Beata Beatrix

Last updated

Beata Beatrix
Dante Gabriel Rossetti - Beata Beatrix, 1864-1870.jpg
Artist Dante Gabriel Rossetti
Yearc. 1864–1870
Medium Oil on canvas
Dimensions86.4 cm× 66 cm(34 in× 26 in)
Location Tate Britain, London
Beata Beatrix
Dante Gabriel Rossetti - Beata Beatrix - 1925.722 - Art Institute of Chicago.jpg
Artist Dante Gabriel Rossetti
Yearc. 1871–1872
Medium Oil on canvas
Dimensions87.5 cm× 69.3 cm(34 7/16 in× 27 1/4 in);
[predella: 26.5 cm × 69.2 cm].
Location Art Institute of Chicago, Chicago

Beata Beatrix is a painting completed in several versions by Pre-Raphaelite artist Dante Gabriel Rossetti. The painting depicts Beatrice Portinari from Dante Alighieri's 1294 poem La Vita Nuova at the moment of her death. The first version is oil on canvas completed in 1870.

Contents

Painting

The painting's title in English translates to Blessed Beatrice. La Vita Nuova had been a story that Rossetti had found of interest from childhood and he had begun work translating it into English in 1845 and published it in his work The Early Italian Poets. [1]

Rossetti modeled Beatrice after his deceased wife and frequent model, Elizabeth Siddal, who died in 1862. The painting was created from the numerous drawings that Rossetti had made of Siddal during their time together. [2] The symbolism in the painting of a red dove, a messenger of love, relates back to Rossetti's love for Siddal with the white poppy representing laudanum and the means of her death. [3] Several of Siddal's friends found the painting to bear little resemblance to the drawings of her—the facial features were harder and the neck is out of proportion. Beata Beatrix is one of Rossetti's most recognized works and has caused Siddal's name to be frequently linked with Dante Alighieri's Beatrice. [4]

In an 1873 letter to his friend William Morris, Rossetti said he intended the painting "not as a representation of the incident of the death of Beatrice, but as an ideal of the subject, symbolized by a trance or sudden spiritual transfiguration." [5]

This first painting is on display in the Tate Britain. It was a gift in memory of Francis, Baron Mount-Temple by his wife, Georgiana in 1889. [3]

Renditions by Rossetti

Rossetti was commissioned by William Graham to paint for him a version of Beata Beatrix, which Rossetti at first resisted. After stopping and starting the work, he grew to enjoy revisiting the theme, and altered the suffusion of light from the original, increasing background definition, and perhaps the idealization of the subject. [6] This oil-on-canvas painting, dated 1871–1872, is in the main slightly larger than the original and adds a predella (bottom panel) depicting Dante Alighieri and Beatrice meeting in paradise within a frame designed by Rossetti. Gifted by Charles L. Hutchinson in the 1920s, it is on display at the Art Institute of Chicago. [7]

Several other renditions were made by Rossetti of Beata Beatrix—a watercolor, a chalk drawing and another oil painting that was begun in 1877. The last painting was still unfinished at the time of his death. His lifelong friend, Ford Madox Brown, completed it. In this painting, in contrast to the original, the bird flying towards Beatrice is a white dove holding red poppies in its beak. [4] This painting is in Birmingham Museum and Art Gallery, England. [8] An 1880 oil on canvas version is in the National Galleries of Scotland. [9]

The painting's compositional sketch Dante Gabriel Rossetti - Beata Beatrix - Compositional Sketch.jpg
The painting's compositional sketch

See also

Notes

  1. "Catalogue entry from The Age of Rossetti, Burne-Jones & Watts: Symbolism in Britain 1860–1910". tate.org. Retrieved 9 July 2012.
  2. "Beata Beatrix". victorian web.org. Retrieved 8 July 2012.
  3. 1 2 "'Beata Beatrix', Dante Gabriel Rossetti". liverpoolmuseums.org. Retrieved 10 July 2012.
  4. 1 2 Hawksley 2001 , p. 115
  5. McDonnell, Patricia & Rodgers, Timothy R. (2007). "Beata Beatrix". victorian web.org. Retrieved 2 February 2008.
  6. McGann, Jerome J. (ed.). "Beata Beatrix (replica)". www.rossettiarchive.org. Retrieved 18 January 2019.
  7. Bulletin of the Art Institute of Chicago-Volumes 16-21. 1922. pp. 102, 103. Retrieved 9 July 2012.
  8. "Oil Painting—Beata Beatrix". bmagic.org. Retrieved 8 July 2012.
  9. "Catalogue entry".

