Antonio Allegri da Correggio, usually known as just Correggio, was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro.
Federico Barocci (c. 1535 – 30 September 1612) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy.
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
Benvenuto Tisi was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.
Sant'Andrea della Valle is a minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the general seat for the religious order of the Theatines. It is located at Piazza Vidoni, at the intersection of Corso Vittorio Emanuele and Corso Rinascimento.
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
Vincenzo Foppa was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years.
Giovanni Girolamo Savoldo, also called Girolamo da Brescia, was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and for the sober realism of his works, which are mostly religious subjects, with a few portraits. His portraits are given interest by their accessories or settings; "some even look like extracts from larger narratives".
Girolamo Romani, known as Romanino, was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles.
Matteo di Giovanni was an Italian Renaissance artist from the Sienese School.
Francesco Trevisani was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto).
Bonifacio Bembo, also called Bonfazio Bembo, or simply just Bembo, was a north Italian Renaissance artist born in Brescia in 1420. He was the son of Giovanni Bembo, an active painter during his time. As a painter, Bonifacio mainly worked in Cremona. He was patronized by the Sforza family and was commissioned to paint portraits of Francesco Sforza and his wife Bianca Maria Visconti. Scholars have credited him as the artist who produced a tarot card deck for the Visconti-Sforza families, now held in the Cary Collection of Playing Cards at Yale University. In the past century, art historians have begun to question the authenticity of his works, believing his only two secure works to be the portraits of Francesco and Bianca Maria Sforza. He is believed to have died sometime before 1482.
Altobello Melone was an Italian painter of the Renaissance.
Events from the year 1524 in art.
Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.
Giovanni Battista Trotti was an Italian painter of the late-Renaissance period, active mainly in Piacenza, Parma, and his native city of Cremona.
Rutilio di Lorenzo Manetti was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena.
Biagio d’Antonio Tucci was an Italian Renaissance painter active in Florence, Faenza and Rome.
Francesco Nasini was an Italian painter of the Baroque period, active mainly in towns outside of Siena, Italy.
Sant'Agostino is a gothic-style, Roman Catholic church located in Cremona, region of Lombardy, Italy.
