Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Jean Frédéric Bazille was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted en plein air.
Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Sir Edward Coley Burne-Jones, 1st Baronet, was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and William Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts.
Marie Laurencin was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.
L'Origine du monde is a picture painted in oil on canvas by the French artist Gustave Courbet in 1866. It is a close-up view of the vulva and abdomen of a naked woman, lying on a bed with legs spread.
Eugène Anatole Carrière was a French Symbolist artist of the fin-de-siècle period. Carrière's paintings are best known for their near-monochrome brown palette and their ethereal, dreamlike quality. He was a close friend of Auguste Rodin and his work likely influenced Pablo Picasso's Blue Period. He was also associated with such writers as Paul Verlaine, Stéphane Mallarmé and Charles Morice.
Annie Louisa Swynnerton, ARA was a British painter best known for her portrait and symbolist works. She studied at Manchester School of Art and at the Académie Julian, before basing herself in the artistic community in Rome with her husband, the monumental sculptor Joseph Swynnerton. Swynnerton was influenced by George Frederic Watts and Sir Edward Burne-Jones. John Singer Sargent appreciated her work and helped her to become the first elected woman member at the Royal Academy of Arts in 1922. Swynnerton painted portraits of Henry James and Millicent Fawcett. Her main public collection of works are in Manchester Art Gallery, but individual works are also held in a few other English cities, as well as can also be seen in Glasgow, Dublin, Paris, and two in Melbourne, Australia. Annie was a close friend of leading suffragists of the day, notably the Pankhurst family.
The Last Sleep of Arthur in Avalon is a painting by Edward Burne-Jones, started in 1881. The massive painting measures 279 cm × 650 cm, and is widely considered to be Burne-Jones's magnum opus.
The Adoration of the Magi is a Morris & Co. tapestry depicting the story in Christianity of the Three Kings who were guided to the birthplace of Jesus by the star of Bethlehem. It is sometimes called The Star of Bethlehem or simply The Adoration.
Sponsa de Libano is a painting by the Pre-Raphaelite artist Edward Burne-Jones dated 1891.
Maria Zambaco, born Marie Terpsithea Cassavetti, was a British artist's model of Greek descent, favoured by the Pre-Raphaelites. She was also a sculptor.
King Cophetua and the Beggar Maid is an 1884 painting by the Pre-Raphaelite artist Edward Burne-Jones. The painting illustrates the story of 'The King and the Beggar-maid", which tells the legend of the prince Cophetua who fell in love at first sight with the beggar Penelophon. The tale was familiar to Burne-Jones through an Elizabethan ballad published in Bishop Thomas Percy's 1765 Reliques of Ancient English Poetry and the sixteen-line poem The Beggar Maid by Alfred, Lord Tennyson.
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place. Cézanne also completed numerous drawings and studies in preparation for The Card Players series.
The Golden Stairs is one of the best-known paintings by the Pre-Raphaelite artist Edward Burne-Jones. It was begun in 1876 and exhibited at the Grosvenor Gallery in 1880.
The Circus is an oil on canvas painting by Georges Seurat. It was his last painting, made in a Neo-Impressionist style in 1890–91, and remained unfinished at his death in March 1891. The painting is located at the Musée d'Orsay in Paris.
The Mill is an Aesthetic Movement, Renaissance-inspired oil on canvas painting completed by Edward Burne-Jones in 1882. The painting's main feature is three women dancing in front of a mill pond on a summer evening, with a vague wooded landscape spanning the background. The Mill is an oil on canvas painting. It is 91 centimetres (36 in) in height, and 197 centimetres (78 in) in width.
A Session of the Painting Jury is an oil on canvas painting by the French artist Henri Gervex, probably from c. 1883. The painting, a piece of official art during the Third Republic, shows a meeting of the painting jury of the Salon, the official exhibition of the Académie des Beaux-Arts, in 1883.
Love Among the Ruins is a painting by English artist Edward Burne-Jones which exists in two versions, a watercolour completed in 1873 and an oil painting completed in 1894. It depicts a man and a woman amid ruined architecture. The work is a synthesis of influences from the Pre-Raphaelite, Symbolist and Aesthetic art movements. The ambiguous scene without a clear narrative is considered one of Burne-Jones' best works.
