with a White Shawl) | Pennsylvania Academy of the Fine Arts, Philadelphia |
1893–1897 | Shinnecock Hills | Thyssen-Bornemisza Museum, Madrid |
c. 1894 | Idle Hours | Amon Carter Museum, Fort Worth, Texas |
c. 1894 | My Little Daughter Dorothy | Detroit Institute of Arts, Michigan |
1894 | The Pot Hunter | Parrish Art Museum, Southampton, New York |
1895 | Shinnecock Hills | Cleveland Museum of Art, Ohio |
c. 1895 | Portrait of a Lady in Black | Detroit Institute of Arts, Michigan |
c. 1895 | Shinnecock Hills, Long Island | Lilly Endowment, Inc., Indianapolis, Indiana |
c. 1895 | Shinnecock Hills | Smithsonian American Art Museum, Washington, D.C. |
c. 1895 | Portrait of My Daughter Alice | Cleveland Museum of Art, Ohio |
c. 1895 | Harbor Scene | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
c. 1895 | The Kimono | Thyssen-Bornemisza Museum, Madrid |
c. 1895 | Portrait of Artist's Daughter | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
1895 | A Friendly Call | National Gallery of Art, Washington, D.C. |
c. 1895 | Still Life Urns and Red Peppers | Swope Art Museum, Terre Haute, Indiana |
c. 1895 | Sunlight and Shadow, Shinnecock Hills | Museum of Fine Arts, Boston, Massachusetts |
1896 | The Golden Lady | Parrish Art Museum, Southampton, New York |
c. 1897 | Morning at Breakwater, Shinnecock | Terra Museum of American Art, Chicago, Illinois |
1897 | Did You Speak to Me? | Butler Institute of American Art, Youngstown, Ohio |
c. 1898 | The Pink Bow (Portrait of Alice Dieudonnee Chase) | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
1898 | The Blue Kimono | Parrish Art Museum, Southampton, New York |
c. 1899 | Artist's Daughter in Mother's Dress (Young Girl in Black) | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
c. 1900 | Portrait of Ms. D | De Young Museum, San Francisco, California |
c. 1900 | Portrait of Henry Wolf | Westmoreland Museum of American Art, Greensburg, Pennsylvania |
c. 1900 | Still Life—Fish | Museum of Fine Arts, Boston, Massachusetts |
c. 1900 | Young Girl | Bruce Museum, Greenwich, Connecticut |
c. 1901 | Nude | National Gallery of Art, Washington, D.C. |
c. 1902 | The Roycrofter - Portrait of Elbert Hubbard | Maier Museum of Art, Randolph College, Virginia |
c. 1902 | Girl With Book | Montgomery Museum of Fine Arts, Montgomery, Alabama |
c. 1902-06 | Marianne Heyward Taylor | Columbia Museum of Art, South Carolina |
c. 1903 | Still Life, Fish | Pennsylvania Academy of the Fine Arts, Philadelphia |
c. 1903 | Portrait of Miss B. | Richmond Art Museum, Indiana |
c. 1903 | Peonies | Lilly Endowment, Inc., Indianapolis, Indiana |
1903 | Portrait of a Girl | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
1903 | Portrait of Master Otis Barton and his Grandfather | Currier Museum of Art, Manchester, New Hampshire |
1907 | Portrait of President William Waugh Smith | Maier Museum of Art at Randolph College, Virginia |
1907 | Portrait of an Elderly Woman | Maier Museum of Art, Randolph College, Virginia |
1907 | The Deserted Beach | Maier Museum of Art, Randolph College, Virginia |
1908 | Self-portrait | State Museums of Florence, Italy |
c. 1909 | Carll H. de Silver | Brooklyn Museum, New York City |
c. 1909 | Good Friends | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
c. 1909 | An Italian Garden | Chrysler Museum of Art, Norfolk, Virginia |
1909 | Alice in Shinnecock Studio | Parrish Art Museum, Southampton, New York |
c. 1910 | Fish, Plate, and Copper Container | Washington County Museum of Fine Arts, Hagerstown, Maryland |
c. 1910 | The Olive Grove | Terra Museum of American Art, Chicago, Illinois |
1911 | Portrait of a Lady in Black (Anna Traquair Lang) | Philadelphia Museum of Art, Pennsylvania |
