List of paintings on postage stamps of former Soviet Union by title (incomplete as unattributed paintings are not included).
Title | Artist | Year(s) | Year(s) of issue | Value(s), in kopecks or ruble |
---|---|---|---|---|
1919. The Alarm | Kuzma Petrov-Vodkin | 1934 | 1968 | 10 k. |
A Bog in the Forest | Fyodor Vasilyev | 1975 | 10 k. | |
A Boy With A Dog | Bartolomé Esteban Murillo | 1650s | 1972 | 10 k. |
A Celebration on the Uritsky Square In Honour of the Opening of the 2nd Komintern Congress | Boris Kustodiyev | 1968 | 30 k. | |
A Fresh Cavalier | Pavel Fedotov | 1846 | 1976 | 2 k. |
A Girl At Work | Gabriel Metsu | 1974 | 14 k. | |
A Girl on the Ball | Pablo Picasso | 1971 | 20 k. | |
A Girl With A Fan | Pierre-Auguste Renoir | 1973 | 20 k. | |
A Glass of Lemonade | Gerard Terborch | 1974 | 10 k. | |
A Lady in the Garden | Claude Monet | 1973 | 14 k. | |
A Letter from the Front | Aleksandr Laktionov | 1947 | 1973 | 6 k. |
A Moor Saddling The Horse | Eugène Delacroix | 1855 | 1972 | 20 k. |
A Morning in the Pine Forest | Ivan Shishkin | 1948 | 60 k. | |
A Prayer Before Dinner | Jean-Baptiste-Siméon Chardin | 1974 | 16 k. | |
A Refusal from Confession | Ilya Repin | 1969 | 12 k. | |
A Rest after the Battle | Yuri Neprintsev | 1965 | 4 k. | |
A Road in the Birch Forest | Fyodor Vasilyev | 1975 | 4 k. | |
A Still Life With The Attributes of Art | Jean-Baptiste-Siméon Chardin | 1973 | 12 k. | |
A View of Odessa by the Moon Night | Ivan Aivazovsky | 1846 | ||
A View of the Voskresensk and Nikolsk Gates | Fyodor Alekseyev | 1972 | 20 k. | |
A Vityaz at the Crossroads | Viktor Vasnetsov | 1878 | 1968 | 3 k. |
A Young Woman Trying On the Ear-Rings | Rembrandt | 1973 | 6 k. | |
After the Thunderstorm | Fyodor Vasilyev | 1975 | 6 k. | |
An Ill Woman and A Physician | Jan Steen | 1973 | 10 k. | |
At the Walk | Pavel Fedotov | 1837 | 1976 | 16 k. |
Au! | Ivan Markichev | 1934 | 1976 | 4 k. |
Do Not Waited For | Ilya Repin | 1969 | 6 k. | |
Finist the Lucid Falcon | Ivan Bilibin | 1969 | 20 k. | |
Flora | Rembrandt | 1973 | 50 k. | |
Glory to Fallen Heroes | Fyodor Bogorodsky | 1945 | 1965 | 10 k. |
Homer (A Workshop) | Gely Korzhev | 1960 | 1968 | 20 k. |
In the Krimean Mountains | Fyodor Vasilyev | 1873 | 1975 | 12 k. |
Lenin | Nikolay Andreyev | 1970 | 4 k. | |
Lenin at the Map of GOELRO | Leonid Shmatko | 1970 | 4 k. | |
Madonna With Child Under the Apple Tree | Lucas Cranach the Elder | 1983 | 4 k. | |
March | Isaak Levitan | 1960 | 40 k. | |
Marya Morevna | Ivan Bilibin | 1969 | 10 k. | |
Nicolaus Copernicus | Jan Matejko | 1873 | 1955 | 1 ruble |
On the Approaches to Moscow | Vladimir Bogatkin | 1965 | 3 k. | |
Penitent Mary Magdalene | Titian | 1971 | 4 k. | |
Portrait of Apollon Maykov | Fyodor Rokotov | 1972 | 6 k. | |
Portrait of A Young Man With A Glove | Frans Hals | 1971 | 12 k. | |
Portrait of Fyodor Volkov | Anton Losenko | 1972 | 4 k. | |
Portrait of An Old Woman | Rembrandt | 1983 | 4 k. | |
Portrait of Fyodor Shalyapin | Valentin Serov | 1965 | 6 k. | |
Portrait of Gavrila Derzhavin | Vladimir Borovikovsky | 1972 | 12 k. | |
Portrait of Ivan Aivazovsky | Alexey Tyranov | 1841 | 1950 | 1 ruble |
Portrait of Ivan Shishkin | Ivan Kramskoy | 1948 | 30 k. | |
Portrait of Nikolay Novikov | Dmitry Levitzky | 1972 | 10 k. | |
Portrait of the Field Hetman | ||||
An overprint is an additional layer of text or graphics added to the face of a postage or revenue stamp, postal stationery, banknote or ticket after it has been printed. Post offices most often use overprints for internal administrative purposes such as accounting but they are also employed in public mail. Well-recognized varieties include commemorative overprints which are produced for their public appeal and command significant interest in the field of philately.
