Ford Madox Brown was a British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–1865). Brown spent the latter years of his life painting the twelve works known as The Manchester Murals, depicting Mancunian history, for Manchester Town Hall.
The Pre-Raphaelite Brotherhood was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse.
Gabriel Charles Dante Rossetti, generally known as Dante Gabriel Rossetti, was an English poet, illustrator, painter, translator, and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
Arthur Hughes was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood.
Marie Stillman was a British member of the second generation of the Pre-Raphaelite Brotherhood. Of the Pre-Raphaelites, she had one of the longest-running careers, spanning sixty years and producing over one hundred and fifty works, including Love's Messenger and numerous romantic scenes from the Divine Comedy. Though her work with the Brotherhood began as a favourite model, she soon trained and became a respected painter, earning praise from Dante Gabriel Rossetti and others.
The Scapegoat (1854–1856) is a painting by William Holman Hunt which depicts the "scapegoat" described in the Book of Leviticus. On the Day of Atonement, a goat would have its horns wrapped with a red cloth – representing the sins of the community – and be driven off.
Work (1852–1865) is a painting by Ford Madox Brown that is generally considered to be his most important achievement. It exists in two versions. The painting attempts to portray, both literally and analytically, the totality of the Victorian social system and the transition from a rural to an urban economy. Brown began the painting in 1852 and completed it in 1865, when he set up a special exhibition to show it along with several of his other works. He wrote a detailed catalogue explaining the significance of the picture.
The Manchester Murals are a series of twelve paintings by Ford Madox Brown in the Great Hall of Manchester Town Hall and are based on the history of Manchester. Following the success of Brown's painting Work he was commissioned to paint six murals for its Great Hall. Another six murals were to be completed by Frederic Shields who later withdrew, leaving Brown to complete all twelve works. The murals were begun in 1879, towards the end of Brown's career, but were not completed until 1893, the year he died. During this period he moved from London to Manchester with his family, first living in Crumpsall and then Victoria Park.
Joanna Mary Boyce was a British painter associated with the Pre-Raphaelite Brotherhood. She is also known by her married name as Mrs. H.T. Wells, or as Joanna Mary Wells. She produced multiple works with historical themes, as well as portraits and sketches, and authored art criticism responding to her contemporaries. She was the sister of Pre-Raphaelite watercolourist George Price Boyce.
The Tristram and Isoude stained glass panels are a series of 13 small stained-glass windows made in 1862 by Morris, Marshall, Faulker & Co. for Harden Grange, the house of textile merchant Walter Dunlop, near Bingley in Yorkshire, England. Depicting the legend of Tristan and Iseult, they were designed by six of the leading Pre-Raphaelite artists of the day, to an overall design by William Morris. They were acquired in 1917 by Cartwright Hall Art Gallery, which is now part of Bradford Museums & Galleries. They can be seen on display at Cliffe Castle, Keighley.
Found is an unfinished oil painting by Dante Gabriel Rossetti, now in the Delaware Art Museum. The painting is Rossetti's only treatment in oil of a contemporary moral subject, urban prostitution, and although the work remained incomplete at Rossetti's death in 1882, he always considered it one of his most important works, returning to it many times from the mid-1850s until the year before his death.
The Beloved is an oil painting on canvas by the English artist Dante Gabriel Rossetti (1828–1882), now in Tate Britain, London. Rossetti signed his initials and the date as "1865-6" on the bottom left of the canvas. It depicts the bride, or "beloved", from the Song of Solomon in the Hebrew Bible as she approaches her bridegroom, with her attendants.
Pia de' Tolomei is an oil painting on canvas by English artist Dante Gabriel Rossetti, painted around 1868 and now in the Spencer Museum of Art, on the campus of the University of Kansas in Lawrence, Kansas.
Water Willow is an 1871 oil painting by Dante Gabriel Rossetti. It depicts Jane Morris in the river landscape near Kelmscott Manor, with the manor in the left background and Kelmscott Church below the hill to the right.
Georgiana, Lady Burne-Jones was a British painter and engraver, and the second oldest of the MacDonald sisters. She was married to the Late Pre-Raphaelite artist Edward Burne-Jones, and was also the mother of painter Philip Burne-Jones, aunt of novelist Rudyard Kipling and Prime Minister Stanley Baldwin, confidante and friend of George Eliot, William Morris, and John Ruskin. She was a Trustee of the South London Gallery and was elected to the parish Council of Rottingdean, near Brighton in Sussex.
Lucy Madox Brown Rossetti was a British artist, author, and model associated with the Pre-Raphaelites. She was married to the writer and art critic William Michael Rossetti.
Catherine Madox Brown Hueffer, also known as Cathy, the first child of Ford Madox Brown and Emma Hill, was an artist and model associated with the Pre-Raphaelites and married to the writer Francis Hueffer.
Stages of Cruelty is an oil-on-canvas painting by Ford Madox Brown. He worked on the painting over an extended period, from 1856 to 1890. It is held by the Manchester Art Gallery.
The Pretty Baa-Lambs is an oil-on-panel painting executed in 1851 by the English Pre-Raphaelite artist Ford Madox Brown and part of the collection of Birmingham Museums and Art Gallery.
