Jacopo Bellini was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters.
Saint Sebastian is a painting of the early Christian saint and martyr Saint Sebastian painted c. 1501–1502 by the Italian High Renaissance artist Raphael. Part of his early works, it is housed in the Accademia Carrara of Bergamo, Italy. In 2022 the painting was included in a exhibition held at the National Gallery in London.
The Accademia Carrara,, officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by Giacomo Carrara, a Bergamasco collector or conoscitore of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988 and in 2023 merged with the Conservatorio Gaetano Donizetti to form the Politecnico delle Arti di Bergamo.
Jan Miense Molenaer, was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of Frans Hals.
The Story of Virginia, is a painting by the Italian Renaissance painter Sandro Botticelli. It is a tempera on panel and measures 86 cm tall and 165 cm wide. It is currently held by the Accademia Carrara in Bergamo, Italy.
Giuseppe Diotti was an Italian painter of the Neoclassic style.
Giuseppe Pellizza da Volpedo was an Italian Divisionist painter.
The Portrait of Giuliano de' Medici is a painting of Giuliano de' Medici (1453-1478) by the Italian Renaissance painter Sandro Botticelli, probably painted soon before Giuliano was assassinated in the Pazzi Conspiracy in 1478. It belongs to the Berlin State Museums, and is in the Gemäldegalerie, Berlin.
Francesco Coghetti was an Italian painter and art school administrator.
The Martinengo Altarpiece is a painting by the Italian High Renaissance painter Lorenzo Lotto, finished in 1516. It is housed in the church of Santi Bartolomeo e Stefano in Bergamo in northern Italy.
The Portrait of Lucina Brembati is an oil-on-panel painting by the Italian High Renaissance painter Lorenzo Lotto, dating to c. 1518. It is housed in the Accademia Carrara of Bergamo, northern Italy.
The Madonna of the Small Trees is an oil-on-panel painting by Italian Renaissance artist Giovanni Bellini, executed in 1487. It is housed in the Gallerie dell'Accademia in Venice.
Ponziano Loverini was an Italian painter, known primarily for his canvases and frescoes of sacred subjects.
Accademia often refers to:
The Accademia di Belle Arti di Carrara is a public tertiary academy of art in Carrara, in Tuscany, Italy. It was founded on 26 September 1769 by Maria Teresa Cybo-Malaspina, duchess of Massa and princess of Carrara; but its origins go back to 1757, when, on the advice of the sculptor Giovanni Domenico Olivieri, she founded the Accademia di San Ceccardo in which sculpture, architecture and painting were to be taught. To house it, she commissioned Filippo del Medico to design and build a new building ; in 1807, by order of Elisa Bonaparte Baciocchi, the accademia was moved the Palazzo del Principe. The school of architecture was at first under Filippo del Medico; Giovanni Antonio Cybei was head of the school of sculpture.
The Pietà or Christ's Body Supported by the Virgin Mary and St John the Evangelist is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the Accademia Carrara in Bergamo. Dated to around 1455, it is one of his earliest independent works and the prototype for his series of pietàs. It draws on Byzantine icons of the 'imago pietatis', of which there were many examples throughout Venice, and of 'Ritratti di Passione' or 'portraits of the Passion', in which the dead Christ invites the viewer to contemplate his wounds. The crossed arms are drawn from a famous Roman mosaic-icon from Santa Croce in Gerusalemme basilica which was held to be miraculous and had according to legend been commissioned by pope Gregory the Great based on a vision during a mass.
Descent into Limbo is a 1492 tempera and gold on panel painting by Andrea Mantegna, now in the Barbara Piasecka Johnson Collection in Princeton, New Jersey. It depicts the Descent into Limbo of Jesus Christ. There are also drawings of the subject by Mantegna in the École Supérieure des Beaux-Arts in Paris, whilst Giovanni Bellini also painted the subject.
The Lochis Madonna is an oil on panel painting attributed to Titian and dated to around 1508–1510. It is now in the Accademia Carrara in Bergamo. It is first recorded as part of the Lochis collection, after which it is named.
The Entombment of Christ is a 1513–1516 oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It originally formed the central predella panel to the artist's Martinengo Altarpiece at the church of Santi Bartolomeo e Stefano.