The following is a list of paintings by Sofonisba Anguissola that are generally accepted as autograph.
Image | Title | Date | Collection | Inventory number | Ref |
---|---|---|---|---|---|
Portrait of Elena Anguissola | 1540s or 1551 | Southampton City Art Gallery, UK | |||
Self-portrait | 1550 | Uffizi, Florence | |||
Self-portrait | c.1550 | Private collection | |||
Self-portrait | 1554 | Kunsthistorisches Museum, Vienna | GG_285 | ||
Self-portrait | 1554 | Museo Poldi Pezzoli, Milan | |||
Self-Portrait at a Spinet | 1554 | Museo Nazionale di Capodimonte, Naples | |||
Portrait of the Artist's Sisters Playing Chess | 1555 | National Museum Poznań | FR 434 | ||
Self-portrait at the Easel Painting a Devotional Panel | 1556 | Łańcut Castle, Poland | |||
Portrait of a Monk | 1556 | private collection Herbert Cook | |||
Miniature Self-Portrait | 1556 | Museum of Fine Arts, Boston | 60.155 | ||
Julio Clovio, master of artistic miniatures | 1556 | Private collection | |||
Portrait of Marquess Massimiliano Stampa | 1557 | Walters Art Museum, Baltimore, MD | 37.1016 | ||
Portrait of Bianca Ponzoni Anguissola, the artist's mother | 1557 | Gemäldegalerie, Berlin | |||
Giovanni Battista Caselli, Cremona poet | 1558 | Museo del Prado, Madrid | |||
Portrait Group with the Artist's Father, Brother and Sister | 1559 | Nivaagaard, Denmark | 0001NMK | ||
Self-portrait | 1559 | Private collection | |||
Holy Family: Rest on the Way to Egypt | 1559 | Accademia Carrara, Bergamo, Italy | |||
Portrait of a man (Garcia Urtavo de Mendoza) | c.1560 | Private collection | |||
Portrait of Joanna of Austria | 1560s | Private collection | |||
Prince Alessandro Farnese (1545-1592), later Duke of Parma and Piacenza | 1560 | National Gallery of Ireland, Dublin | NGI.17 | ||
Portrait of Juana of Austria with a Young Girl | 1561 | Isabella Stewart Gardner Museum, Boston, Massachusetts | P26w15 | ||
Portrait of Elisabeth of Valois holding a portrait of Philip II | 1563 | Museo del Prado, Madrid | P01031 | ||
Minerva, sister of the artist | 1564 | Milwaukee Art Museum | S103 | ||
Portrait of Diane d'Andouins and her daughter | 1565 | Basque Museum in Bayonne, France | G 2 | ||
Portrait of a Young Aristocrat | 1565 | Private collection | |||
Portrait of Infanta Carlos, son of Philip II of Spain and Mary of Portugal | 1565 | Private collection | |||
Portrait of a Boy at the Spanish Court | 1567s | San Diego Museum of Art | 1936.58 | ||
Infanta Isabella Clara Eugenia and Infanta Catherine Michelle | 1569 | Royal Collection, Buckingham Palace, London | |||
Virgin and Child | 1570s | Statens Museum for Kunst, Copenhagen | KMSsp77 | ||
Portrait of Minerva Anguissola | 1570s | Pinacoteca di Brera, Milan | |||
Portrait of a Couple | 1570 | Doria Pamphilj Gallery, Rome | |||
Portrait of Philip II of Spain | 1573 | Museo del Prado, Madrid | P01036 | ||
Portrait of Anna of Austria 1549-1580) | 1573 | Museo del Prado, Madrid | P01284 | ||
Isabella Clara Eugene | 1573 | Savoy gallery Sabaudia, Turin, Italy | |||
Dona Maria Manrique de Lara with her daughter | 1584 | Kinský Palace (Prague), Czech Republic | |||
Madonna and Child by candlelight (Luca Cambiaso as Madonna) | 1575 | Palazzo Bianco (Genoa), Italy | |||
Madonna dell'Itria | 1578 | Church of the Santissima Annunziata, Paterno`, Sicily | Identified by Alfio Nicotra (1995) with documentation (2002). Tale of Two Women Painters, Museo del Prado 2019 | ||
Portrait of Francesco I de' Medici, Grand Duke of Tuscany (1541-1587) | 1579 | private collection | |||
Portrait of Maximilian II of Austria | 1580 | Private collection | |||
Infanta Catalina, granddaughter of the duke and duchess of Parma | 1580 | Maidstone Museum, Kent, England | |||
Portrait of a Young Woman in Profile | 1580s | Hermitage Museum, St. Petersburg | ГЭ-36 | ||
A Man with his Daughter | 1580s | National Museum, Warsaw | M.Ob.1079 (130953) | ||
Three Children with a Dog | 1580s | private collection | |||
Portrait of a Young Patrician | 1580s-1590s | Lviv National Art Gallery | |||
Portrait of a Young Lady | 1580 | Museum of Lázaro Galdiano | 08486 | ||
Infanta Catalina Michaela of Austria | 1585 | Museo del Prado, Madrid | |||
Portrait of a woman (Elizabeth French) | 1590 | Musée Condé, Chantilly, France | PE 100 | ||
Portrait of a Child with Flowers | 1590 | Private Collection | |||
Portrait of Giuliano Cesarini | 1586 | private collection | |||
Portrait of a Child | c. 1590 | Private collection | |||
Girl with a Dwarf (Portrait of Margarita of Savoy) | 1595 | Private collection | |||
Infanta Isabella Clara Eugenia | 1598 | Museo del Prado, Madrid | |||
Madonna and Child | 1598 | Museum of Fine Arts (Budapest), Hungary | |||
Portrait of Queen Elisabeth of Spain (1545-1568) | 1599? | Kunsthistorisches Museum, Vienna | GG_3351 | ||
Portrait of Isabella di Savoie | 1600 | Private collection | |||
Portrait of Donna Giovanna of Austria with a fan in her hands | c.1600 | Private collection | |||
Saint Lucia | c.1600 | private collection | |||
Pieta | 1600 | Pinacoteca di Brera, Milan | |||
Portrait of Donna Juana of Austria | 1603 | Private collection | |||
Self-portrait in old age | 1610 | Gottfried Keller-Stiftung |
Sofonisba Anguissola, also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic marriage for her. She moved to Sicily, and later Pisa and Genoa, where she continued to practice as a leading portrait painter.
