Sir Edward Coley Burne-Jones, 1st Baronet, was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter.
The Beguiling of Merlin is a painting by the British Pre-Raphaelite painter Edward Burne-Jones that was created between 1872 and 1877.
The Last Sleep of Arthur in Avalon is a painting by Edward Burne-Jones, started in 1881. The massive painting measures 279 cm × 650 cm, and is widely considered to be Burne-Jones's magnum opus.
The New Gallery is a Crown Estate-owned Grade II Listed building at 121 Regent Street, London, which originally was an art gallery from 1888 to 1910, The New Gallery Restaurant from 1910 to 1913, The New Gallery Cinema from 1913 to 1953, and a Seventh-day Adventist Church from 1953 to 1992. After having been empty for more than ten years, the building was a Habitat furniture store from 2006 to 2011, and since September 2012 it is a flagship store for Burberry.
The Star of Bethlehem is a painting in watercolour by Sir Edward Burne-Jones depicting the Adoration of the Magi with an angel holding the star of Bethlehem. It was commissioned by the Corporation of the City of Birmingham for its new Museum and Art Gallery in 1887, two years after Burne-Jones was elected Honorary President of the Royal Birmingham Society of Artists. At 101 ⅛ × 152 inches, The Star of Bethlehem was the largest watercolour of the 19th century. It was completed in 1890 and was first exhibited in 1891.
Maria Zambaco, born Marie Terpsithea Cassavetti, was a British artist's model of Greek descent, favoured by the Pre-Raphaelites. She was also a sculptor.
King Cophetua and the Beggar Maid is an 1884 painting by the Pre-Raphaelite artist Edward Burne-Jones. The painting illustrates the story of 'The King and the Beggar-maid", which tells the legend of the prince Cophetua who fell in love at first sight with the beggar Penelophon. The tale was familiar to Burne-Jones through an Elizabethan ballad published in Bishop Thomas Percy's 1765 Reliques of Ancient English Poetry and the sixteen-line poem The Beggar Maid by Alfred, Lord Tennyson.
John Melhuish Strudwick, was a British Pre-Raphaelite painter.
Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the Gallery, the first being now owned by Lord Lloyd Webber, and the second housed at the Birmingham Museum & Art Gallery. This article deals with an appraisal of the second series.
The Merciful Knight is a watercolour by the pre-Raphaelite artist Edward Burne-Jones which was completed in 1863 and is currently housed at the Birmingham Museum & Art Gallery.
The Flower Book by Edward Burne-Jones (1833–1898) is a series of 38 round watercolours, each about six inches across, painted from 1882 to 1898. The paintings do not depict flowers; rather, they were inspired by the flowers' names. Burne-Jones called them "a series of illustrations to the Names of Flowers". "Not a single flower itself appears", according to his wife Georgiana. They were painted for his private pleasure, many while he was resting at his summer home in Rottingdean, and were described by his wife as the "most soothing piece of work that he ever did". In 1905 Georgiana, by then a widow, published a limited edition of high-quality colour facsimiles.
Love's Messenger is an 1885 watercolor by Marie Spartali Stillman in which a dove has just carried a love letter to a woman standing in front of an open window. She wears a red rose, and has just put down her embroidery of a blind-folded Cupid.
Georgiana, Lady Burne-Jones was a British painter and engraver, and the second oldest of the MacDonald sisters. She was married to the Late Pre-Raphaelite artist Edward Burne-Jones, and was also the mother of painter Philip Burne-Jones, aunt of novelist Rudyard Kipling and Prime Minister Stanley Baldwin, confidante and friend of George Eliot, William Morris, and John Ruskin. She was a Trustee of the South London Gallery and was elected to the parish Council of Rottingdean, near Brighton in Sussex.
Hope is a late oil painting by the Pre-Raphaelite artist Edward Burne-Jones. It was painted on commission for Mrs. George Marston Whitin of Whitinsville, Massachusetts in 1896.
The Nativity is one of a pair of monumental paintings by the Pre-Raphaelite artist Edward Burne-Jones commissioned for the chancel of the church of St John the Apostle, Torquay, England, in 1887. The Gothic Revival church was designed by architect George Edmund Street in the 1860s and decorated by Morris & Co., the decorative arts firm in which Burne-Jones was a partner.
1 Palace Green is a Grade II* listed house on Palace Green, Kensington, London, England. It was built by Arts and Crafts architect Philip Webb, completed in 1870 with additions in 1874, and decorated by Morris, Marshall, Faulkner & Company.
St. Paul's Within the Walls, also known as the American Church in Rome, is a church of the Convocation of Episcopal Churches in Europe on Via Nazionale in Castro Pretorio, Rome. It was the first Protestant church to be built in Rome. Designed by English architect George Edmund Street in Gothic Revival style, it was built in polychrome brick and stone, and completed in 1880.
The Mill is an Aesthetic Movement, Renaissance-inspired oil on canvas painting completed by Edward Burne-Jones in 1882. The painting's main feature is three women dancing in front of a mill pond on a summer evening, with a vague wooded landscape spanning the background. The Mill is an oil on canvas painting. It is 91 centimetres (36 in) in height, and 197 centimetres (78 in) in width.
The Garden of Pan is a painting by the pre-Raphaelite artist Edward Burne-Jones which was completed around 1886 and is currently housed at the National Gallery of Victoria.
Laura Lyttelton was a British society figure who appeared in two paintings by Pre-Raphaelite painter Edward Burne-Jones and fascinated London society, marrying politician Alfred Lyttelton, before her early death in childbirth at the age of 24. After her death, her connections formed the social and intellectual group The Souls.