1912 | Just Onions (Onions; Still Life) | Los Angeles County Museum of Art, California |
1912 | Still Life, Fish | Brooklyn Museum, New York City |
1913 | Venetian Balcony | Albrecht-Kemper Museum of Art, St. Joseph, Missouri |
c. 1914 | Self Portrait | Detroit Institute of Arts, Michigan |
c. 1915 | Self-Portrait | Terra Museum of American Art, Chicago, Illinois |
1915-16 | Self-portrait: The Artist in his Studio | Richmond Art Museum, Indiana |
Along the Canal | Art Gallery of the University of Rochester, New York | |
Autumn Still Life | Pennsylvania Academy of the Fine Arts, Philadelphia | |
The Bayberry Bush | Parrish Art Museum, Southampton, New York | |
The Blue Kimono | Philbrook Museum of Art, Tulsa, Oklahoma | |
A City Park | Art Institute of Chicago, Illinois | |
The Court Jester (etching) | Museum of Fine Arts, Boston, Massachusetts | |
Doorway and Garden Wall | University of Michigan Museum of Art, Ann Arbor, Michigan | |
Duveneck in His Studio | San Antonio Art League Museum, Texas | |
Edward Everett Hale | Fogg Museum, Harvard University, Cambridge, Massachusetts | |
Florence | The Phillips Collection, Washington, D.C. | |
Head of a Boy | Cleveland Museum of Art, Ohio | |
Keying Up' - The Court Jester | Pennsylvania Academy of the Fine Arts, Philadelphia | |
Landscape: Shinnecock, Long Island | Princeton University Art Museum, New Jersey | |
Mrs. Chase and Cosy | Sheldon Museum of Art, Lincoln, Nebraska | |
My Palette | Reading Public Museum, Pennsylvania | |
Portrait of Fra Dana | Montana Museum of Art and Culture, Missoula | |
Portrait Sketch of a Woman with Mantilla | Terra Museum of American Art, Chicago, Illinois | |
Priam | Montana Museum of Art and Culture, Missoula | |
Self-Portrait | Smithsonian American Art Museum, Washington, D.C. | |
Sketch of a Man, Whistling | Terra Museum of American Art, Chicago, Illinois | |
Spanish bull-fighter (etching, dry-point) | Museum of Fine Arts, Boston, Massachusetts | |
Still Life—Fish | The Parthenon, Nashville, Tennessee | |
Woman in Spanish Shawl (Alice) | Wake Forest University Fine Arts Gallery, Winston-Salem, North Carolina | |
Woman Standing in a Landscape | Fogg Museum, Harvard University, Cambridge, Massachusetts |
Elsewhere in New York City:
Art Gallery of the University of Rochester:
Parrish Art Museum , Southampton:
Pennsylvania:
Carnegie Museum of Art , Pittsburgh:
Westmoreland Museum of American Art , Greensburg:
Pennsylvania Academy of the Fine Arts , Philadelphia:
New Jersey:
Museum of Fine Arts , Boston:
Fogg Art Museum , Harvard University, Cambridge:
Hirshhorn Museum and Sculpture Garden:
Smithsonian American Art Museum
Washington County Museum of Fine Arts , Hagerstown:
Smart Museum of Art , University of Chicago:
Maier Museum of Art at Randolph College, Lynchburg:
Elsewhere:
Los Angeles County Museum of Art:
Montana Museum of Art and Culture , Missoula:
Elsewhere:
Thyssen-Bornemisza Museum , Madrid, Spain:
Elsewhere:
Items on the lists above largely come from the Artcyclopedia Web site.
{{cite web}}
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The Shinnecock Hills Summer School of Art was summer school of art in Shinnecock Hills, Long Island that existed from 1891 to 1902. The director was William Merritt Chase. The school was one of the first and most popular plein air painting schools in America. During the time Chase was teaching at Shinnecock Hills he painted some of his most notable Impressionist landscapes.
Addison Thomas Millar was an American painter and artist; best known for his genre scenes and Orientalist paintings.
Elizabeth Strong (1855–1941) was an American artist, known for landscape, animal and figure paintings. She was nicknamed, "the Rosa Bonheur of America".