Related Research Articles

<span class="mw-page-title-main">Dante Gabriel Rossetti</span> English poet and artist (1828–1882)

Gabriel Charles Dante Rossetti, generally known as Dante Gabriel Rossetti, was an English poet, illustrator, painter, translator, and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.

<i>La Vita Nuova</i> Text by Dante Alighieri published in 1294

La Vita Nuova or Vita Nova is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.

<span class="mw-page-title-main">Elizabeth Siddal</span> Pre-Raphaelite model, artist, and poet (1829–1862)

Elizabeth Eleanor Siddall, better known as Elizabeth Siddal, was an English artist, art model, and poet. Siddal was perhaps the most significant of the female models who posed for the Pre-Raphaelite Brotherhood. Their ideas of female beauty were fundamentally influenced and personified by her. Walter Deverell and William Holman Hunt painted Siddal, and she was the model for John Everett Millais's famous painting Ophelia (1852). Early in her relationship with Dante Gabriel Rossetti, Siddal became his muse and exclusive model, and he portrayed her in almost all his early artwork depicting women.

<span class="mw-page-title-main">Beatrice Portinari</span> Dantes muse

Beatrice "Bice" di Folco Portinari was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine Comedy, Paradiso, and during the conclusion of the preceding Purgatorio. In the Comedy, Beatrice symbolises divine grace and theology.

<span class="mw-page-title-main">Jane Morris</span> English embroiderer and artists model (1839–1914)

Jane Morris was an English embroiderer in the Arts and Crafts movement and an artists' model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to her husband William Morris and to Dante Gabriel Rossetti. Her sister was the embroiderer and teacher Elizabeth Burden.

<span class="mw-page-title-main">Marie Spartali Stillman</span> English painter

Marie Stillman was a British member of the second generation of the Pre-Raphaelite Brotherhood. Of the Pre-Raphaelites, she had one of the longest-running careers, spanning sixty years and producing over one hundred and fifty works. Though her work with the Brotherhood began as a favourite model, she soon trained and became a respected painter, earning praise from Dante Gabriel Rossetti and others.

<span class="mw-page-title-main">Walter Deverell</span> British painter (1827–1854)

Walter Howell Deverell (1827–1854) was a United States-born British artist, closely associated with the Pre-Raphaelite Brotherhood.

<i>The Blessed Damozel</i> Poem and painting by Dante Gabriel Rossetti

"The Blessed Damozel" is perhaps the best known poem by Dante Gabriel Rossetti, as well as the title of his painting illustrating the subject. The poem was first published in 1850 in the Pre-Raphaelite journal The Germ. Rossetti subsequently revised the poem twice and republished it in 1856, 1870 and 1873.

<i>Desperate Romantics</i> British television drama series

Desperate Romantics is a six-part television drama serial about the Pre-Raphaelite Brotherhood, first broadcast on BBC Two between 21 July and 25 August 2009.

<i>Dantes Dream</i> 1871 painting by Dante Gabriel Rossetti

Dante's Dream is a painting from 1871 by the English Pre-Raphaelite painter Dante Gabriel Rossetti. It hangs in the Walker Art Gallery, Liverpool.

<i>Dante and Beatrice</i> (painting) 1883 painting by Henry Holiday

Dante and Beatrice is a painting dated 1883 by the artist Henry Holiday that is on display in the Walker Art Gallery, in Liverpool, England. It is considered to be Holiday's most important painting. It is executed in oil on canvas, measuring 142.2 centimetres (56 in) by 203.2 centimetres (80 in) and was purchased by the gallery in 1884.

<i>Lady Lilith</i> 1860–1873 oil painting by Dante Gabriel Rossetti

Lady Lilith is an oil painting by Dante Gabriel Rossetti first painted in 1866–1868 using his mistress Fanny Cornforth as the model, then altered in 1872–73 to show the face of Alexa Wilding. The subject is Lilith, who was, according to ancient Judaic myth, "the first wife of Adam" and is associated with the seduction of men and the murder of children. She is shown as a "powerful and evil temptress" and as "an iconic, Amazon-like female with long, flowing hair."

