Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Culture, Media and Sport.
Sir John Everett Millais, 1st Baronet was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–52.
The Pre-Raphaelite Brotherhood was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse.
Sir Edward Coley Burne-Jones, 1st Baronet, was an English painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and William Holman Hunt.
George James Howard, 9th Earl of Carlisle, known as George Howard until 1889, was an English aristocrat, peer, politician, and painter. He was the last Earl of Carlisle to own Castle Howard.
The Legend of Briar Rose is the title of a series of paintings by the Pre-Raphaelite artist Edward Burne-Jones which were completed between 1885 and 1890. The four original paintings – The Briar Wood, The Council Chamber, The Garden Court and The Rose Bower – and an additional ten adjoining panels, are located at Buscot Park in Oxfordshire, England.
The Star of Bethlehem is a painting in watercolour by Sir Edward Burne-Jones depicting the Adoration of the Magi with an angel holding the star of Bethlehem. It was commissioned by the Corporation of the City of Birmingham for its new Museum and Art Gallery in 1887, two years after Burne-Jones was elected Honorary President of the Royal Birmingham Society of Artists. At 101 1/8 x 152 inches, The Star of Bethlehem was the largest watercolour of the 19th century. It was completed in 1890 and was first exhibited in 1891.
The Southampton City Art Gallery is an art gallery in Southampton, southern England. It is located in the Civic Centre on Commercial Road.
The Holy Grail or San Graal tapestries are a set of six tapestries depicting scenes from the legend of King Arthur and the quest for the Holy Grail. The tapestries were commissioned from Morris & Co. by William Knox D'Arcy in 1890 for his dining room at Stanmore Hall, outside London. Additional versions of the tapestries with minor variations were woven on commission by Morris & Co. over the next decade.
Maria Zambaco, born Marie Terpsithea Cassavetti, was a British artist's model of Greek descent, favoured by the Pre-Raphaelites. She was also a sculptor.
King Cophetua and the Beggar Maid is an 1884 painting by the Pre-Raphaelite artist Edward Burne-Jones. The painting illustrates the story of 'The King and the Beggar-maid", which tells the legend of the prince Cophetua who fell in love at first sight with the beggar Penelophon. The tale was familiar to Burne-Jones through an Elizabethan ballad published in Bishop Thomas Percy's 1765 Reliques of Ancient English Poetry and the sixteen-line poem The Beggar Maid by Alfred, Lord Tennyson.
Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the Gallery, the first being now owned by Lord Lloyd Webber, and the second housed at the Birmingham Museum & Art Gallery. This article deals with an appraisal of the second series.
The Merciful Knight is a watercolour by the pre-Raphaelite artist Edward Burne-Jones which was completed in 1863 and is currently housed at the Birmingham Museum & Art Gallery.
Georgiana, Lady Burne-Jones was a painter and engraver, and the second oldest of the Macdonald sisters. She was married to the Late Pre-Raphaelite artist Edward Burne-Jones, and was also the mother of painter Philip Burne-Jones, aunt of novelist Rudyard Kipling and Prime Minister Stanley Baldwin, confidante and friend of George Eliot, William Morris, and John Ruskin. She was a Trustee of the South London Gallery and was elected to the parish Council of Rottingdean, near Brighton in Sussex.
Gaetano Giuseppe Faostino Meo was an Italian-British artist's model, landscape painter, and a noted craftsman in mosaic and stained glass. His unpublished autobiography is a useful source for art historians of the Aesthetic Movement and Edwardian Era.
The Mill is an Aesthetic Movement, Renaissance-inspired oil on canvas painting completed by Edward Burne-Jones in 1882. The painting's main feature is three women dancing in front of a mill pond on a summer evening, with a vague wooded landscape spanning the background. The Mill is an oil on canvas painting. It is 91 centimetres (36 in) in height, and 197 centimetres (78 in) in width.
Love Among the Ruins is a painting by English artist Edward Burne-Jones which exists in two versions, a watercolour completed in 1873 and an oil painting completed in 1894. It depicts a man and a woman amid ruined architecture. The work is a synthesis of influences from the Pre-Raphaelite, Symbolist and Aesthetic art movements. The ambiguous scene without a clear narrative is considered one of Burne-Jones' best works.
The Wheel of Fortune is an oil painting on canvas by the British Pre-Raphaelite painter Edward Burne-Jones, made from 1875 to 1883. The painting combines classical and medieval themes to present an allegory of the vagaries of life, a vanitas, with individual lives elevated or cast down as the wheel of fortune turns. Burne-Jones commented: "My wheel of Fortune is a true-to-life image; it comes to fetch each of us in turn, then it crushes us." The prime version has been in the collection of the Musée d'Orsay in Paris since 1980.
Helen Mary Gaskell, CBE, known as May Gaskell (1853–1940) was a society hostess and philanthropist in London who established the British War Library.