Elisabeth of France or Elisabeth of Valois was Queen of Spain as the third spouse of Philip II of Spain. She was the eldest daughter of Henry II of France and Catherine de' Medici.
Boy Bitten by a Lizard is a painting by the Italian Baroque painter Caravaggio. It exists in two versions, both believed to be authentic works of Caravaggio, one in the Fondazione Roberto Longhi in Florence, the other in the National Gallery, London.
Lucia Anguissola was an Italian Mannerist painter of the late Renaissance. Born in Cremona, Italy, she was the third daughter among the seven children of Amilcare Anguissola and Bianca Ponzoni. Her father was a member of the Genoese minor nobility and encouraged his five daughters to develop artistic skills alongside their humanist education. Lucia most likely trained with her renowned eldest sister Sofonisba Anguissola. Her paintings, mainly portraits, are similar in style and technique to those of her sister. Contemporary critics considered her skill exemplary; according to seventeenth-century biographer Filippo Baldinucci, Lucia had the potential to "become a better artist than even Sofonisba" had she not died so young.
Portrait of the Artist's Family is a 1558–59 oil on canvas painting by the Italian artist Sofonisba Anguissola in the Nivaagaard art gallery.
Elena Anguissola was an Italian painter and nun. She was the sister of the better-known painter Sofonisba Anguissola.
Self-Portrait at a Spinet is a c.1555 oil on canvas painting by Sofonisba Anguissola, now in the National Museum of Capodimonte in Naples.
Self Portrait in Miniature is a small oil painting by the Italian artist Sofonisba Anguissola. It was painted around 1556 and mounted on a medal from the same time. The choice of format is based on Angussiola's knowledge of the works of the famous miniaturist Giulio Clovio. The painting is held at the Museum of Fine Arts, in Boston.
The Portrait of Elena Anguissola, dated to 1551, is one of the earliest paintings by Sofonisba Anguissola. It hangs in the Southampton City Art Gallery.
The Child Bitten by A Lobster is a drawing by Sofonisba Anguissola, executed in chalk and pencil on light blue paper, and dated to around 1554. It is in the collection of the Museo di Capodimonte, in Naples.
Anguissola is a crater on Mercury. It has a diameter of 35.41 kilometres. Its name was adopted by the International Astronomical Union (IAU) on August 4, 2017. Anguissola is named for the Italian painter Sofonisba Anguissola.
The Game of Chess is an oil on canvas painting by Italian Renaissance artist Sofonisba Anguissola from 1555. Anguissola was 23 years old when she painted it.
The Portrait of Juana of Austria and a Young Girl is a full-length portrait executed by the Italian sixteenth-century artist Sofonisba Anguissola. It was one of Anguissola's first paintings after arriving at the Spanish court, where she was official painter to the queen of Spain, Isabel de Valois. In a letter to the artist Bernardo Campi, she said that the painting was for the Pope, who was then Pius IV.
Self-Portrait is a small oil on panel painting by Sofonisba Anguissola, signed and dated 1554 on the open book held by the artist. It is now in the Kunsthistorisches Museum in Vienna.
Portrait of Minerva Anguissola is a c. 1564 oil on canvas painting by Sofonisba Anguissola, now in the Pinacoteca di Brera in Milan.
Portrait of Elisabeth of Valois is a c.1561-1565 oil on canvas painting by Sofonisba Anguissola, now in the Museo del Prado in Madrid.
Portrait of Bianca Ponzoni Anguissola or Lady in White is an oil on canvas painting. It was painted in 1557 by Sofonisba Anguissola. The painting shows the artist's mother. It is now in the Gemäldegalerie, Berlin. It is securely identified as the artist's mother, since it reuses two elements from The Game of Chess, Lucia's pearl headdress and Minerva/Elena's necklace Under the arm of the chair are the signature and date "Sophonisba Angussola Virgo F. 15.5.7".
Portrait of Infanta Isabella Clara Eugenia is a 1599 oil on canvas painting of Isabella Clara Eugenia by Sofonisba Anguissola, identified in 1992 by Maria Kusche. Owned by the Museo del Prado, it currently hangs in the Spanish Embassy in Paris.
Portrait of Massimiliano II Stampa is a c.1558 oil on canvas painting by Sofonisba Anguissola, now in the Walters Art Museum, Baltimore, USA. It was previously misattributed to Giovan Battista Moroni, possibly due to stylistic similarities with Moroni's The Knight in Black.
Maria Kusche was a Spanish art historian of German descent, a specialist on painters at the royal court of Philip II of Spain, in particular Sofonisba Anguissola, Juan Pantoja de la Cruz, and Alonso Sánchez Coello.