<i>The Beloved</i> (Rossetti) 1865 painting by Dante Gabriel Rossetti

The Beloved is an oil painting on canvas by the English artist Dante Gabriel Rossetti (1828–1882), now in Tate Britain, London. Rossetti signed his initials and the date as "1865-6" on the bottom left of the canvas. It depicts the bride, or "beloved", from the Song of Solomon in the Hebrew Bible as she approaches her bridegroom, with her attendants.

<i>Pia de Tolomei</i> (Rossetti) 1868 painting by Dante Gabriel Rossetti

Pia de' Tolomei is an oil painting on canvas by English artist Dante Gabriel Rossetti, painted around 1868 and now in the Spencer Museum of Art, on the campus of the University of Kansas in Lawrence, Kansas.

<i>Proserpine</i> (Rossetti) 1874 painting by Dante Gabriel Rossetti

Proserpine is an oil painting on canvas by English artist and poet Dante Gabriel Rossetti, painted in 1874 and now in Tate Britain. Rossetti began work on the painting in 1871 and painted at least eight separate versions, the last only completed in 1882, the year of his death. Early versions were promised to Charles Augustus Howell. The painting discussed in this article is the so-called seventh version commissioned by Frederick Richards Leyland, now at the Tate Gallery, with the very similar final version now at the Birmingham Museum and Art Gallery.

<i>Paolo and Francesca da Rimini</i> 1855 painting by Dante Gabriel Rossetti

Paolo and Francesca da Rimini is a watercolour by British artist and poet Dante Gabriel Rossetti, painted in 1855 and now in Tate Britain.

<i>The Day Dream</i> (Rossetti) Painting by Dante Gabriel Rossetti

The Day Dream or, as it was initially intended to be named, Monna Primavera, is an oil-on-canvas painting by the Pre-Raphaelite Brotherhood founder member Dante Gabriel Rossetti. The work, which measures 158.7 centimetres (62.5 in) high by 92.7 centimetres (36.5 in) wide, was undertaken in 1880 and depicts Jane Morris in a seated position on the bough of a sycamore tree. In her hand is a small stem of honeysuckle – a token of love in the Victorian era – that may be an indication of the secret affair the artist was immersed in with her at the time. The artwork was left to the Victoria and Albert Museum by Constantine Alexander Ionides in 1900.

<i>Monna Vanna</i> (Rossetti) Painting by Dante Gabriel Rossetti

Monna Vanna is an 1866 oil on canvas painting by Dante Gabriel Rossetti. It was acquired by the collector William Henry Blackmore and later entered the collection of George Rae, one of Rossetti's patrons. It later passed from Rae to the joint ownership of Arthur Du Cros and Otto Beit and it was purchased from them by the Tate Gallery in 1916 via the NACF – it is now in the collection of Tate Britain in London.

<i>The Girlhood of Mary Virgin</i> Painting by Dante Gabriel Rossetti

The Girlhood of Mary Virgin is an 1849 oil on canvas painting by the Pre-Raphaelite Brotherhood painter Dante Gabriel Rossetti, measuring 83.2 by 65.4 cm and now in the collection of Tate Britain, to which it was bequeathed in 1937 by Agnes Jekyll. It was his first completed oil painting and is signed "Dante Gabriele Rossetti P.R.B. 1849". He first exhibited it at the 'Free Exhibition' at the Hyde Park Corner Gallery.

<i>Ligeia Siren</i> Painting by Dante Gabriel Rossetti

Ligeia Siren is a chalk drawing by Dante Gabriel Rossetti (DGR) that was completed in 1873. The painting depicts a siren, a creature from classic Greek mythology, that also appear in tales such as Homer's Odyssey or Virgil's Georgics. The drawing is predominantly inspired from Rossetti's own 1869 libretto The Doom of the Sirens with which Ligeia is one of the female leads. Instead of depicting the traditional encounter of the siren with her victims entranced by her beauty and powers of music, doomed to a terrible fate, as in The Siren (1900) by John William Waterhouse or Ulysses and the Sirens (1909) by Herbert James Draper. Rossetti depicts a timeless moment, where contrary to his depiction of her in his libretto, she appears tranquil and relatively innocuous to her intended victims in the background.

References