This is a survey of the postage stamps and postal history of the Russian Empire, the Soviet Union and the modern Russian Federation.
The Academy of Sciences of the Soviet Union was the highest scientific institution of the Soviet Union from 1925 to 1991. It united the country's leading scientists and was subordinated directly to the Council of Ministers of the Soviet Union.
This is a survey of the postage stamps and postal history of Transnistria, an unrecognized breakaway territory of Moldova and the de facto independent Pridnestrovian Moldavian Republic.
The postage stamps and postal history of Armenia describes the history of postage stamps and postal systems in Armenia. Czarist Russian postmarks and stamps were in used in the territory of Armenia from 1858. The early postmarks were composed of dots in different shapes. Dated postmarks with city names soon followed. Many counterfeit postmarks are known. From 1909 until 1918 a few Russian stamps were overprinted identifying the Armenian Post. The Armenian letters H & P are intertwined, representing the initials of hai post, the Armenian Post Office.
This is a survey of the postage stamps and postal history of Lithuania.
Soviet Union stamp catalogue is a national catalogue of the RSFSR and USSR postage stamps and miniature sheets, which was being published in the USSR by the “Soyuzpechat” Central Philatelic Agency (CPA) and some other publishers related to the Ministry of Communications. The catalogue usually republished in corpore around once in a 10–15 years. In between republications, additional issues came out every year. These issues contains descriptions of stamps and miniature sheets issued in USSR last year.
The Tuvan People's Republic issued postage stamps between 1926 and 1936. They were popular with stamp collectors in the Western world in the mid-twentieth century because of the obscurity and exoticism of Tannu Tuva and the stamps' quirky, colorful designs. The validity of many stamps purportedly issued by Tannu Tuva has been questioned by philatelists.
The postage stamps and postal history of Azerbaijan describes the history of postage stamps and postal systems in Azerbaijan, which closely follows the political history of Azerbaijan, from its incorporation to the Russian Empire in 1806, to its briefly obtained independence in 1918, which it lost to the Soviet Union in 1920 and re-acquired in 1991 after the fall of the Soviet Union.
This is a survey of the postage stamps and postal history of Tajikistan.
This is a survey of the postage stamps and postal history of Georgia.
This is a survey of the postage stamps and postal history of Ukraine.
The Ministry of Communications of the Union of Soviet Socialist Republics (USSR) (Russian: Министерство связи СССР) was the central state administration body on communications in the Soviet Union from 1923 to 1991. During its existence it had three names: People's Commissariat for Posts and Telegraphs (1923–32), People's Commissariat for Communications (1932–46) and Ministry of Communications (1946–1991). It had authority over the postal, telegraph and telephone communications as well as public radio, technical means of radio and television broadcasting, and the distribution of periodicals in the country.
The Gold Standard issue or Small Head issue was the first definitive series of postage stamps issued by the Soviet Union between 1923 and 1927. The stamps were designed by Ivan Shadr.
Postage rates in Russia have changed multiple times in the period 1917 to present. They have been introduced by the Soviet and Russian Federation governmental organs and agencies and reflected in alteration of stamp denominations.
The first USSR stamps or First All-Russia Agricultural Exhibition issue appeared in August 1923 as a series of Soviet Union postage stamps. Its designer was the Russian artist Georgy Pashkov.
Stamps of the Soviet Union were issued in the period 1923 to 1991. They were labeled with the inscription Russian: "Почта СССР". In the thematics, Soviet stamps reflected to a large extent the history, politics, economics and culture of this world's first socialist state.
Definitive stamps of the Soviet Union were the regular postage stamp issues produced in the USSR between 1923 and 1992.
The Union of Earth and Water is a Baroque painting by Flemish artist Peter Paul Rubens, showing Cybele as the personification of earth holding the horn of plenty and Neptune as the personification of water in the center. The pair is crowned by the goddess Victoria and the union is heralded through a conch by the Triton below. The union symbolizes fertility, wealth and prosperity, specifically the city of Antwerp and the river Scheldt whose mouth in Rubens' times was blocked by the Dutch depriving Flanders of the access to the sea. The painting features a pyramidal composition, symmetry and the balance of forms. It was influenced by late Italian Renaissance, particularly by Venetian artists.