The Pre-Raphaelite Brotherhood was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse.
The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group.
Howard Pyle was an American illustrator, painter, and author, primarily of books for young people. He was a native of Wilmington, Delaware, and he spent the last year of his life in Florence, Italy.
Fanny Cornforth was an English artist's model, and the mistress and muse of the Pre-Raphaelite painter Dante Gabriel Rossetti. Cornforth performed the duties of housekeeper for Rossetti. In Rossetti's paintings, the figures modelled by Fanny Cornforth are generally rather voluptuous, differing from those of other models such as Alexa Wilding, Jane Morris and Elizabeth Siddal.
Marie Stillman was a British member of the second generation of the Pre-Raphaelite Brotherhood. Of the Pre-Raphaelites, she had one of the longest-running careers, spanning sixty years and producing over one hundred and fifty works. Though her work with the Brotherhood began as a favourite model, she soon trained and became a respected painter, earning praise from Dante Gabriel Rossetti and others.
The Brandywine School was a style of illustration—as well as an artists colony in Wilmington, Delaware and in Chadds Ford, Pennsylvania, near the Brandywine River—both founded by artist Howard Pyle (1853–1911) at the end of the 19th century. The works produced there were widely published in adventure novels, magazines, and romances in the early 20th century. Pyle’s teachings would influence such notable illustrators as N.C. Wyeth, Maxfield Parrish, Harvey Dunn, and Norman Rockwell. Pyle himself would come to be known as the "Father of American Illustration." Many works related to the Brandywine School may be seen at the Brandywine River Museum of Art, in Chadds Ford.
A Vision of Fiammetta is an oil painting created by Dante Gabriel Rossetti, in the Pre-Raphaelite style, created in 1878. The painting was one half of one of Rossetti's "double works", accompanying his Ballads and Sonnets (1881). Maria Spartali Stillman modelled for the painting. The subject of painting is Boccaccio's muse named Fiammetta.
Mary Magdalene is a Pre-Raphaelite oil-on-panel painting by the British artist Frederick Sandys, executed in 1858–1860. Mary Magdalene was the only figure from the Bible that Sandys ever painted. Having sharp features reminiscent of Lizzie Siddal, Mary is depicted in front of a patterned forest-green damask. She holds an alabaster ointment cup, a traditional attribute which associates her with the unnamed sinful woman who anointed Jesus' feet in Luke 7:37. Like other Pre-Raphaelite painters, Frederick Sandys gave Magdalene a sensual look.
The University Museums at the University of Delaware is the collective name for the University of Delaware's collections of American art, minerals, and Pre-Columbian ceramics.
The Howard Pyle Studios are two historic buildings used for painting and teaching by illustrator Howard Pyle. The studios are located in a densely populated neighborhood near Brandywine Park and the Delaware Avenue Historic District. The building used by Pyle as his own studio was built in 1883, mainly in brick with a Tudor Revival half timbered gable. The smaller studio, that Pyle used for teaching, was built in a similar style in 1900. After Pyle's death in 1911, the buildings were owned by Stanley Arthurs, until 1950, and then by Ellen duPont Wheelwright until 1964. The Studio Group acquired the studios in 1964 and continues to use them as art studios. In 1978, the property was listed on the National Register of Historic Places.
Lady Lilith is an oil painting by Dante Gabriel Rossetti first painted in 1866–1868 using his mistress Fanny Cornforth as the model, then altered in 1872–73 to show the face of Alexa Wilding. The subject is Lilith, who was, according to ancient Judaic myth, "the first wife of Adam" and is associated with the seduction of men and the murder of children. She is shown as a "powerful and evil temptress" and as "an iconic, Amazon-like female with long, flowing hair."
Found is an unfinished oil painting by Dante Gabriel Rossetti, now in the Delaware Art Museum. The painting is Rossetti's only treatment in oil of a contemporary moral subject, urban prostitution, and although the work remained incomplete at Rossetti's death in 1882, he always considered it one of his most important works, returning to it many times from the mid-1850s until the year before his death.
Love's Messenger is an 1885 watercolor by Marie Spartali Stillman in which a dove has just carried a love letter to a woman standing in front of an open window. She wears a red rose, and has just put down her embroidery of a blind-folded Cupid.
The Frank E. Schoonover Studios in Wilmington, Delaware comprise a historic building that was used by the students of illustrator Howard Pyle, including the original tenants Frank Schoonover, N.C. Wyeth, Harvey Dunn, and Clifford Ashley. Philanthropist and art collector Samuel Bancroft paid for the building which was designed by the prominent local architect Capt. E.L. Rice, Jr. and built in 1905 in a simplified Queen Anne or Shavian Manorial style. It was added to the National Register of Historic Places in 1979.
Mnemosyne, also titled Lamp of Memory and Ricordanza, is an oil painting by Dante Gabriel Rossetti begun in 1875 or early 1876 and completed in 1881. Jane Morris was the model, and Frederick Richards Leyland bought the painting in 1881 and displayed it in his drawing room with five other Rossetti "stunners." At about the same time Rossetti, a founder of the Pre-Raphaelite Brotherhood, was painting Astarte Syriaca, a larger painting completed in 1877 with Morris in a very similar pose.
Veronica Veronese is an oil painting by Dante Gabriel Rossetti painted in 1872 with Alexa Wilding as the model. The painting was conceived as a companion to Lady Lilith. Rossetti sold the painting to one of his best clients, shipping magnate Frederick Richards Leyland. In 1923 it was acquired by the estate of Samuel Bancroft which donated it in 1935 to the Delaware Art Museum.
Water Willow is an 1871 oil painting by Dante Gabriel Rossetti. It depicts Jane Morris in the river landscape near Kelmscott Manor, with the manor in the left background and Kelmscott Church below the hill to the right.
Samuel Bancroft was an American industrialist as well as a major collector of Pre-Raphaelite Brotherhood artwork. His appreciation for art and his desire to give back to the community led to his becoming a prominent philanthropist in the early 20th century, particularly of the Brandywine School.
Edward Leroy Loper Sr. was an African American artist and teacher from Delaware, best known for his vibrant palette and juxtaposition of colors. He taught painting for almost 70 years.
Sarah Katherine Smith (1878–1956+) was an artist and educator known for her illustrations, etchings, prints, and paintings. For 25 years, she was the head of the art department at the Gulf Park College for Women in Long Beach, Mississippi.
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